Songs like Go the Distance (feat. The All-American Boys Chorus) by BYU Vocal Point
Based on a tempo of (+/- 10%) and a similar genre
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Hilary Weeks
It's a Good Day
148 bpm • D# Maj • 03:01 • -6.81db
21% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 52% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Broadway Kids Against Bullying
I Have a Voice
148 bpm • F# Maj • 03:54 • -12db
24% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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The Clef Hangers
Let It Go
149 bpm • C# Maj • 04:23 • -7.54db
23% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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BYU Vocal Point
Go the Distance
148 bpm • C Maj • 03:56 • -7db
35% Popularity • 26% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 26% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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InsideOut A Cappella
Coal Mine
149 bpm • D Maj • 03:45 • -8.96db
9% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Pinkzebra
I See Colors
150 bpm • C Maj • 03:21 • -8.34db
11% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mandisa
I Hope You Dance
150 bpm • B Maj • 04:34 • -4.22db
29% Popularity • 59% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 59% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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SoCal VoCals
Bang Bang
150 bpm • A# min • 03:26 • -4db
23% Popularity • 73% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 73% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Five Strings
Moment to Live
146 bpm • D Maj • 03:33 • -10.24db
11% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Tufts Beelzebubs
One Day
146 bpm • C Maj • 03:27 • -7.17db
15% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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BYU Vocal Point
Ultimate A Cappella Mashup: 25 Hits, 25 ...
150 bpm • C Maj • 03:43 • -9db
39% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 40% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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The Filharmonic
Flashlight
150 bpm • A Maj • 02:35 • -7.22db
16% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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The Tenors
O Canada
146 bpm • F Maj • 01:50 • -6db
21% Popularity • 19% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 19% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 24% Positiveness
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Hilary Weeks
I Will
146 bpm • D# Maj • 04:18 • -9.24db
24% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Acoustikats
Marry You
145 bpm • C Maj • 02:57 • -6.82db
16% Popularity • 52% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 52% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Washington University Stereotypes
Any Way You Want It
145 bpm • C min • 01:53 • -6.17db
25% Popularity • 68% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 68% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Owl City
Always
145 bpm • C Maj • 04:36 • -6.97db
34% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Everclean
Sweet Spirit (A Ballad)
146 bpm • A# Maj • 03:36 • -10.99db
11% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 49% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Voice Male
Farmer Tan
145 bpm • A# Maj • 02:22 • -7.81db
22% Popularity • 72% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 72% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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InsideOut A Cappella
In The Sun They Melted (Snowmen II)
145 bpm • F Maj • 04:13 • -7db
18% Popularity • 47% Danceability • 54% Energy • 91% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 47% Danceability • 54% Energy • 91% Liveness
0% Instrumentalness • 43% Positiveness
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Acoustikats
Amazed
145 bpm • C# Maj • 02:20 • -6.77db
12% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Beyond 5
Glorious
144 bpm • G Maj • 03:20 • -14.56db
32% Popularity • 46% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 46% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Juxtaposition
Death of a Bachelor
144 bpm • F Maj • 03:08 • -7.73db
15% Popularity • 51% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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The Virginia Sil'hooettes
My Songs Know What You Did InThe Dark (L...
152 bpm • C# min • 03:09 • -6.54db
16% Popularity • 51% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 51% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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BYU Vocal Point
Beat It (A cappella tribute to Michael J...
144 bpm • C# min • 02:44 • -5.31db
18% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 72% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Octopodes
Holdin' Out for a Hero
144 bpm • A min • 04:26 • -5.41db
10% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Hullabahoos
Whatcha Say
144 bpm • G min • 04:17 • -6.79db
32% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Pitch Slapped
Because of You
144 bpm • F min • 03:32 • -5.01db
11% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dallyn Vail Bayles
Bring Him Home
144 bpm • F# min • 04:10 • -11.23db
17% Popularity • 23% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Voice Male
Lord, I Would Follow Thee
144 bpm • G Maj • 03:53 • -15.64db
31% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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BYU Vocal Point
High Hopes
152 bpm • C# min • 03:10 • -7db
13% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Shawna Edwards
Come Unto Christ
144 bpm • A# Maj • 03:57 • -10.76db
35% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Voices in Your Head
Sing for Myself
144 bpm • A# Maj • 02:07 • -12db
36% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The All-American Boys Chorus
We Are the World
144 bpm • E Maj • 04:58 • -10.86db
1% Popularity • 28% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 28% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Reese Oliveira
Gift of a Friend
153 bpm • F# Maj • 03:20 • -6.74db
24% Popularity • 33% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 33% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kurt Bestor
The Curse
153 bpm • F Maj • 02:43 • -12.1db
25% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 24% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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BYU Vocal Point
Dare You to Move (A cappella tribute to ...
144 bpm • D# Maj • 03:51 • -7.17db
15% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Rockapella
Candy Man
154 bpm • F Maj • 02:35 • -7.54db
30% Popularity • 79% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Rachel Platten
Superman
142 bpm • D# Maj • 03:22 • -6db
38% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Michael McLean
Falling
142 bpm • G Maj • 03:36 • -12.81db
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jessica Frech
When I Go
142 bpm • F# Maj • 03:47 • -10.93db
22% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Elenyi
Come Thou Fount of Every Blessing / If Y...
142 bpm • C Maj • 05:55 • -17.75db
46% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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BYU Vocal Point
Frozen Medley : For the First Time in Fo...
143 bpm • C# Maj • 05:44 • -6.33db
17% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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SoCal VoCals
Pure Imagination
141 bpm • F Maj • 03:28 • -9.83db
25% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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InsideOut A Cappella
Oh, What Do You Do in the Summertime?
155 bpm • G Maj • 05:02 • -8.58db
15% Popularity • 68% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 68% Danceability • 59% Energy • 41% Liveness
0% Instrumentalness • 87% Positiveness
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Michael McLean
In the Wink of an Eye
141 bpm • D Maj • 01:52 • -10db
21% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Colton A.
Listen
142 bpm • C Maj • 03:44 • -9.09db
28% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Washington University Stereotypes
Holding Out for a Hero
156 bpm • C# min • 03:36 • -6.94db
22% Popularity • 45% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 45% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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BYU Vocal Point
Newsies Medley: Seize the Day / King of ...
155 bpm • B Maj • 04:21 • -7.73db
23% Popularity • 35% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 35% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Voice Male
Danny Boy
141 bpm • F Maj • 02:21 • -12.54db
17% Popularity • 24% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nichole Nordeman
Beautiful For Me
156 bpm • F Maj • 03:57 • -6db
19% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Susan Egan
I Have You
140 bpm • G# Maj • 03:29 • -6.85db
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Monica Moore Smith
You Know Better Than I
140 bpm • D Maj • 03:39 • -7db
15% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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InsideOut A Cappella
Baptism (Jesus Came to John the Baptist)
140 bpm • F# Maj • 02:55 • -16.95db
23% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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BYU Vocal Point
Newsies Medley (Music Video Version)
155 bpm • B Maj • 04:11 • -7.47db
25% Popularity • 37% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 37% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Mr Dooves
Through My Own Eyes - Acapella
140 bpm • A Maj • 01:20 • -5.12db
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 72% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Everclean
Love Me, but Don't Show Me
140 bpm • C Maj • 03:04 • -8.76db
13% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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MC6 A Cappella
Sh-Boom
140 bpm • F Maj • 02:28 • -5.66db
24% Popularity • 66% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 66% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Eight Beat Measure
Viva la Vida
140 bpm • G# Maj • 04:04 • -7.92db
28% Popularity • 45% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 45% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jaeden Vaifanua
What Family Means to Me
140 bpm • F Maj • 03:09 • -6db
30% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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![We All Need Saving (A cappella Tribute to Jon McLaughlin) [Arr. Paul Bodily] cover art](https://i.scdn.co/image/ab67616d00001e02028ae8db967f3e674f3274e3)
BYU Vocal Point
We All Need Saving (A cappella Tribute t...
140 bpm • G# Maj • 04:15 • -16.32db
32% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Zac Love
Dare to Stand Alone
140 bpm • A Maj • 03:16 • -7.15db
30% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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McKenna Hixson
Peace in Christ
140 bpm • D# Maj • 03:36 • -7db
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hyannis Sound
Little Lion Man
140 bpm • F Maj • 04:13 • -10.36db
22% Popularity • 32% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 32% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Eight Beat Measure
The Cave
140 bpm • E Maj • 03:37 • -7.5db
13% Popularity • 68% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 68% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Reese Oliveira
Gethsemane
140 bpm • D# Maj • 02:56 • -11db
43% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Mann
To the Moon and Back (Unplugged)
157 bpm • E Maj • 03:33 • -8.05db
30% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Samantha Barks
When He Loved Me
139 bpm • E Maj • 03:19 • -13.2db
32% Popularity • 30% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 30% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lord & Lady
The Greatest Showman Medley
157 bpm • A Maj • 04:22 • -6.29db
15% Popularity • 40% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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The All-American Boys Chorus
Beach Boys Medley
158 bpm • F Maj • 04:29 • -13.72db
4% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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InsideOut A Cappella
Primary Jamboree
158 bpm • G# Maj • 02:51 • -5.97db
13% Popularity • 78% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 78% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Reese Oliveira
I Know That My Savior Loves Me
139 bpm • D# Maj • 02:55 • -9.75db
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Scott & Ryceejo
Let It Go / Strong
139 bpm • E Maj • 04:05 • -3.81db
17% Popularity • 45% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 45% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Amick Byram
All I Ever Wanted
139 bpm • G Maj • 02:02 • -6.78db
30% Popularity • 27% Danceability • 66% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 27% Danceability • 66% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
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Beyond 5
Never Be the Same
139 bpm • A Maj • 03:37 • -11db
31% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Hyannis Sound
Use Somebody
138 bpm • C Maj • 03:48 • -7.01db
10% Popularity • 51% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 51% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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University of Rochester YellowJackets
You Belong With Me
138 bpm • D Maj • 03:23 • -5.26db
19% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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BYU Vocal Point
Drag Me Down / As Long as You Love Me (M...
138 bpm • G# Maj • 03:45 • -7.51db
34% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lex de Azevedo
Paper Dream
138 bpm • F Maj • 02:53 • -8.24db
16% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Allyse Smith
A Child's Prayer
138 bpm • G Maj • 03:28 • -10.7db
39% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Nicole Sheahan
I Am Enough
160 bpm • C Maj • 03:46 • -9.32db
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eclipse 6
Praise to the Lord, the Almighty
137 bpm • E Maj • 03:31 • -7.52db
14% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 42% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Voice Male
Lead, Kindly Light
137 bpm • D Maj • 03:13 • -11db
31% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Forte A cappella
Why Try
160 bpm • A# Maj • 03:39 • -5.14db
13% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 48% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Lex de Azevedo
Pullin' together
138 bpm • E Maj • 03:11 • -5.02db
16% Popularity • 60% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 60% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Duly Noted
Stand Out
137 bpm • G Maj • 02:48 • -6.58db
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Vocal Point
I Stand All Amazed
137 bpm • F# Maj • 05:08 • -13db
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Strive to Be
A Great Work
160 bpm • A# Maj • 04:00 • -5.66db
43% Popularity • 42% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 42% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
My Kindness Shall Not Depart from Thee
137 bpm • C Maj • 05:10 • -16db
29% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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BYU Vocal Point
The Climb
161 bpm • G# Maj • 03:23 • -6.26db
23% Popularity • 28% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 28% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lex de Azevedo
Summer of Fair Weather
160 bpm • C Maj • 02:22 • -5.6db
8% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Tufts Beelzebubs
Everybody Talks
161 bpm • D# Maj • 02:40 • -7.2db
24% Popularity • 57% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 57% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Hollens
The Climb
161 bpm • G# Maj • 03:16 • -7.95db
18% Popularity • 30% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 30% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The All-American Boys Chorus
The Moon Represents My Heart
136 bpm • E Maj • 02:25 • -10.95db
3% Popularity • 22% Danceability • 21% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
3% Popularity • 22% Danceability • 21% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
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Voice Male
Send Me to Glory In a Glad Bag
136 bpm • G Maj • 03:04 • -7.94db
16% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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SoCal VoCals
I 2 I
136 bpm • B min • 03:28 • -5.01db
28% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Daniel Beck
Love Like That
136 bpm • F Maj • 04:09 • -10db
11% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Beyond 5
Love Will Find You There
136 bpm • G Maj • 03:13 • -11db
35% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
