Songs like Good Girl by Catherine Lacovara
Based on a tempo of (+/- 10%) and a similar genre
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Catherine Lacovara
Good Girl
129 bpm • C min • 03:26 • -3.35db
0% Popularity • 65% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 65% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Mieka Pauley
Devil's Got My Secret
128 bpm • C Maj • 04:35 • -10db
7% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bell
Could You Be Home
130 bpm • F Maj • 03:58 • -11.96db
14% Popularity • 66% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 66% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Sinead Burgess
Outlaw
130 bpm • E min • 03:15 • -5.37db
10% Popularity • 52% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 14% Positiveness
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Jenny Bishop
In Your Eyes
130 bpm • E min • 04:50 • -7.55db
8% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ms Triniti
Hit U Wit My Selfie
128 bpm • G Maj • 03:04 • -6.65db
11% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 62% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Losers
This Is a War - Radio Edit
130 bpm • B Maj • 03:59 • -6.68db
13% Popularity • 57% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
13% Popularity • 57% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Isabella 'Machine' Summers
Was It Love? - Taken From The Television...
128 bpm • A min • 02:51 • -4.26db
26% Popularity • 56% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 56% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Katy Perry
The One That Got Away - Mixin Marc & Ton...
130 bpm • E Maj • 05:44 • -5.1db
18% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Céline Dion
Ashes - Steve Aoki Deadpool Demix
128 bpm • F min • 03:30 • -3.99db
36% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 65% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Elms District
Journey On
130 bpm • C Maj • 05:17 • -7db
30% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Aurah
Awake Again
130 bpm • G Maj • 03:43 • -13db
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Frankee
F.U.R.B. (F U Right Back) - House Mix
130 bpm • C# Maj • 07:43 • -4.44db
7% Popularity • 64% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
7% Popularity • 64% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
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Merry Ellen Kirk
Save Me
130 bpm • D# min • 03:48 • -8.57db
9% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Grooveloverz
It's a Fine Day - Hoshi Extended Mix
128 bpm • D Maj • 06:45 • -9.13db
11% Popularity • 64% Danceability • 68% Energy • 6% Liveness
27% Instrumentalness • 84% Positiveness
11% Popularity • 64% Danceability • 68% Energy • 6% Liveness
27% Instrumentalness • 84% Positiveness
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Anahit
Comfortably Numb
128 bpm • C# Maj • 05:28 • -7.04db
13% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Decay
Superstar - Bodybangers Radio Edit
128 bpm • C# min • 03:25 • -3.06db
9% Popularity • 63% Danceability • 91% Energy • 62% Liveness
82% Instrumentalness • 63% Positiveness
9% Popularity • 63% Danceability • 91% Energy • 62% Liveness
82% Instrumentalness • 63% Positiveness
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JB 333
Back Of My Mind
128 bpm • D# Maj • 04:07 • -8.4db
17% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Walters
All at Sea
128 bpm • A# Maj • 03:17 • -9.21db
15% Popularity • 49% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 49% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Julia Othmer
Pull Me Back
128 bpm • G# min • 03:55 • -12.16db
10% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cyndi Lauper
Fearless
130 bpm • A# Maj • 03:57 • -10db
29% Popularity • 40% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 40% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Rua
Fire & Lies
131 bpm • G min • 02:59 • -5.11db
9% Popularity • 73% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 73% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Rosa Pullman
Daydreaming
131 bpm • B min • 04:10 • -11.61db
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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![Lean on Me (Epic Stripped Version) [feat. Sizzy Rocket] cover art](https://i.scdn.co/image/ab67616d00001e0201de8a06b8ea0fb2fa6521c4)
J2
Lean on Me (Epic Stripped Version)
130 bpm • C# Maj • 03:12 • -11.46db
9% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Blake Lively
In Our Dreams
127 bpm • D min • 01:38 • -17db
26% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
26% Popularity • 54% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Jeremy Adamiak
Bird in Flight
131 bpm • D# Maj • 05:24 • -12db
10% Popularity • 53% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 53% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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Tara Lee
If I Burn (You Burn Too)
131 bpm • B min • 04:38 • -9.89db
11% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rosie Doonan
Feel Love
127 bpm • F# Maj • 03:56 • -11.68db
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
20% Popularity • 60% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Mike Reed
Addicted to You
127 bpm • A min • 03:25 • -7.67db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Amber
Sexual (Li Da Di) - Ripe & Juicy Club Mi...
131 bpm • E min • 05:41 • -6.8db
9% Popularity • 65% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 61% Positiveness
9% Popularity • 65% Danceability • 90% Energy • 33% Liveness
7% Instrumentalness • 61% Positiveness
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Jared Lutes
I Am Overcome
127 bpm • D Maj • 03:37 • -8.82db
17% Popularity • 61% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 61% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Sacred Spirit
Yeha-Noha (Wishes Of Happiness And Prosp...
127 bpm • B min • 07:07 • -10.07db
11% Popularity • 76% Danceability • 80% Energy • 7% Liveness
46% Instrumentalness • 45% Positiveness
11% Popularity • 76% Danceability • 80% Energy • 7% Liveness
46% Instrumentalness • 45% Positiveness
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Allie Farris
Talk to Me
131 bpm • B Maj • 03:03 • -10.8db
9% Popularity • 39% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 39% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Second Day Red
We've Had Enough
132 bpm • G Maj • 03:31 • -6.37db
8% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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J.R. Richards
Clearwater
126 bpm • E Maj • 03:22 • -7.3db
15% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 60% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Antigone Rising
Everywhere Is Home
126 bpm • A# min • 03:32 • -5.71db
8% Popularity • 56% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 56% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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Jason Walker
When the Lights Go Down
132 bpm • G Maj • 03:49 • -7.42db
16% Popularity • 45% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 45% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Richard 'Jah' Ace & Sons of Ace
Is This Love
126 bpm • F# min • 04:03 • -5.87db
10% Popularity • 81% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 81% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Sarina Haggarty
Meant To Be
126 bpm • A# min • 03:30 • -11.48db
13% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ondray
Escalate
126 bpm • D# Maj • 02:55 • -5db
15% Popularity • 59% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 59% Danceability • 90% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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Angela Saini
Living on the Bright Side
132 bpm • B Maj • 04:06 • -6.87db
12% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Theresa Andersson
It's Gonna Be OK
126 bpm • D Maj • 04:32 • -6.4db
8% Popularity • 61% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 61% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Audio Bullys
Shot You Down - Lee Cabrera 'Lower East ...
126 bpm • C Maj • 06:46 • -3.35db
12% Popularity • 73% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 23% Positiveness
12% Popularity • 73% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 23% Positiveness
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Dan Fogelberg
Leader Of The Band
126 bpm • G Maj • 04:53 • -15.23db
21% Popularity • 54% Danceability • 13% Energy • 98% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 54% Danceability • 13% Energy • 98% Liveness
0% Instrumentalness • 25% Positiveness
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Dalú
Different Girls
125 bpm • F min • 03:34 • -10.18db
8% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Congratulationz
They
133 bpm • G min • 03:00 • -7.78db
13% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Cajsa Siik
Follow You Down
133 bpm • D Maj • 03:44 • -12.43db
17% Popularity • 46% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 15% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 15% Positiveness
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Jessica Aurora
When You Came Around
133 bpm • C# min • 03:01 • -10.28db
9% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Pat Benatar
Dancing Through The Wreckage
125 bpm • C Maj • 04:04 • -5.8db
11% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 52% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Andrea Louro & Marcos Vázquez
Radio Nowhere
125 bpm • B min • 03:30 • -5.38db
12% Popularity • 76% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 76% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Emmy Rich
My Number
125 bpm • D Maj • 02:42 • -8db
20% Popularity • 81% Danceability • 70% Energy • 34% Liveness
1% Instrumentalness • 18% Positiveness
20% Popularity • 81% Danceability • 70% Energy • 34% Liveness
1% Instrumentalness • 18% Positiveness
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Gresby Race Nash
The One Exceptions
125 bpm • G# Maj • 02:48 • -12db
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
18% Popularity • 45% Danceability • 47% Energy • 5% Liveness
15% Instrumentalness • 11% Positiveness
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Madonna
Hung Up - MDNA World Tour / Live 2012
125 bpm • D Maj • 03:47 • -5db
28% Popularity • 60% Danceability • 88% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 60% Danceability • 88% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
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Fabio Venturella
Too late for
125 bpm • E Maj • 04:37 • -11.78db
13% Popularity • 66% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 66% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 35% Positiveness
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Natalia Safran
Daylight
134 bpm • C# min • 06:31 • -6.62db
17% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 38% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Mina Tank
I'll Stand by You
134 bpm • G Maj • 03:58 • -8.86db
10% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Duncan Sheik
Half-Life - Radio Edit
134 bpm • F Maj • 03:31 • -6.62db
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Kathryn Gallagher
Damaged
134 bpm • F Maj • 04:36 • -10.65db
8% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah Smith
Shine Bright
134 bpm • B Maj • 04:00 • -8db
8% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Paula Cole
Be Somebody
134 bpm • E Maj • 05:15 • -9.86db
17% Popularity • 65% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 65% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Koiter
Amanda's Song (C.M. Version)
124 bpm • G Maj • 03:13 • -14db
24% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Taryn Southern
Break Free
134 bpm • D min • 02:55 • -5.5db
12% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Trapper
If You're Still There
124 bpm • E Maj • 04:26 • -9.26db
28% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 47% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Em Rossi
Young Hearts
124 bpm • G# Maj • 03:59 • -6db
9% Popularity • 60% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Lively
Double Dutch
135 bpm • F Maj • 01:22 • -17db
14% Popularity • 58% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 58% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Kon Kan
I Beg Your Pardon (I Never Promised You ...
135 bpm • A Maj • 05:14 • -12db
11% Popularity • 78% Danceability • 60% Energy • 8% Liveness
46% Instrumentalness • 83% Positiveness
11% Popularity • 78% Danceability • 60% Energy • 8% Liveness
46% Instrumentalness • 83% Positiveness
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Beverly Mahood
I Hope You Dance
135 bpm • F Maj • 04:18 • -16.51db
8% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Koiter
Amanda's Song
135 bpm • G# Maj • 03:33 • -12.27db
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Windows to Sky
Rowboat, Sometimes
136 bpm • C Maj • 04:08 • -10.93db
15% Popularity • 50% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 50% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 11% Positiveness
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Mary Beth Maziarz
Souvenirs
136 bpm • G Maj • 04:28 • -15.46db
7% Popularity • 34% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Cherisha Heart
Childhood
136 bpm • D Maj • 04:04 • -9.82db
12% Popularity • 41% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
12% Popularity • 41% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Secret Babies
Make A Wish On Whispered Stars - Origina...
136 bpm • G Maj • 04:11 • -12db
9% Popularity • 63% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
9% Popularity • 63% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 56% Positiveness
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Right Said Fred
I'm Too Sexy - Italian Version
122 bpm • F# min • 02:51 • -11.99db
17% Popularity • 63% Danceability • 75% Energy • 30% Liveness
50% Instrumentalness • 84% Positiveness
17% Popularity • 63% Danceability • 75% Energy • 30% Liveness
50% Instrumentalness • 84% Positiveness
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Good Charlotte
Girls & Boys - Take 40 Live Lounge Versi...
122 bpm • D Maj • 03:17 • -8.42db
9% Popularity • 67% Danceability • 64% Energy • 34% Liveness
16% Instrumentalness • 55% Positiveness
9% Popularity • 67% Danceability • 64% Energy • 34% Liveness
16% Instrumentalness • 55% Positiveness
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Carey Moore
I Love How You Laugh
122 bpm • F# Maj • 03:25 • -10.82db
9% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 50% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Audrey Assad
Wish You Were Here
122 bpm • C Maj • 05:10 • -11.3db
22% Popularity • 36% Danceability • 45% Energy • 35% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 36% Danceability • 45% Energy • 35% Liveness
2% Instrumentalness • 26% Positiveness
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Elina Levin
Addicted
122 bpm • C Maj • 04:12 • -9.76db
20% Popularity • 65% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
20% Popularity • 65% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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Alex Kaye Black
Into Darkness
122 bpm • G min • 04:34 • -9.99db
11% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Galia Arad
Hope It Was Worth It
122 bpm • C Maj • 05:30 • -5.71db
22% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Altitude Music
It's You
136 bpm • C# min • 02:42 • -9db
25% Popularity • 60% Danceability • 43% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
25% Popularity • 60% Danceability • 43% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Elvin Hawks
For The First Time
136 bpm • A# Maj • 02:26 • -7.18db
10% Popularity • 56% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 56% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Madilyn Paige
Sorry
136 bpm • G# Maj • 03:43 • -11.33db
8% Popularity • 41% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 41% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Catherine Lacovara
I Won't Give Up
137 bpm • E Maj • 04:06 • -4.86db
0% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Madison Davenport
Monsters
137 bpm • C Maj • 03:04 • -7.86db
11% Popularity • 51% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 51% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Markeece Jones
Up Down Bhad
137 bpm • F# Maj • 02:15 • -8.3db
24% Popularity • 54% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 54% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Jenny Bishop
Meet Me In The Middle
121 bpm • E min • 05:03 • -11.3db
9% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Quinn Archer
Dark Places
121 bpm • F min • 03:35 • -8.53db
13% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Dala
Good as Gold
137 bpm • A Maj • 03:54 • -11.91db
11% Popularity • 37% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 37% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Catherine Lacovara
Blown Away
137 bpm • G Maj • 04:01 • -5.03db
0% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 61% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Emily Wells
I'm No Heroine
137 bpm • C Maj • 06:37 • -11.47db
17% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Heather Maloney
Nightstand Drawer
138 bpm • C# Maj • 03:55 • -9.06db
10% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Bear McCreary
Ooh Child
138 bpm • F Maj • 04:04 • -18.28db
11% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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McKenna Medley
California Dreamin'
121 bpm • E min • 04:43 • -10.53db
9% Popularity • 46% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 46% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Maya Orr
My Child
121 bpm • C# min • 04:08 • -16.31db
12% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 70% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Catherine Lacovara
The Only Exception
138 bpm • E Maj • 04:25 • -6.57db
0% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Red Alpha
Think About It
138 bpm • F Maj • 04:12 • -7.83db
9% Popularity • 60% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 60% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Extreme Music
What’s Gone Will Never Leave
138 bpm • E Maj • 03:56 • -10.32db
8% Popularity • 50% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 10% Liveness
75% Instrumentalness • 12% Positiveness
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Whim
Okay
138 bpm • B Maj • 01:46 • -14.61db
14% Popularity • 65% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
14% Popularity • 65% Danceability • 21% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
