Songs like Goin' Back by Beth Orton
Based on a tempo of (+/- 10%) and a similar genre
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Beth Orton
Goin' Back
116 bpm • C Maj • 04:03 • -13.09db
10% Popularity • 48% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kristin Hersh
Deep Wilson
116 bpm • D min • 04:18 • -12db
11% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Shearwater
Meridian
116 bpm • D Maj • 03:37 • -17.96db
26% Popularity • 59% Danceability • 26% Energy • 20% Liveness
82% Instrumentalness • 6% Positiveness
26% Popularity • 59% Danceability • 26% Energy • 20% Liveness
82% Instrumentalness • 6% Positiveness
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Sarah Jarosz
Mile On The Moon
116 bpm • E Maj • 03:49 • -9.35db
32% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Nastasia
Cry, Cry, Baby
116 bpm • G Maj • 03:42 • -11db
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
40% Instrumentalness • 16% Positiveness
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Thurston Moore
Illuminine
116 bpm • A# Maj • 04:02 • -11.79db
18% Popularity • 58% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Martha Wainwright
The Traitor
116 bpm • A Maj • 04:44 • -13.03db
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
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Beth Orton
That Summer Feeling
115 bpm • E Maj • 04:38 • -12.97db
11% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bruce Cockburn
The Iris Of The World
115 bpm • A min • 03:22 • -10.42db
9% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lloyd Cole
The Young Idealists
115 bpm • C Maj • 02:43 • -11.65db
10% Popularity • 86% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 86% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Basia Bulat
Paris or Amsterdam
117 bpm • D Maj • 03:05 • -13.73db
28% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 59% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Edie Brickell & New Bohemians
Oak Cliff Bra
115 bpm • A min • 01:28 • -16.56db
32% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 62% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Neil Finn
Addicted
114 bpm • C# Maj • 04:22 • -14.31db
15% Popularity • 40% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 28% Energy • 9% Liveness
13% Instrumentalness • 28% Positiveness
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Beth Orton
Something More Beautiful
117 bpm • G Maj • 03:27 • -11.18db
13% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 55% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Neko Case
Margaret vs. Pauline
115 bpm • G Maj • 02:52 • -7.36db
35% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Dave Rawlings Machine
Method Acting / Cortez The Killer
114 bpm • F min • 10:20 • -16.68db
16% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Jayhawks
Madman
114 bpm • A Maj • 04:02 • -7.13db
19% Popularity • 73% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
19% Popularity • 73% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
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Edie Brickell & New Bohemians
I Do
118 bpm • G Maj • 02:00 • -20.89db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Billy Bragg
Someday Some Morning Sometime
118 bpm • C Maj • 02:51 • -14.56db
36% Popularity • 43% Danceability • 23% Energy • 8% Liveness
9% Instrumentalness • 9% Positiveness
36% Popularity • 43% Danceability • 23% Energy • 8% Liveness
9% Instrumentalness • 9% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
32% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Ron Sexsmith
Galbraith Street
118 bpm • D Maj • 03:05 • -15.23db
19% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 57% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rickie Lee Jones
Pink Flamingos
114 bpm • D Maj • 06:33 • -17.6db
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 53% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Kozelek
Love At First Feel
114 bpm • D# Maj • 02:12 • -12.53db
15% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Great Lake Swimmers
Passenger Song
118 bpm • F Maj • 04:28 • -20.92db
2% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 58% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Clem Snide
When We Become
114 bpm • E Maj • 05:17 • -10.82db
15% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Ternheim
Solitary Move
114 bpm • A Maj • 03:53 • -12db
16% Popularity • 63% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 63% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Richard Thompson
The Ghost Of You Walks
114 bpm • E Maj • 03:40 • -15.41db
15% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Guillemots
Southern Winds
118 bpm • A# min • 05:06 • -16.98db
16% Popularity • 42% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 24% Positiveness
16% Popularity • 42% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 24% Positiveness
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Great Lake Swimmers
Changing Colours
114 bpm • D Maj • 04:44 • -13.25db
11% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Neko Case
Night Still Comes
119 bpm • E Maj • 03:47 • -9db
32% Popularity • 51% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 51% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Beth Orton
Worms
118 bpm • F min • 02:04 • -16.26db
26% Popularity • 84% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 84% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Hem
South Central Rain
119 bpm • G min • 03:10 • -10db
28% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bettie Serveert
Auf Wiedersehen
114 bpm • B Maj • 03:55 • -16.54db
9% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Grant Lee Buffalo
You Just Have to Be Crazy
113 bpm • C# Maj • 03:36 • -17db
36% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Great Lake Swimmers
Where In The World Are You
113 bpm • C Maj • 03:49 • -20.67db
8% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
8% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
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Low
So Blue
119 bpm • A# Maj • 04:23 • -11.52db
15% Popularity • 45% Danceability • 38% Energy • 10% Liveness
66% Instrumentalness • 12% Positiveness
15% Popularity • 45% Danceability • 38% Energy • 10% Liveness
66% Instrumentalness • 12% Positiveness
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Beth Orton
Absinthe
113 bpm • G Maj • 04:02 • -20.17db
11% Popularity • 56% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
11% Popularity • 56% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 11% Positiveness
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Richmond Fontaine
We Used to Think the Freeway Sounded Lik...
119 bpm • C Maj • 03:26 • -14.39db
9% Popularity • 62% Danceability • 36% Energy • 12% Liveness
67% Instrumentalness • 39% Positiveness
9% Popularity • 62% Danceability • 36% Energy • 12% Liveness
67% Instrumentalness • 39% Positiveness
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Ray LaMontagne
Gossip in the Grain
119 bpm • E min • 03:58 • -15.25db
23% Popularity • 47% Danceability • 22% Energy • 12% Liveness
17% Instrumentalness • 8% Positiveness
23% Popularity • 47% Danceability • 22% Energy • 12% Liveness
17% Instrumentalness • 8% Positiveness
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Bill Fay
There Is A Valley
113 bpm • A Maj • 04:15 • -10.95db
18% Popularity • 60% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
18% Popularity • 60% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Ani DiFranco
In the Margins
119 bpm • F Maj • 03:13 • -13.66db
3% Popularity • 53% Danceability • 23% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
3% Popularity • 53% Danceability • 23% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Beth Orton
Whenever
119 bpm • G Maj • 03:53 • -9db
13% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Herring
Camilla
120 bpm • B Maj • 04:13 • -10.72db
26% Popularity • 59% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 59% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Ron Sexsmith
There's A Rhythm
113 bpm • E Maj • 03:25 • -13.2db
15% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Hem
Not California
120 bpm • G Maj • 04:15 • -6.24db
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Cowboy Junkies
Bea's Song (River Song Trilogy
112 bpm • C Maj • 03:35 • -14db
38% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Beth Orton
Live as You Dream
113 bpm • G Maj • 02:58 • -6.46db
20% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Gemma Hayes
Ran For Miles
120 bpm • F# min • 04:32 • -11.39db
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Wilco
One True Vine
112 bpm • B Maj • 02:11 • -9.82db
18% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Willy Mason
Carry On
112 bpm • C Maj • 03:54 • -9.44db
15% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Bragg
January Song
112 bpm • F Maj • 02:19 • -16.2db
15% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 66% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Audreys
More to a Sinner
120 bpm • D Maj • 04:32 • -11db
23% Popularity • 57% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
23% Popularity • 57% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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Beth Orton
Bullet - 2008 Remastered Version
112 bpm • B Maj • 04:38 • -7.04db
4% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 58% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Thea Gilmore
Pirate Moon
112 bpm • C Maj • 04:20 • -12.16db
10% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 56% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Kate McGarrigle
Winter Lady
120 bpm • G min • 03:19 • -18.32db
22% Popularity • 35% Danceability • 13% Energy • 69% Liveness
4% Instrumentalness • 11% Positiveness
22% Popularity • 35% Danceability • 13% Energy • 69% Liveness
4% Instrumentalness • 11% Positiveness
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Neil Halstead
Little Twig
120 bpm • C Maj • 03:36 • -16.64db
13% Popularity • 49% Danceability • 23% Energy • 10% Liveness
39% Instrumentalness • 21% Positiveness
13% Popularity • 49% Danceability • 23% Energy • 10% Liveness
39% Instrumentalness • 21% Positiveness
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Ron Sexsmith
There's A Rhythm
120 bpm • A Maj • 03:11 • -12.23db
27% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Cowboy Junkies
Mining For Gold
120 bpm • C# Maj • 01:32 • -21.52db
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Teddy Thompson
Think Again
121 bpm • C Maj • 03:32 • -6.73db
13% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:44 • -11.83db
30% Popularity • 60% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
30% Popularity • 60% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Holly Throsby
Would You?
112 bpm • A min • 03:12 • -17db
6% Popularity • 61% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
6% Popularity • 61% Danceability • 20% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Phosphorescent
I Don't Care If There's Cursing
111 bpm • F Maj • 04:55 • -9.42db
20% Popularity • 40% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 40% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Blue Nile
Tomorrow Morning
111 bpm • G Maj • 04:15 • -6db
32% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kathryn Williams
Wish
111 bpm • A Maj • 03:47 • -9.32db
0% Popularity • 49% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 49% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Richard Thompson
Uninhabited Man
121 bpm • D Maj • 04:52 • -8.42db
10% Popularity • 68% Danceability • 49% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 68% Danceability • 49% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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The Be Good Tanyas
Scattered Leaves
121 bpm • C min • 04:47 • -8.56db
37% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
37% Popularity • 62% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Cowboy Junkies
Blue Moon Revisited (Song For Elvis)
111 bpm • C Maj • 04:28 • -22.4db
45% Popularity • 50% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
45% Popularity • 50% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Rickie Lee Jones
Beat Angels
111 bpm • E Maj • 04:10 • -13.83db
19% Popularity • 71% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 71% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Sera Cahoone
Worry All Your Life
122 bpm • D Maj • 04:14 • -11.44db
12% Popularity • 55% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
12% Popularity • 55% Danceability • 32% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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Laura Cantrell
Little Bit of You
111 bpm • D Maj • 04:19 • -7.69db
8% Popularity • 63% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 63% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Amy LaVere
Rabbit
122 bpm • C Maj • 05:00 • -13.57db
8% Popularity • 35% Danceability • 30% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
8% Popularity • 35% Danceability • 30% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
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Edie Brickell & New Bohemians
Air Of December
122 bpm • B Maj • 05:57 • -15.3db
32% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jay Farrar
Big Sur
122 bpm • E Maj • 03:24 • -11.72db
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Gainsbourg
Just Like a Woman
110 bpm • F# Maj • 04:15 • -13.42db
28% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
28% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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10,000 Maniacs
Noah's Dove
110 bpm • A min • 04:30 • -9db
36% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Hem
All That I'm Good For
110 bpm • A# Maj • 03:24 • -10.88db
29% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 36% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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Glen Hansard
Philander
122 bpm • A min • 03:51 • -13.59db
2% Popularity • 47% Danceability • 18% Energy • 14% Liveness
15% Instrumentalness • 12% Positiveness
2% Popularity • 47% Danceability • 18% Energy • 14% Liveness
15% Instrumentalness • 12% Positiveness
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Neko Case
Middle Cyclone
110 bpm • G# Maj • 03:05 • -13.98db
31% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Gomez
We Haven't Turned Around
122 bpm • E Maj • 06:29 • -11db
37% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 40% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Whiskeytown
Easy Hearts
123 bpm • E Maj • 05:08 • -11.87db
18% Popularity • 30% Danceability • 27% Energy • 20% Liveness
3% Instrumentalness • 20% Positiveness
18% Popularity • 30% Danceability • 27% Energy • 20% Liveness
3% Instrumentalness • 20% Positiveness
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Ron Sexsmith
Strawberry Blonde
123 bpm • A Maj • 03:41 • -12db
31% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Great Lake Swimmers
Backstage With The Modern Dancers
110 bpm • E min • 04:28 • -17.66db
7% Popularity • 57% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
7% Popularity • 57% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Kathryn Williams
Sweetest Wine
123 bpm • A Maj • 03:22 • -10.39db
0% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jesca Hoop
Whispering Light (Undressed)
110 bpm • G# Maj • 04:04 • -13.78db
10% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hem
Half Acre
123 bpm • F Maj • 03:23 • -10.66db
39% Popularity • 33% Danceability • 26% Energy • 18% Liveness
14% Instrumentalness • 16% Positiveness
39% Popularity • 33% Danceability • 26% Energy • 18% Liveness
14% Instrumentalness • 16% Positiveness
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Beth Orton
Poison Tree
110 bpm • B Maj • 04:05 • -10.07db
13% Popularity • 54% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 54% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Neko Case
Vengeance Is Sleeping
123 bpm • F# min • 03:21 • -9db
25% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Karen Elson
Lunasa
109 bpm • F Maj • 03:55 • -13.08db
12% Popularity • 48% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 48% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Aoife O'Donovan
Lay My Burden Down
109 bpm • D# Maj • 03:36 • -9.04db
23% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Cowboy Junkies
A Horse In The Country
124 bpm • A Maj • 03:50 • -14.94db
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Midlake
Fortune
124 bpm • A# Maj • 02:03 • -18.13db
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
26% Instrumentalness • 32% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 11% Liveness
26% Instrumentalness • 32% Positiveness
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Richard Thompson
I Misunderstood
109 bpm • D min • 04:05 • -17.92db
28% Popularity • 87% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
28% Popularity • 87% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness