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Goldfinger
Songs like
Goldfinger
by
Johnny Pearson & His London Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Stu Phillips
Hi Yo KITT
116 bpm • B Maj • 01:21 • -14db
23% Popularity • 61% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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Johnny Pearson & His London Orchestra
Goldfinger
116 bpm • C Maj • 02:17 • -5.66db
1% Popularity • 34% Danceability • 66% Energy • 9% Liveness
20% Instrumentalness • 39% Positiveness
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Cedar Lane Soundtrack Orchestra
Theme From Basic Instinct
116 bpm • D min • 02:09 • -18db
11% Popularity • 32% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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101 String Royal Orchestra
Somebody Loves Me
117 bpm • A# Maj • 02:57 • -12.91db
11% Popularity • 33% Danceability • 30% Energy • 20% Liveness
83% Instrumentalness • 16% Positiveness
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James Last
Kosaken-Patrouille
117 bpm • G min • 03:38 • -14.24db
0% Popularity • 46% Danceability • 48% Energy • 60% Liveness
92% Instrumentalness • 32% Positiveness
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Barry Gray
Espionage on the French Riviera
117 bpm • C Maj • 02:24 • -17.17db
9% Popularity • 38% Danceability • 14% Energy • 26% Liveness
15% Instrumentalness • 12% Positiveness
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Western Orchestra
Il mio nome e' nessuno - dal film 'il mi...
115 bpm • D# Maj • 03:07 • -15.64db
18% Popularity • 68% Danceability • 40% Energy • 11% Liveness
66% Instrumentalness • 42% Positiveness
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Johnny Pearson & His London Orchestra
From Russia With Love
115 bpm • B Maj • 03:12 • -6.72db
0% Popularity • 17% Danceability • 55% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Moscow Symphony Orchestra
The Maltese Falcon
117 bpm • F Maj • 02:07 • -14.34db
21% Popularity • 22% Danceability • 12% Energy • 52% Liveness
87% Instrumentalness • 3% Positiveness
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The Silver Screen Orchestra
Cuélguenlos Bien Alto
117 bpm • E min • 02:59 • -9.42db
8% Popularity • 49% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra
Randolph Street Rag
117 bpm • G min • 01:26 • -15.11db
15% Popularity • 60% Danceability • 47% Energy • 16% Liveness
85% Instrumentalness • 97% Positiveness
► Preview
101 String Royal Orchestra
What Is This Thing Called Love
117 bpm • A# min • 02:43 • -11.46db
13% Popularity • 33% Danceability • 25% Energy • 10% Liveness
47% Instrumentalness • 9% Positiveness
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David Rose Orchestra
Happy Heart
117 bpm • G Maj • 02:51 • -10.01db
15% Popularity • 37% Danceability • 38% Energy • 55% Liveness
66% Instrumentalness • 29% Positiveness
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Neal Hefti & his Orchestra and Chorus
Mother Gotham
117 bpm • C Maj • 02:26 • -6.76db
8% Popularity • 63% Danceability • 67% Energy • 29% Liveness
88% Instrumentalness • 75% Positiveness
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Johnny Pearson & His London Orchestra
Never Say Never Again
115 bpm • G Maj • 03:16 • -4.75db
1% Popularity • 17% Danceability • 81% Energy • 36% Liveness
84% Instrumentalness • 26% Positiveness
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The Avengers
My Favourite Martian
115 bpm • C Maj • 00:52 • -16db
10% Popularity • 57% Danceability • 31% Energy • 34% Liveness
71% Instrumentalness • 31% Positiveness
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David Gold
American Express
115 bpm • D# min • 03:08 • -14.26db
11% Popularity • 44% Danceability • 29% Energy • 8% Liveness
93% Instrumentalness • 60% Positiveness
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Jerry Goldsmith
Introductions
118 bpm • C# min • 03:11 • -19.65db
8% Popularity • 47% Danceability • 12% Energy • 11% Liveness
34% Instrumentalness • 8% Positiveness
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Harry Rabinowitz
Light And Easy
118 bpm • F min • 02:56 • -15.27db
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
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The Percy Faith Strings
Norwegian Wood
114 bpm • C Maj • 02:43 • -9.96db
12% Popularity • 22% Danceability • 54% Energy • 58% Liveness
93% Instrumentalness • 49% Positiveness
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Johnny Pearson & His London Orchestra
007
115 bpm • C Maj • 01:43 • -5.7db
1% Popularity • 25% Danceability • 65% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
► Preview
Monty Norman
James Bond Theme
118 bpm • E min • 02:20 • -16.73db
2% Popularity • 37% Danceability • 18% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Francesco De Masi
Supercharger
114 bpm • C Maj • 02:50 • -11.72db
7% Popularity • 31% Danceability • 12% Energy • 8% Liveness
58% Instrumentalness • 6% Positiveness
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Johnny Douglas
FIight or Fight
118 bpm • C Maj • 01:07 • -11.24db
8% Popularity • 54% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
► Preview
Hollyridge Strings
If I Fell
114 bpm • D Maj • 02:19 • -16.12db
17% Popularity • 21% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
► Preview
Victor Silvester
Friendly Persuasion (Thee I Love) (Slow ...
114 bpm • D min • 02:29 • -18.28db
15% Popularity • 24% Danceability • 21% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Johnny Pearson & His London Orchestra
Live And Let Die
118 bpm • D Maj • 02:47 • -6.34db
0% Popularity • 21% Danceability • 86% Energy • 32% Liveness
12% Instrumentalness • 34% Positiveness
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Ned Nash Orchestra
Hang 'M High
119 bpm • A min • 02:54 • -13.47db
10% Popularity • 50% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 29% Positiveness
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The Tony Hatch Orchestra
Theme from Crossroads
113 bpm • E Maj • 02:00 • -8.41db
20% Popularity • 47% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 65% Positiveness
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James Last
Na Na Hey Hey Kiss Him Goodbye
119 bpm • C Maj • 01:46 • -15.17db
9% Popularity • 43% Danceability • 53% Energy • 39% Liveness
77% Instrumentalness • 62% Positiveness
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John Addison
End Title, End Cast
119 bpm • A# Maj • 02:20 • -4.18db
14% Popularity • 32% Danceability • 57% Energy • 6% Liveness
81% Instrumentalness • 31% Positiveness
► Preview
Hollyridge Strings
Penny Lane
113 bpm • F Maj • 02:29 • -12.63db
10% Popularity • 42% Danceability • 32% Energy • 44% Liveness
92% Instrumentalness • 53% Positiveness
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Sam Spence
Mother Russia March
119 bpm • A min • 01:53 • -10.26db
13% Popularity • 55% Danceability • 60% Energy • 5% Liveness
87% Instrumentalness • 79% Positiveness
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Gogglebox
Daktari
119 bpm • E min • 01:01 • -14.24db
7% Popularity • 51% Danceability • 48% Energy • 16% Liveness
20% Instrumentalness • 48% Positiveness
► Preview
Barry Gray
Thunderbird 4
119 bpm • C# Maj • 01:49 • -11.31db
7% Popularity • 40% Danceability • 46% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
► Preview
Melitop
Singing My Song
119 bpm • G# Maj • 02:17 • -17.16db
14% Popularity • 42% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 55% Positiveness
► Preview
Original Soundtrack
Daphne's Island
120 bpm • C Maj • 01:09 • -8.93db
12% Popularity • 49% Danceability • 44% Energy • 31% Liveness
2% Instrumentalness • 74% Positiveness
► Preview
George Martin
Live and Let Die Suite: IV. Baron Samedi...
112 bpm • F min • 01:47 • -16.03db
13% Popularity • 58% Danceability • 57% Energy • 38% Liveness
11% Instrumentalness • 71% Positiveness
► Preview
Valentino
Spring Caprice
113 bpm • F Maj • 01:37 • -14.53db
15% Popularity • 38% Danceability • 28% Energy • 34% Liveness
60% Instrumentalness • 55% Positiveness
► Preview
John Morgan Orquesta
The Alamo
112 bpm • D Maj • 02:16 • -10.37db
10% Popularity • 29% Danceability • 50% Energy • 24% Liveness
41% Instrumentalness • 42% Positiveness
► Preview
Les & Larry Elgart
King of the Road
112 bpm • C Maj • 02:45 • -17db
13% Popularity • 54% Danceability • 31% Energy • 8% Liveness
15% Instrumentalness • 59% Positiveness
► Preview
Gerald Fried & Alexander Courage
The Naked Time - Trailer
112 bpm • A min • 01:03 • -16.98db
9% Popularity • 27% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
George Fenton
Green Eyes
112 bpm • C Maj • 03:29 • -16.66db
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Irwin Kostal
So Long, Farewell - Instrumental Version
120 bpm • A# Maj • 03:01 • -20.38db
7% Popularity • 42% Danceability • 11% Energy • 13% Liveness
72% Instrumentalness • 20% Positiveness
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Ennio Morricone
On The Rooftops
120 bpm • G Maj • 02:35 • -16.28db
18% Popularity • 44% Danceability • 32% Energy • 10% Liveness
58% Instrumentalness • 10% Positiveness
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The Laurie Johnson Orchestra
The New Avengers Theme
120 bpm • C Maj • 02:21 • -10.66db
14% Popularity • 60% Danceability • 85% Energy • 40% Liveness
88% Instrumentalness • 66% Positiveness
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David Arnold
Body Double
120 bpm • G# Maj • 03:00 • -11.18db
10% Popularity • 63% Danceability • 60% Energy • 10% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Keith Mansfield
Battle March
120 bpm • C Maj • 01:44 • -11.57db
7% Popularity • 75% Danceability • 50% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Michel Magne
Juve s'explique - Bande originale du fil...
120 bpm • E min • 02:00 • -10.63db
8% Popularity • 77% Danceability • 60% Energy • 34% Liveness
40% Instrumentalness • 85% Positiveness
► Preview
Felix Slatkin
The Lonesome Road
112 bpm • F Maj • 02:03 • -10.87db
14% Popularity • 24% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Carlo Rustichelli
La Ragazza Di Bube
120 bpm • F min • 02:57 • -10.13db
7% Popularity • 24% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 23% Positiveness
► Preview
Anthony Spurgin
Happy Holiday
121 bpm • C Maj • 01:22 • -13.59db
11% Popularity • 77% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 91% Positiveness
► Preview
Amsterdam Television Orchestra
Theme from "Van Der Valk" (Eye Level)
121 bpm • D# Maj • 02:20 • -10.14db
10% Popularity • 55% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
TV Theme Song Maniacs
Theme From My Three Sons
111 bpm • C Maj • 00:59 • -14.27db
16% Popularity • 74% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Lalo Schifrin
Cinnamon (The Lady Was Made To Be Loved)
121 bpm • G# Maj • 02:37 • -11.15db
9% Popularity • 21% Danceability • 32% Energy • 14% Liveness
7% Instrumentalness • 22% Positiveness
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Neal Hefti
Mom Arrives For Dinner
111 bpm • G Maj • 01:38 • -21.52db
15% Popularity • 37% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Michel Magne
Fantômas flirte - Bande originale du fi...
121 bpm • E min • 02:29 • -12.08db
14% Popularity • 36% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
► Preview
George Martin
Live and Let Die Suite: I. Whisper Who D...
111 bpm • F Maj • 01:43 • -16.23db
22% Popularity • 49% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
101 String Royal Orchestra
Isn'T This A Lovely Day?
121 bpm • A min • 02:16 • -11.43db
12% Popularity • 35% Danceability • 34% Energy • 21% Liveness
59% Instrumentalness • 17% Positiveness
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Sam Spence
Big Game America
121 bpm • G min • 02:38 • -6.35db
12% Popularity • 57% Danceability • 79% Energy • 28% Liveness
93% Instrumentalness • 78% Positiveness
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Victor Silvester
Laura (Slow Foxtrot)
121 bpm • G Maj • 02:22 • -16.61db
18% Popularity • 22% Danceability • 28% Energy • 17% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Sid Ramin
Knife Fight on the Hill
121 bpm • A min • 02:35 • -12.92db
9% Popularity • 33% Danceability • 37% Energy • 10% Liveness
56% Instrumentalness • 18% Positiveness
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TV Stars
I Dream of Jeannie
111 bpm • G# min • 01:22 • -9.39db
24% Popularity • 76% Danceability • 56% Energy • 6% Liveness
39% Instrumentalness • 83% Positiveness
► Preview
George Martin
Live and Let Die Suite: III. Snakes Aliv...
111 bpm • G min • 02:37 • -22.19db
16% Popularity • 24% Danceability • 7% Energy • 67% Liveness
65% Instrumentalness • 13% Positiveness
► Preview
Barry Gray
UFO End Titles
111 bpm • D min • 01:12 • -17.24db
11% Popularity • 27% Danceability • 51% Energy • 40% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
Sidney Torch And His Orchestra
On a Note of Spring
111 bpm • F Maj • 02:16 • -9.82db
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
80% Instrumentalness • 60% Positiveness
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The Tony Hatch Orchestra
Man Alive
110 bpm • F Maj • 02:04 • -9.74db
11% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Melachrino Strings and Orchestra
So Long, Dearie
122 bpm • D# Maj • 02:23 • -12.01db
13% Popularity • 31% Danceability • 33% Energy • 13% Liveness
18% Instrumentalness • 45% Positiveness
► Preview
Caravelli
L'aventure Est Belle
122 bpm • C Maj • 02:11 • -6.21db
1% Popularity • 63% Danceability • 81% Energy • 8% Liveness
75% Instrumentalness • 94% Positiveness
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101 String Royal Orchestra
Cherry Pink And Apple Blosson White
110 bpm • F Maj • 02:23 • -11db
17% Popularity • 34% Danceability • 38% Energy • 38% Liveness
69% Instrumentalness • 68% Positiveness
► Preview
Acker Bilk
The First of Spring
122 bpm • A min • 03:37 • -14.03db
10% Popularity • 54% Danceability • 35% Energy • 11% Liveness
72% Instrumentalness • 67% Positiveness
► Preview
Ernesto Vallini
Loved by World
110 bpm • E min • 03:10 • -17.67db
7% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Syd Dale
Young Girl
110 bpm • G Maj • 02:49 • -19db
15% Popularity • 46% Danceability • 19% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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The Melachrino Strings and Orchestra
Before the Parade Passes By
122 bpm • F Maj • 02:05 • -11db
16% Popularity • 49% Danceability • 62% Energy • 32% Liveness
74% Instrumentalness • 77% Positiveness
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Victor Silvester
Love Is A Many Splendored Thing (Slow Fo...
123 bpm • G# Maj • 02:52 • -14.65db
19% Popularity • 24% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 34% Positiveness
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Lalo Schifrin
Intrigue
123 bpm • A min • 02:38 • -14.55db
9% Popularity • 74% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
► Preview
Johnny Douglas
On The Run
109 bpm • E Maj • 01:42 • -14.51db
7% Popularity • 35% Danceability • 26% Energy • 23% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
The Tony Hatch Orchestra
The Champions
124 bpm • C# Maj • 02:01 • -10.02db
16% Popularity • 49% Danceability • 49% Energy • 33% Liveness
86% Instrumentalness • 81% Positiveness
► Preview
Joan LluÃs Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
12% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Billy Vaughn
Theme From The Dark At The Top Of The St...
108 bpm • C Maj • 02:54 • -11.08db
10% Popularity • 26% Danceability • 39% Energy • 12% Liveness
55% Instrumentalness • 44% Positiveness
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Barry Gray
The Cass Carnaby Set
108 bpm • D# min • 01:35 • -14.38db
10% Popularity • 50% Danceability • 52% Energy • 32% Liveness
18% Instrumentalness • 70% Positiveness
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Lalo Schifrin
The Plot
124 bpm • C Maj • 02:28 • -11.3db
13% Popularity • 56% Danceability • 88% Energy • 21% Liveness
77% Instrumentalness • 44% Positiveness
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Alex North
The Wonderful Country
108 bpm • G# min • 01:21 • -8.03db
15% Popularity • 28% Danceability • 76% Energy • 11% Liveness
82% Instrumentalness • 18% Positiveness
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Irving Berlin
Soft Lights And Sweet Music; They Say It...
108 bpm • C min • 03:02 • -12.44db
13% Popularity • 18% Danceability • 33% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Don Costa
Pretty Blue Eyes - Remastered
124 bpm • C# Maj • 02:16 • -9.71db
14% Popularity • 41% Danceability • 58% Energy • 27% Liveness
97% Instrumentalness • 60% Positiveness
► Preview
Voidoid
Marcus Welby Md
124 bpm • A# min • 01:01 • -16.06db
8% Popularity • 38% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 34% Positiveness
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Barry Gray
Evil Plan
108 bpm • G# Maj • 01:50 • -11.55db
14% Popularity • 29% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
John Barry Orchestra
Dr. No's Fantasy
125 bpm • C Maj • 01:42 • -17.45db
9% Popularity • 48% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Alfred Newman
How the West Was Won
108 bpm • F min • 01:36 • -10.21db
11% Popularity • 54% Danceability • 64% Energy • 23% Liveness
6% Instrumentalness • 74% Positiveness
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Alan Tew
The Two Ronnies (The Detectives)
108 bpm • E min • 01:33 • -11.03db
16% Popularity • 65% Danceability • 56% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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101 String Royal Orchestra
A Fine Romance
108 bpm • C Maj • 02:47 • -12.2db
14% Popularity • 25% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Neil Richardson
Sports Arena
125 bpm • D# Maj • 02:04 • -6db
9% Popularity • 62% Danceability • 75% Energy • 19% Liveness
89% Instrumentalness • 92% Positiveness
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Francesco De Masi
Tema di Londra
125 bpm • C min • 02:43 • -14.23db
1% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Nino Rota
Gary Cooper - Remastered 2021
108 bpm • F Maj • 01:20 • -16.29db
11% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
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Western Orchestra
Giu' la testa - dal film 'giu' la testa'
108 bpm • A# Maj • 02:34 • -16.35db
16% Popularity • 35% Danceability • 29% Energy • 12% Liveness
7% Instrumentalness • 30% Positiveness
► Preview
Cedar Lane Soundtrack Orchestra
Theme From E.T.
125 bpm • G Maj • 03:54 • -13db
5% Popularity • 58% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 22% Positiveness
► Preview
101 String Royal Orchestra
A Foggy Day
108 bpm • F Maj • 02:51 • -11.07db
12% Popularity • 35% Danceability • 30% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Johnny Howard
J'Attendrai - Remastered 1985
107 bpm • A# Maj • 02:36 • -12.15db
31% Popularity • 40% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
► Preview
Syd Dale
Blues All Around
125 bpm • F min • 02:30 • -12.64db
8% Popularity • 50% Danceability • 54% Energy • 66% Liveness
94% Instrumentalness • 71% Positiveness
► Preview
Swingtime-Group
I'm In The Mood For Love
107 bpm • C Maj • 02:26 • -11.94db
0% Popularity • 43% Danceability • 24% Energy • 30% Liveness
24% Instrumentalness • 50% Positiveness
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Goldfinger