Songs like Gogol by Chilly Gonzales
Based on a tempo of (+/- 10%) and a similar genre
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Tigran Hamasyan
Tsirani Tsar
77 bpm • F min • 05:49 • -27.42db
43% Popularity • 19% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
43% Popularity • 19% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Chassol
Cagole Swag (La Marseillaise)
76 bpm • C min • 01:13 • -17.3db
26% Popularity • 31% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
26% Popularity • 31% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
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Christopher Spelman
Walking Home
77 bpm • A min • 01:14 • -22.13db
38% Popularity • 56% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
38% Popularity • 56% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Gidon Kremer
Soledad
76 bpm • E min • 07:46 • -25.18db
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Vincent Delerm
La chamade - Version piano
78 bpm • G Maj • 01:14 • -30.67db
39% Popularity • 42% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 18% Positiveness
39% Popularity • 42% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 18% Positiveness
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Mathieu Boogaerts
Une bonne nouvelle
76 bpm • G# min • 03:06 • -16.07db
34% Popularity • 69% Danceability • 28% Energy • 11% Liveness
17% Instrumentalness • 77% Positiveness
34% Popularity • 69% Danceability • 28% Energy • 11% Liveness
17% Instrumentalness • 77% Positiveness
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Vittorio Monti
Csárdás
78 bpm • D Maj • 05:33 • -9.55db
51% Popularity • 38% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
51% Popularity • 38% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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John Cage
In A Landscape
78 bpm • D min • 09:01 • -38db
11% Popularity • 27% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
11% Popularity • 27% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Nils Frahm
Some
76 bpm • F Maj • 04:14 • -33.5db
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Alexandra Streliski
Berceuse
78 bpm • D# Maj • 02:34 • -23db
46% Popularity • 57% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
46% Popularity • 57% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Marina Baranova
Leviathan Town
76 bpm • C# min • 02:49 • -26.08db
33% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Carlos Cipa
Morning Love
78 bpm • C min • 02:42 • -17.12db
21% Popularity • 31% Danceability • 21% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
21% Popularity • 31% Danceability • 21% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Poppy Ackroyd
Birdwoman
76 bpm • G min • 05:39 • -21.97db
27% Popularity • 26% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Martin Kohlstedt
AMS
79 bpm • A min • 06:09 • -20.61db
30% Popularity • 25% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 25% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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George Enescu
Violin Sonata No. 3, Op. 25: I. Moderato...
75 bpm • E min • 08:45 • -16.58db
14% Popularity • 20% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Gabriel Yared
Rearranging Furniture
79 bpm • E min • 02:37 • -19.62db
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
44% Popularity • 21% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Avishai Cohen
Shir Eres (Lullaby)
79 bpm • F min • 04:35 • -23.56db
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Uèle Lamore
Les tresses
75 bpm • A min • 01:36 • -27.22db
24% Popularity • 44% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
24% Popularity • 44% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Ólafur Arnalds
Life Story
75 bpm • B Maj • 05:40 • -25.77db
46% Popularity • 49% Danceability • 23% Energy • 34% Liveness
92% Instrumentalness • 44% Positiveness
46% Popularity • 49% Danceability • 23% Energy • 34% Liveness
92% Instrumentalness • 44% Positiveness
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Anouar Brahem
C'est ailleurs
79 bpm • C Maj • 08:04 • -23.36db
23% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20
79 bpm • C Maj • 11:03 • -16.92db
11% Popularity • 26% Danceability • 14% Energy • 10% Liveness
22% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 14% Energy • 10% Liveness
22% Instrumentalness • 9% Positiveness
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Gabriel Yared
Betty et Zorg
79 bpm • G Maj • 02:30 • -21db
38% Popularity • 25% Danceability • 4% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
38% Popularity • 25% Danceability • 4% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
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Isfar Sarabski
Planet (Piano Solo)
75 bpm • A# min • 06:40 • -23db
14% Popularity • 32% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Hauschka
Hike
80 bpm • C Maj • 02:53 • -19db
28% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 32% Energy • 15% Liveness
89% Instrumentalness • 11% Positiveness
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Michael Wollny
The Rain Never Stops on Venus
74 bpm • F min • 01:46 • -21.46db
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
36% Popularity • 41% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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Arvo Pärt
Lamentabile -
80 bpm • G# Maj • 05:13 • -33.35db
11% Popularity • 7% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Seckou Keita
1677
80 bpm • D# Maj • 06:03 • -15.68db
23% Popularity • 55% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
23% Popularity • 55% Danceability • 37% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Gabriel Yared
Des orages pour la nuit
79 bpm • G min • 03:17 • -25db
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 4% Energy • 11% Liveness
31% Instrumentalness • 52% Positiveness
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Penguin Cafe Orchestra
Nothing Really Blue
80 bpm • C Maj • 05:18 • -30.1db
31% Popularity • 57% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 10% Positiveness
31% Popularity • 57% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 10% Positiveness
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TV On The Radio
Test Pilot - Chilly Gonzales Re-Make
80 bpm • D min • 03:36 • -14db
35% Popularity • 58% Danceability • 30% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 58% Danceability • 30% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Brad Mehldau
Paranoid Android I
74 bpm • G min • 01:41 • -16.16db
45% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
45% Popularity • 39% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Arvo Pärt
My Heart's in the Highlands
74 bpm • F min • 08:40 • -27.43db
35% Popularity • 12% Danceability • 1% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 1% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Chilly Gonzales
Overnight
80 bpm • G min • 03:22 • -25.25db
44% Popularity • 39% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
44% Popularity • 39% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Yaron Herman
No Surprises
81 bpm • F Maj • 02:55 • -23db
29% Popularity • 57% Danceability • 10% Energy • 6% Liveness
47% Instrumentalness • 22% Positiveness
29% Popularity • 57% Danceability • 10% Energy • 6% Liveness
47% Instrumentalness • 22% Positiveness
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Albin de la Simone
Extremadura
80 bpm • D min • 03:21 • -26.15db
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Matthew Halsall
Sailing Out To Sea
81 bpm • F Maj • 01:31 • -13.12db
36% Popularity • 18% Danceability • 25% Energy • 17% Liveness
12% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 25% Energy • 17% Liveness
12% Instrumentalness • 4% Positiveness
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Portico Quartet
Export for Hot Climates
73 bpm • A# Maj • 01:08 • -31db
38% Popularity • 36% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
38% Popularity • 36% Danceability • 0% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness
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Vincent Delerm
Êtes-vous heureux - Thème piano
73 bpm • C min • 01:04 • -24.26db
43% Popularity • 46% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 70% Positiveness
43% Popularity • 46% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 70% Positiveness
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Chilly Gonzales
The Tearjerker Returns
81 bpm • G min • 03:32 • -23.13db
44% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 10% Liveness
67% Instrumentalness • 12% Positiveness
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Nils Frahm
Hammers
73 bpm • F# Maj • 03:20 • -24.1db
29% Popularity • 18% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Anouar Brahem
Leila au pays du carrousel
73 bpm • G min • 06:37 • -22.85db
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Airelle Besson
Time to Say Goodbye
82 bpm • G Maj • 03:20 • -19.34db
35% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
35% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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Francesco Tristano
Third Haiku
82 bpm • C# min • 03:09 • -27.1db
10% Popularity • 43% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
10% Popularity • 43% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Nicolas Godin
Elfe Man
82 bpm • E min • 02:53 • -12.38db
11% Popularity • 33% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 33% Danceability • 23% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Chilly Gonzales
Manifesto
73 bpm • D# min • 03:08 • -24.98db
41% Popularity • 51% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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Brad Mehldau
At the Far End
73 bpm • F min • 01:51 • -18.76db
28% Popularity • 40% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
28% Popularity • 40% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Johann Paul Von Westhoff
Sonata For Violin And Continuo III: Imit...
82 bpm • A min • 02:23 • -23.09db
30% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
30% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
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Albin de la Simone
La chambre
82 bpm • G min • 02:51 • -22.1db
12% Popularity • 52% Danceability • 12% Energy • 32% Liveness
88% Instrumentalness • 17% Positiveness
12% Popularity • 52% Danceability • 12% Energy • 32% Liveness
88% Instrumentalness • 17% Positiveness
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Vincent Delerm
Je ne sais pas si c'est tout le monde - ...
82 bpm • C min • 01:30 • -14.27db
38% Popularity • 56% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
38% Popularity • 56% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
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Tigran Hamasyan
Lilac
82 bpm • F# min • 04:10 • -23.74db
35% Popularity • 46% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 46% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Nicolas Jaar
Muse
72 bpm • D# min • 05:43 • -24db
36% Popularity • 31% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
36% Popularity • 31% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 25% Positiveness
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Dans Dans
Chi Mai
82 bpm • D Maj • 05:12 • -17db
22% Popularity • 41% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Hauschka
Curious
72 bpm • C Maj • 03:30 • -22.24db
33% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Alexandra Streliski
Changing Winds
72 bpm • C Maj • 03:13 • -25.74db
48% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Mocky
When Paulie Gets Mad
72 bpm • D# Maj • 03:16 • -10.33db
21% Popularity • 42% Danceability • 33% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
21% Popularity • 42% Danceability • 33% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Bachar Mar-Khalifé
Ell3
72 bpm • A min • 02:38 • -13.91db
12% Popularity • 30% Danceability • 0% Energy • 10% Liveness
12% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 0% Energy • 10% Liveness
12% Instrumentalness • 38% Positiveness
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Dustin O'Halloran
Variazione Di Un Tango
82 bpm • E min • 04:35 • -15.98db
18% Popularity • 40% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
18% Popularity • 40% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Hilary Hahn
Stillness
72 bpm • A Maj • 01:43 • -25.05db
38% Popularity • 21% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Anouar Brahem
Le pas du chat noir
83 bpm • C min • 08:01 • -22.89db
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
36% Popularity • 36% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
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Nils Frahm
My Friend the Forest
83 bpm • G# Maj • 05:16 • -33.84db
48% Popularity • 25% Danceability • 1% Energy • 24% Liveness
61% Instrumentalness • 15% Positiveness
48% Popularity • 25% Danceability • 1% Energy • 24% Liveness
61% Instrumentalness • 15% Positiveness
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Joep Beving
Every Ending Is a New Beginning
71 bpm • C# Maj • 04:26 • -28.17db
43% Popularity • 31% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
43% Popularity • 31% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Joseph Schiano di Lombo
If You Had My Love
71 bpm • A min • 05:36 • -18.25db
29% Popularity • 40% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 40% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Dustin O'Halloran
Opus 23
71 bpm • F Maj • 03:08 • -31.44db
40% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
40% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Hilary Hahn
Krakow
71 bpm • G min • 02:40 • -14.73db
21% Popularity • 30% Danceability • 17% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
21% Popularity • 30% Danceability • 17% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
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Albin de la Simone
Les tulipes
84 bpm • D# Maj • 02:53 • -18.1db
15% Popularity • 36% Danceability • 25% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 36% Danceability • 25% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
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Arvo Pärt
Spiegel im spiegel
84 bpm • F Maj • 08:23 • -28.38db
55% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ez3kiel
Leopoldine
70 bpm • D min • 03:24 • -21.34db
32% Popularity • 42% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
32% Popularity • 42% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Peter Broderick
Eyes Closed And Traveling
84 bpm • F# Maj • 03:39 • -20.98db
50% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
50% Popularity • 42% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Brian Eno
By this River (Arr. Badzura)
85 bpm • G min • 03:35 • -21db
27% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Maurice Ravel
Berceuse sur le nom de Gabriel Fauré, M...
84 bpm • E min • 03:42 • -21.83db
14% Popularity • 14% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Philippe Sarde
Violette…
70 bpm • A min • 01:08 • -20.07db
33% Popularity • 60% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
33% Popularity • 60% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
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Nils Frahm
The Dane
85 bpm • D# min • 02:03 • -32.61db
58% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
58% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Esmerine
Pas Trop Pas Tropes
69 bpm • E min • 04:26 • -19.88db
8% Popularity • 31% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 23% Positiveness
8% Popularity • 31% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 23% Positiveness
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Chilly Gonzales
Salon Salloon
86 bpm • F min • 02:05 • -20.83db
34% Popularity • 40% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Asaf Avidan
Montmarte
69 bpm • G# Maj • 01:48 • -19.85db
39% Popularity • 26% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 26% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Charlotte Reinhardt
Déferlante
86 bpm • B min • 02:52 • -18.89db
20% Popularity • 18% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
20% Popularity • 18% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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John Cage
In a Landscape
69 bpm • A# Maj • 08:51 • -37.42db
42% Popularity • 20% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
42% Popularity • 20% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Vincent Delerm
Ristorante
86 bpm • F min • 02:17 • -15.6db
41% Popularity • 63% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
41% Popularity • 63% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Joep Beving
Sleeping Lotus
69 bpm • G min • 02:32 • -26.54db
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
60% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Brigitte
Sous la lune
87 bpm • A min • 01:33 • -23.48db
31% Popularity • 47% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
31% Popularity • 47% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Malakoff Kowalski
Euphoria, Lobster & Champagne
87 bpm • C Maj • 03:22 • -32db
31% Popularity • 42% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
31% Popularity • 42% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Flavien Berger
Dyade
68 bpm • E Maj • 04:22 • -18.65db
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
47% Instrumentalness • 5% Positiveness
36% Popularity • 30% Danceability • 8% Energy • 10% Liveness
47% Instrumentalness • 5% Positiveness
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Arvo Pärt
Für Alina
68 bpm • B min • 10:47 • -36.61db
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Bertrand Belin
Hypernuit
87 bpm • G# min • 04:02 • -13.49db
40% Popularity • 56% Danceability • 53% Energy • 10% Liveness
31% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 53% Energy • 10% Liveness
31% Instrumentalness • 70% Positiveness
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Mourad
Improvisation sur Nocturne No. 20 en do ...
87 bpm • C# min • 02:43 • -13.86db
11% Popularity • 35% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
11% Popularity • 35% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Ballaké Sissoko
Niandou
87 bpm • F Maj • 06:34 • -18db
32% Popularity • 38% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
32% Popularity • 38% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 55% Positiveness
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Malakoff Kowalski
Tehran Lullaby
88 bpm • D# min • 03:16 • -33.95db
11% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Vincent Delerm
Canzonetta
88 bpm • F min • 01:33 • -9.61db
41% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
41% Popularity • 50% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
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Moondog
New Amsterdam
88 bpm • G# Maj • 06:25 • -14db
31% Popularity • 32% Danceability • 31% Energy • 7% Liveness
96% Instrumentalness • 17% Positiveness
31% Popularity • 32% Danceability • 31% Energy • 7% Liveness
96% Instrumentalness • 17% Positiveness
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Warren Ellis
Lale's Theme
88 bpm • D# Maj • 05:09 • -19.2db
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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John Surman
Whistman's Wood
88 bpm • A min • 06:32 • -15.92db
26% Popularity • 40% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 10% Positiveness
26% Popularity • 40% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 10% Positiveness
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Rik
Waltz in C-Sharp Minor
67 bpm • C# min • 03:44 • -33db
29% Popularity • 30% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Martin Kohlstedt
JUL
88 bpm • D min • 05:01 • -20.6db
31% Popularity • 34% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 34% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Avishai Cohen
Calm
89 bpm • F min • 03:16 • -14.65db
31% Popularity • 49% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
31% Popularity • 49% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Moondog
Bumbo
88 bpm • F min • 03:15 • -18.18db
15% Popularity • 58% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 78% Positiveness
15% Popularity • 58% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 78% Positiveness
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Bill Evans
Peace Piece
67 bpm • C Maj • 06:13 • -39db
28% Popularity • 23% Danceability • 0% Energy • 8% Liveness
9% Instrumentalness • 7% Positiveness
28% Popularity • 23% Danceability • 0% Energy • 8% Liveness
9% Instrumentalness • 7% Positiveness
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Chapelier Fou
L'austère nuit d'Uqbar
90 bpm • D min • 02:20 • -16.3db
12% Popularity • 36% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
12% Popularity • 36% Danceability • 6% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
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Sébastien Tellier
Delta romantica
90 bpm • F Maj • 02:17 • -11.23db
34% Popularity • 32% Danceability • 60% Energy • 17% Liveness
89% Instrumentalness • 55% Positiveness
34% Popularity • 32% Danceability • 60% Energy • 17% Liveness
89% Instrumentalness • 55% Positiveness
