Songs like Going Home by The Bony King of Nowhere
Based on a tempo of (+/- 10%) and a similar genre
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The Bony King of Nowhere
Going Home
132 bpm • G Maj • 04:13 • -7.73db
9% Popularity • 46% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 46% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Raoul Vignal
Century Man
132 bpm • D Maj • 03:08 • -9.93db
22% Popularity • 61% Danceability • 52% Energy • 9% Liveness
56% Instrumentalness • 49% Positiveness
22% Popularity • 61% Danceability • 52% Energy • 9% Liveness
56% Instrumentalness • 49% Positiveness
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JOHAN
So It Goes
132 bpm • D Maj • 02:50 • -7.74db
31% Popularity • 56% Danceability • 52% Energy • 6% Liveness
27% Instrumentalness • 25% Positiveness
31% Popularity • 56% Danceability • 52% Energy • 6% Liveness
27% Instrumentalness • 25% Positiveness
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Novastar
Wild years - Re-imagined
132 bpm • B min • 02:21 • -14.55db
30% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Douglas Firs
The Both of Us
132 bpm • E Maj • 04:18 • -8.63db
9% Popularity • 73% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 73% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Elephant
Bullets
132 bpm • A# Maj • 03:13 • -12.33db
24% Popularity • 57% Danceability • 57% Energy • 18% Liveness
95% Instrumentalness • 67% Positiveness
24% Popularity • 57% Danceability • 57% Energy • 18% Liveness
95% Instrumentalness • 67% Positiveness
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The Bony King of Nowhere
Are You Still Alive
132 bpm • C Maj • 04:12 • -10.52db
34% Popularity • 50% Danceability • 45% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
34% Popularity • 50% Danceability • 45% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Raoul Vignal
Moonlit Visit
132 bpm • E min • 02:41 • -13.72db
22% Popularity • 61% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
22% Popularity • 61% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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JOHAN
The Great Vacation
132 bpm • A Maj • 03:27 • -7.48db
31% Popularity • 60% Danceability • 48% Energy • 18% Liveness
53% Instrumentalness • 37% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 18% Liveness
53% Instrumentalness • 37% Positiveness
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Mooneye
Black River
131 bpm • F# min • 05:14 • -7.31db
27% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Nagasaki Swim
Everything Grows
133 bpm • F# Maj • 04:17 • -14.13db
34% Popularity • 56% Danceability • 32% Energy • 19% Liveness
77% Instrumentalness • 22% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 19% Liveness
77% Instrumentalness • 22% Positiveness
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Camille Camille
Strawberry Moon
133 bpm • B min • 04:20 • -19db
14% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Bony King of Nowhere
Erase
133 bpm • F# min • 04:02 • -12.13db
25% Popularity • 46% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 23% Positiveness
25% Popularity • 46% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 23% Positiveness
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Loverman
Candyman
130 bpm • F min • 04:46 • -11.7db
32% Popularity • 40% Danceability • 26% Energy • 33% Liveness
50% Instrumentalness • 19% Positiveness
32% Popularity • 40% Danceability • 26% Energy • 33% Liveness
50% Instrumentalness • 19% Positiveness
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SX
Graffiti - Unplugged
134 bpm • B min • 03:32 • -11.48db
35% Popularity • 80% Danceability • 50% Energy • 22% Liveness
30% Instrumentalness • 48% Positiveness
35% Popularity • 80% Danceability • 50% Energy • 22% Liveness
30% Instrumentalness • 48% Positiveness
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Monserey
Regrets
130 bpm • B min • 03:32 • -12.44db
10% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Gregory Frateur
Caught Inside The Dark
130 bpm • A# min • 03:24 • -8.68db
15% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Slow Show
Ordinary Lives
134 bpm • C Maj • 03:57 • -9.53db
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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The Bony King of Nowhere
Everybody Knows
133 bpm • C# Maj • 04:05 • -10.64db
31% Popularity • 49% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
31% Popularity • 49% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 56% Positiveness
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Mooneye
Lover to Stranger
134 bpm • A min • 03:42 • -10.42db
34% Popularity • 52% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 52% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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SX
Black Video - Unplugged
133 bpm • A min • 04:04 • -14.07db
21% Popularity • 65% Danceability • 37% Energy • 36% Liveness
16% Instrumentalness • 30% Positiveness
21% Popularity • 65% Danceability • 37% Energy • 36% Liveness
16% Instrumentalness • 30% Positiveness
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The Haunted Youth
Teen Rebel
130 bpm • D Maj • 04:17 • -7.93db
47% Popularity • 56% Danceability • 69% Energy • 6% Liveness
88% Instrumentalness • 14% Positiveness
47% Popularity • 56% Danceability • 69% Energy • 6% Liveness
88% Instrumentalness • 14% Positiveness
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The Me In You
The Day MCA Passed Away
130 bpm • A min • 02:22 • -13.03db
21% Popularity • 47% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
21% Popularity • 47% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Dez Mona
Carry On
130 bpm • G Maj • 05:01 • -8db
28% Popularity • 67% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 67% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Stef Kamil Carlens
Empty World
130 bpm • E min • 03:29 • -8db
27% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 73% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Douglas Firs
Hannah
130 bpm • C Maj • 04:51 • -7.11db
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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And They Spoke in Anthems
You, Silly Wommer, You
130 bpm • G# Maj • 04:59 • -11.81db
19% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Haunted Youth
Gone
130 bpm • E min • 07:01 • -7.62db
34% Popularity • 51% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
34% Popularity • 51% Danceability • 72% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Rita Zipora
Vaart
134 bpm • A# min • 04:40 • -13.23db
11% Popularity • 49% Danceability • 42% Energy • 18% Liveness
18% Instrumentalness • 27% Positiveness
11% Popularity • 49% Danceability • 42% Energy • 18% Liveness
18% Instrumentalness • 27% Positiveness
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The Bony King of Nowhere
Now That I Know
134 bpm • F min • 01:41 • -21db
35% Popularity • 54% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 32% Positiveness
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Ansatz Der Maschine
The Silent Story
130 bpm • A min • 03:14 • -15.98db
32% Popularity • 48% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 48% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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cabane
Take Me Home, Pt. 2
135 bpm • B min • 02:40 • -13.55db
19% Popularity • 39% Danceability • 20% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
19% Popularity • 39% Danceability • 20% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Sylvie Kreusch
Walk Walk
135 bpm • F# min • 04:51 • -7.83db
46% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Elephant
Calling
129 bpm • E min • 03:19 • -13db
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 95% Positiveness
37% Popularity • 64% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 95% Positiveness
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Isbells
Sparkle & Shine
129 bpm • D# Maj • 03:58 • -6.2db
14% Popularity • 52% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Dez Mona
Beyond Redemption
135 bpm • D min • 03:57 • -13.16db
30% Popularity • 58% Danceability • 20% Energy • 12% Liveness
81% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 20% Energy • 12% Liveness
81% Instrumentalness • 35% Positiveness
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Robin Kester
Blinds
135 bpm • A Maj • 03:17 • -11.46db
21% Popularity • 74% Danceability • 37% Energy • 10% Liveness
83% Instrumentalness • 74% Positiveness
21% Popularity • 74% Danceability • 37% Energy • 10% Liveness
83% Instrumentalness • 74% Positiveness
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Raoul Vignal
Silence
135 bpm • D# min • 03:39 • -11.43db
19% Popularity • 58% Danceability • 44% Energy • 12% Liveness
39% Instrumentalness • 20% Positiveness
19% Popularity • 58% Danceability • 44% Energy • 12% Liveness
39% Instrumentalness • 20% Positiveness
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Mooneye
Girl Like You
129 bpm • A min • 03:52 • -10.64db
32% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Elephant
April
129 bpm • D Maj • 02:53 • -15.39db
22% Popularity • 58% Danceability • 46% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
22% Popularity • 58% Danceability • 46% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Douglas Firs
At Least Once
135 bpm • F# Maj • 04:51 • -11db
17% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 51% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dez Mona
Better Place - single edit
135 bpm • E min • 03:19 • -15.2db
16% Popularity • 59% Danceability • 35% Energy • 24% Liveness
72% Instrumentalness • 30% Positiveness
16% Popularity • 59% Danceability • 35% Energy • 24% Liveness
72% Instrumentalness • 30% Positiveness
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Loverman
Call Me Your Loverman
129 bpm • E Maj • 05:14 • -9.6db
22% Popularity • 42% Danceability • 40% Energy • 38% Liveness
11% Instrumentalness • 20% Positiveness
22% Popularity • 42% Danceability • 40% Energy • 38% Liveness
11% Instrumentalness • 20% Positiveness
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The Bony King of Nowhere
Silent Days - Demo
128 bpm • D# Maj • 04:19 • -11.4db
22% Popularity • 52% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 51% Positiveness
22% Popularity • 52% Danceability • 48% Energy • 10% Liveness
65% Instrumentalness • 51% Positiveness
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Kids With Buns
colder
136 bpm • B min • 04:34 • -13.05db
24% Popularity • 32% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 32% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Zimmerman
Hold Me Closer
136 bpm • A Maj • 03:35 • -16.63db
24% Popularity • 49% Danceability • 36% Energy • 11% Liveness
34% Instrumentalness • 36% Positiveness
24% Popularity • 49% Danceability • 36% Energy • 11% Liveness
34% Instrumentalness • 36% Positiveness
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Elbow
The Delayed 3:15
136 bpm • F Maj • 03:24 • -11db
26% Popularity • 58% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
26% Popularity • 58% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
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The Slow Show
Hurts
136 bpm • E Maj • 04:23 • -18.26db
23% Popularity • 56% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
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Douglas Firs
The Waiting Around
128 bpm • A# min • 02:18 • -14.89db
22% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Bony King of Nowhere
Working Harder
136 bpm • C# Maj • 04:37 • -12.38db
25% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Mooneye
Fix the Heater
128 bpm • F# Maj • 04:54 • -6.57db
32% Popularity • 47% Danceability • 55% Energy • 10% Liveness
21% Instrumentalness • 8% Positiveness
32% Popularity • 47% Danceability • 55% Energy • 10% Liveness
21% Instrumentalness • 8% Positiveness
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BLUAI
Save It For Later
128 bpm • F# Maj • 02:44 • -18.03db
25% Popularity • 33% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
25% Popularity • 33% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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JOHAN
Reset
137 bpm • D Maj • 04:27 • -7.38db
24% Popularity • 34% Danceability • 64% Energy • 10% Liveness
46% Instrumentalness • 30% Positiveness
24% Popularity • 34% Danceability • 64% Energy • 10% Liveness
46% Instrumentalness • 30% Positiveness
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Douglas Firs
One Day
128 bpm • D Maj • 03:50 • -10.54db
16% Popularity • 67% Danceability • 58% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
16% Popularity • 67% Danceability • 58% Energy • 12% Liveness
32% Instrumentalness • 46% Positiveness
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SX
Falling - Unplugged
127 bpm • C min • 04:28 • -12.75db
16% Popularity • 42% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 42% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Kids With Buns
how bad could it be
137 bpm • E min • 03:08 • -11.58db
30% Popularity • 67% Danceability • 44% Energy • 11% Liveness
9% Instrumentalness • 43% Positiveness
30% Popularity • 67% Danceability • 44% Energy • 11% Liveness
9% Instrumentalness • 43% Positiveness
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ILA
Rebirth
127 bpm • D# Maj • 03:12 • -11.48db
16% Popularity • 60% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
16% Popularity • 60% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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Robin Kester
Hands
127 bpm • F Maj • 02:57 • -17.19db
11% Popularity • 64% Danceability • 31% Energy • 16% Liveness
24% Instrumentalness • 24% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 16% Liveness
24% Instrumentalness • 24% Positiveness
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Novastar
Because - Re-imagined
127 bpm • B min • 03:35 • -7.54db
33% Popularity • 64% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
33% Popularity • 64% Danceability • 77% Energy • 12% Liveness
7% Instrumentalness • 18% Positiveness
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BLUAI
Better, I Swear
127 bpm • B min • 04:03 • -10.34db
29% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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SX
Gold - Unplugged
127 bpm • A min • 03:44 • -8.39db
30% Popularity • 74% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 74% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Other Lives
Cops
127 bpm • C min • 03:55 • -7.54db
27% Popularity • 59% Danceability • 62% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
27% Popularity • 59% Danceability • 62% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
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Whispering Sons
Cold City
127 bpm • A min • 03:18 • -16.59db
31% Popularity • 36% Danceability • 27% Energy • 17% Liveness
60% Instrumentalness • 19% Positiveness
31% Popularity • 36% Danceability • 27% Energy • 17% Liveness
60% Instrumentalness • 19% Positiveness
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Camille Camille
Golden
138 bpm • C# min • 03:42 • -16.16db
12% Popularity • 40% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 7% Positiveness
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The Bony King of Nowhere
Silent Days
126 bpm • A# Maj • 04:27 • -12.14db
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 59% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Novastar
Never Back Down - Re-imagined
138 bpm • D Maj • 04:16 • -7.82db
28% Popularity • 55% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Maru Maru
The Conversation
138 bpm • G min • 03:20 • -13.4db
26% Popularity • 55% Danceability • 24% Energy • 12% Liveness
21% Instrumentalness • 21% Positiveness
26% Popularity • 55% Danceability • 24% Energy • 12% Liveness
21% Instrumentalness • 21% Positiveness
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JOHAN
A Thought
138 bpm • G Maj • 03:10 • -7.63db
28% Popularity • 65% Danceability • 53% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
28% Popularity • 65% Danceability • 53% Energy • 10% Liveness
82% Instrumentalness • 48% Positiveness
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Portland
Lady Moon
138 bpm • F min • 04:20 • -7.47db
23% Popularity • 47% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 47% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Bert Dockx
Shadowplay
126 bpm • G# Maj • 03:53 • -17db
12% Popularity • 46% Danceability • 20% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 20% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Mooneye
Thinking About Leaving
126 bpm • A# Maj • 03:22 • -5.31db
36% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Novastar
When The Lights Go Down On The Broken He...
138 bpm • B min • 04:24 • -7.75db
32% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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BLUAI
Hate You
126 bpm • C Maj • 03:24 • -10.66db
18% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 50% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Geppetto & The Whales
Faust
126 bpm • E Maj • 04:05 • -12.18db
10% Popularity • 64% Danceability • 32% Energy • 9% Liveness
72% Instrumentalness • 36% Positiveness
10% Popularity • 64% Danceability • 32% Energy • 9% Liveness
72% Instrumentalness • 36% Positiveness
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Portland
Killer's Mind
126 bpm • C Maj • 04:02 • -8.34db
36% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Bert Dockx
I'm On Fire
139 bpm • C# Maj • 07:48 • -19.04db
15% Popularity • 30% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mooneye
Changing
126 bpm • B Maj • 03:49 • -10.64db
27% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Stef Kamil Carlens
Back On The Road
125 bpm • E min • 03:41 • -6.81db
13% Popularity • 68% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
13% Popularity • 68% Danceability • 77% Energy • 6% Liveness
17% Instrumentalness • 66% Positiveness
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Melanie De Biasio
Now Is Narrow
125 bpm • C Maj • 04:52 • -14.79db
26% Popularity • 30% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
26% Popularity • 30% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Geppetto & The Whales
I Know Who You Were
125 bpm • A# Maj • 05:05 • -11.27db
17% Popularity • 48% Danceability • 47% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
17% Popularity • 48% Danceability • 47% Energy • 12% Liveness
50% Instrumentalness • 16% Positiveness
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Mauro Pawlowski
Leaving Montreux
125 bpm • D Maj • 03:30 • -14.44db
18% Popularity • 64% Danceability • 41% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
18% Popularity • 64% Danceability • 41% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Ansatz Der Maschine
Falling down
125 bpm • D min • 03:22 • -13.03db
14% Popularity • 73% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
14% Popularity • 73% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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The Me In You
The Morning Light
125 bpm • C# Maj • 04:37 • -10db
11% Popularity • 62% Danceability • 43% Energy • 11% Liveness
45% Instrumentalness • 27% Positiveness
11% Popularity • 62% Danceability • 43% Energy • 11% Liveness
45% Instrumentalness • 27% Positiveness
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Sioen
Another Ballad
140 bpm • C Maj • 03:39 • -11.19db
25% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Glitterpaard
All Rights Reserved
125 bpm • E min • 03:30 • -8.2db
10% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Pitou
Animal
140 bpm • A# min • 04:03 • -11.23db
17% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 60% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Mooneye
Too Fast
125 bpm • F min • 03:58 • -12.71db
34% Popularity • 37% Danceability • 23% Energy • 10% Liveness
12% Instrumentalness • 11% Positiveness
34% Popularity • 37% Danceability • 23% Energy • 10% Liveness
12% Instrumentalness • 11% Positiveness
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The Leisure Society
God Has Taken A Vacation
140 bpm • E Maj • 02:39 • -10.44db
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
33% Popularity • 58% Danceability • 48% Energy • 12% Liveness
27% Instrumentalness • 67% Positiveness
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JOHAN
Oceans
140 bpm • B Maj • 04:18 • -6.26db
32% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 47% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Sylvie Kreusch
Ending Up Alone
140 bpm • D Maj • 03:15 • -11.6db
24% Popularity • 35% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 35% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Distance, Light & Sky
Don't Go Dark on Me
124 bpm • D Maj • 03:40 • -16.18db
10% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 70% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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SX
Mercury - Unplugged
140 bpm • E min • 04:10 • -9.38db
19% Popularity • 58% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
19% Popularity • 58% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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Mooneye
Out of Place
140 bpm • A Maj • 02:56 • -8.46db
33% Popularity • 60% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Stuart A. Staples
Goodbye to Old Friends
140 bpm • F# min • 06:13 • -8.82db
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
26% Popularity • 32% Danceability • 60% Energy • 10% Liveness
19% Instrumentalness • 59% Positiveness
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Marble Sounds
A Drop in the Bucket
124 bpm • E Maj • 02:55 • -13.1db
15% Popularity • 42% Danceability • 47% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Thomas Azier
What Does It Mean To Be Free
140 bpm • F# min • 06:56 • -13.02db
28% Popularity • 48% Danceability • 65% Energy • 12% Liveness
40% Instrumentalness • 44% Positiveness
28% Popularity • 48% Danceability • 65% Energy • 12% Liveness
40% Instrumentalness • 44% Positiveness
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JOHAN
Time For Change
124 bpm • D Maj • 03:40 • -4.99db
30% Popularity • 60% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 60% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
