Songs like Going To A Go-Go by Smokey Robinson & The Miracles
Based on a tempo of (+/- 10%) and a similar genre
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Kim Weston
Looking For The Right Guy
130 bpm • F min • 02:37 • -5.11db
15% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Major Lance
Delilah
130 bpm • F# Maj • 02:21 • -10db
16% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Harold Melvin
Get Out (And Let Me Cry)
130 bpm • E Maj • 02:18 • -10db
26% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
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The Isley Brothers
This Old Heart Of Mine (Is Weak For You)
130 bpm • F Maj • 02:52 • -10.21db
68% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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The Supremes
Love Is Like An Itching In My Heart
130 bpm • C min • 02:57 • -9.87db
38% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Showmen
Our Love Will Grow
131 bpm • C Maj • 02:35 • -11db
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Smokey Robinson & The Miracles
Going To A Go-Go
130 bpm • G Maj • 02:45 • -9.7db
42% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Martha Reeves & The Vandellas
Nowhere To Run
129 bpm • D min • 03:01 • -9.38db
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Willie Mitchell
That Driving Beat
131 bpm • C min • 02:10 • -6.21db
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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Don Covay
It's Better To Have (And Don't Need)
131 bpm • D Maj • 03:10 • -12.24db
18% Popularity • 74% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Fantastic Johnny C
Boogaloo Down Broadway
131 bpm • A# Maj • 02:35 • -6db
31% Popularity • 80% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 80% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Linda Lyndell
Bring Your Love Back to Me
131 bpm • D# Maj • 02:06 • -7.83db
17% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Drifters
Baby What I Mean
129 bpm • C# min • 02:33 • -6.56db
5% Popularity • 62% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 62% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jerry Butler
He Will Break Your Heart
131 bpm • G# min • 02:50 • -9.1db
29% Popularity • 61% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 61% Danceability • 60% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
28% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Tommy James & The Shondells
Mony Mony
131 bpm • D Maj • 02:54 • -11.57db
54% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Freddie Chavez
They'll Never Know Why
129 bpm • C Maj • 02:51 • -5db
32% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Patty & The Emblems
Mixed-Up, Shook-Up Girl
129 bpm • F Maj • 02:06 • -10.21db
33% Popularity • 60% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 60% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Formations
At the Top of the Stairs
131 bpm • F# min • 02:18 • -13.73db
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
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Royal Philharmonic Orchestra
The Tears Of A Clown
129 bpm • F# Maj • 03:20 • -4.19db
12% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Little Richard
A Little Bit of Something (Beats a Whole...
131 bpm • F min • 03:08 • -8.68db
14% Popularity • 72% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 72% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Smokey Robinson & The Miracles
I Heard It Through The Grapevine
129 bpm • C# Maj • 03:00 • -16.43db
17% Popularity • 79% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 79% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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The Intrigues
In a Moment
129 bpm • E Maj • 02:48 • -6db
19% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Chairmen Of The Board
You've Got Me Dangling on a String
131 bpm • G Maj • 02:58 • -5.66db
27% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Yvonne Baker
You Didn't Say A Word
132 bpm • D# Maj • 02:37 • -9.08db
32% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
32% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Dean Parrish
I'm on My Way
128 bpm • G# Maj • 02:39 • -7db
40% Popularity • 59% Danceability • 71% Energy • 71% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 59% Danceability • 71% Energy • 71% Liveness
0% Instrumentalness • 94% Positiveness
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The Originals
Suspicion
132 bpm • D# min • 03:07 • -6.52db
29% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Smokey Robinson & The Miracles
The Tears Of A Clown
128 bpm • C# Maj • 03:01 • -10db
58% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Sam Cooke
Chain Gang
132 bpm • G Maj • 02:35 • -10.82db
54% Popularity • 70% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 70% Danceability • 72% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Dance to the Music
128 bpm • G Maj • 02:59 • -11.11db
58% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
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The Miracles
Shop Around
132 bpm • G Maj • 02:50 • -5db
48% Popularity • 55% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 55% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
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The Spellbinders
Help Me (Get Myself Back Together Again)
132 bpm • A# Maj • 02:23 • -7.72db
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Percy Sledge
Baby Help Me
128 bpm • C# Maj • 02:33 • -8.98db
12% Popularity • 80% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 80% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Velvelettes
Lonely, Lonely Girl Am I
128 bpm • F Maj • 02:09 • -5.03db
27% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 62% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Epitome Of Sound
You Don't Love Me
132 bpm • C# Maj • 02:44 • -11.01db
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Smokey Robinson & The Miracles
Money (That's What I Want)
128 bpm • C Maj • 03:47 • -4.6db
11% Popularity • 70% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 70% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Stewart
Fat Boy
128 bpm • C min • 02:34 • -9db
28% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Major Lance
The Matador
128 bpm • F Maj • 02:26 • -9.5db
12% Popularity • 73% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 73% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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The Supremes
You Keep Me Hangin' On
128 bpm • G# min • 02:43 • -7db
56% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Rufus Thomas
Cause I Love You
128 bpm • D# Maj • 02:47 • -7.11db
17% Popularity • 66% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 66% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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The Velvelettes
A Bird In The Hand (Is Worth Two In The ...
128 bpm • C Maj • 02:51 • -3db
28% Popularity • 66% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 66% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Smokey Robinson & The Miracles
I Heard It Through The Grapevine - Mono ...
128 bpm • C# Maj • 02:53 • -7db
23% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Barbara McNair
Baby A Go-Go
127 bpm • C Maj • 02:48 • -6.11db
14% Popularity • 50% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 50% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Major Lance
Ain't No Soul (In These Old Shoes)
133 bpm • C Maj • 02:21 • -5db
15% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Martha Reeves & The Vandellas
Jimmy Mack
127 bpm • D Maj • 02:43 • -8db
52% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 70% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Thelma Houston
Jumpin' Jack Flash
133 bpm • G# Maj • 03:28 • -9.13db
31% Popularity • 52% Danceability • 71% Energy • 18% Liveness
43% Instrumentalness • 84% Positiveness
31% Popularity • 52% Danceability • 71% Energy • 18% Liveness
43% Instrumentalness • 84% Positiveness
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The Temptations
Get Ready
133 bpm • G Maj • 02:44 • -5.87db
63% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Carl Carlton
I Can Feel It
127 bpm • F# Maj • 02:27 • -5.24db
21% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • D# Maj • 02:25 • -7.46db
25% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Martha Reeves & The Vandellas
Come And Get These Memories
127 bpm • D# Maj • 02:23 • -7.29db
32% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Bunny Sigler
Girl Don't Make Me Wait
133 bpm • B min • 02:23 • -5.11db
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Cliff Nobles
My Love Is Getting Stronger
133 bpm • G Maj • 02:51 • -7db
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Major Lance
You Don't Want Me No More
133 bpm • A min • 02:12 • -9db
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Lewis
I Remember the Feeling
127 bpm • G# Maj • 02:33 • -15.03db
15% Popularity • 58% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Dee Clark
That's My Girl
127 bpm • D# min • 02:36 • -8db
16% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 88% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Della Reese
If It Feels Good Do It
127 bpm • F Maj • 03:13 • -9.87db
16% Popularity • 66% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 66% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Mary Wells
My Guy
127 bpm • A# Maj • 02:54 • -8db
65% Popularity • 69% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 69% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Mitchell
The Champion, Pt. 1
127 bpm • F Maj • 02:18 • -7.02db
27% Popularity • 84% Danceability • 67% Energy • 11% Liveness
83% Instrumentalness • 97% Positiveness
27% Popularity • 84% Danceability • 67% Energy • 11% Liveness
83% Instrumentalness • 97% Positiveness
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Evie Sands
Picture Me Gone
127 bpm • C Maj • 03:17 • -4.3db
26% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Len Barry
123
127 bpm • F Maj • 02:27 • -14db
38% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 69% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Righteous Brothers
Little Latin Lupe Lu
134 bpm • F Maj • 02:20 • -6db
33% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Supremes
Come See About Me
126 bpm • G Maj • 02:43 • -11.74db
61% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
61% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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The Tymes
Here She Comes
126 bpm • G# Maj • 02:21 • -8.27db
24% Popularity • 69% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 69% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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The Orlons
The Wah Watusi
134 bpm • E min • 02:30 • -6.12db
41% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Rascals
People Got to Be Free
126 bpm • A# Maj • 03:01 • -8db
39% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Martha Reeves & The Vandellas
Dancing In The Street
126 bpm • D Maj • 02:45 • -9.47db
64% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Velvelettes
He Was Really Sayin' Somethin' - Single ...
134 bpm • C Maj • 02:30 • -6db
43% Popularity • 66% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 66% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Christie
Lightnin' Strikes
134 bpm • D# Maj • 03:01 • -8.46db
43% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Smokey Robinson & The Miracles
Get Ready
126 bpm • D min • 03:21 • -7.88db
20% Popularity • 70% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 70% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Major Lance
Hey Little Girl
126 bpm • F Maj • 02:28 • -12db
19% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 80% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Archie Bell & The Drells
Doo the Choo Choo
126 bpm • E Maj • 02:55 • -6.94db
9% Popularity • 52% Danceability • 73% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
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The Exciters
Blowing Up My Mind
134 bpm • D# Maj • 02:47 • -6.14db
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Dells
It's All Up To You
135 bpm • G Maj • 04:02 • -12.73db
17% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 49% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Coasters
Love Potion #9
126 bpm • F min • 02:38 • -12.06db
34% Popularity • 82% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 82% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Rufus Thomas
Can Your Monkey Do the Dog
126 bpm • E Maj • 02:28 • -8.1db
13% Popularity • 88% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 88% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Darrell Banks
Somebody (Somewhere Needs You)
135 bpm • D# Maj • 02:33 • -10db
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Poets
She Blew A Good Thing
125 bpm • E Maj • 02:49 • -11db
22% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 59% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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The Tams
Be Young, Be Foolish, Be Happy - Single ...
135 bpm • A# Maj • 02:06 • -12.78db
48% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Sly & The Family Stone
M'Lady
125 bpm • G Maj • 02:46 • -10.89db
24% Popularity • 75% Danceability • 88% Energy • 48% Liveness
4% Instrumentalness • 66% Positiveness
24% Popularity • 75% Danceability • 88% Energy • 48% Liveness
4% Instrumentalness • 66% Positiveness
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The Velvelettes
Let Love Live (A Little Bit Longer) - 19...
125 bpm • A# Maj • 02:36 • -3.3db
25% Popularity • 73% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 73% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby "Blue" Bland
Call On Me
125 bpm • E min • 02:32 • -4.39db
24% Popularity • 64% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 64% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 80% Positiveness
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Jr. Walker & The All Stars
(I'm A) Road Runner
125 bpm • F Maj • 02:45 • -6.56db
44% Popularity • 75% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 75% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Grass Roots
Midnight Confessions
135 bpm • F# Maj • 02:44 • -7.08db
49% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Four Tops
It's The Same Old Song
125 bpm • D min • 02:46 • -9.12db
56% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Maxine Brown
Sugar Dumplin'
125 bpm • E min • 02:25 • -4.58db
18% Popularity • 63% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Archie Bell & The Drells
Tighten Up, Pt. 1
125 bpm • B Maj • 03:16 • -13db
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Young Rascals
Lonely Too Long
125 bpm • D Maj • 03:02 • -9db
34% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Showstoppers
Ain't Nothin But A Houseparty
135 bpm • C# Maj • 02:38 • -9db
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Jr. Walker & The All Stars
How Sweet It Is (To Be Loved By You)
125 bpm • C# Maj • 03:02 • -8.25db
55% Popularity • 61% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 61% Danceability • 64% Energy • 72% Liveness
0% Instrumentalness • 75% Positiveness
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James Brown & The Famous Flames
I'll Go Crazy
135 bpm • C Maj • 02:11 • -11db
37% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 57% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Smokey Robinson & The Miracles
Let Me Have Some
135 bpm • D Maj • 03:07 • -9.26db
16% Popularity • 60% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 60% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
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Kim Weston
Helpless - Stereo Version
136 bpm • F Maj • 02:35 • -6.75db
32% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Betty Everett
Getting Mighty Crowded (Alternate Take)
125 bpm • D min • 02:14 • -5.89db
13% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 50% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
