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Gone Too Log
Songs like
Gone Too Log
by
Corey Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Altered Five Blues Band
Here's Your Hat, What's Your Hurry
130 bpm • G Maj • 03:18 • -5db
15% Popularity • 65% Danceability • 90% Energy • 10% Liveness
9% Instrumentalness • 92% Positiveness
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Julian Sas
Spellbound Woman
130 bpm • E Maj • 03:04 • -4db
14% Popularity • 44% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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David Gogo
Things Are About To Change
130 bpm • F Maj • 03:09 • -3.39db
16% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Corey Stevens
Gone Too Log
130 bpm • G# min • 04:37 • -8.49db
17% Popularity • 59% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Lance Lopez
Come Back Home
130 bpm • A Maj • 03:28 • -9.08db
31% Popularity • 46% Danceability • 83% Energy • 42% Liveness
22% Instrumentalness • 88% Positiveness
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The Rides
By My Side
129 bpm • C Maj • 05:14 • -5.78db
30% Popularity • 44% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Altered Five Blues Band
Three Forks
130 bpm • C Maj • 04:05 • -5db
19% Popularity • 68% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Damon Fowler
Sugar Shack
129 bpm • A Maj • 04:36 • -8db
13% Popularity • 76% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Michael Burks
Take A Chance On Me, Baby
131 bpm • G Maj • 05:17 • -5.92db
29% Popularity • 38% Danceability • 62% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
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Corey Stevens
Road To Zen
130 bpm • D# min • 06:54 • -7.04db
13% Popularity • 50% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Ana Popovic
Statesboro Blues
131 bpm • E Maj • 03:50 • -10.09db
16% Popularity • 59% Danceability • 56% Energy • 31% Liveness
2% Instrumentalness • 84% Positiveness
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Jonny Lang
Matchbox
129 bpm • G Maj • 03:29 • -8.76db
42% Popularity • 68% Danceability • 64% Energy • 12% Liveness
9% Instrumentalness • 77% Positiveness
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Dave Hole
Keep Your Motor Runnin'
132 bpm • E Maj • 03:47 • -11.08db
27% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Blindside Blues Band
Rock Me Baby
128 bpm • C Maj • 04:15 • -7.13db
19% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Too Slim and the Taildraggers
Trouble
128 bpm • G# min • 05:18 • -6.69db
16% Popularity • 56% Danceability • 78% Energy • 25% Liveness
26% Instrumentalness • 74% Positiveness
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Corey Stevens
Too Much Fun?
129 bpm • C# Maj • 04:22 • -5.64db
3% Popularity • 68% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Rob Tognoni
Makin' Me Live
128 bpm • G# min • 02:40 • -4.37db
41% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Jonny Lang
Darker Side
132 bpm • C min • 05:07 • -9db
37% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Altered Five Blues Band
Full Moon, Half Crazy
128 bpm • D Maj • 03:21 • -5.05db
25% Popularity • 52% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmie Vaughan
Don't Cha Know
128 bpm • C min • 04:20 • -9.46db
43% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Michael Burks
Heartless
132 bpm • G Maj • 04:33 • -4.93db
14% Popularity • 53% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Corey Stevens
Louisiana Queen
129 bpm • F# min • 04:21 • -8db
12% Popularity • 67% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Albert Castiglia
Don't Let Them Fool Ya
132 bpm • B min • 04:25 • -5.11db
9% Popularity • 52% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Debbie Davies
It's All Blues
127 bpm • A Maj • 03:36 • -8db
16% Popularity • 78% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Altered Five Blues Band
Great Minds Drink Alike
132 bpm • C Maj • 03:56 • -5db
22% Popularity • 60% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 78% Positiveness
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The Rides
Game On
127 bpm • F Maj • 04:04 • -4.13db
14% Popularity • 60% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Gomes
Blues in Technicolor
128 bpm • D Maj • 04:09 • -7.42db
13% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Corey Stevens
Only One For You
132 bpm • C# Maj • 04:37 • -5.63db
13% Popularity • 66% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
19% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Albert Castiglia
Hoodoo on Me
127 bpm • A min • 03:34 • -8.63db
29% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
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Jimmy Thackery And The Drivers
Detroit Iron
127 bpm • G Maj • 05:05 • -4.33db
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
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Kim Simmonds
Nuthin' Like the Blues
127 bpm • D Maj • 04:56 • -6.78db
28% Popularity • 59% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Corey Stevens
Another Pretty Face
127 bpm • A# min • 05:40 • -8.96db
8% Popularity • 82% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Smokin' Joe Kubek & Bnois King
What A Sight To See
133 bpm • A Maj • 04:13 • -3.93db
22% Popularity • 53% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Tony Spinner
She Gave Me Back My Mojo
127 bpm • C# min • 03:11 • -6.29db
10% Popularity • 60% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
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Jimmy Thackery And The Drivers
Wild Night Out
127 bpm • D Maj • 04:06 • -10.64db
10% Popularity • 53% Danceability • 83% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
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Damon Fowler
We've Got A Good Thing
134 bpm • A min • 03:59 • -5.56db
12% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Buddaheads
Road to Ruin
126 bpm • D Maj • 04:28 • -6.46db
11% Popularity • 64% Danceability • 90% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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Corey Stevens
Crosscut Saw
133 bpm • G# Maj • 03:38 • -8db
17% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Smokin' Joe Kubek & Bnois King
Better Be Getting It On
126 bpm • E min • 03:44 • -5.6db
15% Popularity • 52% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Debbie Davies
Can't Find The Blues
126 bpm • A Maj • 03:04 • -5.96db
29% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmy Thackery And The Drivers
Drive To Survive
127 bpm • D Maj • 04:09 • -7.24db
15% Popularity • 59% Danceability • 95% Energy • 21% Liveness
5% Instrumentalness • 57% Positiveness
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The Smokin' Joe Kubek Band
Texas Cadillac
126 bpm • E Maj • 04:12 • -9.57db
17% Popularity • 56% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Buddaheads
Road to Ruin
126 bpm • D Maj • 04:28 • -4.85db
11% Popularity • 65% Danceability • 90% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
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Jonny Lang
Back For A Taste Of Your Love
126 bpm • G Maj • 03:32 • -8.23db
41% Popularity • 70% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Altered Five Blues Band
Mint Condition
135 bpm • C Maj • 03:23 • -5db
18% Popularity • 50% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Bryce Janey
Medicine Man
135 bpm • F Maj • 03:43 • -6db
16% Popularity • 33% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Thackery And The Drivers
Blues Dog Prowl
126 bpm • B min • 06:01 • -7.51db
13% Popularity • 54% Danceability • 82% Energy • 36% Liveness
69% Instrumentalness • 50% Positiveness
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Jimmy D. Lane
What Makes People
125 bpm • C# min • 03:31 • -11db
15% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Burks
Raised up in Arkansas
125 bpm • D Maj • 05:37 • -10.41db
23% Popularity • 39% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 53% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
28% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Corey Stevens
Back In Time
135 bpm • C# Maj • 02:59 • -8.21db
17% Popularity • 60% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Mark Selby
This Is Why We Rock & Roll
125 bpm • A Maj • 03:06 • -4db
15% Popularity • 70% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Thackery And The Drivers
Cool Guitars
125 bpm • A Maj • 03:43 • -9.08db
30% Popularity • 61% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Smokin' Joe Kubek & Bnois King
My Space Or Yours?
125 bpm • F Maj • 03:19 • -3.27db
27% Popularity • 58% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Mick Clarke
Used to Do
125 bpm • F min • 04:20 • -9.23db
13% Popularity • 53% Danceability • 61% Energy • 32% Liveness
37% Instrumentalness • 79% Positiveness
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Mark May
Don't Give Up
125 bpm • F min • 05:42 • -7.27db
8% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Joanna Connor
Nothin' But The Blues
125 bpm • A Maj • 04:03 • -5db
13% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Mark Selby
You're Gonna Miss My Love
125 bpm • B min • 04:47 • -5db
29% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Kim Simmonds
Laura Lee
124 bpm • F min • 04:23 • -2.95db
19% Popularity • 50% Danceability • 95% Energy • 15% Liveness
2% Instrumentalness • 69% Positiveness
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Albert Castiglia
Let the Big Dog Eat
124 bpm • A min • 03:28 • -4.36db
26% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Bernard Allison
Crusin for a Bluesin
136 bpm • G Maj • 04:55 • -5db
13% Popularity • 59% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 85% Positiveness
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Lonnie Mack
Camp Washington Chile/If You Have To Kno...
124 bpm • A# Maj • 07:34 • -11.27db
34% Popularity • 36% Danceability • 73% Energy • 97% Liveness
56% Instrumentalness • 79% Positiveness
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Buddaheads
Let It Roll
124 bpm • F# Maj • 03:33 • -7.12db
18% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Mark Selby
Kink In The Chain
124 bpm • A Maj • 03:34 • -5db
29% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Corey Stevens
The Brothers
136 bpm • B Maj • 05:01 • -8.14db
12% Popularity • 61% Danceability • 76% Energy • 8% Liveness
8% Instrumentalness • 67% Positiveness
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Danny Bryant's Redeyeband
Heart Working Overtime
124 bpm • A min • 03:19 • -4.65db
15% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Blindside Blues Band
Truth Never Lies
137 bpm • C min • 07:01 • -11db
21% Popularity • 47% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Smokin' Joe Kubek
Midlife Crisis, Midnight Flight
137 bpm • E Maj • 03:04 • -3db
23% Popularity • 47% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Bryce Janey
Chrome Horse
123 bpm • D Maj • 04:41 • -6db
22% Popularity • 59% Danceability • 73% Energy • 26% Liveness
8% Instrumentalness • 39% Positiveness
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Mark Selby
Back Door To My Heart
136 bpm • D Maj • 04:01 • -7.19db
14% Popularity • 66% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 37% Positiveness
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Corey Stevens
One More Time
124 bpm • G# min • 04:14 • -4.98db
14% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Indigenous
Out Of Nowhere
123 bpm • G# Maj • 03:18 • -7.13db
15% Popularity • 55% Danceability • 92% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Mick Clarke
Cheap
123 bpm • C min • 04:24 • -8.86db
20% Popularity • 63% Danceability • 73% Energy • 12% Liveness
66% Instrumentalness • 69% Positiveness
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Lonnie Mack
Camp Washington Chili
137 bpm • F Maj • 02:26 • -10.36db
33% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
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Blindside Blues Band
Jack Daniels Weekend
123 bpm • A Maj • 02:14 • -7db
19% Popularity • 51% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Dirty Dave Osti
Voodoo Guitar
123 bpm • F# Maj • 04:58 • -5.17db
9% Popularity • 35% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Smokin' Joe Kubek
Big Money Sonny
123 bpm • D Maj • 04:20 • -7.74db
10% Popularity • 68% Danceability • 56% Energy • 26% Liveness
1% Instrumentalness • 39% Positiveness
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Dr. Wu'
That Ain't Right
123 bpm • A Maj • 03:14 • -5.38db
11% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
42% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Lonnie Mack
Satisfy Susie
137 bpm • A# Maj • 04:33 • -8.2db
31% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
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Dave Meniketti
Just Coastin'
123 bpm • F min • 04:52 • -6.42db
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
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Danny Bryant's Redeyeband
Good Time Woman
123 bpm • E min • 02:50 • -2.56db
13% Popularity • 54% Danceability • 90% Energy • 21% Liveness
1% Instrumentalness • 87% Positiveness
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Smokin' Joe Kubek & Bnois King
Out Of Body, Out Of Mind
123 bpm • B min • 04:30 • -3db
31% Popularity • 62% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
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Jimmy Thackery
You Upset Me Baby
138 bpm • G Maj • 06:01 • -10.55db
9% Popularity • 39% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
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Buddy Guy
Wear You Out
138 bpm • A# Maj • 03:30 • -4.09db
29% Popularity • 44% Danceability • 89% Energy • 17% Liveness
12% Instrumentalness • 66% Positiveness
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Doyle Bramhall
The Hunter
122 bpm • E min • 04:49 • -8.6db
0% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Mark Selby
She's Like Mercury
122 bpm • E Maj • 03:44 • -4.49db
15% Popularity • 67% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
35% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmie Vaughan
Hey Yeah
122 bpm • G Maj • 03:43 • -9db
36% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Corey Stevens
My Neighborhood
122 bpm • F min • 04:14 • -6.64db
5% Popularity • 70% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Too Slim and the Taildraggers
When Whiskey Was My Friend
122 bpm • A# min • 03:28 • -5.28db
15% Popularity • 60% Danceability • 87% Energy • 56% Liveness
2% Instrumentalness • 67% Positiveness
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Alastair Greene
The Sweetest Honey (Live)
139 bpm • C Maj • 03:47 • -6db
30% Popularity • 22% Danceability • 95% Energy • 95% Liveness
2% Instrumentalness • 48% Positiveness
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Mark Selby
Smoked
122 bpm • G Maj • 03:32 • -5.18db
22% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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John Campbell John Trio
I Wanna Get Up
122 bpm • A Maj • 03:04 • -8.72db
12% Popularity • 54% Danceability • 69% Energy • 33% Liveness
7% Instrumentalness • 61% Positiveness
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Danny Bryant's Redeyeband
Long Time Coming
122 bpm • F min • 03:56 • -4db
17% Popularity • 52% Danceability • 77% Energy • 59% Liveness
2% Instrumentalness • 87% Positiveness
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Corey Stevens
Take It Back
122 bpm • E Maj • 04:31 • -5.65db
10% Popularity • 70% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 86% Positiveness
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John Mayall
Mail Order Mystics
122 bpm • D Maj • 04:41 • -9.89db
26% Popularity • 59% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Too Slim and the Taildraggers
Wash My Hands
122 bpm • C# Maj • 04:04 • -4.96db
10% Popularity • 54% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Gone Too Log