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Good Girl
Songs like
Good Girl
by
Carrie Underwood
Based on a tempo of (+/- 10%) and a similar genre
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Lonestar
Walking In Memphis
129 bpm • C Maj • 04:17 • -5.18db
47% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Carrie Underwood
Good Girl
129 bpm • C min • 03:25 • -2.85db
59% Popularity • 62% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Sugarland
Little Miss
129 bpm • B Maj • 04:31 • -4db
40% Popularity • 35% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Underwood
Renegade Runaway
128 bpm • F# min • 03:39 • -4db
39% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
63% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Kellie Pickler
Best Days of Your Life
128 bpm • A Maj • 03:46 • -5db
48% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Aldean
Dirt Road Anthem
127 bpm • D Maj • 03:49 • -5.06db
73% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Martina McBride
This One's for the Girls
127 bpm • G# Maj • 04:03 • -4.43db
59% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
66% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Chicks
There's Your Trouble
127 bpm • D Maj • 03:13 • -5.43db
63% Popularity • 74% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Keith Urban
The Fighter
132 bpm • B min • 03:04 • -5.17db
49% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Jason Aldean
You Make It Easy
132 bpm • G Maj • 03:13 • -5.3db
73% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Shania Twain
Whose Bed Have Your Boots Been Under? - ...
132 bpm • A# Maj • 04:01 • -3.04db
57% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Scotty McCreery
The Trouble With Girls
132 bpm • A# Maj • 03:49 • -7.27db
46% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Pistol Annies
Hell on Heels
132 bpm • F# Maj • 03:14 • -5.83db
56% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lonestar
I'm Already There
133 bpm • D# Maj • 04:13 • -8.62db
56% Popularity • 38% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Martina McBride
My Baby Loves Me
125 bpm • B Maj • 02:34 • -5db
47% Popularity • 72% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Shania Twain
Man! I Feel Like A Woman!
125 bpm • A# Maj • 03:53 • -3.34db
73% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Reba McEntire
Because Of You
134 bpm • G Maj • 03:43 • -5.76db
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Carrie Underwood
Wine After Whiskey
134 bpm • C# Maj • 03:51 • -2.95db
34% Popularity • 44% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
63% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Shania Twain
I'm Gonna Getcha Good
124 bpm • C# Maj • 04:29 • -4.81db
59% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Reba McEntire
Going Out Like That
124 bpm • F# Maj • 03:42 • -4.73db
48% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Carrie Underwood
All-American Girl
124 bpm • A Maj • 03:32 • -2.63db
61% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
62% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
54% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Cole Swindell
She Had Me At Heads Carolina
135 bpm • G# Maj • 03:26 • -3.45db
74% Popularity • 61% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Love Wins
135 bpm • G Maj • 03:48 • -4.7db
44% Popularity • 52% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Reba McEntire
Turn On The Radio
123 bpm • B Maj • 03:35 • -3.77db
47% Popularity • 60% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Chicks
Goodbye Earl
123 bpm • C Maj • 04:18 • -7.38db
64% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
67% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
60% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Aldean
Burnin' It Down
136 bpm • F# Maj • 03:39 • -6.65db
65% Popularity • 68% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Hunt
Break Up In A Small Town
136 bpm • G# Maj • 03:49 • -5.37db
66% Popularity • 58% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Florida Georgia Line
Dirt
122 bpm • D Maj • 03:50 • -4.22db
60% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
68% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
42% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Carrie Underwood
Blown Away
137 bpm • A min • 04:00 • -2.57db
62% Popularity • 53% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Aldean
Big Green Tractor
137 bpm • E Maj • 03:24 • -5.01db
67% Popularity • 62% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Little Big Town
Your Side Of The Bed
138 bpm • F Maj • 03:41 • -8db
18% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Carly Pearce
What He Didn't Do
138 bpm • A Maj • 03:11 • -5.93db
70% Popularity • 63% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kellie Pickler
Didn't You Know How Much I Loved You
138 bpm • A Maj • 04:45 • -4.7db
38% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Jo Dee Messina
Bring On The Rain
138 bpm • F Maj • 04:00 • -7.25db
50% Popularity • 47% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Two Black Cadillacs
120 bpm • F min • 04:57 • -4.47db
56% Popularity • 56% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Kelsea Ballerini
HEARTFIRST
120 bpm • C Maj • 03:07 • -5db
55% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
52% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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The Chicks
I Can Love You Better
120 bpm • A Maj • 03:53 • -5db
52% Popularity • 79% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Carrie Underwood
Cowboy Casanova
120 bpm • F Maj • 03:56 • -2.53db
61% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
60% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lady A
Love Don't Live Here
140 bpm • C# Maj • 03:50 • -3.83db
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Carrie Underwood
Two Black Cadillacs / Jolene (Dee Jay Si...
120 bpm • F min • 04:12 • -3.36db
26% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
60% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Cam
Burning House
141 bpm • C Maj • 03:51 • -8db
64% Popularity • 73% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lainey Wilson
Heart Like A Truck
140 bpm • A Maj • 03:19 • -5.42db
74% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Lady A
Dancin' Away With My Heart
140 bpm • E Maj • 03:52 • -5.42db
50% Popularity • 57% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Young
Tomorrow
142 bpm • B Maj • 03:40 • -5.77db
62% Popularity • 44% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Carrie Underwood
Cry Pretty
140 bpm • F# Maj • 04:07 • -3.36db
46% Popularity • 37% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Lee Ann Womack
I'll Think Of A Reason Later
142 bpm • D# Maj • 03:38 • -6db
50% Popularity • 59% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Miranda Lambert
Crazy Ex-Girlfriend
117 bpm • C Maj • 03:07 • -3.44db
47% Popularity • 68% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Good Girl