Songs like Going Down by Gavin Creel
Based on a tempo of (+/- 10%) and a similar genre
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Gavin Creel
Going Down
166 bpm • D Maj • 02:06 • -4.11db
8% Popularity • 43% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 43% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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'Hair' Tribe
Three-Five-Zero-Zero
166 bpm • E min • 03:04 • -7db
21% Popularity • 30% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 30% Danceability • 70% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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Jeff McCarthy
Urinetown
167 bpm • A# min • 01:40 • -9.21db
32% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Mindi Dickstein
The Most Amazing Thing
165 bpm • G min • 02:00 • -9.69db
26% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Favorite Moment of the Bee 3 / Second
169 bpm • E min • 06:35 • -9.87db
29% Popularity • 35% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 35% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Gavin Creel
Art of Heartbreak
164 bpm • D Maj • 02:30 • -5.85db
1% Popularity • 67% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 67% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Megan Reinking
Black Boys
168 bpm • E Maj • 01:27 • -5.8db
21% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Wetherhead
Calm
169 bpm • A Maj • 04:21 • -11.81db
26% Popularity • 60% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 60% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jeff McCarthy
Too Much Exposition
163 bpm • F Maj • 03:15 • -15.57db
28% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 55% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jefferson Mays
Better with a Man
162 bpm • G Maj • 03:02 • -9.84db
23% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 52% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The Spelling Rules / My Favorite Moment ...
169 bpm • D Maj • 01:41 • -9.16db
31% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Creel
Radio Lover
163 bpm • B Maj • 02:19 • -5.59db
3% Popularity • 55% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
3% Popularity • 55% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Michael McGrath
Finland/Fisch Schlapping Dance - Origina...
170 bpm • A# Maj • 01:01 • -6db
35% Popularity • 45% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 45% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
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'Hair' Tribe
Hashish
168 bpm • D min • 00:54 • -6.17db
22% Popularity • 28% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 28% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Alice Ripley
Didn't I See This Movie?
170 bpm • E Maj • 01:30 • -5.82db
32% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 56% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Rachelle Rak
Doctor's Orders
170 bpm • G Maj • 03:10 • -5.27db
29% Popularity • 54% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 54% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The 25th Annual Putnam County Spelling B...
170 bpm • C Maj • 04:44 • -9db
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Danny Burstein
Do You Love Me?
170 bpm • C Maj • 03:15 • -9.88db
22% Popularity • 36% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 36% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare - Reprise
171 bpm • F Maj • 01:30 • -13.61db
36% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Marc Kudisch
Ah! Sweet Mystery of Life / I'm Falling ...
171 bpm • F Maj • 03:37 • -14.87db
17% Popularity • 27% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 27% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 3: Mother
171 bpm • B Maj • 01:17 • -12.48db
26% Popularity • 17% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 17% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Magic Foot
162 bpm • D min • 02:35 • -8.34db
31% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 53% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Aaron Tveit
I'm Alive
161 bpm • C Maj • 03:14 • -6.08db
43% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Heidi Blickenstaff
A Way Back to Then
172 bpm • A# Maj • 02:33 • -9.49db
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mindi Dickstein
More Than I Am
172 bpm • E Maj • 02:46 • -9.22db
25% Popularity • 24% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Beth Leavel
The Lady's Improving
172 bpm • A# Maj • 02:31 • -5.1db
17% Popularity • 42% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 42% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Spencer Kayden
Tell Her I Love Her
172 bpm • D Maj • 02:56 • -15.04db
26% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 41% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
42% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Ripley
I Miss the Mountains
172 bpm • C Maj • 03:46 • -16.9db
35% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Original Cast of Amélie
World's Best Friend
172 bpm • B Maj • 03:20 • -9.96db
18% Popularity • 43% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 43% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Steven Booth
Hey, Good-Lookin'
172 bpm • C Maj • 03:12 • -5db
30% Popularity • 56% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 56% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
30% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Patina Miller
Simple Joys
172 bpm • A# min • 02:32 • -7.34db
39% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
There You Are
159 bpm • C Maj • 02:14 • -8.9db
19% Popularity • 55% Danceability • 64% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 55% Danceability • 64% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Woe Is Me
174 bpm • C Maj • 02:31 • -7.88db
33% Popularity • 54% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 54% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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J. Robert Spencer
I Am the One - Reprise
174 bpm • A Maj • 02:16 • -10.65db
33% Popularity • 32% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Tim Curry
I'm All Alone - Original Broadway Cast R...
174 bpm • C Maj • 03:19 • -9db
30% Popularity • 27% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 27% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Aaron Tveit
Live in Living Color
175 bpm • D Maj • 03:14 • -5.7db
40% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Beth Leavel
It's Not About Me
158 bpm • A min • 03:52 • -5.63db
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 52% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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The Producers Ensemble
Opening Night
157 bpm • C Maj • 01:42 • -9.31db
27% Popularity • 51% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 51% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 64% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Patina Miller
Fabulous, Baby! - Reprise
156 bpm • G Maj • 03:01 • -5.64db
30% Popularity • 39% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 39% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Gavin Creel
U Can't Ignore Me
156 bpm • G# Maj • 04:04 • -6.97db
0% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Stephen Schwartz
Wonderful
177 bpm • F Maj • 04:57 • -11.23db
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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James Davis
All Er Nuthin'
177 bpm • D Maj • 03:49 • -11db
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kate Baldwin
Elegance
155 bpm • G Maj • 02:30 • -8.78db
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Josie de Guzman
If I Were a Bell
178 bpm • D# Maj • 02:31 • -18.4db
31% Popularity • 40% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 40% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Gavin Creel
Make You Love Me
155 bpm • B min • 03:47 • -6.47db
2% Popularity • 68% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 68% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Marin Mazzie
Goodbye, My Love
178 bpm • F Maj • 01:53 • -14db
25% Popularity • 26% Danceability • 23% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 26% Danceability • 23% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Caissie Levy
Easy to Be Hard
155 bpm • F# Maj • 03:04 • -11.3db
26% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Victoria Clark
"There's Music in You"
180 bpm • F Maj • 03:14 • -7.32db
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Christopher Sieber
The Song That Goes Like This - Original ...
181 bpm • F Maj • 02:53 • -4.3db
38% Popularity • 24% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 24% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Gavin Creel
Where Do I Go?
178 bpm • D Maj • 03:06 • -8db
24% Popularity • 35% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 35% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Cole Thompson
I Guess This Is Goodbye
182 bpm • E Maj • 01:02 • -15.96db
33% Popularity • 33% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
33% Popularity • 33% Danceability • 18% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
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Original Cast of Amélie
Thin Air
182 bpm • B Maj • 03:22 • -7.06db
22% Popularity • 25% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 25% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Bette Midler
Dancing
183 bpm • A# Maj • 06:52 • -11.8db
24% Popularity • 29% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 29% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Cavenaugh
Something's Coming
184 bpm • G Maj • 02:27 • -11db
26% Popularity • 46% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 46% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin Creel
I Got Life
150 bpm • F Maj • 03:02 • -7.97db
27% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 45% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Better
184 bpm • D Maj • 01:15 • -6.63db
36% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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John Bucchino
It Feels Like Home
184 bpm • G Maj • 03:19 • -17.23db
5% Popularity • 25% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 25% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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David Hyde Pierce
Penny in My Pocket
150 bpm • G Maj • 02:49 • -10.98db
23% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Matthew James Thomas
Corner of the Sky
184 bpm • F Maj • 02:56 • -8.16db
46% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Gavin Creel
Come Alive
150 bpm • G Maj • 03:56 • -8.17db
0% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 53% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
32% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Curtis Holbrook
Gee, Officer Krupke
148 bpm • G Maj • 04:12 • -11.61db
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Will Swenson
Going Down
186 bpm • C Maj • 02:02 • -6.94db
23% Popularity • 41% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 41% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jerry Bock
Miracle of Miracles
148 bpm • D Maj • 02:14 • -12.13db
18% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 51% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Gavin Creel
Going To DC
147 bpm • E Maj • 02:26 • -7.21db
2% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
2% Popularity • 71% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Byron Jennings
Days Gone By
189 bpm • D Maj • 02:03 • -8.54db
21% Popularity • 37% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 37% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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West Side Story Ensemble (2009)
Tonight (Quintet)
145 bpm • G Maj • 03:41 • -11db
22% Popularity • 41% Danceability • 38% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 41% Danceability • 38% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin Creel
Put on Your Sunday Clothes
146 bpm • G# Maj • 05:11 • -9.46db
33% Popularity • 43% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 43% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Patina Miller
On the Right Track
146 bpm • D# min • 03:54 • -8db
34% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
9% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
