Songs like Gone - Original Mix by Sam WOLFE
Based on a tempo of (+/- 10%) and a similar genre
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Justin Hahn
Acid House
132 bpm • B min • 04:29 • -6.53db
29% Popularity • 79% Danceability • 97% Energy • 13% Liveness
81% Instrumentalness • 67% Positiveness
29% Popularity • 79% Danceability • 97% Energy • 13% Liveness
81% Instrumentalness • 67% Positiveness
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Daniel Weirdo
Prototype
132 bpm • G Maj • 05:56 • -6.4db
11% Popularity • 76% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
11% Popularity • 76% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Kaiserdisco
In the Music
132 bpm • C Maj • 04:12 • -5.99db
34% Popularity • 72% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 68% Positiveness
34% Popularity • 72% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 68% Positiveness
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Kos:mo
Be Strong - Original Mix
132 bpm • C Maj • 06:44 • -4.34db
12% Popularity • 78% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
12% Popularity • 78% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Roger Lavelle
Energy
132 bpm • F min • 06:27 • -5.1db
12% Popularity • 64% Danceability • 95% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
12% Popularity • 64% Danceability • 95% Energy • 11% Liveness
76% Instrumentalness • 7% Positiveness
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Auk.
Mindful - Edit
132 bpm • B min • 03:56 • -10.54db
28% Popularity • 73% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
28% Popularity • 73% Danceability • 83% Energy • 9% Liveness
77% Instrumentalness • 5% Positiveness
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Jil Tanner
Save Your Tears
132 bpm • F# min • 02:59 • -8.02db
47% Popularity • 81% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
47% Popularity • 81% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Sisko Electrofanatik
Ametista
132 bpm • G Maj • 04:12 • -8db
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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DANNY AVILA
Chase The Sun - Extended VIP
132 bpm • A min • 06:00 • -5.12db
28% Popularity • 68% Danceability • 93% Energy • 7% Liveness
33% Instrumentalness • 17% Positiveness
28% Popularity • 68% Danceability • 93% Energy • 7% Liveness
33% Instrumentalness • 17% Positiveness
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Kos:mo
Voices from Above - Original Mix
132 bpm • D Maj • 06:49 • -5.87db
8% Popularity • 75% Danceability • 88% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
8% Popularity • 75% Danceability • 88% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Marco Miranda
Hectic Move
132 bpm • B min • 03:56 • -6.1db
26% Popularity • 65% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
26% Popularity • 65% Danceability • 98% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Sam WOLFE
Prison Break - Original Mix
132 bpm • F# min • 03:28 • -7.47db
27% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
27% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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John O'Callaghan
Exactly - Sam WOLFE Remix
132 bpm • F Maj • 03:50 • -2.89db
14% Popularity • 63% Danceability • 100% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 63% Danceability • 100% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
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Adam Beyer
Away With Me - Extended Mix
132 bpm • C# Maj • 05:43 • -5.58db
34% Popularity • 69% Danceability • 96% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
34% Popularity • 69% Danceability • 96% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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DANNY AVILA
Notre Dame - Radio Edit
132 bpm • B min • 03:43 • -6.22db
36% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 98% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
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Veerus
Cycle
132 bpm • G Maj • 04:01 • -5.39db
32% Popularity • 72% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
32% Popularity • 72% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Joris Turenhout
Mojo
132 bpm • C# min • 04:54 • -6.04db
11% Popularity • 46% Danceability • 91% Energy • 49% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 91% Energy • 49% Liveness
90% Instrumentalness • 8% Positiveness
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Sam WOLFE
Graveyard March - Warehouse Edit
132 bpm • C Maj • 06:12 • -7.34db
2% Popularity • 78% Danceability • 95% Energy • 60% Liveness
82% Instrumentalness • 3% Positiveness
2% Popularity • 78% Danceability • 95% Energy • 60% Liveness
82% Instrumentalness • 3% Positiveness
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Jason Johnson
Sirenes
132 bpm • F# min • 06:50 • -6.93db
12% Popularity • 69% Danceability • 98% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
12% Popularity • 69% Danceability • 98% Energy • 14% Liveness
86% Instrumentalness • 10% Positiveness
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DI SUN
Love Is Special
132 bpm • G# Maj • 04:54 • -2.84db
18% Popularity • 74% Danceability • 100% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
18% Popularity • 74% Danceability • 100% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
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Aio
Late Phase - Clap Codex & Sabura Remix
132 bpm • A# min • 06:20 • -4.53db
18% Popularity • 75% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
18% Popularity • 75% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Felix Kröcher
ELATION
132 bpm • C Maj • 06:04 • -4.61db
28% Popularity • 73% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
28% Popularity • 73% Danceability • 93% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
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Benja Henley
King Status
132 bpm • E min • 03:41 • -5.03db
27% Popularity • 79% Danceability • 94% Energy • 9% Liveness
87% Instrumentalness • 58% Positiveness
27% Popularity • 79% Danceability • 94% Energy • 9% Liveness
87% Instrumentalness • 58% Positiveness
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Sam WOLFE
Gone - Original Mix
132 bpm • E min • 04:00 • -5.42db
19% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
19% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Shay De Castro
Don't Stop Now
132 bpm • G Maj • 03:26 • -7.73db
22% Popularity • 65% Danceability • 96% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
22% Popularity • 65% Danceability • 96% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Spektre
Harbinger
132 bpm • A# min • 03:45 • -8.48db
22% Popularity • 64% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 43% Positiveness
22% Popularity • 64% Danceability • 91% Energy • 13% Liveness
86% Instrumentalness • 43% Positiveness
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T78
The Earthquake
132 bpm • C# min • 06:07 • -5.97db
34% Popularity • 74% Danceability • 90% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
34% Popularity • 74% Danceability • 90% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
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Klanglos
We've Lost Our Light
132 bpm • C# Maj • 06:54 • -7.84db
29% Popularity • 73% Danceability • 76% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
29% Popularity • 73% Danceability • 76% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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Popof
Connected To Yourself
132 bpm • F min • 06:18 • -5.23db
18% Popularity • 70% Danceability • 97% Energy • 11% Liveness
69% Instrumentalness • 17% Positiveness
18% Popularity • 70% Danceability • 97% Energy • 11% Liveness
69% Instrumentalness • 17% Positiveness
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UMEK
Once Again - Original Mix
132 bpm • G Maj • 07:09 • -4.81db
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 79% Danceability • 95% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Bjørnson
Wrong Answer
132 bpm • F# min • 06:43 • -5.6db
35% Popularity • 69% Danceability • 93% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
35% Popularity • 69% Danceability • 93% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
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VI·AL
A HEART LESS DARKENED
132 bpm • C# Maj • 05:12 • -5.9db
16% Popularity • 68% Danceability • 81% Energy • 43% Liveness
84% Instrumentalness • 7% Positiveness
16% Popularity • 68% Danceability • 81% Energy • 43% Liveness
84% Instrumentalness • 7% Positiveness
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Felix Kröcher
Action
132 bpm • G Maj • 06:09 • -7.88db
32% Popularity • 76% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
32% Popularity • 76% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Sam WOLFE
7Am
132 bpm • G Maj • 07:33 • -6.64db
31% Popularity • 73% Danceability • 91% Energy • 6% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 73% Danceability • 91% Energy • 6% Liveness
84% Instrumentalness • 7% Positiveness
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Bart Skils
Palm Strings
132 bpm • D Maj • 03:57 • -8.71db
24% Popularity • 75% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
24% Popularity • 75% Danceability • 57% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Jason Johnson
Chronus
132 bpm • F# min • 04:06 • -6.61db
9% Popularity • 64% Danceability • 94% Energy • 5% Liveness
77% Instrumentalness • 17% Positiveness
9% Popularity • 64% Danceability • 94% Energy • 5% Liveness
77% Instrumentalness • 17% Positiveness
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phased.
Cosmic Storm
132 bpm • G Maj • 06:05 • -4.09db
31% Popularity • 68% Danceability • 94% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
31% Popularity • 68% Danceability • 94% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
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Spektre
Badlands
132 bpm • A# min • 04:00 • -7.59db
39% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
39% Popularity • 52% Danceability • 96% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Thomas Schumacher
No Rules Involved
132 bpm • E Maj • 03:49 • -8.26db
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
32% Popularity • 62% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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A.D.H.S.
Rastanta
132 bpm • F# Maj • 04:30 • -4.9db
21% Popularity • 58% Danceability • 94% Energy • 42% Liveness
85% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 94% Energy • 42% Liveness
85% Instrumentalness • 30% Positiveness
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Karla Blum
Something Unreal
132 bpm • G# Maj • 05:47 • -5.53db
28% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
28% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
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Jason Johnson
Move
132 bpm • C# min • 05:52 • -5.45db
27% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
27% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
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Sam WOLFE
Out of Phase - Original Mix
132 bpm • F# Maj • 06:21 • -5.87db
12% Popularity • 66% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
12% Popularity • 66% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
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Martin Books
Push
132 bpm • F min • 04:37 • -4.79db
43% Popularity • 82% Danceability • 75% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
43% Popularity • 82% Danceability • 75% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Ignacio Arfeli
Singularity
132 bpm • F Maj • 04:01 • -7.32db
14% Popularity • 55% Danceability • 91% Energy • 10% Liveness
78% Instrumentalness • 41% Positiveness
14% Popularity • 55% Danceability • 91% Energy • 10% Liveness
78% Instrumentalness • 41% Positiveness
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LEVT
Optimus Tyson
132 bpm • G Maj • 06:04 • -7.74db
29% Popularity • 70% Danceability • 88% Energy • 6% Liveness
40% Instrumentalness • 12% Positiveness
29% Popularity • 70% Danceability • 88% Energy • 6% Liveness
40% Instrumentalness • 12% Positiveness
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Kaspar
Thanos
132 bpm • D Maj • 05:23 • -9.64db
37% Popularity • 65% Danceability • 72% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
37% Popularity • 65% Danceability • 72% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Roberto Capuano
When the Lights Go Down
132 bpm • G Maj • 04:31 • -6.23db
24% Popularity • 70% Danceability • 92% Energy • 15% Liveness
50% Instrumentalness • 5% Positiveness
24% Popularity • 70% Danceability • 92% Energy • 15% Liveness
50% Instrumentalness • 5% Positiveness
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Aio
Hades - NoNameLeft Remix
132 bpm • C# Maj • 06:32 • -8.27db
17% Popularity • 73% Danceability • 89% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
17% Popularity • 73% Danceability • 89% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Metodi Hristov
Rumble - Edit
132 bpm • G# Maj • 04:09 • -6.53db
19% Popularity • 66% Danceability • 89% Energy • 14% Liveness
76% Instrumentalness • 36% Positiveness
19% Popularity • 66% Danceability • 89% Energy • 14% Liveness
76% Instrumentalness • 36% Positiveness
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Concrete Panther
Pray for Enlightenment - Tostone Remix
132 bpm • B min • 02:36 • -5.75db
14% Popularity • 49% Danceability • 98% Energy • 34% Liveness
89% Instrumentalness • 37% Positiveness
14% Popularity • 49% Danceability • 98% Energy • 34% Liveness
89% Instrumentalness • 37% Positiveness
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Adam Beyer
Robotic Arms
132 bpm • C# min • 03:50 • -4.41db
35% Popularity • 49% Danceability • 91% Energy • 33% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 49% Danceability • 91% Energy • 33% Liveness
76% Instrumentalness • 14% Positiveness
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RooneyNasr
Lost In Dreams
132 bpm • G Maj • 04:26 • -5.54db
11% Popularity • 60% Danceability • 99% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
11% Popularity • 60% Danceability • 99% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Roberto Capuano
Dish Ya Now
132 bpm • A# min • 03:32 • -5.3db
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
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Antonio D'Africa
Skylark
132 bpm • G# min • 06:54 • -7.67db
18% Popularity • 68% Danceability • 98% Energy • 12% Liveness
83% Instrumentalness • 7% Positiveness
18% Popularity • 68% Danceability • 98% Energy • 12% Liveness
83% Instrumentalness • 7% Positiveness
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ORYMA
Karthago - Radio-Edit
132 bpm • C# min • 05:39 • -6.81db
14% Popularity • 56% Danceability • 92% Energy • 42% Liveness
88% Instrumentalness • 10% Positiveness
14% Popularity • 56% Danceability • 92% Energy • 42% Liveness
88% Instrumentalness • 10% Positiveness
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Jason Johnson
Hypoesthesia
132 bpm • G Maj • 06:21 • -5.57db
13% Popularity • 71% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
13% Popularity • 71% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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DANNY AVILA
Melodia
132 bpm • G Maj • 03:44 • -5.93db
32% Popularity • 61% Danceability • 97% Energy • 20% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 61% Danceability • 97% Energy • 20% Liveness
91% Instrumentalness • 3% Positiveness
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Felix Kröcher
Imagination
132 bpm • F# min • 06:16 • -3.73db
49% Popularity • 82% Danceability • 97% Energy • 7% Liveness
90% Instrumentalness • 58% Positiveness
49% Popularity • 82% Danceability • 97% Energy • 7% Liveness
90% Instrumentalness • 58% Positiveness
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MOTVS
Pump it
132 bpm • G Maj • 05:05 • -5.7db
13% Popularity • 59% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 49% Positiveness
13% Popularity • 59% Danceability • 96% Energy • 18% Liveness
76% Instrumentalness • 49% Positiveness
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Funkin Matt
Firmament
132 bpm • G# min • 04:31 • -6.64db
29% Popularity • 56% Danceability • 94% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
29% Popularity • 56% Danceability • 94% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
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Sam WOLFE
Disruption - Original Mix
132 bpm • B Maj • 04:58 • -6.36db
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
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Veerus
Phoney
132 bpm • E Maj • 03:41 • -5.99db
21% Popularity • 68% Danceability • 92% Energy • 16% Liveness
81% Instrumentalness • 18% Positiveness
21% Popularity • 68% Danceability • 92% Energy • 16% Liveness
81% Instrumentalness • 18% Positiveness
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Clap Codex
Falling Apart
132 bpm • B min • 06:53 • -6.59db
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
34% Popularity • 76% Danceability • 79% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Felix Kröcher
Fiction
132 bpm • A Maj • 05:52 • -3.55db
20% Popularity • 75% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
20% Popularity • 75% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Timothy Allen
Pray For Me
132 bpm • A# min • 03:10 • -4.35db
31% Popularity • 57% Danceability • 100% Energy • 31% Liveness
80% Instrumentalness • 17% Positiveness
31% Popularity • 57% Danceability • 100% Energy • 31% Liveness
80% Instrumentalness • 17% Positiveness
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LEVT
Easy C Easy G
132 bpm • E min • 06:14 • -6.62db
15% Popularity • 70% Danceability • 90% Energy • 10% Liveness
59% Instrumentalness • 28% Positiveness
15% Popularity • 70% Danceability • 90% Energy • 10% Liveness
59% Instrumentalness • 28% Positiveness
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Sam WOLFE
Hold On - Radio Edit
132 bpm • A# min • 03:50 • -5.31db
10% Popularity • 55% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
10% Popularity • 55% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Dustycloud
Freaky
132 bpm • G# Maj • 04:40 • -3.77db
33% Popularity • 62% Danceability • 100% Energy • 17% Liveness
79% Instrumentalness • 40% Positiveness
33% Popularity • 62% Danceability • 100% Energy • 17% Liveness
79% Instrumentalness • 40% Positiveness
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Jay Lumen
The Fact
132 bpm • A Maj • 04:38 • -5.69db
24% Popularity • 60% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 34% Positiveness
24% Popularity • 60% Danceability • 97% Energy • 66% Liveness
86% Instrumentalness • 34% Positiveness
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Clap Codex
Quantum State - Julien Riess Remix
132 bpm • G Maj • 06:38 • -9.66db
17% Popularity • 64% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
17% Popularity • 64% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Karla Blum
Acid Rain
132 bpm • C# Maj • 06:14 • -8.61db
20% Popularity • 72% Danceability • 85% Energy • 66% Liveness
90% Instrumentalness • 34% Positiveness
20% Popularity • 72% Danceability • 85% Energy • 66% Liveness
90% Instrumentalness • 34% Positiveness
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Kaspar
Close Your Eyes
132 bpm • A# min • 05:02 • -7.8db
25% Popularity • 61% Danceability • 93% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
25% Popularity • 61% Danceability • 93% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Charles D (USA)
No Escape
132 bpm • C Maj • 04:04 • -3.79db
16% Popularity • 54% Danceability • 98% Energy • 8% Liveness
50% Instrumentalness • 47% Positiveness
16% Popularity • 54% Danceability • 98% Energy • 8% Liveness
50% Instrumentalness • 47% Positiveness
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KILL SCRIPT
THE FUTURE
132 bpm • G Maj • 03:01 • -5.03db
24% Popularity • 59% Danceability • 95% Energy • 34% Liveness
59% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 95% Energy • 34% Liveness
59% Instrumentalness • 20% Positiveness
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Orjan Nilsen
XIING - nilsix Remix
132 bpm • D Maj • 02:42 • -5.49db
42% Popularity • 66% Danceability • 94% Energy • 26% Liveness
88% Instrumentalness • 38% Positiveness
42% Popularity • 66% Danceability • 94% Energy • 26% Liveness
88% Instrumentalness • 38% Positiveness
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Bigtopo
Pune - Radio Edit
132 bpm • A# min • 01:58 • -7.08db
26% Popularity • 52% Danceability • 83% Energy • 26% Liveness
86% Instrumentalness • 26% Positiveness
26% Popularity • 52% Danceability • 83% Energy • 26% Liveness
86% Instrumentalness • 26% Positiveness
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RooneyNasr
Losing Control
132 bpm • A Maj • 03:18 • -5.2db
30% Popularity • 69% Danceability • 96% Energy • 39% Liveness
91% Instrumentalness • 23% Positiveness
30% Popularity • 69% Danceability • 96% Energy • 39% Liveness
91% Instrumentalness • 23% Positiveness
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Klanglos
Dystopia
132 bpm • F# min • 06:42 • -5.75db
34% Popularity • 64% Danceability • 82% Energy • 8% Liveness
77% Instrumentalness • 7% Positiveness
34% Popularity • 64% Danceability • 82% Energy • 8% Liveness
77% Instrumentalness • 7% Positiveness
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NTMTR
Deeper
133 bpm • D Maj • 06:01 • -3.28db
43% Popularity • 70% Danceability • 99% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
43% Popularity • 70% Danceability • 99% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Skober
Spiritual Experience
132 bpm • F# min • 04:33 • -7.46db
25% Popularity • 69% Danceability • 84% Energy • 7% Liveness
89% Instrumentalness • 21% Positiveness
25% Popularity • 69% Danceability • 84% Energy • 7% Liveness
89% Instrumentalness • 21% Positiveness
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Kaspar
Imagination
133 bpm • G# Maj • 04:59 • -6.51db
29% Popularity • 59% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
29% Popularity • 59% Danceability • 97% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Kreecher
1984 - Original Mix
131 bpm • G Maj • 04:15 • -8.68db
8% Popularity • 62% Danceability • 92% Energy • 20% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 62% Danceability • 92% Energy • 20% Liveness
90% Instrumentalness • 13% Positiveness
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Rebel Boy
Dismantle the System - Original Mix
131 bpm • F min • 04:05 • -6.49db
18% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
18% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
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Sisko Electrofanatik
Solar Rock
131 bpm • C# min • 04:34 • -8.45db
24% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
24% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Concrete Panther
Far From Human - Original Mix
131 bpm • C# Maj • 08:47 • -6.29db
8% Popularity • 64% Danceability • 89% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
8% Popularity • 64% Danceability • 89% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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Herbrido
Delta 27
133 bpm • F# min • 06:44 • -16db
29% Popularity • 73% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
29% Popularity • 73% Danceability • 60% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Mario Ochoa
Crimsom
133 bpm • F# min • 06:22 • -6.76db
23% Popularity • 67% Danceability • 90% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 67% Danceability • 90% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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LeStrange
Acid Energizer
133 bpm • C# Maj • 04:27 • -4.71db
13% Popularity • 67% Danceability • 98% Energy • 21% Liveness
89% Instrumentalness • 40% Positiveness
13% Popularity • 67% Danceability • 98% Energy • 21% Liveness
89% Instrumentalness • 40% Positiveness
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Metodi Hristov
Modern Dystopia
133 bpm • C min • 03:37 • -5.44db
17% Popularity • 60% Danceability • 89% Energy • 28% Liveness
13% Instrumentalness • 12% Positiveness
17% Popularity • 60% Danceability • 89% Energy • 28% Liveness
13% Instrumentalness • 12% Positiveness
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Driftwood.
Grey Metal
131 bpm • C# min • 02:46 • -9.04db
35% Popularity • 82% Danceability • 73% Energy • 31% Liveness
50% Instrumentalness • 61% Positiveness
35% Popularity • 82% Danceability • 73% Energy • 31% Liveness
50% Instrumentalness • 61% Positiveness
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Chris Veron
Pluto Fever
131 bpm • G Maj • 06:24 • -8.04db
35% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
35% Popularity • 80% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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DANNY AVILA
Atlantis - Original Mix
131 bpm • G Maj • 06:01 • -8.07db
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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HI-LO
OPEN YOUR MIND
133 bpm • F# min • 03:25 • -5.28db
40% Popularity • 62% Danceability • 97% Energy • 20% Liveness
74% Instrumentalness • 48% Positiveness
40% Popularity • 62% Danceability • 97% Energy • 20% Liveness
74% Instrumentalness • 48% Positiveness
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MOTVS
Automa - Original Mix
133 bpm • G Maj • 04:51 • -5.89db
9% Popularity • 66% Danceability • 96% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
9% Popularity • 66% Danceability • 96% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
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Herbrido
Robots On Acid
133 bpm • G Maj • 07:08 • -9.06db
16% Popularity • 79% Danceability • 71% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
16% Popularity • 79% Danceability • 71% Energy • 11% Liveness
85% Instrumentalness • 41% Positiveness
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Advokate
Indication
133 bpm • F# min • 03:30 • -4.12db
8% Popularity • 66% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 40% Positiveness
8% Popularity • 66% Danceability • 97% Energy • 10% Liveness
78% Instrumentalness • 40% Positiveness
