Songs like Gone With the Wind by Betty Carter
Based on a tempo of (+/- 10%) and a similar genre
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Ann Hampton Callaway
The Folks Who Live on the Hill
114 bpm • G Maj • 06:06 • -16.97db
37% Popularity • 44% Danceability • 14% Energy • 19% Liveness
1% Instrumentalness • 14% Positiveness
37% Popularity • 44% Danceability • 14% Energy • 19% Liveness
1% Instrumentalness • 14% Positiveness
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Betty Carter
Gone With the Wind
114 bpm • F Maj • 04:11 • -13.43db
37% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Wynton Kelly
Someday My Prince Will Come
114 bpm • A# Maj • 03:06 • -17db
40% Popularity • 56% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 56% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Lou Donaldson
Old Folks
114 bpm • D min • 06:20 • -12.5db
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
37% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Elmo Hope Trio
I Remember You
114 bpm • G Maj • 02:46 • -16.23db
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
40% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Katherine Kostoff
Cloudy (With a Chance of Rain)
113 bpm • C# Maj • 04:43 • -14db
26% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 33% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Betty Carter
This Is Always
114 bpm • E min • 03:11 • -19.69db
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Wynton Kelly
Someday My Prince Will Come - Take 5
114 bpm • A# Maj • 03:03 • -17.19db
40% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Red Garland Trio
Summertime
115 bpm • C min • 04:43 • -18.54db
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 10% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Dave Brubeck Trio
That Old Black Magic
113 bpm • D# Maj • 02:37 • -16.5db
29% Popularity • 56% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
29% Popularity • 56% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Ray Charles
Cocktails for Two
115 bpm • C min • 03:12 • -11.5db
23% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 36% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Miles Davis
I Thought About You - Mono Version
115 bpm • D min • 04:55 • -14.11db
35% Popularity • 50% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 50% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Betty Carter
Two Cigarettes in the Dark
113 bpm • C# min • 02:09 • -17.47db
15% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
38% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
38% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
47% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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Ray Bryant
Autumn Leaves
113 bpm • E min • 05:25 • -22.07db
2% Popularity • 44% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
2% Popularity • 44% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Hampton Hawes Trio
What Is This Thing Called Love
113 bpm • C min • 04:44 • -20.71db
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
32% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Gerry Mulligan & Johnny Hodges
Bunny
115 bpm • C Maj • 05:47 • -15db
34% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 83% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Benny Golson
Mad About The Boy
116 bpm • C min • 07:16 • -21.83db
36% Popularity • 52% Danceability • 8% Energy • 19% Liveness
69% Instrumentalness • 37% Positiveness
36% Popularity • 52% Danceability • 8% Energy • 19% Liveness
69% Instrumentalness • 37% Positiveness
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Red Garland
Where Or When
112 bpm • F min • 06:11 • -21.97db
36% Popularity • 55% Danceability • 4% Energy • 10% Liveness
68% Instrumentalness • 5% Positiveness
36% Popularity • 55% Danceability • 4% Energy • 10% Liveness
68% Instrumentalness • 5% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
48% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
20% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Arnett Cobb
When My Dreamboat Comes Home
112 bpm • C# Maj • 05:50 • -12.76db
5% Popularity • 67% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
5% Popularity • 67% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 67% Positiveness
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Betty Carter
There Is No Greater Love
113 bpm • F Maj • 03:48 • -19.34db
28% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 50% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Ella Fitzgerald
Mood Indigo
116 bpm • A# Maj • 03:27 • -21.5db
43% Popularity • 36% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Lou Donaldson
There Is No Greater Love
112 bpm • C Maj • 06:53 • -13.51db
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 26% Positiveness
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Warne Marsh
Lover Man
116 bpm • C Maj • 04:30 • -17.75db
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 67% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Arthur Prysock
I'm Through With Love
112 bpm • D# Maj • 03:42 • -28.07db
40% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
40% Popularity • 48% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Betty Carter
Call Me Darling
116 bpm • A min • 03:55 • -21.84db
4% Popularity • 45% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
4% Popularity • 45% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Taylor
Night And Day
112 bpm • G# Maj • 02:43 • -15.94db
39% Popularity • 73% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 76% Positiveness
39% Popularity • 73% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 76% Positiveness
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Red Garland Trio
What Is This Thing Called Love? - Instru...
112 bpm • D min • 04:50 • -14db
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Ray Charles
You and I
116 bpm • G min • 03:23 • -12.04db
9% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Dakota Staton
You Don't Know What Love Is
117 bpm • B min • 02:25 • -19.92db
32% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 8% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Don Byas
Night And Day
117 bpm • G# Maj • 02:35 • -13.38db
33% Popularity • 56% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 45% Positiveness
33% Popularity • 56% Danceability • 10% Energy • 10% Liveness
70% Instrumentalness • 45% Positiveness
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Betty Carter
Social Call
116 bpm • A# Maj • 02:37 • -10.01db
14% Popularity • 55% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 55% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Horace Silver Quintet
For Heaven's Sake
117 bpm • D# Maj • 05:07 • -14.85db
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 16% Liveness
63% Instrumentalness • 16% Positiveness
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Wynton Kelly
Make The Man Love Me
111 bpm • C Maj • 03:39 • -15db
36% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
36% Popularity • 49% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 15% Positiveness
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Etta Jones
Something To Remember You By
117 bpm • A# Maj • 03:42 • -13db
42% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 49% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Stacey Kent
Never Let Me Go
111 bpm • E Maj • 04:39 • -17db
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Curtis Fuller
A Lovely Way To Spend An Evening
117 bpm • F Maj • 06:53 • -16db
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
41% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Bill Charlap
I Walk With Music
117 bpm • G Maj • 05:00 • -13.01db
33% Popularity • 55% Danceability • 51% Energy • 7% Liveness
68% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 51% Energy • 7% Liveness
68% Instrumentalness • 34% Positiveness
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Lee Morgan
All The Way - Rudy Van Gelder Edition / ...
117 bpm • C min • 07:27 • -9.99db
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Betty Carter
The Moon Is Low
117 bpm • D min • 02:02 • -15.63db
16% Popularity • 63% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 63% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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John Lewis
I Should Care
117 bpm • A# min • 04:52 • -29.93db
30% Popularity • 55% Danceability • 1% Energy • 18% Liveness
77% Instrumentalness • 20% Positiveness
30% Popularity • 55% Danceability • 1% Energy • 18% Liveness
77% Instrumentalness • 20% Positiveness
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Red Garland Trio
Stormy Weather
111 bpm • D min • 10:35 • -19db
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
49% Popularity • 53% Danceability • 13% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Morgana King
You Don't Know What Love Is
117 bpm • F# Maj • 03:09 • -6.49db
8% Popularity • 45% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
8% Popularity • 45% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
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Art Blakey
Pierre Et Béatrice - BOF "Des Femmes Di...
117 bpm • A Maj • 01:03 • -7.5db
40% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Clark Terry
Candy
118 bpm • G min • 02:25 • -7.22db
24% Popularity • 44% Danceability • 27% Energy • 19% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 44% Danceability • 27% Energy • 19% Liveness
83% Instrumentalness • 22% Positiveness
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Betty Carter
Can't We Be Friends?
117 bpm • C min • 02:26 • -10db
16% Popularity • 64% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 64% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Benny Golson
Blues After Dark
111 bpm • F Maj • 08:36 • -17.58db
39% Popularity • 58% Danceability • 15% Energy • 13% Liveness
65% Instrumentalness • 43% Positiveness
39% Popularity • 58% Danceability • 15% Energy • 13% Liveness
65% Instrumentalness • 43% Positiveness
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Sonny Criss
Black Coffee
118 bpm • F# Maj • 02:44 • -14.37db
45% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
45% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Tal Farlow
Moonlight Becomes You
110 bpm • F min • 04:28 • -15db
21% Popularity • 64% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
21% Popularity • 64% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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John Lewis
Afternoon in Paris
118 bpm • D min • 09:58 • -19.68db
32% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 23% Positiveness
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Cannonball Adderley Quartet
I've Told Ev'ry Little Star
110 bpm • D min • 03:39 • -7.34db
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Freddie Hubbard
But Beautiful
110 bpm • D# Maj • 06:26 • -15db
19% Popularity • 50% Danceability • 14% Energy • 7% Liveness
79% Instrumentalness • 25% Positiveness
19% Popularity • 50% Danceability • 14% Energy • 7% Liveness
79% Instrumentalness • 25% Positiveness
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Betty Carter
You're Driving Me Crazy - Remastered
110 bpm • G# Maj • 01:48 • -6.07db
3% Popularity • 66% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 66% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Sonny Criss
How High The Moon
110 bpm • C Maj • 03:06 • -6.56db
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
36% Popularity • 60% Danceability • 64% Energy • 9% Liveness
43% Instrumentalness • 91% Positiveness
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Bud Powell
You Go To My Head - Remastered 1998/Rudy...
119 bpm • F Maj • 03:15 • -12.82db
47% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
47% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
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Ray Charles
For All We Know
110 bpm • D# Maj • 03:40 • -16.17db
6% Popularity • 30% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 30% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Dorothy Dandridge
The Touch Of Your Lips
109 bpm • G Maj • 03:01 • -15.56db
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
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Arnett Cobb
Party Time
119 bpm • F min • 05:57 • -12db
3% Popularity • 63% Danceability • 39% Energy • 14% Liveness
3% Instrumentalness • 58% Positiveness
3% Popularity • 63% Danceability • 39% Energy • 14% Liveness
3% Instrumentalness • 58% Positiveness
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Donald Byrd
Hello Bright Sunflower - Rudy Van Gelder...
109 bpm • G# Maj • 07:33 • -8.12db
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Dakota Staton
Misty - Remastered
119 bpm • B Maj • 02:35 • -20.03db
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Etta Jones
Maybe You'll Be There
119 bpm • G# Maj • 03:39 • -18.02db
36% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 51% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mose Allison
I Hadn't Anyone Till You
109 bpm • F min • 02:30 • -17.15db
42% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
42% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Mildred Bailey
You Leave Me Breathless
109 bpm • D Maj • 02:50 • -14.62db
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Milt Jackson
I Love You
119 bpm • C Maj • 04:37 • -20db
42% Popularity • 56% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
42% Popularity • 56% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Ray Bryant
What Is This Thing Called Love
119 bpm • F min • 02:54 • -15.64db
6% Popularity • 52% Danceability • 43% Energy • 14% Liveness
83% Instrumentalness • 42% Positiveness
6% Popularity • 52% Danceability • 43% Energy • 14% Liveness
83% Instrumentalness • 42% Positiveness
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Dizzy Reece
I Had The Craziest Dream
109 bpm • A# Maj • 03:05 • -10.94db
37% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
37% Popularity • 45% Danceability • 19% Energy • 22% Liveness
57% Instrumentalness • 16% Positiveness
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Billy Taylor
Blue Moon
119 bpm • C# Maj • 05:05 • -13db
19% Popularity • 71% Danceability • 30% Energy • 21% Liveness
59% Instrumentalness • 37% Positiveness
19% Popularity • 71% Danceability • 30% Energy • 21% Liveness
59% Instrumentalness • 37% Positiveness
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Cannonball Adderley Quartet
I Remember You
119 bpm • G min • 06:55 • -11.56db
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 57% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Sarah Vaughan
Come Rain or Come Shine
120 bpm • E min • 03:23 • -15.06db
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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John Lewis
Little Girl Blue
109 bpm • D# Maj • 04:29 • -18.49db
31% Popularity • 55% Danceability • 10% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
31% Popularity • 55% Danceability • 10% Energy • 12% Liveness
32% Instrumentalness • 32% Positiveness
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Helen Merrill
Yesterdays
120 bpm • D min • 06:00 • -20.63db
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 44% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Wynton Kelly Trio
Portrait Of Jenny
120 bpm • D# Maj • 04:35 • -18.3db
43% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
43% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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McCoy Tyner
Satin Doll
120 bpm • C Maj • 05:39 • -17db
41% Popularity • 71% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
41% Popularity • 71% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Hampton Hawes Trio
These Foolish Things (Remind Me Of You)
120 bpm • C min • 04:48 • -28db
21% Popularity • 52% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
21% Popularity • 52% Danceability • 5% Energy • 14% Liveness
89% Instrumentalness • 17% Positiveness
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Sonny Clark
Blues In The Night
120 bpm • C Maj • 05:55 • -15.82db
34% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 59% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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The Modern Jazz Quartet
Autumn In New York
120 bpm • G# Maj • 03:39 • -19.09db
33% Popularity • 55% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
33% Popularity • 55% Danceability • 8% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Coleman Hawkins Quartet
Don't Love Me
120 bpm • C Maj • 04:39 • -18.08db
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
42% Popularity • 42% Danceability • 12% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Clark Terry
Do Nothing Till You Hear From Me
120 bpm • C min • 03:35 • -12.92db
31% Popularity • 60% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
31% Popularity • 60% Danceability • 12% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Ray Charles
Ev'ry Time We Say Goodbye
120 bpm • G# Maj • 04:39 • -13.83db
33% Popularity • 30% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 30% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
35% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
35% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Don Byas
Embraceable You (09-12-45)
108 bpm • E min • 03:04 • -20.86db
22% Popularity • 41% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
22% Popularity • 41% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 38% Positiveness
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Sonny Clark
Black Velvet
108 bpm • C Maj • 03:20 • -15.65db
36% Popularity • 65% Danceability • 20% Energy • 13% Liveness
25% Instrumentalness • 56% Positiveness
36% Popularity • 65% Danceability • 20% Energy • 13% Liveness
25% Instrumentalness • 56% Positiveness
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McCoy Tyner
Blue Monk
120 bpm • F Maj • 05:22 • -18db
38% Popularity • 68% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
38% Popularity • 68% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 41% Positiveness
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Hank Mobley
Hello, Young Lovers - Remastered 2006
108 bpm • F min • 08:03 • -12.38db
30% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Charles
Takes Two to Tango
108 bpm • G# Maj • 03:19 • -10.57db
13% Popularity • 56% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 56% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Bud Powell Trio
Everything Happens to Me - 1990 Remaster
121 bpm • C min • 02:41 • -20db
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 42% Danceability • 19% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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Benny Golson
Stablemates
121 bpm • C# Maj • 05:47 • -17db
24% Popularity • 54% Danceability • 39% Energy • 6% Liveness
8% Instrumentalness • 86% Positiveness
24% Popularity • 54% Danceability • 39% Energy • 6% Liveness
8% Instrumentalness • 86% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
27% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Junior Mance
Small Fry
107 bpm • G# Maj • 04:06 • -17.01db
44% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
44% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
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Grant Green
Little Girl Blue
107 bpm • F Maj • 07:14 • -15.83db
19% Popularity • 61% Danceability • 12% Energy • 14% Liveness
33% Instrumentalness • 21% Positiveness
19% Popularity • 61% Danceability • 12% Energy • 14% Liveness
33% Instrumentalness • 21% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
39% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
39% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
