Songs like god bless the child by Billy Holliday
Based on a tempo of (+/- 10%) and a similar genre
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
27% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Flora Martínez
Lover Man (Oh, Where Can You Be?)
105 bpm • G Maj • 03:03 • -12.46db
46% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Karsu
Confession
105 bpm • D min • 04:01 • -10.56db
27% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ann Hampton Callaway
Slow
105 bpm • A min • 05:09 • -15.72db
33% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
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Mark Kozelek
Something Stupid
105 bpm • E Maj • 02:52 • -17db
38% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Macy Gray
Annabelle
105 bpm • C Maj • 05:11 • -18db
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Holliday
god bless the child
105 bpm • D# Maj • 04:04 • -20.72db
30% Popularity • 65% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
30% Popularity • 65% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Aldo Romano
Caruso
106 bpm • C min • 04:28 • -15db
22% Popularity • 48% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Chet Baker
My Funny Valentine - Live
104 bpm • C min • 08:40 • -16.16db
14% Popularity • 39% Danceability • 21% Energy • 89% Liveness
86% Instrumentalness • 22% Positiveness
14% Popularity • 39% Danceability • 21% Energy • 89% Liveness
86% Instrumentalness • 22% Positiveness
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Michael Stephenson
When a Man Loves a Woman
106 bpm • G# Maj • 04:18 • -10db
32% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 57% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Cyntia M.
After You've Gone
106 bpm • D Maj • 04:05 • -10.36db
26% Popularity • 59% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 59% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Jay Israelson
The Longest Week (Django)
106 bpm • G Maj • 02:31 • -18db
37% Popularity • 67% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 31% Positiveness
37% Popularity • 67% Danceability • 18% Energy • 15% Liveness
67% Instrumentalness • 31% Positiveness
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The Cooltrane Quartet
A Sky Full of Stars
104 bpm • B Maj • 04:19 • -13.91db
42% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Fapy Lafertin Quintet
Stranger in Paradise
106 bpm • F Maj • 04:14 • -12db
31% Popularity • 60% Danceability • 31% Energy • 13% Liveness
40% Instrumentalness • 58% Positiveness
31% Popularity • 60% Danceability • 31% Energy • 13% Liveness
40% Instrumentalness • 58% Positiveness
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Lara Louise
Speak Low
106 bpm • F min • 03:53 • -14.39db
48% Popularity • 75% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
48% Popularity • 75% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
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Peter Cincotti
Comes Love
106 bpm • G min • 04:17 • -12db
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Carla Bruni
Jimmy Jazz
104 bpm • A Maj • 02:30 • -9db
52% Popularity • 83% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 83% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Freddy Cole
It's Impossible
106 bpm • C Maj • 04:50 • -21db
8% Popularity • 50% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 50% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
47% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Bo Sundström
Allt är som förut
104 bpm • D# Maj • 04:19 • -15.41db
22% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Awa Ly
Doum Doum Doum
106 bpm • A min • 05:13 • -10db
34% Popularity • 72% Danceability • 42% Energy • 11% Liveness
38% Instrumentalness • 48% Positiveness
34% Popularity • 72% Danceability • 42% Energy • 11% Liveness
38% Instrumentalness • 48% Positiveness
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Robin Mckelle
You Brought a New Kind of Love
106 bpm • C# Maj • 02:52 • -12db
30% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Simone Kopmajer
A Man and a Woman
106 bpm • C Maj • 04:15 • -12.61db
42% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Esther Phillips
And I Love Him
106 bpm • D# min • 02:38 • -10.73db
46% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Charles Lloyd
Ballad Of The Sad Young Men
107 bpm • C Maj • 06:17 • -17.76db
25% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
25% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Nancy Wilson
The Nearness of You
103 bpm • C# Maj • 02:58 • -15.31db
32% Popularity • 42% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
32% Popularity • 42% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Rickie Lee Jones
Easy Money
103 bpm • E min • 03:19 • -12.87db
37% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Billie Holiday
All of Me
107 bpm • D min • 03:01 • -14.75db
64% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Inara George
Somethin' Stupid
103 bpm • C# min • 02:43 • -12db
26% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Nina Simone
Since I Fell for You
103 bpm • E Maj • 02:50 • -11.72db
43% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Cécile McLorin Salvant
I Didn't Know What Time It Was
108 bpm • G min • 06:07 • -18.33db
43% Popularity • 65% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 65% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Nancy Wilson
For Once In My Life - Remastered/1994
103 bpm • G Maj • 03:08 • -15.2db
43% Popularity • 34% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 34% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Cincotti
Sway
102 bpm • B min • 04:11 • -12.5db
53% Popularity • 81% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
53% Popularity • 81% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Gypsy Swing Revue
Softly, As in a Morning Sunrise
102 bpm • G min • 04:08 • -7db
15% Popularity • 59% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 59% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
34% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Carmen Cuesta
Manha de Carnival
102 bpm • A min • 03:59 • -13db
28% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sonny Rollins
God Bless the Child
102 bpm • D Maj • 07:27 • -18db
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
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Heather Rigdon
Young & Naïve
108 bpm • F# min • 02:49 • -12.57db
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Franks
Without Your Love
102 bpm • D Maj • 05:23 • -16.67db
11% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 63% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anthony Lazaro
Strangers in Disguise
108 bpm • F min • 02:46 • -18db
34% Popularity • 65% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 65% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Elise LeGrow
You Never Can Tell
108 bpm • C# Maj • 03:05 • -7.84db
41% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Pearl Django
Bittersweet
102 bpm • C min • 04:28 • -14db
24% Popularity • 66% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
24% Popularity • 66% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Anna Nygren
Easy Love
102 bpm • F min • 05:36 • -13db
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 77% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Jane Birkin
Harvest Moon
108 bpm • D Maj • 03:05 • -14db
50% Popularity • 74% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 74% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ramsey Lewis Trio
Look-A-Here
102 bpm • A min • 03:09 • -14.78db
36% Popularity • 69% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 60% Positiveness
36% Popularity • 69% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 60% Positiveness
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Peter Cincotti
Lovers, Secrets, Lies
102 bpm • G Maj • 03:45 • -13db
40% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Amanda Carr
Scotch and Soda
108 bpm • F Maj • 02:49 • -19.28db
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Sample
When I Need You
109 bpm • C# Maj • 04:13 • -13db
36% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Rebecca Pidgeon
Spanish Harlem
109 bpm • G Maj • 03:44 • -19.84db
26% Popularity • 45% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 45% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Pat Metheny Trio
Travels
109 bpm • G Maj • 05:43 • -16.28db
39% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
39% Popularity • 64% Danceability • 18% Energy • 34% Liveness
77% Instrumentalness • 28% Positiveness
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Caro Josée
Paris
109 bpm • A min • 05:48 • -12.91db
7% Popularity • 46% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
7% Popularity • 46% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Emilia Mitiku
I Belong to You
101 bpm • F# min • 03:16 • -11.59db
44% Popularity • 37% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 37% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Didier Lockwood
Les valseuses
109 bpm • A min • 03:06 • -18.44db
29% Popularity • 82% Danceability • 12% Energy • 10% Liveness
78% Instrumentalness • 51% Positiveness
29% Popularity • 82% Danceability • 12% Energy • 10% Liveness
78% Instrumentalness • 51% Positiveness
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Dave Gross
It Was Born in the 20's
101 bpm • C Maj • 07:52 • -6.59db
27% Popularity • 74% Danceability • 43% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
27% Popularity • 74% Danceability • 43% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Kevin Mahogany
Fix It in the Mix
101 bpm • C min • 05:17 • -16db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Billie Holiday
Strange Fruit
101 bpm • F# Maj • 03:12 • -22.63db
55% Popularity • 31% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 6% Positiveness
55% Popularity • 31% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 6% Positiveness
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Amy Winehouse
Someone To Watch Over Me - Demo
110 bpm • F Maj • 04:28 • -12db
50% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 51% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Gabriela Anders
The Girl from Impanema
110 bpm • G# Maj • 04:26 • -15.22db
32% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 77% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Allen Toussaint
Rosetta
110 bpm • G min • 04:07 • -17db
18% Popularity • 64% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
18% Popularity • 64% Danceability • 26% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Lisa Nilsson
Those Who Were
100 bpm • G Maj • 05:29 • -18.18db
21% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Kevin Mahogany
(Sittin' On) The Dock of the Bay
101 bpm • C Maj • 05:22 • -10db
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Teddy Wilson
My Man (11-01-37)
100 bpm • C min • 03:03 • -11.59db
14% Popularity • 76% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 76% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Warren
I Only Have Eyes For You
100 bpm • A Maj • 01:20 • -16.01db
34% Popularity • 52% Danceability • 8% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
34% Popularity • 52% Danceability • 8% Energy • 18% Liveness
11% Instrumentalness • 35% Positiveness
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Hugo Rasmussen
Somewhere over the Rainbow
110 bpm • G# Maj • 05:37 • -24.7db
23% Popularity • 43% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
23% Popularity • 43% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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The Bryan Ferry Orchestra
The Island Earth
110 bpm • E min • 04:24 • -14.93db
8% Popularity • 54% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 45% Positiveness
8% Popularity • 54% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 45% Positiveness
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Charles Lloyd
La Llorona
100 bpm • A min • 06:00 • -12.03db
28% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
28% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
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Madeleine Peyroux
I'm All Right
110 bpm • A Maj • 03:26 • -12db
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
48% Popularity • 71% Danceability • 38% Energy • 34% Liveness
10% Instrumentalness • 31% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Dutronc
La belle vie - The Good Life
110 bpm • F Maj • 03:42 • -11db
40% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ian Shaw
Where Are We Now?
100 bpm • C Maj • 05:32 • -12.79db
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Alan Hsiao
Spaceman
100 bpm • G Maj • 02:33 • -13.15db
32% Popularity • 90% Danceability • 26% Energy • 11% Liveness
6% Instrumentalness • 74% Positiveness
32% Popularity • 90% Danceability • 26% Energy • 11% Liveness
6% Instrumentalness • 74% Positiveness
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Carla Bruni
Miss You - Nouvelle Vague Remix
100 bpm • D min • 03:58 • -7.52db
41% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 50% Positiveness
41% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 50% Positiveness
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Mick Roach
Meantime - TDraper Mix
110 bpm • C min • 04:40 • -11db
37% Popularity • 81% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
37% Popularity • 81% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
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Madeleine Peyroux
The Summer Wind
100 bpm • G# Maj • 03:54 • -14.99db
51% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 22% Energy • 12% Liveness
40% Instrumentalness • 23% Positiveness
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Dinah Washington
September In The Rain
111 bpm • C# Maj • 02:09 • -13.12db
61% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 40% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Sidran
Don't Cry for No Hipster
100 bpm • F min • 04:57 • -13.06db
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
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Diane Schuur
Our Love Will Always Be There
111 bpm • G# min • 03:30 • -13db
42% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 68% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin Mahogany
May I Come In?
111 bpm • F min • 04:45 • -17db
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
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Delbert McClinton
San Miguel
99 bpm • G Maj • 03:45 • -8db
33% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Pearl Django
Sonara
111 bpm • C min • 05:55 • -14.59db
10% Popularity • 83% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
10% Popularity • 83% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Nils Landgren
Love of My Life
99 bpm • D# Maj • 02:51 • -15db
44% Popularity • 54% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 54% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Eldissa
Dancing Queen
99 bpm • E min • 03:05 • -13db
40% Popularity • 67% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Nina Simone
I Wish I Knew How It Would Feel to Be Fr...
111 bpm • A Maj • 06:07 • -17.41db
29% Popularity • 74% Danceability • 22% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 74% Danceability • 22% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
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Oscar Peterson Trio
Georgia On My Mind
99 bpm • G# Maj • 03:43 • -24.02db
53% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
53% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
15% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Anna Kolchina
Wild Is The Wind
99 bpm • C min • 04:50 • -15.09db
11% Popularity • 37% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 37% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Carla Cook
Summer (Estaté)
112 bpm • A min • 05:15 • -16.66db
27% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
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Shelby Lynne
I Only Want To Be With You
99 bpm • C Maj • 03:50 • -14db
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
58% Popularity • 89% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Nina Simone
The More I See You - Remastered
112 bpm • G Maj • 02:41 • -10db
38% Popularity • 72% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 72% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Rosemary Clooney
I Wish You Love
112 bpm • G min • 03:02 • -21.03db
34% Popularity • 55% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 55% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Susan Wong
California Dreaming
112 bpm • D min • 03:28 • -12db
35% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ayọ
Throw It Away
112 bpm • A# Maj • 05:11 • -14.56db
37% Popularity • 90% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
37% Popularity • 90% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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China Moses
Put It on the Line
112 bpm • C Maj • 04:11 • -11db
28% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Anna Salleh
Manhã de Carnaval / Black Orpheus
98 bpm • D min • 03:12 • -15.42db
23% Popularity • 60% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 60% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Alma Sinti
Ton boléro
112 bpm • A Maj • 03:40 • -10db
35% Popularity • 73% Danceability • 45% Energy • 13% Liveness
50% Instrumentalness • 61% Positiveness
35% Popularity • 73% Danceability • 45% Energy • 13% Liveness
50% Instrumentalness • 61% Positiveness
