Songs like Goin' Out by U.S. Bombs
Based on a tempo of (+/- 10%) and a similar genre
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Lower Class Brats
Start the Night
93 bpm • A Maj • 03:06 • -5.04db
10% Popularity • 51% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 51% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Against All Authority
Sk8 Rock
93 bpm • A Maj • 01:39 • -2.48db
40% Popularity • 48% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 48% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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The Bruisers
Society's Fools
93 bpm • F min • 02:02 • -7db
30% Popularity • 53% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 53% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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The Business
Spirit Of The Streets
93 bpm • D Maj • 01:57 • -3.83db
22% Popularity • 33% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 59% Positiveness
22% Popularity • 33% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 59% Positiveness
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The Old Firm Casuals
Army of One (Remastered)
93 bpm • A min • 02:20 • -4.96db
23% Popularity • 34% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 34% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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U.S. Bombs
Salute The Dead
93 bpm • E min • 01:58 • -4.71db
12% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 44% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Mighty Mighty Bosstones
Do Somethin' Crazy
93 bpm • B min • 02:27 • -9.68db
14% Popularity • 37% Danceability • 86% Energy • 9% Liveness
44% Instrumentalness • 78% Positiveness
14% Popularity • 37% Danceability • 86% Energy • 9% Liveness
44% Instrumentalness • 78% Positiveness
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Lower Class Brats
Safety Pinned and Sick
92 bpm • G Maj • 03:54 • -4.27db
12% Popularity • 52% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Bruisers
Anchors Up
93 bpm • G# Maj • 02:09 • -7db
21% Popularity • 51% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 51% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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The Business
The Truth The Whole Truth
93 bpm • E Maj • 02:03 • -8db
22% Popularity • 42% Danceability • 80% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
22% Popularity • 42% Danceability • 80% Energy • 9% Liveness
62% Instrumentalness • 78% Positiveness
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Pulley
Second Best
94 bpm • G# Maj • 01:52 • -7.27db
40% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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U.S. Bombs
Bombs Not Food
93 bpm • E Maj • 03:29 • -4.57db
10% Popularity • 34% Danceability • 97% Energy • 29% Liveness
2% Instrumentalness • 48% Positiveness
10% Popularity • 34% Danceability • 97% Energy • 29% Liveness
2% Instrumentalness • 48% Positiveness
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Operation Ivy
Yellin' In My Ear - 2007 Remaster
94 bpm • G Maj • 01:33 • -4.52db
42% Popularity • 51% Danceability • 99% Energy • 15% Liveness
1% Instrumentalness • 93% Positiveness
42% Popularity • 51% Danceability • 99% Energy • 15% Liveness
1% Instrumentalness • 93% Positiveness
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Against All Authority
What The Fuck’d You Expect?
92 bpm • B min • 02:15 • -3.36db
34% Popularity • 53% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
34% Popularity • 53% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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The Bruisers
Bloodshed
93 bpm • F min • 02:29 • -6.63db
32% Popularity • 44% Danceability • 92% Energy • 12% Liveness
32% Instrumentalness • 61% Positiveness
32% Popularity • 44% Danceability • 92% Energy • 12% Liveness
32% Instrumentalness • 61% Positiveness
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The Business
Suburban Rebels
92 bpm • G Maj • 02:17 • -6.32db
31% Popularity • 35% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 35% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Mighty Mighty Bosstones
Devil's Night Out
92 bpm • A Maj • 02:35 • -9.65db
24% Popularity • 34% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
24% Popularity • 34% Danceability • 82% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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U.S. Bombs
Goin' Out
93 bpm • G Maj • 02:52 • -4.31db
22% Popularity • 42% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 66% Positiveness
22% Popularity • 42% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 66% Positiveness
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Operation Ivy
Artificial Life - 2007 Remaster
94 bpm • D Maj • 02:05 • -4.59db
40% Popularity • 53% Danceability • 93% Energy • 7% Liveness
9% Instrumentalness • 91% Positiveness
40% Popularity • 53% Danceability • 93% Energy • 7% Liveness
9% Instrumentalness • 91% Positiveness
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Against All Authority
Dinkas When I Close My Eyes
94 bpm • C# Maj • 01:40 • -0.77db
39% Popularity • 50% Danceability • 100% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 50% Danceability • 100% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Roger Miret & The Disasters
Another Generation
94 bpm • G# min • 02:46 • -3.31db
7% Popularity • 39% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 90% Positiveness
7% Popularity • 39% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 90% Positiveness
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The Business
Hardcore Hooligan
94 bpm • G Maj • 01:37 • -2.44db
28% Popularity • 48% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 48% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Riverdales
I Don't Wanna Go to the Party
91 bpm • G# Maj • 02:20 • -6db
27% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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7 Seconds
30 Years (And Still Going Wrong)
91 bpm • F Maj • 02:08 • -2.81db
8% Popularity • 46% Danceability • 98% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 46% Danceability • 98% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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Pulley
Runaway
95 bpm • C Maj • 02:50 • -4.77db
23% Popularity • 28% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 28% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bombshell Rocks
180 Down
95 bpm • D Maj • 03:27 • -4.23db
33% Popularity • 37% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 37% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Against All Authority
All Ages Show Tonight
95 bpm • C Maj • 03:08 • -3.6db
38% Popularity • 56% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 56% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Time Again
Junkies
95 bpm • F Maj • 01:27 • -1.82db
12% Popularity • 39% Danceability • 100% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 39% Danceability • 100% Energy • 95% Liveness
0% Instrumentalness • 16% Positiveness
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No Fun At All
Believers
91 bpm • G# Maj • 02:15 • -7.81db
32% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Social Distortion
Under My Thumb
95 bpm • F# Maj • 02:04 • -6.05db
20% Popularity • 40% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 40% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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7 Seconds
Walk Together, Rock Together
96 bpm • C Maj • 01:48 • -13.9db
26% Popularity • 27% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 27% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Propagandhi
...And We Thought That Nation-States Wer...
96 bpm • A# min • 02:24 • -7.63db
40% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Against All Authority
The Restoration Of Chaos & Order
96 bpm • E min • 02:25 • -3.6db
29% Popularity • 49% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 49% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Business
One Thing Left To Say
96 bpm • E Maj • 02:16 • -7.94db
14% Popularity • 45% Danceability • 71% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 45% Danceability • 71% Energy • 33% Liveness
1% Instrumentalness • 58% Positiveness
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Time Again
Fallen Nation
95 bpm • G Maj • 02:17 • -2.57db
10% Popularity • 45% Danceability • 100% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 45% Danceability • 100% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Operation Ivy
Big City - 2007 Remaster
90 bpm • G min • 02:16 • -4.8db
33% Popularity • 49% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 49% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Bruisers
Never Fall
96 bpm • B min • 02:02 • -9.56db
31% Popularity • 35% Danceability • 82% Energy • 7% Liveness
30% Instrumentalness • 93% Positiveness
31% Popularity • 35% Danceability • 82% Energy • 7% Liveness
30% Instrumentalness • 93% Positiveness
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Sloppy Seconds
Fifteen Minutes... Or It's Free
96 bpm • B Maj • 02:39 • -4.07db
19% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The Ducky Boys
Break Me
90 bpm • C# Maj • 02:29 • -3.94db
14% Popularity • 41% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 41% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 74% Positiveness
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Left Alone
City to City
90 bpm • C Maj • 03:14 • -3.09db
20% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 53% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Time Again
Life On The Run
90 bpm • G Maj • 02:00 • -2.29db
8% Popularity • 43% Danceability • 99% Energy • 47% Liveness
14% Instrumentalness • 51% Positiveness
8% Popularity • 43% Danceability • 99% Energy • 47% Liveness
14% Instrumentalness • 51% Positiveness
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Operation Ivy
Vulnerability - 2007 Remaster
96 bpm • D Maj • 02:00 • -3.6db
36% Popularity • 44% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 44% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Argy Bargy
Looking for Glory
96 bpm • D Maj • 03:52 • -4db
20% Popularity • 51% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 51% Danceability • 98% Energy • 24% Liveness
1% Instrumentalness • 61% Positiveness
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7 Seconds
Exceptional
97 bpm • C# Maj • 02:06 • -2.91db
19% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Devil's Brigade
Protest Song
97 bpm • G Maj • 03:05 • -3.03db
10% Popularity • 48% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 48% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Osker
Lucky
89 bpm • B Maj • 02:06 • -3.95db
17% Popularity • 46% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 46% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Down By Law
Bright Green Globe
98 bpm • D Maj • 03:37 • -6.23db
22% Popularity • 38% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 38% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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The Bruisers
Intimidation
98 bpm • A# min • 02:49 • -7.59db
31% Popularity • 45% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 45% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Lagwagon
Mr. Coffee
88 bpm • B Maj • 02:15 • -10.3db
23% Popularity • 36% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 36% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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U.S. Bombs
Isolated Ones
98 bpm • D Maj • 02:49 • -5db
21% Popularity • 49% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 49% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Blitz
Razors in the Night
98 bpm • C Maj • 01:54 • -4.87db
27% Popularity • 34% Danceability • 89% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
27% Popularity • 34% Danceability • 89% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
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Assorted Jelly Beans
Assorted Jelly Beans
98 bpm • A Maj • 02:10 • -6.43db
14% Popularity • 37% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 37% Danceability • 94% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Bad Co. Project
Mission Mohawk
99 bpm • F Maj • 02:35 • -2.8db
11% Popularity • 40% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 40% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Operation Ivy
Gonna Find You - 2007 Remaster
88 bpm • D Maj • 01:54 • -4.59db
36% Popularity • 50% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 50% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Sloppy Seconds
Thing From Uranus
99 bpm • F# Maj • 03:42 • -3.7db
20% Popularity • 50% Danceability • 97% Energy • 68% Liveness
11% Instrumentalness • 57% Positiveness
20% Popularity • 50% Danceability • 97% Energy • 68% Liveness
11% Instrumentalness • 57% Positiveness
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U.S. Bombs
Orange Crunch
98 bpm • E Maj • 02:39 • -4.36db
18% Popularity • 43% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 43% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bombshell Rocks
Same Streets
99 bpm • A# min • 02:33 • -4.52db
22% Popularity • 43% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 43% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Briggs
Who Would've Thought
88 bpm • C Maj • 03:19 • -4db
21% Popularity • 46% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 46% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Leftöver Crack
Crack City Rockers
99 bpm • D Maj • 02:30 • -4.6db
32% Popularity • 51% Danceability • 99% Energy • 10% Liveness
50% Instrumentalness • 47% Positiveness
32% Popularity • 51% Danceability • 99% Energy • 10% Liveness
50% Instrumentalness • 47% Positiveness
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Dwarves
Better Be Woman
99 bpm • A Maj • 02:35 • -3.99db
30% Popularity • 54% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 54% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Sloppy Seconds
Black Roses
99 bpm • A Maj • 02:25 • -6.34db
32% Popularity • 36% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 36% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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U.S. Bombs
Checkpoint
98 bpm • A Maj • 03:11 • -4.73db
8% Popularity • 44% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 44% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Roger Miret & The Disasters
Riot, Riot, Riot
87 bpm • C min • 01:41 • -4.3db
14% Popularity • 43% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 43% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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The Bruisers
Work Together (Bonus Track)
99 bpm • C Maj • 02:15 • -7.19db
20% Popularity • 50% Danceability • 76% Energy • 25% Liveness
4% Instrumentalness • 88% Positiveness
20% Popularity • 50% Danceability • 76% Energy • 25% Liveness
4% Instrumentalness • 88% Positiveness
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Snuff
Russian Fields
99 bpm • G Maj • 02:09 • -6db
15% Popularity • 35% Danceability • 94% Energy • 21% Liveness
95% Instrumentalness • 31% Positiveness
15% Popularity • 35% Danceability • 94% Energy • 21% Liveness
95% Instrumentalness • 31% Positiveness
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Social Distortion
Mainliner
99 bpm • F Maj • 02:30 • -6.42db
31% Popularity • 42% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 42% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 36% Positiveness
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Down By Law
Punk As Fuck
87 bpm • F# min • 01:34 • -7.26db
23% Popularity • 33% Danceability • 96% Energy • 76% Liveness
1% Instrumentalness • 55% Positiveness
23% Popularity • 33% Danceability • 96% Energy • 76% Liveness
1% Instrumentalness • 55% Positiveness
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All
Better Than That
99 bpm • F# min • 02:03 • -6db
29% Popularity • 42% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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The Rabble
Seeking
100 bpm • E Maj • 03:07 • -3.99db
27% Popularity • 29% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 29% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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U.S. Bombs
76ixties
100 bpm • A Maj • 02:09 • -5.35db
8% Popularity • 43% Danceability • 96% Energy • 60% Liveness
1% Instrumentalness • 67% Positiveness
8% Popularity • 43% Danceability • 96% Energy • 60% Liveness
1% Instrumentalness • 67% Positiveness
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Snuff
Mumbo Jumbo
87 bpm • D Maj • 01:55 • -5.46db
10% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 32% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 12% Positiveness
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Grade 2
Groundhog Day
100 bpm • G Maj • 03:00 • -5.58db
25% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
25% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 49% Positiveness
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New Bomb Turks
Automatic Teller
100 bpm • D Maj • 02:43 • -3.16db
18% Popularity • 23% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 23% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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7 Seconds
This Is Temporary
100 bpm • B min • 01:17 • -2.93db
43% Popularity • 42% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 42% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Bombshell Rocks
Where We Gather
100 bpm • D Maj • 04:21 • -4.65db
18% Popularity • 40% Danceability • 95% Energy • 89% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 40% Danceability • 95% Energy • 89% Liveness
0% Instrumentalness • 67% Positiveness
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U.S. Bombs
Neverland
100 bpm • F# Maj • 03:00 • -7.67db
9% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Snuff
Whatever Happened to the Likely Lads
100 bpm • A Maj • 02:12 • -5db
33% Popularity • 40% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 40% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Humpers
Mutate With Me
101 bpm • D Maj • 02:13 • -5.68db
21% Popularity • 41% Danceability • 99% Energy • 14% Liveness
9% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 99% Energy • 14% Liveness
9% Instrumentalness • 29% Positiveness
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Sloppy Seconds
Shut up and Pour Me a Drink
101 bpm • E Maj • 02:59 • -4.67db
26% Popularity • 39% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 39% Danceability • 92% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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7 Seconds
My Band, Our Crew
100 bpm • G Maj • 02:05 • -2.61db
35% Popularity • 60% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
35% Popularity • 60% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Propagandhi
Head? Chest? Or Foot?
101 bpm • A Maj • 02:04 • -5db
38% Popularity • 49% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 49% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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88 Fingers Louie
Two-Faced Bastard
86 bpm • A min • 02:28 • -3db
30% Popularity • 22% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 22% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Consumed
Wake up with a Smile
101 bpm • A# min • 02:45 • -3.81db
25% Popularity • 41% Danceability • 100% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 41% Danceability • 100% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Peter and the Test Tube Babies
1.4.7.1
101 bpm • C Maj • 02:03 • -4.41db
10% Popularity • 30% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 30% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Bombshell Rocks
The Will The Message
101 bpm • B Maj • 02:37 • -3.98db
37% Popularity • 42% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 42% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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7 Seconds
Regress No Way
100 bpm • C min • 01:09 • -13.45db
30% Popularity • 49% Danceability • 89% Energy • 58% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 49% Danceability • 89% Energy • 58% Liveness
0% Instrumentalness • 34% Positiveness
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Propagandhi
This Might Be Satire
101 bpm • D Maj • 01:34 • -5db
34% Popularity • 43% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 43% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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The Beltones
Ain't No Life
101 bpm • B Maj • 02:13 • -6.04db
18% Popularity • 40% Danceability • 95% Energy • 17% Liveness
92% Instrumentalness • 91% Positiveness
18% Popularity • 40% Danceability • 95% Energy • 17% Liveness
92% Instrumentalness • 91% Positiveness
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Consumed
Twat Called Maurice
101 bpm • G# Maj • 02:40 • -3.6db
21% Popularity • 43% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 43% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Humpers
Steel-Toed Sneakers
101 bpm • E Maj • 03:10 • -6.4db
17% Popularity • 48% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 48% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Down By Law
Flower Tattoo
101 bpm • C# min • 01:20 • -6.42db
30% Popularity • 64% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 64% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Total Chaos
Riot 77
101 bpm • D Maj • 03:38 • -4.34db
9% Popularity • 44% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 44% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Marching Orders
Guilty By Suspicion
102 bpm • E Maj • 02:29 • -4.4db
16% Popularity • 44% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 44% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Off With Their Heads
Ten Years Trouble
102 bpm • C Maj • 02:58 • -5.16db
29% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 45% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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U.S. Bombs
The Deadly Kiss
102 bpm • C# Maj • 03:00 • -7.45db
11% Popularity • 46% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 46% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Bad Religion
Bad Religion - Back To The Known Version
102 bpm • D Maj • 02:10 • -3.18db
23% Popularity • 30% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 30% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Snuff
Y Olde Folke Twatte
102 bpm • C Maj • 02:47 • -5db
24% Popularity • 51% Danceability • 95% Energy • 39% Liveness
1% Instrumentalness • 82% Positiveness
24% Popularity • 51% Danceability • 95% Energy • 39% Liveness
1% Instrumentalness • 82% Positiveness
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The Beltones
Nobody to Love
102 bpm • A Maj • 02:26 • -4.77db
20% Popularity • 49% Danceability • 98% Energy • 19% Liveness
76% Instrumentalness • 88% Positiveness
20% Popularity • 49% Danceability • 98% Energy • 19% Liveness
76% Instrumentalness • 88% Positiveness
