Songs like going out by ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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ROLE MODEL
a little more time
80 bpm • G# Maj • 03:30 • -7.44db
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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remy
a little bit won't kill you but a lot of...
80 bpm • E Maj • 02:50 • -6.62db
31% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Russ
BANKRUPT
80 bpm • G Maj • 02:51 • -4.69db
44% Popularity • 68% Danceability • 50% Energy • 7% Liveness
69% Instrumentalness • 54% Positiveness
44% Popularity • 68% Danceability • 50% Energy • 7% Liveness
69% Instrumentalness • 54% Positiveness
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Thomas Headon
Grace
80 bpm • B Maj • 03:21 • -9.31db
32% Popularity • 61% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 61% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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LAUNDRY DAY
Harvard
80 bpm • G Maj • 03:26 • -6db
36% Popularity • 50% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 50% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Jelani Aryeh
Daunt
80 bpm • G# min • 03:13 • -7.82db
38% Popularity • 65% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 65% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
going out
80 bpm • F Maj • 02:54 • -5.62db
44% Popularity • 75% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 75% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Still Woozy
BS
80 bpm • D# Maj • 02:13 • -11.83db
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Claire Rosinkranz
Boy In A Billion
79 bpm • A# Maj • 03:27 • -7.3db
39% Popularity • 51% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 51% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Headon
Loving You
80 bpm • E min • 03:27 • -5.88db
33% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Conor Matthews
Hit Me Back
79 bpm • C# Maj • 03:08 • -6.37db
27% Popularity • 70% Danceability • 57% Energy • 47% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 70% Danceability • 57% Energy • 47% Liveness
0% Instrumentalness • 41% Positiveness
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Justus Bennetts
Nightstand
81 bpm • F Maj • 02:41 • -4.66db
49% Popularity • 67% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 67% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Alt Bloom
West Coast
79 bpm • G Maj • 02:47 • -5.7db
43% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Weston Estate
Cotton Candy
81 bpm • A# Maj • 02:34 • -10db
45% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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AMAG
Funeral
81 bpm • G min • 03:27 • -7db
36% Popularity • 78% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 78% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Healy
Reckless
81 bpm • D Maj • 03:57 • -8.59db
54% Popularity • 85% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 85% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Spencer Sutherland
Indigo
79 bpm • C Maj • 02:39 • -5.75db
27% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Forrest Nolan
Second Base
81 bpm • F# Maj • 02:37 • -12.94db
28% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Sarcastic Sounds
change ur mind
79 bpm • E Maj • 03:03 • -7.38db
43% Popularity • 63% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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ROLE MODEL
the climb
78 bpm • E Maj • 02:46 • -7.39db
32% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Grady
Creases
82 bpm • C# min • 02:26 • -5.01db
15% Popularity • 42% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 42% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Lauv
Modern Loneliness
82 bpm • G# Maj • 04:12 • -7db
56% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Phil Good
How Do I Feel
82 bpm • A# Maj • 02:50 • -5.79db
19% Popularity • 67% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 60% Positiveness
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Weston Estate
Pears
82 bpm • F min • 02:21 • -6.48db
52% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Foster
fools (can't help falling in love)
82 bpm • D Maj • 02:45 • -6.93db
63% Popularity • 71% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 71% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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BETWEEN FRIENDS
blushing!
82 bpm • C Maj • 03:51 • -6db
47% Popularity • 36% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 36% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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young friend
ARIZONA
78 bpm • C# min • 03:35 • -9.45db
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
Puerto Rican
82 bpm • G# Maj • 02:55 • -8.04db
32% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Healy
Tucson
78 bpm • B Maj • 03:24 • -8.63db
40% Popularity • 73% Danceability • 52% Energy • 13% Liveness
15% Instrumentalness • 36% Positiveness
40% Popularity • 73% Danceability • 52% Energy • 13% Liveness
15% Instrumentalness • 36% Positiveness
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Christian French
love ride
82 bpm • E min • 03:54 • -7.69db
50% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 55% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tai Verdes
AOK
82 bpm • B Maj • 02:53 • -6.92db
71% Popularity • 73% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 73% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Hoodie Allen
Come Around
78 bpm • A Maj • 02:46 • -4.92db
58% Popularity • 73% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 73% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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dempsey hope
roller rink
83 bpm • G Maj • 02:45 • -10.27db
36% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Gavin Haley
Self Control
83 bpm • G Maj • 03:25 • -6.53db
15% Popularity • 67% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 67% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Lauv
Fake
83 bpm • F# min • 02:26 • -5.36db
61% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Christian French
hungover sunday
83 bpm • D Maj • 03:00 • -7.67db
46% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Grady
500 Days of Summer
77 bpm • G# Maj • 01:53 • -5.37db
42% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Alexander 23
Brainstorm
77 bpm • D Maj • 03:04 • -11db
46% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
46% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Healy
Nikes On
83 bpm • A Maj • 02:42 • -9.56db
48% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Greyson Chance
Boots
77 bpm • G# min • 02:55 • -4.85db
30% Popularity • 44% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 44% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Thomas Headon
Focus
77 bpm • C Maj • 03:19 • -13.24db
30% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Joshua Golden
happysad
84 bpm • G# Maj • 02:54 • -7db
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 73% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Justus Bennetts
Insomniac
76 bpm • C# Maj • 02:10 • -4.02db
44% Popularity • 71% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 71% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
74% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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KYLE
What It Is
76 bpm • C Maj • 02:23 • -6.52db
47% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Tai Verdes
Happy til it hurts
76 bpm • C# min • 02:24 • -8.6db
41% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Houston
Calls
84 bpm • G# Maj • 02:51 • -8.8db
23% Popularity • 87% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 87% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Roy Blair
Hazel
84 bpm • G# Maj • 04:06 • -12.01db
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Justus Bennetts
Real Life Sux
76 bpm • C# Maj • 02:23 • -5.91db
50% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Toddy Smith
Natalina
84 bpm • A min • 02:22 • -4.47db
37% Popularity • 68% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 68% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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JXN
Outta Space
85 bpm • F# Maj • 03:14 • -4.22db
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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BabyJake
Confidant
85 bpm • C# min • 03:02 • -8.36db
47% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Weston Estate
Outside
85 bpm • D Maj • 02:17 • -6.41db
44% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Diamond Pistols
Time Machine
85 bpm • D Maj • 03:03 • -7.18db
34% Popularity • 63% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 63% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Tai Verdes
we would have some cute kids.
85 bpm • F# Maj • 02:35 • -7.52db
45% Popularity • 82% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 82% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Omar Apollo
Hit Me Up
85 bpm • A Maj • 02:40 • -5.25db
55% Popularity • 77% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
55% Popularity • 77% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Spencer Sutherland
Sweater
85 bpm • G Maj • 02:27 • -2.24db
35% Popularity • 84% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 84% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Avenue Beat
F2020
85 bpm • D Maj • 03:01 • -7.07db
42% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Scotty Sire
Breakfast In The Park
75 bpm • B min • 02:30 • -8.61db
36% Popularity • 83% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 83% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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John K
parachute
75 bpm • C# min • 02:36 • -3.78db
55% Popularity • 79% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 79% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Tai Verdes
Solamente
85 bpm • C# min • 02:14 • -8db
51% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Harry Hudson
I Feel Amazing
75 bpm • D Maj • 02:33 • -5.51db
35% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Bazzi
I Like That
74 bpm • F# min • 02:38 • -5.43db
58% Popularity • 66% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 66% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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easy life
peanut butter
86 bpm • F# Maj • 02:40 • -7.57db
48% Popularity • 67% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 67% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Verzache
Talk
75 bpm • D Maj • 04:03 • -11.13db
37% Popularity • 85% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 85% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Slush Puppy
Summertime Sucks
86 bpm • E Maj • 04:56 • -7.87db
25% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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ROLE MODEL
Stolen Car
74 bpm • D# min • 03:14 • -14db
36% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Alexander 23
Dirty AF1s
87 bpm • G# Maj • 02:17 • -6db
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bazzi
Young & Alive
86 bpm • D# Maj • 02:40 • -5db
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Still Woozy
Get Down
87 bpm • C# min • 02:51 • -8.32db
55% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Nate Traveller
Low Blow
88 bpm • F# min • 02:26 • -12db
26% Popularity • 57% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 17% Positiveness
26% Popularity • 57% Danceability • 45% Energy • 7% Liveness
3% Instrumentalness • 17% Positiveness
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Verzache
January
88 bpm • E Maj • 03:16 • -13.33db
47% Popularity • 69% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
47% Popularity • 69% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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ROLE MODEL
i don't rly like u
73 bpm • G# Maj • 03:25 • -8.99db
32% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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The Ugly Boys
Run Away!
88 bpm • B min • 03:01 • -3.7db
37% Popularity • 70% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 70% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Justus Bennetts
Bad Day
89 bpm • A Maj • 01:48 • -4.68db
58% Popularity • 88% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 88% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Kid Travis
Strawberry Skies
90 bpm • B min • 02:45 • -6.59db
58% Popularity • 65% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 65% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Greyson Chance
Honeysuckle
90 bpm • B Maj • 02:22 • -9.15db
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Aidan Bissett
Communication
90 bpm • B Maj • 03:07 • -7.02db
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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MyKey
Untitled Unloved
90 bpm • E min • 03:25 • -8.62db
34% Popularity • 76% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
34% Popularity • 76% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
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Brevin Kim
Manzanita St.
90 bpm • E min • 03:03 • -5.19db
16% Popularity • 55% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 55% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
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SEB
killer lover boy
90 bpm • C Maj • 02:14 • -7.61db
50% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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EBEN
The Kids Are Alright
90 bpm • G# Maj • 02:52 • -5.07db
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 83% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Nox Holloway
Separate Ways
90 bpm • C# min • 03:03 • -6db
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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Grant Schaffer
Seeing Colors
90 bpm • C# min • 03:20 • -6.25db
34% Popularity • 73% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 73% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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ROLE MODEL
Oh, Gemini
90 bpm • A# Maj • 02:44 • -8.24db
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Emmett Mulrooney
Sunset Wife
90 bpm • G min • 02:59 • -12.61db
35% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 56% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Lauv
Dishes
90 bpm • B Maj • 02:36 • -10db
37% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 66% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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khai dreams
Lost in You
90 bpm • F min • 01:41 • -12.02db
57% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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99 Neighbors
Fuck No
71 bpm • C Maj • 03:51 • -6.59db
50% Popularity • 82% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 82% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Graham Riley
Fighting Myself
91 bpm • F# Maj • 02:29 • -12.12db
19% Popularity • 70% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 70% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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BETWEEN FRIENDS
affection
91 bpm • D Maj • 03:55 • -7.26db
68% Popularity • 39% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 39% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Still Woozy
Window
91 bpm • E min • 02:19 • -9.38db
69% Popularity • 71% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
69% Popularity • 71% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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USERx
Above
91 bpm • E Maj • 03:13 • -6.87db
24% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Cautious Clay
Dying in the Subtlety
91 bpm • A Maj • 02:19 • -8db
40% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Julia Wolf
In My Way
91 bpm • G# Maj • 02:03 • -9.7db
36% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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ROLE MODEL
a little more time - Sped Up
91 bpm • F min • 03:04 • -6.95db
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
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Ritt Momney
Put Your Records On
91 bpm • F# min • 03:30 • -10.78db
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
