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Good Thing
Songs like
Good Thing
by
Suriel Hess
Based on a tempo of (+/- 10%) and a similar genre
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Neptune
Broken
100 bpm • C# Maj • 02:31 • -13.13db
33% Popularity • 75% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
53% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Hood
neon skies
100 bpm • E min • 02:31 • -7.62db
47% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Will Linley
i don't wanna be yours
100 bpm • F# Maj • 02:39 • -4.4db
40% Popularity • 82% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Mokita
Don't Leave the Light On
100 bpm • G Maj • 02:29 • -5.63db
51% Popularity • 85% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Zac Greer
crazy
100 bpm • F min • 02:37 • -6.25db
44% Popularity • 69% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Alexander 23
Girl
100 bpm • F min • 02:01 • -5.34db
53% Popularity • 93% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Neptune
I Hate Goodbyes
100 bpm • B Maj • 03:09 • -9.92db
41% Popularity • 63% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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New Rules
Really Wanna Dance With You
100 bpm • B Maj • 02:38 • -5.73db
49% Popularity • 69% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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RYYZN
Out in the City
100 bpm • G Maj • 02:19 • -6.05db
35% Popularity • 84% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Ryan Mack
Sad Fuck
100 bpm • F min • 02:08 • -6.25db
60% Popularity • 82% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Caleb Hearn
Best Part of Me
100 bpm • C Maj • 02:19 • -9db
54% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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X Lovers
Haunt You
101 bpm • D# Maj • 02:47 • -7.66db
39% Popularity • 58% Danceability • 53% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
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Anson Seabra
Kryptonite
101 bpm • G Maj • 03:03 • -6.85db
47% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Neptune
Shut Up I Love U
99 bpm • C# min • 02:38 • -10db
43% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
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John K
cheap sunglasses
99 bpm • G# Maj • 03:19 • -5.89db
50% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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We Three
Bad at Love
101 bpm • G Maj • 02:49 • -6db
39% Popularity • 62% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Sam MacPherson
Start
99 bpm • C Maj • 02:44 • -6.93db
41% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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elijah woods
almost happy
99 bpm • G# Maj • 02:17 • -9.53db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
57% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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John K
nothing with you
99 bpm • C# min • 02:18 • -7.65db
37% Popularity • 88% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Maximillian
On My Mind
98 bpm • F min • 02:54 • -6.76db
52% Popularity • 76% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
63% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Abe Parker
Stupid Face
102 bpm • A# Maj • 02:47 • -5.59db
42% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Max Drazen
Let Me Down Slow
98 bpm • E Maj • 02:58 • -5.85db
48% Popularity • 74% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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AMAG
Fill in the Blanks
98 bpm • C min • 02:10 • -9db
57% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Mykyl
Wrong Direction
102 bpm • A Maj • 02:33 • -8.84db
53% Popularity • 76% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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ehren
WHEN WE WERE 17
98 bpm • G# Maj • 03:32 • -8.04db
35% Popularity • 75% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Rory Webley
Something Super Sweet
102 bpm • C Maj • 02:52 • -9.68db
55% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
63% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Mack
Sleepyhead
102 bpm • F# Maj • 02:06 • -7.45db
58% Popularity • 81% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Vwillz
Overboard
102 bpm • B Maj • 02:30 • -8db
47% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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vaultboy
disaster
98 bpm • A# Maj • 02:28 • -7.51db
52% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Captain Cuts
Stuck In My Head
102 bpm • D# Maj • 02:41 • -5.24db
34% Popularity • 58% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Suriel Hess
Overthinking
98 bpm • F Maj • 02:30 • -6.94db
42% Popularity • 73% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Camylio
sometimes
103 bpm • C# Maj • 02:36 • -8.73db
54% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Mack
Sofa
98 bpm • D Maj • 02:52 • -7.37db
39% Popularity • 80% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Alfie Jukes
that was quick!
97 bpm • G min • 02:46 • -14.24db
38% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Cassette Tapes
Someone Better
97 bpm • A# Maj • 02:33 • -11.69db
32% Popularity • 86% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Chris James
The Race
103 bpm • G# Maj • 02:21 • -5.82db
60% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Caleb Hearn
Friend Right Now
103 bpm • E min • 02:33 • -9.89db
37% Popularity • 70% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Frawley
Middle Of Nowhere
103 bpm • E Maj • 02:33 • -6db
45% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Neptune
three sixty five
97 bpm • C# Maj • 02:36 • -19.12db
41% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
53% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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New Rules
Love You Like That
104 bpm • E Maj • 02:24 • -4.51db
39% Popularity • 75% Danceability • 74% Energy • 20% Liveness
5% Instrumentalness • 93% Positiveness
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Chris James
Enjoy The Weather
97 bpm • G# Maj • 02:30 • -8.03db
31% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
54% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Group Project
Sushi Date
104 bpm • D Maj • 03:21 • -7.42db
30% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Francis Karel
Two Spaces in Between
104 bpm • G min • 03:03 • -5.88db
24% Popularity • 77% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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will hyde
misfit.
104 bpm • D Maj • 02:29 • -9.46db
47% Popularity • 82% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
46% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Chris James
Don't Forget About Me
104 bpm • C# min • 03:26 • -11.85db
38% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Suriel Hess
late nights and lonely
96 bpm • D Maj • 02:32 • -7db
56% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Braden Bales
Mr. HYDE
104 bpm • A# Maj • 02:10 • -6.08db
39% Popularity • 77% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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clide
ALLERGIC
96 bpm • B Maj • 02:35 • -7.8db
53% Popularity • 61% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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elijah woods
lights
96 bpm • F# min • 02:54 • -8.01db
45% Popularity • 54% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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GRAHAM
Graduate
96 bpm • F# Maj • 02:05 • -8.34db
59% Popularity • 85% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Chris James
Heaven or Hell
96 bpm • D Maj • 02:22 • -6.86db
45% Popularity • 71% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Anson Seabra
Broken Boy
96 bpm • D min • 02:17 • -5.9db
40% Popularity • 77% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Benson Boone
NIGHTS LIKE THESE
96 bpm • G min • 02:52 • -6.02db
73% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Provencial
LOVE YOU FOR TODAY
96 bpm • A# Maj • 02:28 • -7.32db
32% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Zach Hood
30
96 bpm • G Maj • 02:30 • -7db
42% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Suriel Hess
Sick of You
96 bpm • G Maj • 02:32 • -8.95db
55% Popularity • 57% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Mokita
Ready Yet
105 bpm • G# Maj • 02:32 • -8db
55% Popularity • 79% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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clide
can't give back your love
105 bpm • B Maj • 02:44 • -10.07db
39% Popularity • 58% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mark Ambor
The Long Way
105 bpm • E Maj • 02:15 • -3.86db
53% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Jordie Ireland
Bad Days
105 bpm • A Maj • 02:42 • -4.75db
31% Popularity • 75% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Suriel Hess
Felt This Way
105 bpm • B Maj • 02:56 • -10db
31% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Mack
She Wins, I Lose
105 bpm • D Maj • 02:57 • -6db
41% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Joseph Tilley
Nothing to Prove
105 bpm • G Maj • 01:56 • -9db
44% Popularity • 78% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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MICO
make me leave
105 bpm • G min • 02:18 • -8.38db
35% Popularity • 74% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Noah Kahan
Pride
105 bpm • C Maj • 02:49 • -6.39db
60% Popularity • 84% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Joshua Golden
Violets
95 bpm • A min • 01:55 • -6.15db
54% Popularity • 57% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Valley
Oh shit…are we in love?
95 bpm • F# Maj • 02:35 • -6.34db
57% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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JXN
love sux
95 bpm • G# min • 02:24 • -5.34db
40% Popularity • 78% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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nobody likes you pat
i hate all my friends (sometimes)
95 bpm • F# Maj • 03:04 • -3.01db
25% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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david hugo
9teen
95 bpm • F# Maj • 02:40 • -7.82db
32% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Rachel Bochner
Purple
95 bpm • B Maj • 02:53 • -6.84db
30% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Caryl
Tears Come From The Heart
95 bpm • D Maj • 03:29 • -15.31db
42% Popularity • 72% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Nightly
Lose My Number
95 bpm • E min • 02:23 • -4.51db
34% Popularity • 78% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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elijah woods
first night
95 bpm • G# Maj • 02:59 • -7.06db
54% Popularity • 71% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Conor Matthews
Drunk
95 bpm • C Maj • 02:16 • -7.06db
31% Popularity • 79% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Suriel Hess
Don't Wanna Know
106 bpm • G Maj • 02:58 • -8db
45% Popularity • 67% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
61% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Francis Karel
Like All My Friends
106 bpm • G Maj • 03:07 • -8db
46% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
59% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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elijah woods
ilu
106 bpm • G Maj • 02:49 • -5.86db
60% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Chri$tian Gate$
Nomad
94 bpm • B min • 02:09 • -9db
48% Popularity • 80% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Heather Sommer
sometimes
107 bpm • A Maj • 02:43 • -8.72db
51% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Mack
Perfect on Me
107 bpm • C Maj • 02:44 • -9db
41% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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vaultboy
ghost stories
107 bpm • A# min • 02:44 • -5db
39% Popularity • 49% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Mark Ambor
Don't You Worry
93 bpm • G Maj • 02:42 • -7.08db
55% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Good Thing