Songs like Goddess at the Wheel by Jonathan Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Mike Campbell & The Dirty Knobs
Irish Girl
91 bpm • A Maj • 04:25 • -8.52db
30% Popularity • 62% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 62% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Wilson
Goddess at the Wheel
91 bpm • E Maj • 04:57 • -10.1db
9% Popularity • 31% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 31% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jackson Browne
For Everyman
91 bpm • D Maj • 06:12 • -11.56db
34% Popularity • 52% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
48% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Alejandro Escovedo
Something Blue
90 bpm • G Maj • 04:11 • -5.16db
11% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Ramsey
Breaking A Heart
92 bpm • C Maj • 04:53 • -5.73db
15% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Smooth Hound Smith
Waiting for a Spark
90 bpm • D Maj • 03:09 • -6.57db
31% Popularity • 60% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 60% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Beaubrun
Simbi Dlo
91 bpm • A min • 03:55 • -14.15db
7% Popularity • 71% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
7% Popularity • 71% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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The Barr Brothers
Saint Cecilia
92 bpm • D Maj • 04:50 • -10db
20% Popularity • 54% Danceability • 58% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
20% Popularity • 54% Danceability • 58% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
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Front Country
Do Re Mi
92 bpm • G Maj • 04:28 • -7.63db
15% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 70% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Amy Helm
Rescue Me
90 bpm • A# Maj • 04:07 • -8.16db
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Dave Simonett
The Sun Oh Yeah
93 bpm • G Maj • 04:32 • -8.85db
23% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 45% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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The Doobie Brothers
Toulouse Street
90 bpm • G Maj • 03:20 • -14db
46% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 51% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Hiss Golden Messenger
Bright Direction (You’re a Dark Star N...
89 bpm • B Maj • 04:24 • -13.69db
27% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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John Smith
Friends
93 bpm • A# Maj • 03:16 • -10db
19% Popularity • 83% Danceability • 31% Energy • 55% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 83% Danceability • 31% Energy • 55% Liveness
0% Instrumentalness • 65% Positiveness
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Seals and Crofts
Summer Breeze
89 bpm • F Maj • 03:25 • -6.57db
67% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
67% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Josh Ritter
Be of Good Heart
94 bpm • A# Maj • 04:28 • -13db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Ben Harper
Black Eyed Dog
94 bpm • G Maj • 02:48 • -13.37db
28% Popularity • 51% Danceability • 22% Energy • 8% Liveness
14% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 8% Liveness
14% Instrumentalness • 50% Positiveness
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CPR
Little Blind Fish
88 bpm • C Maj • 03:37 • -12.77db
8% Popularity • 73% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
8% Popularity • 73% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Hiss Golden Messenger
Happy Birthday, Baby
89 bpm • A Maj • 03:45 • -8.76db
25% Popularity • 58% Danceability • 64% Energy • 11% Liveness
7% Instrumentalness • 62% Positiveness
25% Popularity • 58% Danceability • 64% Energy • 11% Liveness
7% Instrumentalness • 62% Positiveness
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Bruce Cockburn
Creation Dream
88 bpm • D Maj • 04:07 • -11.06db
26% Popularity • 57% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
26% Popularity • 57% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Lukas Nelson and Promise of the Real
Mystery
88 bpm • G Maj • 03:33 • -7.36db
18% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Mulvey
Fool's Errand
88 bpm • D Maj • 03:49 • -11.79db
9% Popularity • 50% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 50% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Ondara
Torch Song - Echo Park
94 bpm • C# Maj • 03:26 • -5.62db
18% Popularity • 59% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 59% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Case
On The Way Downtown
88 bpm • D Maj • 03:36 • -13db
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Watkins Family Hour
The Cure
94 bpm • F Maj • 03:57 • -6.41db
31% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 60% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Crosby, Stills & Nash
Carried Away
88 bpm • A min • 02:34 • -16.15db
45% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 46% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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John Hiatt
Hide Your Tears
95 bpm • C Maj • 03:15 • -9db
24% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Reeder
Nobody Wants to Be You
87 bpm • A# Maj • 02:08 • -10.16db
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Rhiannon Giddens
Waterbound
87 bpm • C Maj • 03:57 • -10.27db
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Jonathan Wilson
Fazon
87 bpm • G Maj • 05:38 • -10.86db
31% Popularity • 61% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
31% Popularity • 61% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 55% Positiveness
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Bruce Cockburn
Different When It Comes To You
95 bpm • A Maj • 02:57 • -8.9db
23% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
23% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
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Luke Winslow-King
Farewell Blues
87 bpm • D Maj • 04:01 • -14.61db
18% Popularity • 68% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 84% Positiveness
18% Popularity • 68% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 84% Positiveness
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John Hiatt
Sweet Dream
95 bpm • E Maj • 04:28 • -11.44db
23% Popularity • 48% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 48% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sway Wild
Comin' and Goin'
87 bpm • G Maj • 04:27 • -9.5db
13% Popularity • 77% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 35% Positiveness
13% Popularity • 77% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 35% Positiveness
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Bruce Hornsby
Never in This House
87 bpm • A Maj • 03:33 • -7.34db
19% Popularity • 24% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 24% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Pure Prairie League
Falling In And Out Of Love
87 bpm • D Maj • 02:12 • -21db
42% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Crosby, Stills, Nash & Young
Someday Soon
87 bpm • D Maj • 03:43 • -13.88db
30% Popularity • 78% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 78% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Other Favorites
Low Country - YouTube Version
96 bpm • E min • 03:51 • -12.78db
8% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Pieta Brown
Wondering How
86 bpm • G# min • 03:06 • -9.23db
33% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Parker Millsap
The Real Thing
96 bpm • D Maj • 03:13 • -8.83db
28% Popularity • 50% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 21% Positiveness
28% Popularity • 50% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 21% Positiveness
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Rita Wilson
Let It Be Me
96 bpm • G Maj • 03:39 • -7.85db
27% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 59% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
17% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Robert Ellis
When You're Away
86 bpm • D# min • 03:26 • -7.14db
26% Popularity • 58% Danceability • 50% Energy • 15% Liveness
4% Instrumentalness • 43% Positiveness
26% Popularity • 58% Danceability • 50% Energy • 15% Liveness
4% Instrumentalness • 43% Positiveness
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Tim Easton
Sitting on Top of the World
96 bpm • A min • 02:54 • -16.94db
34% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hollis Brown
She Don't Love Me Now
86 bpm • A Maj • 03:56 • -4.5db
10% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Watchhouse
Like You Used To
86 bpm • C Maj • 04:37 • -14.05db
32% Popularity • 64% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
32% Popularity • 64% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 49% Positiveness
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Hiss Golden Messenger
I Need a Teacher
86 bpm • A Maj • 03:17 • -8db
47% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 50% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Robert Plant
You Led Me to the Wrong
86 bpm • A# min • 04:17 • -11.59db
25% Popularity • 36% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 21% Positiveness
25% Popularity • 36% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 21% Positiveness
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Ondara
Days Of Insanity
97 bpm • D Maj • 04:29 • -9.27db
28% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Greg Brown
Sleeper
97 bpm • A Maj • 04:29 • -21.19db
19% Popularity • 48% Danceability • 22% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
19% Popularity • 48% Danceability • 22% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
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Nick Lowe
What's Shaking on the Hill
97 bpm • D Maj • 03:30 • -19.56db
11% Popularity • 64% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 64% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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The Mammals
If You Could Hear Me Now
97 bpm • A# Maj • 05:21 • -12.92db
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Stray Birds
Light As a Fire
86 bpm • D# Maj • 03:26 • -11.49db
27% Popularity • 61% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 61% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Grayson Capps
May We Love
85 bpm • D min • 05:03 • -11.99db
10% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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KIMOCK
Waiting for a Miracle
97 bpm • E Maj • 05:52 • -6.46db
10% Popularity • 49% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 49% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Crosby, Stills & Nash
Love the One You're With
97 bpm • C Maj • 03:04 • -12.9db
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Doug Paisley
Wide Open Plain
97 bpm • D Maj • 05:34 • -13.72db
10% Popularity • 58% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
10% Popularity • 58% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Aaron Lee Tasjan
Traveling After Dark
97 bpm • E Maj • 03:49 • -7.21db
14% Popularity • 51% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Erelli
By Degrees
85 bpm • D# Maj • 04:12 • -9db
9% Popularity • 45% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 45% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Hiss Golden Messenger
Cat's Eye Blue - Alive at Spacebomb Stud...
85 bpm • C Maj • 04:22 • -10.82db
8% Popularity • 70% Danceability • 41% Energy • 36% Liveness
3% Instrumentalness • 81% Positiveness
8% Popularity • 70% Danceability • 41% Energy • 36% Liveness
3% Instrumentalness • 81% Positiveness
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Jonathan Wilson
Desert Trip
97 bpm • C# Maj • 04:26 • -15.58db
15% Popularity • 50% Danceability • 39% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
15% Popularity • 50% Danceability • 39% Energy • 12% Liveness
7% Instrumentalness • 33% Positiveness
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Jimmy Webb
P.F. Sloane
98 bpm • G Maj • 04:29 • -7.46db
13% Popularity • 64% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Morrissey
Ain't Life A Brook
85 bpm • E min • 03:15 • -22.36db
13% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jackson Browne
A Song For Barcelona
98 bpm • E min • 08:37 • -9.28db
19% Popularity • 66% Danceability • 74% Energy • 7% Liveness
18% Instrumentalness • 56% Positiveness
19% Popularity • 66% Danceability • 74% Energy • 7% Liveness
18% Instrumentalness • 56% Positiveness
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Lyle Lovett
Bears
98 bpm • C# Maj • 03:05 • -8.84db
37% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Gillian Welch
Beautiful Boy
98 bpm • A# Maj • 03:31 • -13.49db
9% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Our Native Daughters
You're Not Alone
98 bpm • C Maj • 05:36 • -11.9db
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Cook
Another Mother's Son
98 bpm • G# Maj • 05:29 • -10.87db
10% Popularity • 44% Danceability • 49% Energy • 12% Liveness
4% Instrumentalness • 46% Positiveness
10% Popularity • 44% Danceability • 49% Energy • 12% Liveness
4% Instrumentalness • 46% Positiveness
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Orleans
Dance with Me
98 bpm • D Maj • 03:00 • -10.08db
61% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 56% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Robbie Robertson
I Hear You Paint Houses
99 bpm • A Maj • 05:03 • -7.83db
28% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Barton Hartshorn
Everything Is Better Than Before
84 bpm • G Maj • 04:28 • -9.66db
24% Popularity • 50% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
24% Popularity • 50% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 38% Positiveness
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Tom Petty
There Goes Angela (Dream Away) - Home Re...
99 bpm • G Maj • 03:49 • -12.9db
23% Popularity • 62% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 62% Danceability • 27% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Jonathan Wilson
Rolling Universe
99 bpm • F# min • 03:25 • -12.9db
14% Popularity • 45% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
14% Popularity • 45% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Bruce Cockburn
One Day I Walk
99 bpm • G# Maj • 03:08 • -20.79db
22% Popularity • 54% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 54% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -10db
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Tom Petty and the Heartbreakers
Angel Dream (No. 2)
83 bpm • E Maj • 02:28 • -19.33db
23% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Crosby, Stills & Nash
You Don't Have to Cry - 2005 Remaster
83 bpm • G Maj • 02:42 • -14.49db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Schneider
Boys You Like
83 bpm • D Maj • 02:34 • -8.9db
20% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
20% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Texas Gentlemen
Easy St.
83 bpm • G Maj • 05:59 • -5.46db
13% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Allman Brothers Band
Melissa
83 bpm • E Maj • 03:55 • -14.79db
63% Popularity • 53% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 45% Positiveness
63% Popularity • 53% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 45% Positiveness
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Jonathan Russell
I Found Out
100 bpm • D Maj • 03:49 • -10.89db
8% Popularity • 70% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
8% Popularity • 70% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Teddy Thompson
Why Wait
100 bpm • G Maj • 02:58 • -6.4db
8% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Tom Petty
Wildflowers - Home Recording
83 bpm • F Maj • 02:51 • -13.16db
25% Popularity • 52% Danceability • 34% Energy • 13% Liveness
11% Instrumentalness • 67% Positiveness
25% Popularity • 52% Danceability • 34% Energy • 13% Liveness
11% Instrumentalness • 67% Positiveness
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Amy Ray
Muscadine - Video Mix
83 bpm • E min • 05:14 • -11.29db
15% Popularity • 59% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
15% Popularity • 59% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
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Sons Of Bill
In Your Eyes
83 bpm • F min • 04:42 • -7.9db
20% Popularity • 48% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
20% Popularity • 48% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Jackson Browne
A Human Touch
100 bpm • A Maj • 04:42 • -11.14db
28% Popularity • 53% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 53% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Artists for Peace and Justice
Love Is Love
82 bpm • G# Maj • 04:39 • -14.2db
16% Popularity • 57% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 54% Positiveness
16% Popularity • 57% Danceability • 30% Energy • 10% Liveness
7% Instrumentalness • 54% Positiveness
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Little Feat
Missin' You
82 bpm • C Maj • 02:21 • -19db
39% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The Secret Sisters
Dust Cain't Kill Me
101 bpm • C Maj • 03:20 • -9.32db
25% Popularity • 72% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
25% Popularity • 72% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Ryan Adams
Wednesdays
82 bpm • E Maj • 05:25 • -14.83db
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bruce Cockburn
Going To The Country
101 bpm • F# Maj • 03:16 • -13.42db
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Gaby Moreno
Across the Borderline
82 bpm • D Maj • 06:20 • -8.74db
13% Popularity • 44% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 44% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Yusuf / Cat Stevens
On The Road To Find Out
82 bpm • F Maj • 05:48 • -6.45db
27% Popularity • 76% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
27% Popularity • 76% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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John Hiatt
Over The Hill
82 bpm • C Maj • 04:21 • -6db
45% Popularity • 63% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 63% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Gordon Lightfoot
The Watchman's Gone
82 bpm • D Maj • 04:18 • -15db
46% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 56% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
