Songs like Goin' Down Slow by Snooky Pryor & Mel Brown
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Burns
Orange Driver
171 bpm • C# Maj • 04:26 • -17.95db
9% Popularity • 69% Danceability • 22% Energy • 29% Liveness
8% Instrumentalness • 54% Positiveness
9% Popularity • 69% Danceability • 22% Energy • 29% Liveness
8% Instrumentalness • 54% Positiveness
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Snooky Pryor & Mel Brown
Goin' Down Slow
171 bpm • A Maj • 05:28 • -5.61db
6% Popularity • 46% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
6% Popularity • 46% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Jerry Portnoy
Mood Room Boogie
171 bpm • B min • 04:13 • -6.2db
13% Popularity • 33% Danceability • 76% Energy • 8% Liveness
85% Instrumentalness • 64% Positiveness
13% Popularity • 33% Danceability • 76% Energy • 8% Liveness
85% Instrumentalness • 64% Positiveness
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Johnny Copeland
Blues Ain't Nothin'
172 bpm • A# min • 04:02 • -9.45db
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Pee Wee Crayton
Things I Used To Do
172 bpm • F Maj • 05:05 • -13.7db
7% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Solomon Burke
Along About Midnight
170 bpm • A# Maj • 04:05 • -12.01db
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Katie Webster
The Love You Save May Be Your Own
172 bpm • A# Maj • 04:54 • -10.18db
16% Popularity • 60% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 60% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Snooky Pryor & Mel Brown
Dirty Rat
170 bpm • E min • 07:42 • -7.63db
0% Popularity • 47% Danceability • 65% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
0% Popularity • 47% Danceability • 65% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
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Jimmy Rogers
Gold Tailed Bird
170 bpm • G Maj • 05:10 • -14.72db
6% Popularity • 44% Danceability • 40% Energy • 99% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 44% Danceability • 40% Energy • 99% Liveness
0% Instrumentalness • 63% Positiveness
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Alberta Adams
Chains Of Love
173 bpm • F Maj • 06:54 • -6.53db
9% Popularity • 53% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 26% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 26% Positiveness
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Clay Swafford
Tin Pan Alley
173 bpm • G Maj • 05:30 • -8.56db
8% Popularity • 43% Danceability • 38% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 38% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Buster Benton
Cold Man Ain't No Good
173 bpm • D Maj • 04:51 • -10.38db
8% Popularity • 45% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 45% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Eddy Clearwater
I'm Gonna Move
173 bpm • G Maj • 06:15 • -10.49db
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Little Charlie & The Nightcats
Suicide Blues
173 bpm • D Maj • 05:20 • -12.63db
8% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Paul Oscher
Gotta Go Now
168 bpm • G Maj • 03:02 • -8.35db
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 71% Energy • 27% Liveness
60% Instrumentalness • 82% Positiveness
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Hubert Sumlin
Give the Name Jacquot
174 bpm • G Maj • 05:03 • -12.55db
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 5% Liveness
86% Instrumentalness • 56% Positiveness
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Linsey Alexander
I Got a Woman
168 bpm • G Maj • 07:20 • -6.94db
10% Popularity • 34% Danceability • 64% Energy • 15% Liveness
5% Instrumentalness • 55% Positiveness
10% Popularity • 34% Danceability • 64% Energy • 15% Liveness
5% Instrumentalness • 55% Positiveness
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Snooky Pryor & Mel Brown
Sugar Mama Blues
168 bpm • G Maj • 04:01 • -6.1db
0% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Big Walter Horton
The Honeydripper - Instrumental
168 bpm • C min • 03:42 • -13.41db
14% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dawkins
Highway Man Blues
174 bpm • B min • 07:38 • -8.81db
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Lurrie Bell
'Bout the Break of Day
168 bpm • F min • 06:11 • -7.21db
12% Popularity • 52% Danceability • 68% Energy • 28% Liveness
10% Instrumentalness • 44% Positiveness
12% Popularity • 52% Danceability • 68% Energy • 28% Liveness
10% Instrumentalness • 44% Positiveness
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Big Creek Slim
Got What It Takes
174 bpm • A min • 05:03 • -5.44db
18% Popularity • 44% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 44% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Rick Estrin & The Nightcats
Bo Dee's Bounce
175 bpm • A Maj • 02:39 • -2.67db
23% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 53% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Buster Benton
Born with the Blues
174 bpm • A min • 04:49 • -12.27db
14% Popularity • 37% Danceability • 42% Energy • 4% Liveness
46% Instrumentalness • 59% Positiveness
14% Popularity • 37% Danceability • 42% Energy • 4% Liveness
46% Instrumentalness • 59% Positiveness
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Snooky Pryor & Mel Brown
Do The Boogoloo
167 bpm • C Maj • 05:09 • -4.27db
0% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Eddy Clearwater
I Came Up The Heard Way
175 bpm • F min • 07:36 • -10.97db
19% Popularity • 59% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Snooky Pryor
Telephone Blues
175 bpm • A Maj • 04:33 • -7.94db
9% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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A.C. Reed
Hard Times
176 bpm • C# Maj • 03:19 • -5.31db
17% Popularity • 54% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 54% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Tom Shaka
Sitting On the Top of the World
176 bpm • G Maj • 04:46 • -4.92db
3% Popularity • 41% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 41% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Boy Arnold
Shake The Boogie
166 bpm • C Maj • 02:43 • -13.84db
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Snooky Pryor & Mel Brown
Snooky And Mel Boogie
167 bpm • C Maj • 01:41 • -5.43db
1% Popularity • 58% Danceability • 87% Energy • 10% Liveness
65% Instrumentalness • 78% Positiveness
1% Popularity • 58% Danceability • 87% Energy • 10% Liveness
65% Instrumentalness • 78% Positiveness
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The Cash Box Kings
Smoked Jowl Blues
176 bpm • B min • 04:30 • -3.91db
11% Popularity • 28% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 28% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hubert Sumlin
Groove - Take 2
166 bpm • E Maj • 04:11 • -12.51db
21% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 40% Liveness
21% Instrumentalness • 84% Positiveness
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Mitch Woods and His Rocket 88‘S
10th & Parker Blues - Instrumental
177 bpm • C Maj • 02:05 • -16.4db
15% Popularity • 44% Danceability • 13% Energy • 6% Liveness
45% Instrumentalness • 46% Positiveness
15% Popularity • 44% Danceability • 13% Energy • 6% Liveness
45% Instrumentalness • 46% Positiveness
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Phantom Blues Band
Baby Doll - Bonus Track
177 bpm • G min • 03:43 • -5.09db
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 34% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lovie Lee
Nobody Knows My Troubles
177 bpm • G# Maj • 05:18 • -19db
16% Popularity • 43% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Snooky Pryor & Mel Brown
I've Been Crucified
176 bpm • D min • 04:02 • -7.18db
3% Popularity • 42% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
3% Popularity • 42% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Detroit Junior
Somebody To Shack
178 bpm • D min • 05:22 • -21db
28% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Robert Nighthawk
The Moon Is Rising
178 bpm • D# Maj • 02:44 • -6db
21% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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SpinalE
L'ipotesi dei sali da bagno
164 bpm • A# min • 01:05 • -12.97db
25% Popularity • 52% Danceability • 45% Energy • 13% Liveness
95% Instrumentalness • 89% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 13% Liveness
95% Instrumentalness • 89% Positiveness
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Lafayette Leake
Easy Blues
179 bpm • F Maj • 02:45 • -11db
34% Popularity • 45% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 51% Positiveness
34% Popularity • 45% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 51% Positiveness
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Lonesome Sundown
One More Night
179 bpm • A Maj • 04:15 • -15.08db
20% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Snooky Pryor & Mel Brown
Rock This House
166 bpm • F Maj • 04:06 • -5.05db
2% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 62% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Byther Smith
Givin' Up On Love
179 bpm • D# Maj • 05:47 • -11.57db
36% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
36% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
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Floyd Lee & His Mean Blues Band
Lose My Number
180 bpm • A Maj • 02:19 • -9db
21% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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SpinalE
La sciarada di Vartabedian
162 bpm • A# min • 01:05 • -10.79db
27% Popularity • 57% Danceability • 47% Energy • 21% Liveness
91% Instrumentalness • 81% Positiveness
27% Popularity • 57% Danceability • 47% Energy • 21% Liveness
91% Instrumentalness • 81% Positiveness
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Snooky Pryor
Someday Baby
162 bpm • C Maj • 03:07 • -5.61db
13% Popularity • 50% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
13% Popularity • 50% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Billy Branch
Mellow Down Easy
180 bpm • A Maj • 04:31 • -6.26db
9% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Snooky Pryor & Mel Brown
I Learnt My Lesson Well
165 bpm • D min • 05:43 • -6.05db
5% Popularity • 52% Danceability • 49% Energy • 11% Liveness
22% Instrumentalness • 36% Positiveness
5% Popularity • 52% Danceability • 49% Energy • 11% Liveness
22% Instrumentalness • 36% Positiveness
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Lafayette Leake
Fast Boogie No. 2
180 bpm • F Maj • 04:23 • -11.38db
13% Popularity • 46% Danceability • 71% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
13% Popularity • 46% Danceability • 71% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Omar Kent Dykes & Jimmy Vaughn
Caress Me Baby
181 bpm • D Maj • 05:09 • -10.27db
8% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Arthur Migliazza
Thank You Blues
181 bpm • G Maj • 02:49 • -11.8db
10% Popularity • 37% Danceability • 31% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
10% Popularity • 37% Danceability • 31% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Eddie Shaw
Sittin' On Top Of The World
181 bpm • C Maj • 03:42 • -13db
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
41% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
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Otis Spann's South Side Piano
Sometime I Wonder
181 bpm • B min • 03:29 • -13db
18% Popularity • 49% Danceability • 39% Energy • 10% Liveness
12% Instrumentalness • 70% Positiveness
18% Popularity • 49% Danceability • 39% Energy • 10% Liveness
12% Instrumentalness • 70% Positiveness
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Snooky Pryor & Mel Brown
Dirty Rat
162 bpm • D Maj • 04:52 • -4.96db
1% Popularity • 58% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
1% Popularity • 58% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
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Lovie Lee
West Side Woman
183 bpm • A# Maj • 06:32 • -12.22db
19% Popularity • 42% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 42% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
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Colin Cutler
Mama Don't Know Where Heaven Is (Reprise...
161 bpm • C# min • 02:13 • -10.6db
12% Popularity • 59% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
12% Popularity • 59% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Sista Monica Parker
I Don't Want To Hurt You Baby
160 bpm • F min • 06:31 • -8.75db
15% Popularity • 41% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny B. Moore
Lonesome Blues
160 bpm • C Maj • 07:23 • -14.28db
29% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
23% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Snooky Pryor & Mel Brown
Ease My Mind
180 bpm • A Maj • 05:29 • -4.52db
1% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Cash Box Kings
I'm The Man Down There
160 bpm • A Maj • 03:19 • -2.53db
17% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 46% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Homesick James
Shake Your Money Maker
159 bpm • G Maj • 02:48 • -17.84db
13% Popularity • 65% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 65% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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Rick Estrin & The Nightcats
Take It Slow
184 bpm • B min • 03:13 • -5.84db
26% Popularity • 37% Danceability • 48% Energy • 26% Liveness
54% Instrumentalness • 51% Positiveness
26% Popularity • 37% Danceability • 48% Energy • 26% Liveness
54% Instrumentalness • 51% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Snooky Pryor & Mel Brown
That's All Right
158 bpm • A Maj • 06:51 • -5.4db
5% Popularity • 57% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
5% Popularity • 57% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Byther Smith
I Don't Have A Mother
185 bpm • C# Maj • 04:47 • -9.06db
24% Popularity • 46% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
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Johnny "Big Moose" Walker
Worry, Worry
185 bpm • F Maj • 04:16 • -13.6db
31% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Luther "Guitar Junior" Johnson
Got To Have Money
158 bpm • D Maj • 03:20 • -16.96db
26% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 61% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Johnson
Your Turn To Cry
185 bpm • D Maj • 05:51 • -10.48db
19% Popularity • 49% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Lester Davenport
Slow Down Baby
157 bpm • C Maj • 05:58 • -16.27db
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
27% Popularity • 45% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 39% Positiveness
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Eddy Clearwater
Gotta Move On
186 bpm • G# Maj • 04:40 • -4db
30% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 31% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Eddie Burns
You Got To Love Me With A Feeling
186 bpm • D Maj • 05:36 • -8.14db
11% Popularity • 49% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
11% Popularity • 49% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Snooky Pryor & Mel Brown
Decoration Days
157 bpm • G Maj • 07:48 • -7.45db
0% Popularity • 53% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 53% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Mississippi Heat
Blues for George Baze
186 bpm • F min • 04:18 • -4db
8% Popularity • 42% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 79% Positiveness
8% Popularity • 42% Danceability • 87% Energy • 32% Liveness
21% Instrumentalness • 79% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Guitar Slim
Along About Midnight
187 bpm • A# Maj • 02:34 • -15db
20% Popularity • 44% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 44% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Sunnyland Slim
Everytime I Get to Drinking
187 bpm • D Maj • 04:15 • -16.14db
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Eddie Burns
Lonesome Feeling
186 bpm • C Maj • 04:47 • -10.76db
25% Popularity • 59% Danceability • 34% Energy • 18% Liveness
7% Instrumentalness • 58% Positiveness
25% Popularity • 59% Danceability • 34% Energy • 18% Liveness
7% Instrumentalness • 58% Positiveness
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Queen Sylvia Embry
Going Upstairs
188 bpm • G Maj • 04:59 • -14.71db
11% Popularity • 54% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 54% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Pee Wee Crayton
Blues After Hours - Rerecorded
187 bpm • G# Maj • 05:09 • -14.97db
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Long John Hunter
Crazy Love
188 bpm • F Maj • 05:41 • -12.48db
27% Popularity • 47% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
27% Popularity • 47% Danceability • 40% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
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Mark Hummel
Summertime - Live
155 bpm • A min • 05:46 • -14.62db
11% Popularity • 53% Danceability • 29% Energy • 65% Liveness
14% Instrumentalness • 47% Positiveness
11% Popularity • 53% Danceability • 29% Energy • 65% Liveness
14% Instrumentalness • 47% Positiveness
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T-Bone Walker
T-Bone's Way - Remastered 2022
155 bpm • F Maj • 04:19 • -7.44db
9% Popularity • 44% Danceability • 64% Energy • 26% Liveness
2% Instrumentalness • 79% Positiveness
9% Popularity • 44% Danceability • 64% Energy • 26% Liveness
2% Instrumentalness • 79% Positiveness
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Raful Neal
Down And Out
189 bpm • D Maj • 04:31 • -10.11db
14% Popularity • 40% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 40% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Sugar Blue
Get Your Hand Out Of My Pocket
154 bpm • D# Maj • 07:52 • -8.78db
9% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
9% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
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Gary Primich
Red Top
190 bpm • G Maj • 02:59 • -6.53db
11% Popularity • 41% Danceability • 92% Energy • 22% Liveness
39% Instrumentalness • 91% Positiveness
11% Popularity • 41% Danceability • 92% Energy • 22% Liveness
39% Instrumentalness • 91% Positiveness
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Lafayette Leake
Fast Boogie No. 1
154 bpm • C Maj • 07:18 • -12.04db
8% Popularity • 45% Danceability • 58% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
8% Popularity • 45% Danceability • 58% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Phillip Walker
Beaumont Blues
190 bpm • B Maj • 04:07 • -16.82db
27% Popularity • 42% Danceability • 32% Energy • 38% Liveness
12% Instrumentalness • 67% Positiveness
27% Popularity • 42% Danceability • 32% Energy • 38% Liveness
12% Instrumentalness • 67% Positiveness
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Big Mama Thornton
Rock Me Baby
154 bpm • A# Maj • 06:42 • -13.19db
6% Popularity • 42% Danceability • 38% Energy • 68% Liveness
5% Instrumentalness • 59% Positiveness
6% Popularity • 42% Danceability • 38% Energy • 68% Liveness
5% Instrumentalness • 59% Positiveness
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Paolo Mizzau & the Doctor Love Band
Headache Man
154 bpm • F Maj • 04:17 • -8.02db
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Little Charlie & The Nightcats
Percolatin'
190 bpm • F Maj • 04:18 • -5.18db
21% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
21% Popularity • 45% Danceability • 89% Energy • 29% Liveness
75% Instrumentalness • 78% Positiveness
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Johnnie Johnson
Movin' Out
154 bpm • A# Maj • 03:53 • -16.03db
11% Popularity • 69% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
11% Popularity • 69% Danceability • 56% Energy • 9% Liveness
89% Instrumentalness • 84% Positiveness
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Linsey Alexander
Going Up on the Roof
154 bpm • C min • 06:09 • -4.47db
8% Popularity • 52% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 52% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Reid and the Fewer Sorrows Band
Dig the Bottom Out
191 bpm • A Maj • 04:39 • -8.71db
8% Popularity • 50% Danceability • 41% Energy • 35% Liveness
2% Instrumentalness • 46% Positiveness
8% Popularity • 50% Danceability • 41% Energy • 35% Liveness
2% Instrumentalness • 46% Positiveness
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J. B. Hutto
Lone Wolf
153 bpm • D Maj • 06:08 • -10.35db
19% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
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Big Walter Horton
Sugar Mama
151 bpm • A Maj • 03:16 • -12db
22% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
