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Good Lord - Acoustic
Songs like
Good Lord - Acoustic
by
Birds Of Tokyo
Based on a tempo of (+/- 10%) and a similar genre
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Callum Beattie
Nothing Hurts Like You
78 bpm • D Maj • 03:19 • -7db
15% Popularity • 59% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Coronas
A Bit Withdrawn
78 bpm • G Maj • 03:54 • -10.98db
24% Popularity • 45% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bernard Fanning
Hope And Validation
78 bpm • E Maj • 03:09 • -6db
34% Popularity • 54% Danceability • 65% Energy • 44% Liveness
8% Instrumentalness • 38% Positiveness
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Tom Grennan
Silhouette - Demo
78 bpm • B min • 03:53 • -6.03db
30% Popularity • 68% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Powderfinger
These Days - One Night Lonely
78 bpm • A Maj • 05:11 • -8db
19% Popularity • 37% Danceability • 50% Energy • 7% Liveness
3% Instrumentalness • 30% Positiveness
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Birds Of Tokyo
Good Lord - Acoustic
78 bpm • C Maj • 03:27 • -7.83db
24% Popularity • 59% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Watson
meant for me
78 bpm • B Maj • 03:09 • -9db
16% Popularity • 51% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Sonny Tennet
Sweet Dreams
78 bpm • C Maj • 03:44 • -11.41db
35% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
40% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Taylor Henderson
One Crowded Hour
77 bpm • A Maj • 03:36 • -3.54db
15% Popularity • 24% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gretta Ray
Time
79 bpm • D Maj • 03:49 • -10db
26% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Birds Of Tokyo
Circles
79 bpm • D min • 04:20 • -7.6db
34% Popularity • 45% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 22% Positiveness
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Eves Karydas
Further Than The Planes Fly - Acoustic
77 bpm • F# Maj • 03:14 • -7.26db
11% Popularity • 78% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Opshop
No Ordinary Thing
77 bpm • E min • 05:27 • -4.87db
31% Popularity • 51% Danceability • 63% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Bernard Fanning
Thrill Is Gone
79 bpm • F Maj • 03:11 • -7db
37% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Dermot Kennedy
Power Over Me - Orchestral Version
80 bpm • A min • 03:37 • -5.48db
33% Popularity • 21% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Keywest
Everything Has Changed
80 bpm • F# Maj • 04:02 • -10.65db
32% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Daniel Shaw
Love
76 bpm • A Maj • 03:52 • -12db
16% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Eves Karydas
There For You - Acoustic
80 bpm • C# min • 03:51 • -5.25db
10% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Lior
Real Love
80 bpm • A Maj • 03:11 • -12.7db
30% Popularity • 73% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bernard Fanning
Reckless
76 bpm • F# Maj • 03:36 • -5db
34% Popularity • 48% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Dermot Kennedy
Glory - Recorded At RAK Studios, London
76 bpm • B min • 03:40 • -7.28db
33% Popularity • 52% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Daniel Champagne
A Bird of Paradise
80 bpm • F min • 02:44 • -9.22db
22% Popularity • 60% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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O.A.R.
All Because of You
80 bpm • C# min • 03:33 • -8.42db
33% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Frenchy & The Talent
Ode To My Missus
80 bpm • D Maj • 03:34 • -5.93db
6% Popularity • 58% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Conrad Sewell
Neighbourhood
80 bpm • A Maj • 03:34 • -5.31db
15% Popularity • 59% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Amy Shark
I Said Hi - Recorded at Spotify Studios ...
76 bpm • F# Maj • 02:51 • -8.66db
25% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Coronas
LA at Night
76 bpm • A Maj • 04:03 • -5.84db
26% Popularity • 37% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Urthboy
Roll up Your Sleeves - triple j Like A V...
80 bpm • G Maj • 03:40 • -6.82db
36% Popularity • 67% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dermot Kennedy
Swim Good
81 bpm • A min • 03:59 • -14db
43% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Birds Of Tokyo
Boy
81 bpm • D# Maj • 05:00 • -13.77db
11% Popularity • 30% Danceability • 38% Energy • 11% Liveness
30% Instrumentalness • 5% Positiveness
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Conrad Sewell
Big World
76 bpm • F min • 03:55 • -5.18db
23% Popularity • 63% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bernard Fanning
Songbird
81 bpm • F# min • 02:36 • -6.97db
58% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Patrick James
Grateful
81 bpm • F Maj • 03:45 • -9.97db
7% Popularity • 59% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Jones
Heart in Danger
75 bpm • C# Maj • 03:54 • -9.01db
23% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Meg Mac
Give Me My Name Back
81 bpm • G Maj • 03:11 • -6db
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Birds Of Tokyo
Addison
81 bpm • C Maj • 03:45 • -6.34db
16% Popularity • 54% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Danny Jones
Is This Still Love - Acoustic
81 bpm • B min • 03:35 • -8.4db
27% Popularity • 77% Danceability • 41% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Kim Churchill
Weight Falls
75 bpm • G min • 03:52 • -5.84db
26% Popularity • 64% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Plested
Either You Love Me Or You Don't
81 bpm • A Maj • 03:21 • -6db
32% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Powderfinger
Nobody Sees
82 bpm • F Maj • 04:14 • -9.84db
30% Popularity • 48% Danceability • 36% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Tom Walker
The Show
82 bpm • F# Maj • 04:49 • -8.67db
32% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Birds Of Tokyo
Designed
82 bpm • A Maj • 03:14 • -7.62db
24% Popularity • 36% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ziggy Alberts
Intentions (22)
82 bpm • D Maj • 03:06 • -10.47db
40% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Amy Shark
I Said Hi
74 bpm • F# Maj • 02:50 • -4db
53% Popularity • 39% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Dermot Kennedy
The Corner - Lost In The Soft Light Sess...
74 bpm • C Maj • 03:18 • -6.65db
36% Popularity • 57% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Judah Kelly
Take You Home
74 bpm • G min • 04:22 • -5.9db
11% Popularity • 58% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Kisschasy
The Shake
82 bpm • G Maj • 04:02 • -10db
23% Popularity • 48% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Script
Run Through Walls - Orchestral Version
82 bpm • D Maj • 03:35 • -5.84db
28% Popularity • 27% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Thelma Plum
Clumsy Love - Acoustic
83 bpm • E Maj • 03:06 • -6db
19% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Lockett
Empty House - Acoustic
73 bpm • C# Maj • 02:57 • -8.87db
12% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ziggy Alberts
Intentions (22) - Acoustic
83 bpm • G Maj • 02:48 • -13.53db
21% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Kisschasy
Dinosaur
83 bpm • B Maj • 03:08 • -12db
33% Popularity • 52% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Dean Lewis
A Place We Knew
83 bpm • B Maj • 03:26 • -7.44db
47% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Grace Grundy
Put Me Back Together
73 bpm • B Maj • 02:14 • -10.45db
32% Popularity • 74% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Snow Patrol
I Think Of Home
73 bpm • D# Maj • 04:51 • -11.73db
29% Popularity • 53% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Meg Mac
Didn’t Wanna Get So Low But I Had To
84 bpm • F Maj • 03:51 • -7db
29% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Evermore
My Guiding Light
84 bpm • D# min • 04:07 • -4.63db
12% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Conrad Sewell
Unbound
84 bpm • D# Maj • 03:48 • -5.58db
12% Popularity • 39% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
56% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Keywest
This Is Heartbreak
84 bpm • D Maj • 03:12 • -8db
34% Popularity • 65% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Illy
Then What
73 bpm • E min • 03:02 • -4.7db
34% Popularity • 70% Danceability • 72% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
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Meg Mac
I’m Not Coming Back
84 bpm • A# Maj • 03:06 • -5.59db
34% Popularity • 45% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Jack River
Truly Madly Deeply - triple j Like A Ver...
84 bpm • C Maj • 04:24 • -6db
34% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Birds Of Tokyo
Dive
84 bpm • F min • 03:47 • -5.03db
26% Popularity • 58% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Conrad Sewell
Testify
72 bpm • D# min • 02:06 • -3.36db
15% Popularity • 61% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Vanessa Amorosi
Heavy Lies The Head
72 bpm • E min • 03:27 • -4.92db
11% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Powderfinger
My Happiness - Acoustic
85 bpm • C Maj • 05:00 • -6.67db
33% Popularity • 49% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Thundamentals
Everybody But You - Acoustic
85 bpm • G Maj • 03:34 • -6db
12% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Ziggy Alberts
Stronger
85 bpm • B Maj • 03:11 • -12.39db
47% Popularity • 58% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Grace Grundy
Let You Love Me
85 bpm • G# Maj • 02:22 • -7.1db
20% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Reece Mastin
Even Angels Cry
85 bpm • A# Maj • 03:41 • -8db
17% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bernard Fanning
Not Finished Just Yet
71 bpm • C Maj • 03:17 • -5.57db
37% Popularity • 53% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Birds Of Tokyo
Lanterns - Live From Spotify Australia
86 bpm • C Maj • 04:06 • -7.47db
12% Popularity • 54% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 32% Positiveness
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Dean Lewis
Let Go - Acoustic
71 bpm • A# Maj • 02:45 • -11.78db
39% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Ziggy Alberts
Stronger - Acoustic
85 bpm • F# Maj • 03:03 • -11.68db
36% Popularity • 59% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Powderfinger
My Happiness - One Night Lonely
86 bpm • C Maj • 04:38 • -5.69db
18% Popularity • 44% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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GRAACE
Last Night
86 bpm • C Maj • 03:29 • -10.28db
35% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Bernard Fanning
How Many Times?
86 bpm • A Maj • 04:18 • -6db
28% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Conrad Sewell
How to Love a Ghost
70 bpm • A min • 03:39 • -8.52db
13% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Dermot Kennedy
Redemption
87 bpm • D Maj • 03:48 • -4db
42% Popularity • 53% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Coronas
Not What You Know
87 bpm • G Maj • 03:20 • -8.26db
31% Popularity • 31% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Cooper Lee
Leave a Light On
69 bpm • F Maj • 03:03 • -8.98db
18% Popularity • 61% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
44% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
39% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Evermore
Come To Nothing
88 bpm • D# min • 04:06 • -6db
14% Popularity • 45% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Birds Of Tokyo
Anchor
88 bpm • F Maj • 03:36 • -5db
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Illy
Ausmusic Medley
88 bpm • G Maj • 05:10 • -4.79db
34% Popularity • 51% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Motor Ace
Pieces
88 bpm • D Maj • 04:07 • -3.41db
18% Popularity • 46% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Thelma Plum
Woke Blokes
88 bpm • C min • 02:34 • -9db
36% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Bernard Fanning
Isn't It A Pity
88 bpm • A min • 03:42 • -5db
29% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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X Ambassadors
Renegades - Live Session / Acoustic Vers...
88 bpm • D Maj • 03:01 • -6.49db
46% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Birds Of Tokyo
Puzzle
88 bpm • B min • 03:16 • -7.03db
20% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Clara McHugh
You + I
89 bpm • F# Maj • 03:17 • -17.75db
23% Popularity • 47% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Zed
Hard To Find Her
89 bpm • G Maj • 03:02 • -6.51db
29% Popularity • 26% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Isaac Butler
Spin You Around
89 bpm • B Maj • 04:05 • -8.01db
21% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Meg Mac
Shiny Bright
90 bpm • B Maj • 03:20 • -7.78db
16% Popularity • 65% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Birds Of Tokyo
Rose (Acoustic Version)
88 bpm • F Maj • 03:10 • -9.08db
11% Popularity • 53% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Good Lord - Acoustic