Songs like Golden Hour - Edit by Thomas Schumacher
Based on a tempo of (+/- 10%) and a similar genre
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Ilija Djokovic
Eris
129 bpm • A# min • 07:06 • -7.61db
25% Popularity • 63% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 63% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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The YellowHeads
The Beginning - Mark Broom Remix
129 bpm • F# min • 05:28 • -11.2db
17% Popularity • 88% Danceability • 80% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
17% Popularity • 88% Danceability • 80% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Pleasurekraft
I Sing the Body Electric
129 bpm • C# min • 08:00 • -7.63db
12% Popularity • 71% Danceability • 90% Energy • 9% Liveness
19% Instrumentalness • 10% Positiveness
12% Popularity • 71% Danceability • 90% Energy • 9% Liveness
19% Instrumentalness • 10% Positiveness
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Raito
Mew - Original Mix
129 bpm • G Maj • 05:58 • -7.91db
8% Popularity • 80% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 80% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nastia Reigel
Transformed
129 bpm • D Maj • 06:33 • -9.96db
15% Popularity • 70% Danceability • 84% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 70% Danceability • 84% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Schumacher
Feist
129 bpm • E min • 07:06 • -9db
33% Popularity • 58% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 25% Positiveness
33% Popularity • 58% Danceability • 89% Energy • 8% Liveness
87% Instrumentalness • 25% Positiveness
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Roberto Capuano
So You Want It
129 bpm • C# Maj • 07:28 • -6.86db
7% Popularity • 72% Danceability • 92% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
7% Popularity • 72% Danceability • 92% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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CAITLIN
Star Struck
129 bpm • C Maj • 07:01 • -9.47db
14% Popularity • 84% Danceability • 50% Energy • 6% Liveness
67% Instrumentalness • 52% Positiveness
14% Popularity • 84% Danceability • 50% Energy • 6% Liveness
67% Instrumentalness • 52% Positiveness
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Klangkuenstler
Osiris
129 bpm • A Maj • 06:17 • -10.94db
10% Popularity • 65% Danceability • 80% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 65% Danceability • 80% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Klaudia Gawlas
The Siren
129 bpm • C# Maj • 07:27 • -10.86db
15% Popularity • 73% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
15% Popularity • 73% Danceability • 77% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Victor Ruiz
Prophecy
129 bpm • A Maj • 07:49 • -8.88db
24% Popularity • 77% Danceability • 60% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
24% Popularity • 77% Danceability • 60% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Thomas Schumacher
Persistence
129 bpm • E Maj • 07:08 • -9.22db
15% Popularity • 76% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 76% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Luca Agnelli
Shipment
129 bpm • F# min • 06:14 • -9.57db
13% Popularity • 67% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
13% Popularity • 67% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
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Rudosa
Work It
129 bpm • C# min • 07:01 • -7.15db
12% Popularity • 70% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
12% Popularity • 70% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Coyu
Fear Is Gonna Be A Player In Your Life
129 bpm • G Maj • 05:20 • -8.45db
12% Popularity • 66% Danceability • 88% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
12% Popularity • 66% Danceability • 88% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Ilija Djokovic
Nova
129 bpm • A# min • 07:02 • -6.78db
14% Popularity • 78% Danceability • 91% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 78% Danceability • 91% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Niereich
The Return of Empire
129 bpm • A# min • 06:12 • -4.73db
7% Popularity • 68% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 68% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Schumacher
Unconfused
129 bpm • C Maj • 09:57 • -9.74db
25% Popularity • 77% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
25% Popularity • 77% Danceability • 90% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Klaudia Gawlas
Lightnings
129 bpm • B min • 06:59 • -13.85db
7% Popularity • 77% Danceability • 88% Energy • 38% Liveness
89% Instrumentalness • 21% Positiveness
7% Popularity • 77% Danceability • 88% Energy • 38% Liveness
89% Instrumentalness • 21% Positiveness
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Franck Becker
Midnight Drive
129 bpm • E Maj • 07:32 • -10.12db
23% Popularity • 76% Danceability • 90% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
23% Popularity • 76% Danceability • 90% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Reinier Zonneveld
Feel Free
129 bpm • A min • 04:27 • -7.26db
21% Popularity • 70% Danceability • 86% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
21% Popularity • 70% Danceability • 86% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Luigi Madonna
Mad World
129 bpm • G Maj • 06:19 • -4.48db
20% Popularity • 75% Danceability • 85% Energy • 22% Liveness
87% Instrumentalness • 26% Positiveness
20% Popularity • 75% Danceability • 85% Energy • 22% Liveness
87% Instrumentalness • 26% Positiveness
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Mark Michael
Hologram
129 bpm • D Maj • 06:17 • -10.9db
13% Popularity • 68% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
13% Popularity • 68% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Thomas Schumacher
The Unseen
129 bpm • E min • 07:14 • -8.08db
11% Popularity • 63% Danceability • 93% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 63% Danceability • 93% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Kaiserdisco
Python - Radio Edit
129 bpm • G# min • 04:02 • -8.51db
16% Popularity • 73% Danceability • 98% Energy • 7% Liveness
81% Instrumentalness • 19% Positiveness
16% Popularity • 73% Danceability • 98% Energy • 7% Liveness
81% Instrumentalness • 19% Positiveness
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Len Faki
Superstition - Warehouse Mix
129 bpm • G Maj • 05:44 • -11.09db
9% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Aitor Ronda
Orgonita
129 bpm • C# min • 06:26 • -6.64db
7% Popularity • 64% Danceability • 97% Energy • 22% Liveness
86% Instrumentalness • 31% Positiveness
7% Popularity • 64% Danceability • 97% Energy • 22% Liveness
86% Instrumentalness • 31% Positiveness
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Johannes Heil
Transition Six
129 bpm • F# min • 07:20 • -9.53db
20% Popularity • 59% Danceability • 87% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 59% Danceability • 87% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Cherrymoon Trax
The House of House - Thomas Schumacher R...
129 bpm • C# min • 07:46 • -8.34db
38% Popularity • 67% Danceability • 72% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 67% Danceability • 72% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Schumacher
Crimson
129 bpm • A min • 07:56 • -9.65db
20% Popularity • 72% Danceability • 84% Energy • 34% Liveness
84% Instrumentalness • 6% Positiveness
20% Popularity • 72% Danceability • 84% Energy • 34% Liveness
84% Instrumentalness • 6% Positiveness
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Kaiserdisco
House of God - F.Sonik Remix
129 bpm • F min • 06:45 • -6.92db
10% Popularity • 72% Danceability • 86% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
10% Popularity • 72% Danceability • 86% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
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Enrico Sangiuliano
A Further Existence - Bonus Track
129 bpm • D Maj • 08:03 • -7.27db
31% Popularity • 76% Danceability • 95% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 76% Danceability • 95% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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B.Traits
I Feel the Music
129 bpm • F Maj • 06:44 • -9.02db
19% Popularity • 60% Danceability • 69% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
19% Popularity • 60% Danceability • 69% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Alan Fitzpatrick
You Can't See Us
130 bpm • E min • 07:39 • -9.05db
9% Popularity • 76% Danceability • 86% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
9% Popularity • 76% Danceability • 86% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Rustek
A Flicker in the Dark
128 bpm • G Maj • 06:35 • -7.27db
8% Popularity • 71% Danceability • 80% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 71% Danceability • 80% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Thomas Schumacher
Golden Hour
129 bpm • G Maj • 07:26 • -9.26db
24% Popularity • 69% Danceability • 77% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 69% Danceability • 77% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Victor Ruiz
Wonder
128 bpm • E min • 08:08 • -8.8db
26% Popularity • 73% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 73% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Enrico Sangiuliano
Symbiosis
129 bpm • C# min • 08:53 • -7.72db
39% Popularity • 75% Danceability • 87% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
39% Popularity • 75% Danceability • 87% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
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The YellowHeads
Parallax
130 bpm • G Maj • 03:42 • -8.44db
12% Popularity • 61% Danceability • 95% Energy • 41% Liveness
81% Instrumentalness • 54% Positiveness
12% Popularity • 61% Danceability • 95% Energy • 41% Liveness
81% Instrumentalness • 54% Positiveness
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Pleasurekraft
Prison Planet
128 bpm • F# min • 07:34 • -6.29db
18% Popularity • 62% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
18% Popularity • 62% Danceability • 88% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Balthazar & JackRock
Nymph
128 bpm • A min • 06:09 • -6.31db
19% Popularity • 67% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 67% Danceability • 88% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Schumacher
Golden Hour - Edit
129 bpm • G Maj • 03:30 • -8.99db
14% Popularity • 61% Danceability • 82% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 61% Danceability • 82% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Matador
Model 10
128 bpm • C Maj • 06:18 • -4.59db
11% Popularity • 63% Danceability • 88% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 63% Danceability • 88% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Victor Ruiz
Wonder - Edit
128 bpm • A min • 04:07 • -8.4db
13% Popularity • 54% Danceability • 91% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 54% Danceability • 91% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Calvin Harris
I'm Not Alone - Thomas Schumacher Remix
128 bpm • F Maj • 03:41 • -8.35db
21% Popularity • 57% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 57% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Dense & Pika
Project Zeus
128 bpm • B min • 05:54 • -10.91db
11% Popularity • 95% Danceability • 55% Energy • 11% Liveness
60% Instrumentalness • 23% Positiveness
11% Popularity • 95% Danceability • 55% Energy • 11% Liveness
60% Instrumentalness • 23% Positiveness
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Lazar (IT)
Turn Off The Lights
128 bpm • D Maj • 09:06 • -8.44db
13% Popularity • 75% Danceability • 81% Energy • 8% Liveness
92% Instrumentalness • 21% Positiveness
13% Popularity • 75% Danceability • 81% Energy • 8% Liveness
92% Instrumentalness • 21% Positiveness
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Thomas Schumacher
Anker
129 bpm • F# Maj • 06:20 • -8.64db
17% Popularity • 67% Danceability • 99% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 67% Danceability • 99% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
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Len Faki
Gathering Clouds - Pressure Mix
128 bpm • C# Maj • 05:19 • -11.69db
20% Popularity • 73% Danceability • 72% Energy • 19% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 73% Danceability • 72% Energy • 19% Liveness
89% Instrumentalness • 3% Positiveness
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Cardao
Acid Andromeda
128 bpm • G Maj • 06:15 • -8.54db
8% Popularity • 65% Danceability • 88% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
8% Popularity • 65% Danceability • 88% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Will Clarke
Love Somebody
128 bpm • C min • 03:46 • -9.94db
14% Popularity • 61% Danceability • 89% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
14% Popularity • 61% Danceability • 89% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Flatch
Acapulco Golden Ice - NoCure Remix
130 bpm • D# min • 08:17 • -8.01db
11% Popularity • 80% Danceability • 68% Energy • 23% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 80% Danceability • 68% Energy • 23% Liveness
84% Instrumentalness • 3% Positiveness
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Belocca
Amadeus
130 bpm • E min • 07:30 • -8.42db
12% Popularity • 58% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
12% Popularity • 58% Danceability • 86% Energy • 7% Liveness
88% Instrumentalness • 14% Positiveness
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Kaiserdisco
Taipan - Radio Edit
128 bpm • G Maj • 04:49 • -7.19db
29% Popularity • 67% Danceability • 99% Energy • 4% Liveness
82% Instrumentalness • 25% Positiveness
29% Popularity • 67% Danceability • 99% Energy • 4% Liveness
82% Instrumentalness • 25% Positiveness
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Chris Veron
Bluster of the Sea - Original Mix
128 bpm • G Maj • 04:20 • -7.28db
28% Popularity • 72% Danceability • 87% Energy • 33% Liveness
91% Instrumentalness • 13% Positiveness
28% Popularity • 72% Danceability • 87% Energy • 33% Liveness
91% Instrumentalness • 13% Positiveness
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KaioBarssalos
Seven - Original Mix
128 bpm • A# min • 07:00 • -10.52db
7% Popularity • 73% Danceability • 89% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
7% Popularity • 73% Danceability • 89% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
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Darmec
Tribes - Argy (UK) Remix
130 bpm • C# min • 05:56 • -10.57db
8% Popularity • 64% Danceability • 90% Energy • 58% Liveness
87% Instrumentalness • 5% Positiveness
8% Popularity • 64% Danceability • 90% Energy • 58% Liveness
87% Instrumentalness • 5% Positiveness
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Klangkuenstler
Cathedral Of Saw
130 bpm • F# min • 06:27 • -7.51db
18% Popularity • 70% Danceability • 87% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
18% Popularity • 70% Danceability • 87% Energy • 9% Liveness
84% Instrumentalness • 21% Positiveness
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CAITLIN
Far from Home - Thomas Schumacher Remix
128 bpm • D Maj • 07:10 • -10.34db
7% Popularity • 67% Danceability • 81% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
7% Popularity • 67% Danceability • 81% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Dandi & Ugo
Strings - Matt Mus Remix
128 bpm • D Maj • 07:24 • -10.88db
7% Popularity • 67% Danceability • 52% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
7% Popularity • 67% Danceability • 52% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Mattia Saviolo
Lifelink - Original Mix
128 bpm • E min • 07:05 • -9.3db
7% Popularity • 64% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 64% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Carl Cox
This Is Our Time (Awesome Mix)
128 bpm • F# Maj • 04:34 • -6.01db
12% Popularity • 73% Danceability • 82% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
12% Popularity • 73% Danceability • 82% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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MOTVS
Boww Woww
130 bpm • A Maj • 04:29 • -8.25db
27% Popularity • 82% Danceability • 82% Energy • 6% Liveness
87% Instrumentalness • 33% Positiveness
27% Popularity • 82% Danceability • 82% Energy • 6% Liveness
87% Instrumentalness • 33% Positiveness
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Veerus
System
128 bpm • G Maj • 07:45 • -7.49db
14% Popularity • 76% Danceability • 88% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 76% Danceability • 88% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Kaiserdisco
Spirit - Radio Edit
130 bpm • G Maj • 04:15 • -7.14db
32% Popularity • 75% Danceability • 100% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 75% Danceability • 100% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Smith
Phazon
130 bpm • F# min • 07:53 • -6.5db
7% Popularity • 70% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 70% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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The Micronauts
Acid Party - Luca Agnelli Remix
130 bpm • C min • 07:24 • -10.25db
18% Popularity • 67% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 67% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Patrik Berg
Galactica
128 bpm • G# Maj • 07:33 • -7.16db
23% Popularity • 80% Danceability • 82% Energy • 14% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 80% Danceability • 82% Energy • 14% Liveness
89% Instrumentalness • 3% Positiveness
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Ben Dust
Assassin
130 bpm • G Maj • 07:18 • -9.26db
13% Popularity • 63% Danceability • 86% Energy • 16% Liveness
89% Instrumentalness • 33% Positiveness
13% Popularity • 63% Danceability • 86% Energy • 16% Liveness
89% Instrumentalness • 33% Positiveness
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Enrico Sangiuliano
Multicellular
128 bpm • G Maj • 07:36 • -8.85db
27% Popularity • 72% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 72% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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D-Unity
Isolated Mind
128 bpm • B min • 07:00 • -8.3db
7% Popularity • 73% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
7% Popularity • 73% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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ANNA
Dimensions
130 bpm • D Maj • 06:02 • -10db
38% Popularity • 66% Danceability • 97% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 66% Danceability • 97% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dave Sinner
Alien Body Double
128 bpm • A Maj • 07:15 • -8.42db
22% Popularity • 69% Danceability • 92% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
22% Popularity • 69% Danceability • 92% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Raito
Lost Temple
128 bpm • G Maj • 05:16 • -9.04db
3% Popularity • 61% Danceability • 99% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
3% Popularity • 61% Danceability • 99% Energy • 16% Liveness
84% Instrumentalness • 4% Positiveness
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Tom Hutt
94%
128 bpm • F# min • 07:00 • -7.38db
9% Popularity • 71% Danceability • 81% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
9% Popularity • 71% Danceability • 81% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
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Torsten Kanzler
Dark Time
130 bpm • G# Maj • 06:42 • -8.5db
11% Popularity • 79% Danceability • 70% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 79% Danceability • 70% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Stella Bossi
First Take - Extended
130 bpm • C# Maj • 04:59 • -8.02db
20% Popularity • 65% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 65% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Envoy
Dark Manoeuvres - Obscure Shape & Shdw R...
130 bpm • F# Maj • 05:54 • -8.06db
8% Popularity • 74% Danceability • 67% Energy • 11% Liveness
74% Instrumentalness • 29% Positiveness
8% Popularity • 74% Danceability • 67% Energy • 11% Liveness
74% Instrumentalness • 29% Positiveness
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CAITLIN
Freaks & Misfits - Thomas Schumacher Rem...
130 bpm • G Maj • 07:19 • -9.31db
5% Popularity • 67% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
5% Popularity • 67% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Hito
White Tower - Patrik Berg Remix
130 bpm • C# min • 06:09 • -8.13db
14% Popularity • 80% Danceability • 89% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 80% Danceability • 89% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Chris Veron
Final Pulse
130 bpm • A Maj • 03:21 • -7.38db
39% Popularity • 72% Danceability • 89% Energy • 14% Liveness
88% Instrumentalness • 28% Positiveness
39% Popularity • 72% Danceability • 89% Energy • 14% Liveness
88% Instrumentalness • 28% Positiveness
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Nusha
Equality
130 bpm • C# Maj • 05:23 • -9.33db
16% Popularity • 86% Danceability • 88% Energy • 62% Liveness
82% Instrumentalness • 38% Positiveness
16% Popularity • 86% Danceability • 88% Energy • 62% Liveness
82% Instrumentalness • 38% Positiveness
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Markantonio
Cento - Kaiserdisco Remix Radio Edit
130 bpm • B Maj • 04:15 • -6.68db
16% Popularity • 68% Danceability • 99% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
16% Popularity • 68% Danceability • 99% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Juliet Fox
Time's Running Out
130 bpm • G Maj • 05:53 • -7.51db
27% Popularity • 70% Danceability • 83% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 70% Danceability • 83% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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AiKAi
Why Not - Original Mix
130 bpm • G Maj • 06:26 • -9.34db
12% Popularity • 75% Danceability • 94% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 75% Danceability • 94% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Thomas Schumacher
Heat It Up
128 bpm • G Maj • 07:10 • -8.72db
4% Popularity • 80% Danceability • 63% Energy • 6% Liveness
90% Instrumentalness • 44% Positiveness
4% Popularity • 80% Danceability • 63% Energy • 6% Liveness
90% Instrumentalness • 44% Positiveness
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Reinier Zonneveld
Eye Is Key
128 bpm • B min • 07:37 • -7.54db
14% Popularity • 63% Danceability • 91% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
14% Popularity • 63% Danceability • 91% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Egbert
Haasten - 10 JAAR LIVE Remix
128 bpm • C# Maj • 07:33 • -6.9db
15% Popularity • 79% Danceability • 92% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
15% Popularity • 79% Danceability • 92% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
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Antonio D'Africa
Dyscontrol
130 bpm • C# Maj • 06:26 • -12.38db
11% Popularity • 69% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
11% Popularity • 69% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Irregular Synth
Miles Away
130 bpm • C# Maj • 05:43 • -7db
12% Popularity • 72% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
12% Popularity • 72% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Kaiserdisco
Anaconda - Radio Edit
130 bpm • A# min • 05:27 • -6.89db
27% Popularity • 76% Danceability • 95% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 76% Danceability • 95% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Thomas Schumacher
Locust
128 bpm • C# Maj • 07:07 • -11.03db
6% Popularity • 78% Danceability • 79% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 78% Danceability • 79% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Luigi Madonna
Enfant Terrible
128 bpm • G Maj • 07:31 • -8.55db
13% Popularity • 58% Danceability • 72% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 58% Danceability • 72% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Juliet Fox
Was Beautiful
130 bpm • A# min • 07:42 • -8.2db
11% Popularity • 67% Danceability • 72% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
11% Popularity • 67% Danceability • 72% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
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Luca Gaeta
Cosmic Transition
130 bpm • F# min • 06:24 • -6.48db
12% Popularity • 79% Danceability • 81% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
12% Popularity • 79% Danceability • 81% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Klanglos
Escape from Paradise
130 bpm • A# min • 08:42 • -9.55db
24% Popularity • 78% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 78% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Bastian Bux
Different Man
130 bpm • C# Maj • 06:09 • -9.87db
14% Popularity • 79% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 9% Positiveness
14% Popularity • 79% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 9% Positiveness
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Tommy Libera
Workaholic
130 bpm • D Maj • 07:45 • -9db
11% Popularity • 87% Danceability • 80% Energy • 9% Liveness
74% Instrumentalness • 31% Positiveness
11% Popularity • 87% Danceability • 80% Energy • 9% Liveness
74% Instrumentalness • 31% Positiveness
