Songs like Goin' Crazy With The Blues (Take 1) by Mamie Smith
Based on a tempo of (+/- 10%) and a similar genre
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Tampa Red
Seminole Blues
112 bpm • F Maj • 03:05 • -10.15db
15% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 80% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
6% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Mamie Smith
What Have I Done?
112 bpm • F# Maj • 03:03 • -13.11db
0% Popularity • 48% Danceability • 21% Energy • 26% Liveness
77% Instrumentalness • 58% Positiveness
0% Popularity • 48% Danceability • 21% Energy • 26% Liveness
77% Instrumentalness • 58% Positiveness
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Charley Patton
Revenue Man Blues
112 bpm • D min • 02:43 • -13.78db
13% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Son House
Walking Blues
112 bpm • B Maj • 06:35 • -11.16db
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Johnson
Big Road Blues
112 bpm • G# Maj • 03:12 • -13db
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Memphis Jug Band
Aunt Caroline Dyer Blues
112 bpm • F# Maj • 03:06 • -15.24db
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
3% Popularity • 63% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jazz Gillum
Reefer Head Woman
112 bpm • G Maj • 03:03 • -13.08db
14% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 79% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Peetie Wheatstraw
Gangster's Blues
111 bpm • F Maj • 02:48 • -12.99db
20% Popularity • 69% Danceability • 24% Energy • 23% Liveness
14% Instrumentalness • 90% Positiveness
20% Popularity • 69% Danceability • 24% Energy • 23% Liveness
14% Instrumentalness • 90% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Ada Brown
Evil Mama Blues
111 bpm • D# Maj • 03:04 • -7.86db
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 76% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Mamie Smith
Goin' Crazy with the Blues (Take 1)
111 bpm • D Maj • 03:02 • -9.1db
0% Popularity • 66% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 66% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Dolly Kay
How Could Red Riding Hood Be Good? (Reco...
113 bpm • C# min • 03:03 • -13.84db
10% Popularity • 77% Danceability • 17% Energy • 12% Liveness
23% Instrumentalness • 53% Positiveness
10% Popularity • 77% Danceability • 17% Energy • 12% Liveness
23% Instrumentalness • 53% Positiveness
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Charley Patton
Shake It and Break It (But Don't Let It ...
111 bpm • F Maj • 03:09 • -12.31db
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
19% Popularity • 54% Danceability • 32% Energy • 18% Liveness
39% Instrumentalness • 68% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Blind Lemon Jefferson
One Dime Blues
113 bpm • F Maj • 02:48 • -10db
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Stuff Smith
You'se a Viper
111 bpm • G# Maj • 03:10 • -10db
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
9% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
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Mamie Smith
Dangerous Blues
113 bpm • F Maj • 03:17 • -9.41db
0% Popularity • 61% Danceability • 28% Energy • 6% Liveness
2% Instrumentalness • 58% Positiveness
0% Popularity • 61% Danceability • 28% Energy • 6% Liveness
2% Instrumentalness • 58% Positiveness
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Lucille Bogan
Barbecue Blues
111 bpm • D# Maj • 02:42 • -12.55db
14% Popularity • 60% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 60% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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Mamie Smith
My Sportin' Man
114 bpm • C min • 03:00 • -8.62db
1% Popularity • 65% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 65% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Louis Jordan
Let The Good Times Roll
110 bpm • C Maj • 02:42 • -9db
35% Popularity • 70% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Bukka White
Fixin' to Die Blues
110 bpm • B Maj • 02:48 • -11.71db
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 27% Energy • 10% Liveness
57% Instrumentalness • 58% Positiveness
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Frank Stokes
'Tain't Nobody's Business If I Do, Pt. 1
110 bpm • D Maj • 03:16 • -16.85db
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 56% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Robert Johnson
From Four Until Late
110 bpm • C Maj • 02:22 • -15.09db
25% Popularity • 77% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 77% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Wilkins
Rollin' Stone, Pt. 1
110 bpm • G# Maj • 02:53 • -14.96db
13% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 60% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Mamie Smith
Crazy Blues
114 bpm • F Maj • 03:22 • -10db
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
26% Popularity • 45% Danceability • 24% Energy • 28% Liveness
88% Instrumentalness • 42% Positiveness
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Lee Morse
Daddy's Girl
114 bpm • C Maj • 02:48 • -11.55db
10% Popularity • 85% Danceability • 31% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 85% Danceability • 31% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Clarence Williams
I Wish I Could Shimmy Like My Sister Kat...
109 bpm • D Maj • 02:40 • -8.43db
10% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
10% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
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Judy Henske
Good Old Wagon
109 bpm • G# Maj • 02:19 • -6.57db
17% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 50% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ma Rainey
Oh Papa Blues
109 bpm • A# Maj • 02:52 • -12.23db
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hal Kemp And His Orchestra
She's A Great, Great Girl
109 bpm • F Maj • 03:04 • -15.26db
11% Popularity • 85% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 91% Positiveness
11% Popularity • 85% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 91% Positiveness
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Emmett Miller
Lovesick Blues
109 bpm • F Maj • 02:53 • -16db
15% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 77% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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The Golden Gate Quartet
Atom And Evil
115 bpm • C Maj • 03:22 • -10.49db
17% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 71% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Pete Johnson
Mutiny In The Doghouse (01-26-46)
109 bpm • F min • 02:27 • -13db
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Various Artists
Papa Better Watch Your Step
115 bpm • D# Maj • 02:48 • -11.75db
4% Popularity • 67% Danceability • 26% Energy • 21% Liveness
87% Instrumentalness • 63% Positiveness
4% Popularity • 67% Danceability • 26% Energy • 21% Liveness
87% Instrumentalness • 63% Positiveness
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Libby Holman
Am I Blue?
109 bpm • C Maj • 03:16 • -15db
11% Popularity • 41% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 41% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Charlie Poole
Hungry Hash House
115 bpm • G Maj • 03:25 • -10.32db
9% Popularity • 53% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 53% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Cripple Clarence Lofton
Strut That Thing
116 bpm • B Maj • 02:59 • -12.52db
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Hal Kemp And His Orchestra
The Eyes Of Texas
115 bpm • G Maj • 03:15 • -14.2db
12% Popularity • 74% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
12% Popularity • 74% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
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Gladys Bentley
Worried Blues
108 bpm • G# Maj • 02:47 • -10.86db
8% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Jane Green
Momma Goes Where Papa Goes or Papa Don't...
116 bpm • F Maj • 03:30 • -13.03db
15% Popularity • 71% Danceability • 10% Energy • 20% Liveness
4% Instrumentalness • 36% Positiveness
15% Popularity • 71% Danceability • 10% Energy • 20% Liveness
4% Instrumentalness • 36% Positiveness
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Memphis Minnie
Good Biscuits
108 bpm • C Maj • 02:40 • -18.33db
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 73% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bessie Smith
Kitchen Man - 78 rpm Version
116 bpm • D# Maj • 02:55 • -15.27db
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Morse
I Love My Baby
108 bpm • E Maj • 02:57 • -14.23db
9% Popularity • 88% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 88% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
13% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
13% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Tampa Red
Boogie Woogie Dance
108 bpm • D# Maj • 03:14 • -9db
11% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 20% Liveness
33% Instrumentalness • 96% Positiveness
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Herb Wiedoeft's Cinderella Roof Orchestra
Everything Is Hotsy Totsy Now
108 bpm • D Maj • 03:04 • -9.07db
11% Popularity • 92% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
11% Popularity • 92% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 80% Positiveness
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Mamie Smith
It's Right Here for You
117 bpm • F Maj • 02:54 • -9.9db
0% Popularity • 50% Danceability • 38% Energy • 46% Liveness
31% Instrumentalness • 72% Positiveness
0% Popularity • 50% Danceability • 38% Energy • 46% Liveness
31% Instrumentalness • 72% Positiveness
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Blind Boy Fuller
Rag, Mama, Rag
117 bpm • G Maj • 03:03 • -12db
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
23% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Annisteen Allen
The Bluest Blues (10-31-51)
117 bpm • A# min • 02:51 • -5.67db
5% Popularity • 62% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 62% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Memphis Minnie
Blues Everywhere
107 bpm • A# Maj • 02:49 • -10.83db
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 77% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Bo Carter
Pig Meat Is What I Crave
117 bpm • C min • 02:51 • -12db
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Cantor
I Love Me (I'm Wild About Myself)
107 bpm • F Maj • 02:57 • -15db
15% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Emmett Miller
Right or Wrong
117 bpm • F# Maj • 03:13 • -19db
9% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
11% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
11% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Cannon's Jug Stompers
Walk Right In
118 bpm • C Maj • 02:55 • -14db
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 23% Liveness
5% Instrumentalness • 70% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
107 bpm • F min • 02:56 • -13.86db
37% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
37% Popularity • 59% Danceability • 42% Energy • 15% Liveness
2% Instrumentalness • 82% Positiveness
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Lil Johnson
Press My Button, Ring My Bell
118 bpm • E Maj • 03:18 • -7.87db
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
3% Popularity • 79% Danceability • 36% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Victoria Spivey
Give It to Him
106 bpm • D# Maj • 02:52 • -8.22db
9% Popularity • 75% Danceability • 37% Energy • 15% Liveness
89% Instrumentalness • 87% Positiveness
9% Popularity • 75% Danceability • 37% Energy • 15% Liveness
89% Instrumentalness • 87% Positiveness
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Emmett Miller
You're the Cream in My Coffee
117 bpm • B Maj • 03:05 • -16.46db
10% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Barbecue Bob
Mississippi Heavy Water Blues
118 bpm • E min • 03:09 • -13.2db
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 75% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Ethel Waters
Do What You Did Last Night
106 bpm • G# Maj • 02:37 • -15.5db
10% Popularity • 65% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 65% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Mozelle Alderson
Tight in Chicago
106 bpm • F# Maj • 02:59 • -13.68db
14% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Virginia Liston
I Don't Love Nobody
106 bpm • C min • 02:44 • -15.9db
6% Popularity • 59% Danceability • 13% Energy • 42% Liveness
62% Instrumentalness • 77% Positiveness
6% Popularity • 59% Danceability • 13% Energy • 42% Liveness
62% Instrumentalness • 77% Positiveness
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Cannon's Jug Stompers
Viola Lee Blues
118 bpm • G Maj • 03:10 • -10db
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 26% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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W.C. Handy
Memphis Blues
118 bpm • D# Maj • 03:02 • -11.26db
15% Popularity • 72% Danceability • 44% Energy • 21% Liveness
84% Instrumentalness • 73% Positiveness
15% Popularity • 72% Danceability • 44% Energy • 21% Liveness
84% Instrumentalness • 73% Positiveness
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Charley Patton
High Water Everywhere, Pt. 1 (Alternate ...
118 bpm • E Maj • 03:04 • -13db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 57% Positiveness
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Ma Rainey
Prove It on Me Blues (Alternate Take)
106 bpm • G min • 02:41 • -9.63db
13% Popularity • 70% Danceability • 32% Energy • 16% Liveness
7% Instrumentalness • 63% Positiveness
13% Popularity • 70% Danceability • 32% Energy • 16% Liveness
7% Instrumentalness • 63% Positiveness
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Tampa Red
Anna Lou Blues
106 bpm • A# Maj • 02:54 • -8db
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 80% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
25% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
25% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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Ethel Waters
My Handy Man - Remastered
106 bpm • G# Maj • 02:47 • -4.22db
12% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
12% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
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Kid Ory's Creole Jazz Band
Careless Love
106 bpm • C Maj • 03:15 • -10db
16% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mississippi Sheiks
The Jazz Fiddler
106 bpm • D# Maj • 03:12 • -6db
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 46% Energy • 33% Liveness
1% Instrumentalness • 96% Positiveness
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Dinah Washington
Evil Gal Blues
119 bpm • F Maj • 02:54 • -11.59db
26% Popularity • 64% Danceability • 29% Energy • 16% Liveness
8% Instrumentalness • 53% Positiveness
26% Popularity • 64% Danceability • 29% Energy • 16% Liveness
8% Instrumentalness • 53% Positiveness
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Memphis Jug Band
Papa's Got Your Water On
119 bpm • A Maj • 02:32 • -13db
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 75% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Louis Jordan
Barnacle Bill The Sailor
105 bpm • G# Maj • 02:46 • -15.53db
13% Popularity • 83% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 83% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Lucille Bogan
Pot Hound Blues
119 bpm • F Maj • 03:22 • -12.02db
14% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 57% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Marion Harris
You May Be Fast, but You Won't Last
119 bpm • G Maj • 03:15 • -11.95db
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
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Various Artists
Got to Cool My Doggies Now
119 bpm • F# min • 02:59 • -11.69db
5% Popularity • 76% Danceability • 34% Energy • 23% Liveness
91% Instrumentalness • 79% Positiveness
5% Popularity • 76% Danceability • 34% Energy • 23% Liveness
91% Instrumentalness • 79% Positiveness
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Charley Patton
Down the Dirt Road Blues
119 bpm • C# Maj • 02:54 • -10db
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Georgia White
I'll Keep Sittin' On It
119 bpm • G Maj • 02:58 • -14.49db
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 79% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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T-Bone Walker
Travelin' Blues
105 bpm • C Maj • 02:21 • -12.28db
24% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
24% Popularity • 57% Danceability • 30% Energy • 24% Liveness
73% Instrumentalness • 69% Positiveness
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Marion Harris
Don't Leave Me Daddy
119 bpm • B Maj • 03:24 • -7.36db
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Hattie Hart
I Let My Daddy Do That
105 bpm • C# Maj • 03:00 • -13.29db
9% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Mamie Smith
That Old Thing Called Love (Instrumental...
119 bpm • G# Maj • 03:17 • -13.85db
0% Popularity • 62% Danceability • 37% Energy • 42% Liveness
91% Instrumentalness • 68% Positiveness
0% Popularity • 62% Danceability • 37% Energy • 42% Liveness
91% Instrumentalness • 68% Positiveness
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Blind Boy Fuller
Baby You Gotta Change Your Mind
105 bpm • F min • 03:12 • -11db
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Casey Bill Weldon
Go Ahead, Buddy
105 bpm • C Maj • 02:44 • -14db
19% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 72% Danceability • 29% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
10% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
10% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Charley Patton
Pony Blues
120 bpm • A# Maj • 02:59 • -15.7db
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 32% Energy • 13% Liveness
96% Instrumentalness • 48% Positiveness
