Songs like Gone for Good by The Shins
Based on a tempo of (+/- 10%) and a similar genre
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Bad Books
Forest Whitaker
114 bpm • B Maj • 03:43 • -5.48db
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Deer Tick
Twenty Miles
114 bpm • C Maj • 03:43 • -7.1db
46% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
46% Popularity • 51% Danceability • 78% Energy • 12% Liveness
6% Instrumentalness • 33% Positiveness
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Rilo Kiley
A Better Son/Daughter
114 bpm • E Maj • 04:39 • -10.92db
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
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Beck
Morning
114 bpm • E Maj • 05:19 • -10db
51% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
51% Popularity • 55% Danceability • 38% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Talking Heads
This Must Be the Place (Naive Melody) - ...
114 bpm • G Maj • 04:56 • -10.15db
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
72% Popularity • 94% Danceability • 64% Energy • 3% Liveness
18% Instrumentalness • 97% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
73% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Angel Olsen
Shut Up Kiss Me
116 bpm • G Maj • 03:22 • -5db
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Phoenix
Love Like a Sunset, Pt. 2
116 bpm • D# Maj • 01:56 • -9.32db
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Of Monsters and Men
Dirty Paws
112 bpm • D# Maj • 04:38 • -7.06db
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 13% Positiveness
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The Shins
Fighting in a Sack - 2023 Remaster
115 bpm • D Maj • 02:26 • -4.12db
36% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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My Morning Jacket
Wordless Chorus
116 bpm • D Maj • 04:12 • -9.22db
53% Popularity • 82% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 78% Positiveness
53% Popularity • 82% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 78% Positiveness
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Wilco
Kamera - 2022 Remaster
117 bpm • D Maj • 03:30 • -10db
44% Popularity • 89% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
44% Popularity • 89% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
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Foxygen
San Francisco
117 bpm • A# Maj • 03:47 • -7.95db
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Bon Iver
Blood Bank
117 bpm • G Maj • 04:45 • -11.89db
63% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
63% Popularity • 49% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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The Shins
Gone For Good - Alternate Version
117 bpm • B Maj • 03:07 • -6.61db
26% Popularity • 65% Danceability • 59% Energy • 13% Liveness
65% Instrumentalness • 35% Positiveness
26% Popularity • 65% Danceability • 59% Energy • 13% Liveness
65% Instrumentalness • 35% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
51% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Coconut Records
Wires
118 bpm • G# Maj • 02:35 • -7.59db
27% Popularity • 88% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 88% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Billy Bragg
California Stars
110 bpm • A Maj • 04:58 • -9db
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 62% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Gregory Alan Isakov
Big Black Car
110 bpm • D# Maj • 03:37 • -15.93db
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Miike Snow
Animal
118 bpm • F# min • 04:23 • -6.66db
59% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
74% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
74% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Elliott Smith
Angeles
118 bpm • E min • 02:57 • -23.53db
60% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
60% Popularity • 53% Danceability • 10% Energy • 15% Liveness
28% Instrumentalness • 60% Positiveness
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Beirut
Postcards from Italy
110 bpm • D min • 04:17 • -7.32db
59% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
59% Popularity • 62% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 40% Positiveness
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The Shins
Girl Sailor
118 bpm • D Maj • 03:44 • -7.43db
37% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Bombay Bicycle Club
Shuffle
110 bpm • G Maj • 03:55 • -4.74db
57% Popularity • 63% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
57% Popularity • 63% Danceability • 96% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
63% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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The Shins
Nothing at All
118 bpm • G Maj • 04:09 • -4.9db
27% Popularity • 67% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 73% Positiveness
27% Popularity • 67% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 73% Positiveness
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Wilco
Jesus, Etc. - 2022 Remaster
109 bpm • F Maj • 03:51 • -13db
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 75% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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Band of Horses
Wicked Gil
119 bpm • D# Maj • 02:57 • -4.3db
48% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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TV On The Radio
Staring at the Sun
119 bpm • G# Maj • 04:01 • -8db
53% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Decemberists
We Both Go Down Together
119 bpm • A min • 03:04 • -6.19db
46% Popularity • 58% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 58% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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City and Colour
The Girl
109 bpm • A# Maj • 06:00 • -8db
39% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Shins
For A Fool
110 bpm • D# Maj • 03:56 • -6.98db
36% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Andrew Bird
Oh No
120 bpm • C min • 04:20 • -10db
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Generationals
When They Fight, They Fight
120 bpm • B min • 03:20 • -2db
58% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Elliott Smith
Somebody That I Used To Know
108 bpm • C# Maj • 02:09 • -14.79db
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Shins
Heartworms
109 bpm • E Maj • 02:56 • -5.41db
34% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
70% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Beck
Lost Cause
120 bpm • C Maj • 03:47 • -8.73db
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Animal Collective
My Girls
120 bpm • E min • 05:40 • -6.03db
57% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
57% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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![This Must Be the Place (Naive Melody) [by Talking Heads] cover art](https://i.scdn.co/image/ab67616d00001e027f8ea36129927ebd640a1d63)
Kishi Bashi
This Must Be the Place (Naive Melody) [b...
120 bpm • E min • 03:26 • -9db
48% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Beck
Blue Moon
120 bpm • C Maj • 04:02 • -6.73db
50% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
50% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Coconut Records
Nighttiming
120 bpm • E min • 02:48 • -6.57db
54% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Passion Pit
Carried Away
120 bpm • C Maj • 03:41 • -5.14db
56% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Bombay Bicycle Club
How Can You Swallow So Much Sleep
120 bpm • G Maj • 03:30 • -6.64db
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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The Shins
Girl Inform Me - 2021 Remaster
120 bpm • A Maj • 02:20 • -5.53db
46% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Kishi Bashi
Bright Whites
108 bpm • G Maj • 04:13 • -7.06db
39% Popularity • 56% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 56% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Peter Bjorn and John
Objects Of My Affection
108 bpm • A Maj • 04:35 • -7db
40% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
40% Popularity • 47% Danceability • 92% Energy • 23% Liveness
15% Instrumentalness • 32% Positiveness
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The Flaming Lips
The Yeah Yeah Yeah Song
108 bpm • E Maj • 03:52 • -4db
35% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Wilco
Heavy Metal Drummer - 2022 Remaster
121 bpm • G Maj • 03:09 • -7.52db
49% Popularity • 66% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 82% Positiveness
49% Popularity • 66% Danceability • 69% Energy • 37% Liveness
1% Instrumentalness • 82% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Belle and Sebastian
Expectations
121 bpm • B min • 03:34 • -13.3db
47% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
34% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Belle and Sebastian
Dress Up in You
108 bpm • C# Maj • 04:23 • -8db
39% Popularity • 68% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
39% Popularity • 68% Danceability • 40% Energy • 10% Liveness
21% Instrumentalness • 50% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
70% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Band of Horses
Our Swords
107 bpm • B Maj • 02:26 • -9.29db
55% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
55% Popularity • 64% Danceability • 79% Energy • 10% Liveness
10% Instrumentalness • 35% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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The Shins
Dead Alive
120 bpm • E min • 03:34 • -6.14db
31% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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of Montreal
Wraith Pinned to the Mist and Other Game...
122 bpm • F Maj • 04:15 • -10db
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
57% Popularity • 87% Danceability • 60% Energy • 15% Liveness
10% Instrumentalness • 74% Positiveness
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Bright Eyes
Bowl of Oranges
106 bpm • C Maj • 04:48 • -11db
37% Popularity • 38% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Rilo Kiley
With Arms Outstretched
106 bpm • E Maj • 03:43 • -7db
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 40% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
28% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Spoon
Anything You Want
106 bpm • E Maj • 02:16 • -8db
46% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 71% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Shins
New Slang - Live with Sam Beam
121 bpm • A min • 03:51 • -9.68db
12% Popularity • 50% Danceability • 36% Energy • 85% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 50% Danceability • 36% Energy • 85% Liveness
0% Instrumentalness • 36% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
72% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Bright Eyes
At the Bottom of Everything
106 bpm • C Maj • 04:33 • -9.77db
50% Popularity • 51% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 51% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Passion Pit
Sleepyhead
106 bpm • G# Maj • 02:54 • -5.41db
65% Popularity • 57% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 57% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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The Strokes
Someday
106 bpm • A Maj • 03:03 • -7.48db
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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The Decemberists
July, July!
123 bpm • A Maj • 02:53 • -5.65db
42% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 27% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Shins
Port Of Morrow
121 bpm • C Maj • 05:49 • -8.47db
31% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Spoon
Everything Hits At Once
123 bpm • A Maj • 04:04 • -8.11db
42% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 78% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
