Songs like God Bless The Child by Billie Holiday
Based on a tempo of (+/- 10%) and a similar genre
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Nat King Cole
Unforgettable
136 bpm • F Maj • 03:11 • -13.51db
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Bobby Darin
I'm Beginning To See The Light - 2001 Di...
136 bpm • A min • 02:18 • -12db
53% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 49% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Webster
Tenderly
136 bpm • D# Maj • 03:01 • -17db
53% Popularity • 46% Danceability • 7% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
53% Popularity • 46% Danceability • 7% Energy • 13% Liveness
8% Instrumentalness • 23% Positiveness
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Sidney Bechet
Blues My Naughty Sweetie Gives To Me
136 bpm • G min • 05:43 • -9.46db
39% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 82% Positiveness
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Billie Holiday
He's Funny That Way
136 bpm • G Maj • 03:10 • -16.44db
41% Popularity • 55% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 55% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
36% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Miles Davis
Boplicity
136 bpm • F Maj • 03:01 • -15.98db
45% Popularity • 49% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 49% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Sarah Vaughan
Tenderly (Remastered 2014)
135 bpm • G min • 02:33 • -13db
52% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
52% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Ella Fitzgerald
Autumn In New York
135 bpm • G min • 05:56 • -18.61db
57% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
57% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Bobby Short
I'm in Love Again
135 bpm • C Maj • 02:27 • -16db
26% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Miles Davis
So What
137 bpm • C Maj • 09:22 • -17.27db
62% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Chet Baker Quartet
Isn't It Romantic?
135 bpm • C min • 03:30 • -15.51db
40% Popularity • 65% Danceability • 19% Energy • 21% Liveness
96% Instrumentalness • 58% Positiveness
40% Popularity • 65% Danceability • 19% Energy • 21% Liveness
96% Instrumentalness • 58% Positiveness
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John Coltrane
Blue Train - Remastered 2003/Rudy Van Ge...
135 bpm • G# Maj • 10:44 • -7.76db
49% Popularity • 51% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 51% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Dinah Washington
You Don't Know What Love Is
138 bpm • A# min • 04:05 • -13db
42% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Blossom Dearie
'Deed I Do
134 bpm • G Maj • 02:13 • -17db
55% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Abbey Lincoln
This Can't Be Love
134 bpm • C min • 02:24 • -12.49db
36% Popularity • 56% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Billie Holiday
Easy To Love
135 bpm • F min • 02:59 • -14.35db
47% Popularity • 62% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 62% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ernestine Anderson
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • F min • 02:18 • -16.38db
47% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Parker
Just Friends
138 bpm • F min • 03:31 • -7db
42% Popularity • 44% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
42% Popularity • 44% Danceability • 57% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Astrud Gilberto
Fly Me To The Moon
134 bpm • G Maj • 02:22 • -14.4db
64% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
64% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Wayne Shorter
Infant Eyes - Remastered1998/Rudy Van Ge...
139 bpm • D# Maj • 06:54 • -12.07db
47% Popularity • 34% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
47% Popularity • 34% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 12% Positiveness
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Oscar Peterson Trio
All Of Me
133 bpm • G# Maj • 03:22 • -14.43db
52% Popularity • 63% Danceability • 27% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
52% Popularity • 63% Danceability • 27% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
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Ernestine Anderson
They Didn't Believe Me
133 bpm • C# Maj • 02:24 • -14.3db
43% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Gerry Mulligan Sextet
Prelude In E Minor
139 bpm • E min • 04:16 • -21.52db
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
55% Popularity • 57% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 38% Positiveness
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Billie Holiday
How Deep Is The Ocean?
139 bpm • F min • 02:59 • -11.51db
42% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Parker
Summertime
133 bpm • G min • 02:47 • -7.6db
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
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Etta James
Don't Cry Baby
132 bpm • F Maj • 02:26 • -15.87db
52% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lorez Alexandria
I've Never Been In Love Before
140 bpm • G# Maj • 02:18 • -16db
49% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Ernestine Anderson
See See Rider
132 bpm • F Maj • 03:02 • -13.29db
44% Popularity • 52% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 52% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Vic Damone
Let's Fall in Love
131 bpm • C# min • 01:58 • -9.06db
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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Glenn Miller
A String of Pearls
131 bpm • C min • 03:13 • -11.27db
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
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Miles Davis
Flamenco Sketches - Alternate Take
131 bpm • D min • 09:31 • -19.58db
42% Popularity • 45% Danceability • 3% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
42% Popularity • 45% Danceability • 3% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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Billie Holiday
Willow Weep For Me
131 bpm • D min • 03:06 • -12.91db
41% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Darin
The More I See You
131 bpm • C Maj • 01:44 • -12db
39% Popularity • 40% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 40% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Shirley Horn
The Great City
130 bpm • F min • 02:03 • -14.28db
32% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Thelonious Monk
Blue Monk - Rudy Van Gelder Remaster
142 bpm • D# Maj • 07:36 • -16.94db
45% Popularity • 44% Danceability • 34% Energy • 16% Liveness
10% Instrumentalness • 66% Positiveness
45% Popularity • 44% Danceability • 34% Energy • 16% Liveness
10% Instrumentalness • 66% Positiveness
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Stacey Kent
Tangerine
130 bpm • G Maj • 02:13 • -18.92db
52% Popularity • 72% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
52% Popularity • 72% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Morgana King
Body And Soul
142 bpm • F min • 04:05 • -18.75db
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sammy Davis Jr.
All Of You
143 bpm • C# Maj • 02:44 • -11db
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Helen Humes
Flippity Flop Flop
130 bpm • C Maj • 02:03 • -10.21db
30% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Sonny Rollins
You Don't Know What Love Is - Rudy Van G...
143 bpm • G# min • 06:27 • -8db
38% Popularity • 55% Danceability • 27% Energy • 13% Liveness
73% Instrumentalness • 32% Positiveness
38% Popularity • 55% Danceability • 27% Energy • 13% Liveness
73% Instrumentalness • 32% Positiveness
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Oscar Peterson Trio
The Tender Trap
143 bpm • A min • 02:40 • -16db
43% Popularity • 66% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
43% Popularity • 66% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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John Coltrane Quartet
Too Young To Go Steady
130 bpm • F Maj • 04:19 • -12.48db
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
51% Popularity • 55% Danceability • 18% Energy • 7% Liveness
37% Instrumentalness • 35% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Herbie Hancock
Watermelon Man - Remastered 2007
129 bpm • C min • 07:09 • -8.56db
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Lester Young
Almost Like Being In Love
129 bpm • C Maj • 03:31 • -17db
46% Popularity • 78% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 48% Positiveness
46% Popularity • 78% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 48% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
46% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Chet Baker
I Fall In Love Too Easily
129 bpm • C min • 03:21 • -19.14db
68% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Aretha Franklin
Ac-Cent-Tchu-Ate the Positive
129 bpm • F min • 02:16 • -8db
52% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Miles Davis
Freddie Freeloader
128 bpm • G# Maj • 09:46 • -15.83db
53% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lorez Alexandria
This Could Be The Start Of Something Big
128 bpm • A# min • 02:16 • -9.98db
36% Popularity • 59% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 59% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Ben Webster
My Ideal - Digitally Remastered
145 bpm • C min • 07:12 • -14.16db
25% Popularity • 44% Danceability • 26% Energy • 9% Liveness
25% Instrumentalness • 44% Positiveness
25% Popularity • 44% Danceability • 26% Energy • 9% Liveness
25% Instrumentalness • 44% Positiveness
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Wayne Newton
MIchelle - Digitally Remastered 99
128 bpm • F min • 01:51 • -17.5db
42% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Desmond
A Taste of Honey
128 bpm • F min • 04:25 • -23.98db
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
42% Popularity • 59% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
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Dizzy Gillespie
All The Things You Are
127 bpm • G# Maj • 02:49 • -17.66db
51% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Billie Holiday
Lover, Come Back To Me
127 bpm • A min • 03:15 • -11.36db
39% Popularity • 55% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 55% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Oscar Peterson Trio
Just In Time
127 bpm • A# Maj • 01:49 • -18.56db
44% Popularity • 72% Danceability • 20% Energy • 30% Liveness
88% Instrumentalness • 58% Positiveness
44% Popularity • 72% Danceability • 20% Energy • 30% Liveness
88% Instrumentalness • 58% Positiveness
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Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
20% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Parker Quartet
Star Eyes - Incomplete & False Start
127 bpm • F min • 01:10 • -6.71db
59% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 59% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dave Brubeck
Besame Mucho
127 bpm • A# min • 05:58 • -18db
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Bill Evans
Blue In Green (Take 3)
126 bpm • D min • 05:25 • -19.97db
49% Popularity • 45% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
49% Popularity • 45% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Bobby Darin
Call Me Irresponsible - 2001 Remaster
125 bpm • G Maj • 02:04 • -12.24db
60% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
60% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Dave Brubeck Quartet
Strange Meadow Lark
125 bpm • G# Maj • 07:22 • -17.47db
46% Popularity • 53% Danceability • 14% Energy • 28% Liveness
50% Instrumentalness • 12% Positiveness
46% Popularity • 53% Danceability • 14% Energy • 28% Liveness
50% Instrumentalness • 12% Positiveness
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Freddie Hubbard
Dedicated To You
125 bpm • A# Maj • 03:22 • -15db
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
49% Popularity • 42% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Dizzy Gillespie
A Night In Tunisia
148 bpm • A# Maj • 05:34 • -13db
44% Popularity • 47% Danceability • 32% Energy • 6% Liveness
33% Instrumentalness • 36% Positiveness
44% Popularity • 47% Danceability • 32% Energy • 6% Liveness
33% Instrumentalness • 36% Positiveness
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Ike Quebec
Favela
148 bpm • C min • 04:00 • -18.79db
49% Popularity • 62% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 81% Positiveness
49% Popularity • 62% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 81% Positiveness
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Billie Holiday
Love Is Here To Stay
125 bpm • C Maj • 03:46 • -10.71db
51% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Julie London
I'm Glad There Is You
125 bpm • A# min • 02:27 • -16db
55% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Margaret Whiting
They Can't Take That Away From Me
125 bpm • C min • 02:52 • -12.9db
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Anita O'Day
I Could Write A Book
148 bpm • D min • 02:09 • -11db
51% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 49% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Lorez Alexandria
Softly As In A Morning Sunrise
148 bpm • F min • 02:38 • -19.4db
25% Popularity • 51% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ernestine Anderson
Wrap Your Troubles in Dreams
125 bpm • F min • 03:03 • -8db
25% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Billie Holiday
Blue Moon
125 bpm • G# Maj • 03:27 • -11.44db
68% Popularity • 64% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 54% Positiveness
68% Popularity • 64% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 54% Positiveness
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Diana Krall
Let's Fall In Love
125 bpm • F min • 04:18 • -16.93db
60% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Coleman Hawkins Quartet
Love Song From "Apache"
124 bpm • A min • 04:12 • -15.17db
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
51% Popularity • 47% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Hank Mobley
Fin De L'Affaire - 1998 - Remaster
124 bpm • F min • 06:39 • -14db
42% Popularity • 57% Danceability • 14% Energy • 17% Liveness
5% Instrumentalness • 33% Positiveness
42% Popularity • 57% Danceability • 14% Energy • 17% Liveness
5% Instrumentalness • 33% Positiveness
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Bill Evans
Skating In Central Park
124 bpm • C Maj • 05:24 • -25db
59% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
59% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Ernestine Anderson
Land Of Dreams
124 bpm • A min • 02:20 • -14.37db
28% Popularity • 43% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
28% Popularity • 43% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Lou Donaldson
Autumn Nocturne
124 bpm • C Maj • 04:54 • -18.04db
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
57% Popularity • 54% Danceability • 7% Energy • 11% Liveness
17% Instrumentalness • 26% Positiveness
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Billie Holiday
East Of The Sun (West Of The Moon)
124 bpm • A min • 02:54 • -10db
49% Popularity • 59% Danceability • 19% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
49% Popularity • 59% Danceability • 19% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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Paul Desmond
Take Ten
150 bpm • C Maj • 03:09 • -16db
42% Popularity • 43% Danceability • 27% Energy • 9% Liveness
5% Instrumentalness • 33% Positiveness
42% Popularity • 43% Danceability • 27% Energy • 9% Liveness
5% Instrumentalness • 33% Positiveness
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Julie London
I'm In The Mood For Love
123 bpm • A min • 02:29 • -14.59db
63% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ella Fitzgerald
Let's Call The Whole Thing Off
123 bpm • D# Maj • 04:11 • -13.49db
54% Popularity • 65% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 65% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Eartha Kitt
C'est Magnifique (Can Can)
123 bpm • E min • 02:43 • -9.34db
33% Popularity • 38% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Wayne Newton
But Not For Me - Digitally Remastered 99
123 bpm • C min • 02:23 • -15db
44% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Billie Holiday
These Foolish Things (Remind Me Of You)
123 bpm • A# min • 03:35 • -15.91db
41% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lester Young
I Can't Give You Anything But Love
123 bpm • C min • 03:19 • -18.35db
37% Popularity • 78% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
37% Popularity • 78% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Jeri Southern
It's Bad For Me
123 bpm • D# Maj • 02:13 • -8.91db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Sarah Vaughan
Lullaby Of Birdland
123 bpm • B min • 04:00 • -12.43db
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
