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God's Own Children
Songs like
God's Own Children
by
Obongjayar
Based on a tempo of (+/- 10%) and a similar genre
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Keleketla!
International Love Affair
125 bpm • E min • 07:17 • -7.44db
16% Popularity • 70% Danceability • 83% Energy • 13% Liveness
46% Instrumentalness • 68% Positiveness
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Oscar Jerome
Gravitate
125 bpm • G# min • 05:42 • -9db
35% Popularity • 71% Danceability • 71% Energy • 17% Liveness
13% Instrumentalness • 85% Positiveness
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J Rick
Surprise
125 bpm • C Maj • 05:04 • -10.79db
9% Popularity • 32% Danceability • 52% Energy • 22% Liveness
2% Instrumentalness • 8% Positiveness
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Obongjayar
God's Own Children
125 bpm • D Maj • 02:54 • -6.43db
19% Popularity • 55% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Streets
Difficult Times Freestyle
125 bpm • F# min • 03:36 • -6.74db
16% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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A. K. Paul
Be Honest
124 bpm • C Maj • 03:57 • -12.95db
25% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Moses Sumney
Virile
126 bpm • G Maj • 04:16 • -5db
29% Popularity • 27% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Moses Boyd
2 Far Gone
126 bpm • C# Maj • 05:43 • -6.35db
31% Popularity • 37% Danceability • 89% Energy • 10% Liveness
32% Instrumentalness • 54% Positiveness
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Africa Express
Nayena
127 bpm • C# Maj • 04:21 • -7.07db
10% Popularity • 85% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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NNAMDÏ
Semantics
127 bpm • C min • 03:37 • -7.59db
15% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Jeshi
30,000 FEET
127 bpm • C# min • 03:31 • -10db
30% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Streets
None Of Us Are Getting Out Of This Life ...
127 bpm • F min • 03:53 • -6.97db
40% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Spoek Mathambo
I Found U
128 bpm • G Maj • 05:33 • -7.56db
23% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Moses Boyd
Shades of You
127 bpm • C min • 04:20 • -6.34db
21% Popularity • 66% Danceability • 96% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
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Africa Express
Sizi Freaks
127 bpm • C# min • 04:46 • -8.66db
15% Popularity • 89% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Ghostpoet
When Mouths Collide
128 bpm • C Maj • 04:26 • -11.33db
13% Popularity • 67% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Asuquomo
YAHWEH
122 bpm • F Maj • 03:33 • -7.21db
8% Popularity • 66% Danceability • 80% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Swindle
Talk a Lot
122 bpm • C# Maj • 04:00 • -6.53db
11% Popularity • 54% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Liam Bailey
Awkward
128 bpm • C Maj • 03:12 • -13.23db
13% Popularity • 32% Danceability • 55% Energy • 35% Liveness
5% Instrumentalness • 5% Positiveness
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Denai Moore
Too Close
129 bpm • F# min • 02:54 • -8.03db
7% Popularity • 61% Danceability • 56% Energy • 5% Liveness
2% Instrumentalness • 13% Positiveness
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Africa Express
The Return Of Bacardi
123 bpm • G Maj • 05:16 • -11.01db
13% Popularity • 76% Danceability • 58% Energy • 9% Liveness
76% Instrumentalness • 81% Positiveness
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Dua Saleh
Kickflip
121 bpm • D Maj • 03:02 • -7.26db
28% Popularity • 60% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Lex Amor
Mazza
121 bpm • E min • 02:50 • -12.54db
37% Popularity • 78% Danceability • 40% Energy • 16% Liveness
11% Instrumentalness • 73% Positiveness
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Georgia Anne Muldrow
Play It Up
129 bpm • G# Maj • 03:47 • -5.09db
12% Popularity • 68% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Rosie Lowe
The Way
121 bpm • C Maj • 06:19 • -10.92db
23% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Obongjayar
Some Nights I Dream of Doors
130 bpm • G Maj • 02:54 • -13.1db
29% Popularity • 42% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Kindness
Samthing's Interlude
130 bpm • B min • 01:54 • -8.84db
21% Popularity • 53% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Leikeli47
Bad Gyal Flex - A COLORS SHOW
130 bpm • B Maj • 02:49 • -6.15db
19% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Ric Wilson
Fight Like Ida B & Marsha P
120 bpm • A# min • 03:07 • -9.8db
26% Popularity • 92% Danceability • 50% Energy • 58% Liveness
0% Instrumentalness • 59% Positiveness
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Melt Yourself Down
Caribbean Fire Dance (Lewisham Drop)
130 bpm • F# min • 03:15 • -8.84db
4% Popularity • 68% Danceability • 92% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
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Everything Is Recorded
02:56 AM / I DONT WANT THIS FEELING TO S...
130 bpm • F# min • 02:36 • -5.75db
11% Popularity • 93% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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ELIZA
Game
130 bpm • B min • 05:01 • -13db
31% Popularity • 84% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 94% Positiveness
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Naeem
Simulation
130 bpm • E min • 04:03 • -10.95db
16% Popularity • 72% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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The Streets
I Know Something You Did
130 bpm • F min • 03:38 • -4.83db
23% Popularity • 71% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Poppy Ajudha
Watermelon Man (Under The Sun)
130 bpm • F min • 04:30 • -9.6db
21% Popularity • 59% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Nilüfer Yanya
Paradise
130 bpm • B min • 03:58 • -8.66db
32% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ibibio Sound Machine
Just Go Forward (Ka I So)
130 bpm • A min • 03:48 • -7.89db
9% Popularity • 81% Danceability • 72% Energy • 11% Liveness
27% Instrumentalness • 95% Positiveness
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Open Mike Eagle
Bucciarati
120 bpm • A min • 03:56 • -14db
21% Popularity • 81% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ric Wilson
Trunk Music
120 bpm • F min • 03:28 • -6.13db
8% Popularity • 97% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Charlotte Adigéry
Okashi
120 bpm • D Maj • 03:34 • -9.89db
18% Popularity • 73% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Kassa Overall
Darkness in Mind
120 bpm • E min • 06:01 • -8.06db
12% Popularity • 40% Danceability • 44% Energy • 7% Liveness
47% Instrumentalness • 8% Positiveness
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Equiknoxx
Manchester
120 bpm • B min • 04:19 • -7.92db
8% Popularity • 92% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Ghostpoet
I Grow Tired But Dare Not Fall Asleep
120 bpm • D# min • 04:35 • -8.47db
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Pinty
E's
130 bpm • A# min • 02:31 • -8.16db
11% Popularity • 79% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Obongjayar
Gravity
120 bpm • C# Maj • 05:50 • -9.12db
14% Popularity • 84% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Charlotte Adigéry
High Lights
120 bpm • G Maj • 05:08 • -11db
30% Popularity • 87% Danceability • 54% Energy • 6% Liveness
24% Instrumentalness • 76% Positiveness
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Ibibio Sound Machine
Kuka
120 bpm • E Maj • 02:38 • -11.44db
8% Popularity • 68% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
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Inflo
No Fear
120 bpm • F Maj • 04:11 • -7db
36% Popularity • 76% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Ghostpoet
Concrete Pony
120 bpm • C Maj • 04:06 • -10db
16% Popularity • 82% Danceability • 49% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
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Oddisee
The Cure
120 bpm • A# min • 04:31 • -9.69db
20% Popularity • 82% Danceability • 72% Energy • 78% Liveness
1% Instrumentalness • 78% Positiveness
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Gil Scott-Heron
I'm New Here
120 bpm • G# min • 04:13 • -9.72db
26% Popularity • 77% Danceability • 61% Energy • 10% Liveness
23% Instrumentalness • 80% Positiveness
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Kean Kavanagh
Roll Over!
120 bpm • C# Maj • 04:21 • -6.39db
17% Popularity • 51% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Obongjayar
Who Let Him In
120 bpm • G Maj • 03:06 • -3.8db
37% Popularity • 90% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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NNAMDÏ
Gimme Gimme
120 bpm • E min • 03:11 • -6.41db
15% Popularity • 76% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 77% Positiveness
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Everything Is Recorded
Wet Looking Road
131 bpm • A Maj • 02:52 • -6db
17% Popularity • 77% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 55% Positiveness
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Mourning [A] BLKstar
Mist :: Missed
119 bpm • B min • 03:29 • -7.91db
8% Popularity • 64% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Burna Boy
My Money, My Baby
119 bpm • C# Maj • 03:04 • -6.19db
35% Popularity • 86% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Moses Sumney
Neither/Nor
132 bpm • G Maj • 05:26 • -8.05db
24% Popularity • 43% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Obongjayar
All the Difference
120 bpm • C Maj • 03:19 • -10.19db
29% Popularity • 65% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Ibibio Sound Machine
Nyak Mien
132 bpm • F# min • 03:51 • -7.18db
8% Popularity • 66% Danceability • 71% Energy • 27% Liveness
12% Instrumentalness • 96% Positiveness
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Everything Is Recorded
Intro
119 bpm • G# min • 01:44 • -13.4db
14% Popularity • 53% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Hejira
Joyful Mind
132 bpm • C# min • 04:50 • -11.5db
7% Popularity • 51% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Kassa Overall
Show Me a Prison
118 bpm • C Maj • 03:42 • -6.69db
11% Popularity • 76% Danceability • 75% Energy • 9% Liveness
53% Instrumentalness • 35% Positiveness
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Shabazz Palaces
Money Yoga
118 bpm • C min • 05:29 • -10.02db
12% Popularity • 74% Danceability • 41% Energy • 28% Liveness
2% Instrumentalness • 20% Positiveness
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Tony Allen
Mau Mau
118 bpm • C# Maj • 03:09 • -7.28db
23% Popularity • 79% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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BenjiFlow
Can't Lose
118 bpm • F# Maj • 02:53 • -9.57db
19% Popularity • 71% Danceability • 78% Energy • 8% Liveness
21% Instrumentalness • 80% Positiveness
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Ego Ella May
In The Morning - A COLORS SHOW
118 bpm • F# Maj • 03:55 • -10db
24% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Leikeli47
CIAA
132 bpm • F min • 03:26 • -6.08db
24% Popularity • 59% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Kassa Overall
Please Don't Kill Me
118 bpm • G# Maj • 02:59 • -9.74db
15% Popularity • 61% Danceability • 62% Energy • 12% Liveness
8% Instrumentalness • 38% Positiveness
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Cooks But We're Chefs
Stella Maris
133 bpm • F min • 04:06 • -6.2db
14% Popularity • 73% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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J Rick
Close
133 bpm • F# Maj • 04:22 • -7.45db
8% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Ezra Collective
Reason in Disguise
134 bpm • B Maj • 03:41 • -13db
44% Popularity • 55% Danceability • 44% Energy • 15% Liveness
6% Instrumentalness • 65% Positiveness
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Swamp Dogg
$$$ Huntin'
117 bpm • A min • 05:30 • -7.14db
13% Popularity • 82% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Obongjayar
I Wish It Was Me - Louke Man Remix
134 bpm • C# Maj • 04:20 • -14.27db
31% Popularity • 69% Danceability • 58% Energy • 15% Liveness
34% Instrumentalness • 24% Positiveness
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serpentwithfeet
messy
134 bpm • G# Maj • 03:31 • -9db
26% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Kae Tempest
Three Sided Coin
116 bpm • D Maj • 04:02 • -9.75db
21% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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NiNE8
Pusha
135 bpm • G# Maj • 03:04 • -8db
31% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Joan As Police Woman
Spread
116 bpm • A Maj • 04:21 • -8.77db
9% Popularity • 72% Danceability • 55% Energy • 20% Liveness
17% Instrumentalness • 45% Positiveness
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NNAMDÏ
Price Went Up
135 bpm • B Maj • 02:06 • -13.95db
12% Popularity • 63% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Obongjayar
Endless
117 bpm • F min • 04:24 • -6.74db
19% Popularity • 43% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wilma Vritra
The Hill
135 bpm • C# Maj • 03:33 • -8.52db
18% Popularity • 68% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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The Seshen
Take It All Away
135 bpm • A Maj • 03:26 • -8.68db
8% Popularity • 68% Danceability • 60% Energy • 10% Liveness
32% Instrumentalness • 54% Positiveness
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Rosie Lowe
Pharoah
116 bpm • F# min • 03:52 • -9.45db
15% Popularity • 47% Danceability • 40% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Ezra Collective
Quest For Coin II
135 bpm • C# Maj • 02:56 • -4.18db
35% Popularity • 90% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Hak Baker
Grief Eyes
115 bpm • A# Maj • 03:39 • -10.06db
20% Popularity • 74% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Obongjayar
Frens
116 bpm • C# Maj • 03:18 • -7.49db
18% Popularity • 74% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Zara McFarlane
Black Treasure
135 bpm • C# Maj • 03:38 • -9.04db
7% Popularity • 74% Danceability • 70% Energy • 17% Liveness
4% Instrumentalness • 89% Positiveness
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Jamila Woods
OCTAVIA
115 bpm • F min • 03:11 • -7.75db
20% Popularity • 82% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Gil Scott-Heron
Where Did the Night Go
115 bpm • A min • 02:37 • -10db
19% Popularity • 50% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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St. Panther
Highway
115 bpm • D Maj • 02:32 • -5.64db
35% Popularity • 87% Danceability • 82% Energy • 11% Liveness
31% Instrumentalness • 59% Positiveness
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Kae Tempest
Thirsty
136 bpm • G min • 03:26 • -13.58db
26% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Obongjayar
Carry Come Carry Go
135 bpm • G# Maj • 03:16 • -8.32db
22% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Lady Donli
Cash
115 bpm • B min • 03:07 • -7.82db
33% Popularity • 85% Danceability • 67% Energy • 9% Liveness
48% Instrumentalness • 73% Positiveness
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ELIZA
Loveable
136 bpm • A Maj • 04:19 • -9.18db
28% Popularity • 71% Danceability • 30% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Joy Crookes
London Mine
115 bpm • D Maj • 03:43 • -6db
40% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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SAZ
A Break
115 bpm • F# Maj • 02:30 • -8.61db
0% Popularity • 64% Danceability • 57% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Young Fathers
Picking You
136 bpm • F Maj • 03:04 • -7.66db
30% Popularity • 52% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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Obongjayar
Just Cool
115 bpm • D Maj • 03:40 • -5.45db
50% Popularity • 95% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Nubiyan Twist
Tittle Tattle
136 bpm • C Maj • 05:19 • -7db
35% Popularity • 45% Danceability • 79% Energy • 15% Liveness
8% Instrumentalness • 72% Positiveness
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LA Priest
What Moves - Edit
115 bpm • C Maj • 03:15 • -6db
10% Popularity • 80% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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God's Own Children