Songs like God is Love by Beres Hammond
Based on a tempo of (+/- 10%) and a similar genre
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Gramps Morgan
People Like You
70 bpm • F Maj • 03:57 • -11.03db
37% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Beres Hammond
God is Love
70 bpm • G# Maj • 04:20 • -3.93db
39% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Freddie McGregor
Big Ship
71 bpm • A min • 03:17 • -8.85db
50% Popularity • 78% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 78% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Martin
Melody To My Song
71 bpm • G# min • 03:57 • -9.68db
30% Popularity • 53% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 53% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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10Tik
Roll Deep
69 bpm • F# min • 03:27 • -5.73db
49% Popularity • 63% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 63% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Kyodi
When Mi Nice
72 bpm • G min • 02:44 • -3.8db
26% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Logiq
Protection
67 bpm • A Maj • 02:44 • -7.65db
21% Popularity • 47% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 47% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Morgan Heritage
Liberation
67 bpm • A# min • 03:59 • -5.14db
33% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Kranium
Give Thanks
74 bpm • G# Maj • 02:21 • -5.17db
33% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 48% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Christopher Ellis
Flame Against the Wind
66 bpm • F# min • 03:52 • -9.13db
28% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Sizzla
Woman I Need You
74 bpm • A min • 03:39 • -4.68db
41% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Dennis Brown
Here I Come
74 bpm • G Maj • 04:26 • -10db
45% Popularity • 86% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 86% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Beres Hammond
Groovy Little Thing
75 bpm • D Maj • 03:26 • -8.06db
42% Popularity • 73% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 73% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Vivian Jones
Gimme More Love
75 bpm • G# Maj • 03:46 • -9db
10% Popularity • 80% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 80% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Natural Black
Use up Your Senses
76 bpm • G Maj • 03:13 • -3.94db
9% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 68% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Heritage
Talk Dem Ah Talk
76 bpm • A Maj • 03:27 • -3.54db
33% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 47% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Sizzla
Love Is Divine
75 bpm • D Maj • 03:47 • -5.73db
34% Popularity • 51% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 51% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Warrior King
Never Go Where Pagans Go
76 bpm • B min • 03:52 • -6.4db
33% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 60% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Beres Hammond
In My Arms
76 bpm • G# Maj • 03:44 • -4.36db
34% Popularity • 68% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 68% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Terry Linen
Your Love Is My Love
76 bpm • F Maj • 03:59 • -6db
39% Popularity • 68% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 68% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Mikey Spice
Walk A Mile
76 bpm • C# min • 03:26 • -7.22db
29% Popularity • 63% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 63% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Heritage
Don't Haffi Dread
76 bpm • G min • 03:58 • -10.18db
44% Popularity • 72% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
44% Popularity • 72% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Lukie D
Put That Woman First
77 bpm • G# Maj • 03:50 • -4.46db
26% Popularity • 72% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 72% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Freddie McGregor
Stop Loving You
77 bpm • F# Maj • 03:32 • -15.59db
34% Popularity • 85% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 85% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Beres Hammond
Irie and Mello
76 bpm • D min • 03:28 • -17.07db
31% Popularity • 77% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 77% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Glen Washington
Strangers In The Night
77 bpm • A Maj • 03:26 • -8.47db
41% Popularity • 75% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 75% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Gramps Morgan
Darling Its You
77 bpm • E Maj • 04:10 • -7.68db
31% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jaz Elise
Gratitude
78 bpm • C min • 03:27 • -5.11db
30% Popularity • 66% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 66% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Tanya Stephens
These Streets
78 bpm • G Maj • 03:54 • -21db
37% Popularity • 51% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sizzla
Good Ways
78 bpm • A# min • 03:20 • -6db
39% Popularity • 70% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 70% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Beres Hammond
Hold Yuh Corner
77 bpm • G Maj • 03:12 • -7.67db
24% Popularity • 81% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 81% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Terry Linen
Storm Is Over
78 bpm • F Maj • 03:51 • -5.97db
23% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 70% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Natural Black
Bless Up the Women
78 bpm • C# Maj • 03:53 • -7.95db
14% Popularity • 67% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 67% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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I Wayne
Living In Love
79 bpm • C min • 03:33 • -5db
51% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Everton Blender
Let Not Your Heart Be Trouble
79 bpm • B Maj • 03:33 • -7.81db
30% Popularity • 71% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 71% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Don Campbell
Storm Is Over Now
79 bpm • A# Maj • 03:44 • -6.49db
38% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Beres Hammond
It's Not Official
79 bpm • G Maj • 03:58 • -7.17db
24% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ras Shiloh
Are You Satisfied
79 bpm • A# min • 04:04 • -7.66db
39% Popularity • 64% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 64% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Terry Linen
No Longer A Slave
78 bpm • A# Maj • 04:50 • -3.03db
22% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 56% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Gramps Morgan
A Woman Like You
79 bpm • C Maj • 04:01 • -6.18db
31% Popularity • 69% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 69% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Heritage
I'm Coming Home
79 bpm • G Maj • 03:00 • -6.05db
47% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Lila Iké
Thy Will
79 bpm • F# min • 04:00 • -4.37db
38% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Beres Hammond
There For You
79 bpm • C Maj • 04:52 • -7.26db
35% Popularity • 50% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 50% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Lukie D
You Are All My Children
80 bpm • A Maj • 03:53 • -10.56db
10% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 60% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Freddie McGregor
Meet Me Tonight
80 bpm • A Maj • 03:39 • -8.3db
26% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 67% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Shaggy
Fight This Feeling
80 bpm • G Maj • 03:18 • -5.6db
44% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Linen
That's The Way It Is
80 bpm • G Maj • 03:55 • -5.66db
31% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Lila Iké
Thy Will
80 bpm • F# min • 02:55 • -3.65db
41% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Beres Hammond
Only One
80 bpm • G Maj • 03:57 • -4.36db
24% Popularity • 64% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 64% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Lukie D
Thinking Out Loud
80 bpm • D Maj • 03:48 • -7.92db
34% Popularity • 64% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Protoje
Like Royalty
80 bpm • E min • 04:05 • -7.29db
42% Popularity • 70% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 70% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Glen Washington
The Right Road
80 bpm • C Maj • 04:06 • -5.79db
17% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Chevelle Franklyn & Lady G
Thank You
80 bpm • E Maj • 03:55 • -11.99db
22% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Terry Linen
Have To Get To Know You
80 bpm • G Maj • 03:39 • -6.96db
26% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Beres Hammond
African
79 bpm • C Maj • 03:43 • -4.94db
16% Popularity • 74% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 74% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 82% Positiveness
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Nanko
Lucky you
80 bpm • C# Maj • 03:54 • -10.01db
21% Popularity • 79% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 79% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kiprich
Telephone Ting
80 bpm • G Maj • 03:25 • -4db
32% Popularity • 74% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Half Pint
Blessing Darling
80 bpm • G Maj • 03:37 • -6.65db
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 82% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Cocoa Tea
She Loves Me Now
80 bpm • D# Maj • 03:48 • -11.88db
37% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Don Campbell
Without You
80 bpm • B Maj • 03:50 • -13.71db
29% Popularity • 71% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 71% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Beres Hammond
Love From A Distance
80 bpm • A Maj • 03:52 • -9.34db
21% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Wayne Wonder
Please Me
80 bpm • C min • 02:38 • -4.44db
5% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Marlon Asher
Ganja Farmer
80 bpm • G# Maj • 03:56 • -7db
53% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
53% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Chevelle Franklyn & Lady G
Thank You
80 bpm • E Maj • 04:10 • -12.95db
10% Popularity • 65% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 65% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Garnett Silk
Zion In A Vision
80 bpm • D Maj • 03:23 • -6.26db
31% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Natural Black
Nice It Nice
80 bpm • F Maj • 03:50 • -5.43db
33% Popularity • 62% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 62% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Beres Hammond
Say Thank You
80 bpm • G Maj • 04:01 • -6.74db
16% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Junior Kelly
Love So Nice
81 bpm • A Maj • 04:00 • -6.34db
38% Popularity • 71% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 71% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Randy Valentine
Surrounded by Angels
81 bpm • G min • 04:12 • -4.86db
28% Popularity • 59% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 59% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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I Wayne
Don't Worry
81 bpm • G# Maj • 04:09 • -7db
31% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 79% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Lloyd Brown
Main Squeeze
81 bpm • A Maj • 04:10 • -8db
31% Popularity • 81% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 81% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Kalado
The Produck
81 bpm • G Maj • 02:25 • -4.41db
18% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Beres Hammond
Come Down Father
80 bpm • A Maj • 04:03 • -5.43db
34% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Kelly
Love So Nice
81 bpm • A Maj • 03:49 • -8.21db
45% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Heritage
She's Still Loving Me
81 bpm • A# Maj • 04:27 • -5.32db
46% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Glen Washington
Open Your Eyes
81 bpm • G Maj • 03:52 • -7.94db
28% Popularity • 86% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 86% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Bushman
Fire Bun A Weak Heart
81 bpm • B Maj • 03:35 • -8db
37% Popularity • 75% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 75% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Freddie McGregor
I See It In You
81 bpm • C# Maj • 03:49 • -6.95db
42% Popularity • 76% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 76% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Beres Hammond
Angel Eyes
81 bpm • A min • 04:01 • -4.65db
22% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Terry Linen
Couldn't Be The Girl For Me
81 bpm • C Maj • 03:44 • -5.14db
35% Popularity • 72% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 72% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Heritage
Down by the River
81 bpm • C# Maj • 03:49 • -7.66db
50% Popularity • 75% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 75% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Glen Washington
My Love
81 bpm • A# Maj • 03:34 • -5.09db
28% Popularity • 83% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 83% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Dre Island
We Pray
81 bpm • D# Maj • 04:02 • -6.18db
42% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Imeru Tafari
Vibrations
81 bpm • G# min • 04:45 • -8.34db
27% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 63% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Garnett Silk
Fill Us up with Your Mercy
81 bpm • D min • 03:30 • -4.85db
33% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Jah-Lil
One Wrong One Right
81 bpm • C# Maj • 03:55 • -4.32db
27% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Terry Linen
No Time to Linger
81 bpm • B Maj • 03:28 • -5.31db
44% Popularity • 72% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 72% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Glen Washington
Burning Fire
81 bpm • C# Maj • 03:32 • -8.23db
20% Popularity • 70% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 70% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Beres Hammond
Queen & Lady
81 bpm • C# Maj • 03:14 • -5.68db
28% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 65% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Protoje
In Life
81 bpm • B min • 04:09 • -4.81db
37% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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NVT3L
Only for You
81 bpm • A Maj • 03:30 • -5.49db
38% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Freddie McGregor
Push Come To Shove
81 bpm • G Maj • 03:37 • -9.77db
45% Popularity • 69% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 69% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 65% Positiveness
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Bitty McLean
The real thing
81 bpm • E min • 03:58 • -9.24db
43% Popularity • 69% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 69% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Glen Washington
Number One Girl
81 bpm • F Maj • 03:57 • -7.82db
24% Popularity • 76% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 76% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Beres Hammond
Don't Play With My Heart
81 bpm • A# Maj • 03:39 • -5.07db
33% Popularity • 64% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 64% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Bushman
Fill My Cup
81 bpm • D min • 03:51 • -12.22db
27% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Frankie Paul
Stuck On
82 bpm • E Maj • 03:20 • -11.07db
38% Popularity • 80% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 80% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Garnett Silk
Splashing Dashing
82 bpm • G# Maj • 03:19 • -7.34db
25% Popularity • 62% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 62% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
