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Good Thing
Songs like
Good Thing
by
Mitchell Tenpenny
Based on a tempo of (+/- 10%) and a similar genre
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Mitchell Tenpenny
Good Thing
137 bpm • B Maj • 02:45 • -4.98db
44% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tenille Arts
Jealous of Myself
138 bpm • C Maj • 03:26 • -4.23db
41% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dalton Dover
You Got a Small Town
136 bpm • G# Maj • 02:59 • -4.26db
46% Popularity • 43% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Ashley Cooke
shot in the dark
138 bpm • G# Maj • 02:53 • -5.8db
38% Popularity • 56% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler Braden
Love Is a Dead End Road
138 bpm • E Maj • 03:15 • -6db
37% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Drew Green
Cold Beer and Copenhagen
138 bpm • E Maj • 03:12 • -4.64db
31% Popularity • 62% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Langston
If You Want Love
138 bpm • A min • 03:24 • -7.32db
44% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Tenille Arts
Growing Old Young
138 bpm • D Maj • 03:26 • -5.71db
34% Popularity • 58% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Dalton Dover
Giving Up On That
138 bpm • D# Maj • 03:31 • -4.41db
51% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bailey Zimmerman
Trainwreck
138 bpm • G Maj • 03:30 • -6db
56% Popularity • 51% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Canaan Cox
Hate Me More
138 bpm • C# Maj • 02:40 • -6.63db
48% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Denning
Goodyears
136 bpm • F# Maj • 03:34 • -5.06db
37% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Grow
Staying Over
136 bpm • E min • 03:32 • -3.89db
45% Popularity • 50% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Griffin
Love Don't
138 bpm • F# Maj • 03:15 • -5.31db
40% Popularity • 59% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Schuster
Haunted House
138 bpm • D# Maj • 03:23 • -7db
44% Popularity • 60% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Dalton Dover
With All the Memories
136 bpm • F# min • 03:14 • -4.41db
40% Popularity • 57% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Green
The Rest of Our Lives
138 bpm • D Maj • 03:14 • -5.4db
47% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Mitchell Tenpenny
Long as You Let Me
136 bpm • C Maj • 03:43 • -6.69db
40% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Marlowe
Why'd We Break Up Again
136 bpm • C Maj • 02:49 • -3.46db
41% Popularity • 49% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Ian Munsick
Dig
136 bpm • D# Maj • 03:45 • -4db
48% Popularity • 51% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Riggs
Don't Stop Now
139 bpm • C Maj • 02:51 • -4.87db
40% Popularity • 57% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Dalton Dover
Hear About a Girl
138 bpm • A# Maj • 03:08 • -4.08db
35% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler Rich
Still Love You
135 bpm • D Maj • 03:00 • -5.53db
34% Popularity • 69% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Grow
The Blame
140 bpm • C# Maj • 03:10 • -6.57db
47% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Marlowe
Grew Up Country
140 bpm • F# Maj • 03:16 • -4.78db
43% Popularity • 51% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Erin Kinsey
Vegas
135 bpm • C# Maj • 03:13 • -3.6db
40% Popularity • 51% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Sam Riggs
Until the Stars Burn Out
140 bpm • C# Maj • 03:15 • -5.13db
30% Popularity • 57% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Young
Rescue Me
140 bpm • E Maj • 03:18 • -4.73db
35% Popularity • 58% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Kidd G
Dirt Road (Remix)
140 bpm • G# Maj • 02:35 • -3.99db
44% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Morgan Wallen
Your Bartender
140 bpm • E Maj • 03:05 • -5.24db
66% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Marlowe
Record High
140 bpm • C# Maj • 03:28 • -5.32db
57% Popularity • 53% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Stell
Prayed For You - Wedding Version
140 bpm • A Maj • 03:25 • -5.67db
44% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Grow
This Town
140 bpm • E Maj • 02:49 • -4.42db
40% Popularity • 54% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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CHASE WRIGHT
My Kinda Morning
140 bpm • B Maj • 02:47 • -7db
38% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Orange And White
140 bpm • E Maj • 03:29 • -3.24db
48% Popularity • 53% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Dylan Scott
Livin' My Best Life
140 bpm • G Maj • 03:22 • -3.68db
52% Popularity • 60% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Restless Road
One Step Ahead
140 bpm • C# Maj • 03:16 • -4.1db
37% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Priscilla Block
Ever Since You Left
140 bpm • E Maj • 02:44 • -3db
40% Popularity • 61% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Dylan Schneider
You Heard Wrong
140 bpm • G# Maj • 03:37 • -5.41db
41% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Cole Swindell
Never Say Never
140 bpm • C min • 02:56 • -4.03db
60% Popularity • 47% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
50% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mitchell Tenpenny
Horseshoes and Hand Grenades
140 bpm • E Maj • 03:31 • -5.05db
32% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Hunt
Water Under The Bridge
134 bpm • F Maj • 02:49 • -2.7db
63% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Priscilla Block
Couple Spring Breaks Back
140 bpm • A# Maj • 03:11 • -4db
36% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Matt Schuster
Who Are You Kidding?
140 bpm • B Maj • 03:27 • -6.39db
50% Popularity • 53% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Grow
Over Me By Now
133 bpm • F# Maj • 02:41 • -3.15db
46% Popularity • 48% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Hurd
If I Had Two Hearts
142 bpm • F# Maj • 03:29 • -6db
33% Popularity • 65% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Mitchell Tenpenny
She Hates Me Too
141 bpm • A# Maj • 03:41 • -5.08db
36% Popularity • 52% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Young
Break Like You Do
142 bpm • A Maj • 03:16 • -4.5db
31% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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David J
Once
142 bpm • A Maj • 03:05 • -5.6db
39% Popularity • 50% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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CHASE WRIGHT
Why Can't It Be Over
142 bpm • F# min • 03:17 • -6.46db
33% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Colt Ford
Slow Ride
142 bpm • B min • 02:54 • -4.73db
60% Popularity • 67% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Drew Green
Little More Be Alright
142 bpm • F# Maj • 03:35 • -6db
39% Popularity • 60% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Diplo
Bottle’s Bout Dead
132 bpm • B Maj • 02:30 • -8.37db
53% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Schneider
Ain't Missin' You
132 bpm • F# Maj • 02:56 • -5.59db
64% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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CHASE WRIGHT
Intertwined
132 bpm • G# Maj • 03:02 • -5.61db
37% Popularity • 49% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Jon Langston
Give You My All
143 bpm • B Maj • 02:51 • -6db
42% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Kameron Marlowe
Does It Have to Be Over
132 bpm • C# Maj • 03:41 • -5.67db
45% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tyler Braden
Thank Me for That
131 bpm • C Maj • 03:41 • -2.94db
53% Popularity • 54% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Davis
Detours
144 bpm • C Maj • 03:31 • -6.67db
51% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Dallas Smith
Hide From A Broken Heart
144 bpm • D Maj • 03:28 • -4.25db
32% Popularity • 51% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Shaylen
What If I Don't
144 bpm • E Maj • 03:21 • -5.79db
62% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Young
Everybody Needs a Song
144 bpm • A# Maj • 03:03 • -4db
33% Popularity • 52% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Smithfield
New Town
144 bpm • C min • 03:12 • -4.45db
25% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Mitchell Tenpenny
Somebody's Got Me
144 bpm • A# Maj • 03:24 • -4.37db
43% Popularity • 64% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Cold Creek County
Money
144 bpm • F# Maj • 02:52 • -6.05db
33% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Maddie & Tae
What It's Like Loving You
144 bpm • G Maj • 03:16 • -4db
38% Popularity • 62% Danceability • 78% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
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Canaan Cox
When It Comes to You
144 bpm • G# Maj • 03:11 • -7db
52% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Hicks
Making Up My Mind
144 bpm • D Maj • 03:01 • -4.23db
44% Popularity • 43% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Jordan Davis
Whiskey Weak
144 bpm • G min • 02:45 • -6db
56% Popularity • 65% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
52% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
49% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
52% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Ross
Tall Boys
144 bpm • G Maj • 02:24 • -3.7db
53% Popularity • 58% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ashley Cooke
dirt on 'em
144 bpm • A Maj • 02:49 • -3.96db
34% Popularity • 55% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Reklaws
Good Ol' Days
144 bpm • G# Maj • 02:46 • -4.5db
46% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Kyle Clark
First Time Feels
144 bpm • F# Maj • 03:37 • -5db
45% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
46% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
40% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Drew Baldridge
First
144 bpm • D# Maj • 03:21 • -5db
33% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Davis
I Still Smoked
144 bpm • A Maj • 03:26 • -6db
41% Popularity • 60% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Kelsey Hart
Give You Mine
144 bpm • B Maj • 03:10 • -6db
45% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jameson Rodgers
Goin' Crazy
144 bpm • D Maj • 03:17 • -2.51db
32% Popularity • 43% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Kent
Wild as Her - Acoustic One-Take
144 bpm • E min • 03:33 • -8db
43% Popularity • 55% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Doleac
Don't It Sound Alright
130 bpm • G Maj • 03:38 • -4.92db
44% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Drew Baldridge
That's You
144 bpm • G# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Parmalee
Forget You
130 bpm • F# Maj • 02:57 • -4.41db
34% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cole Swindell
Stereotype
130 bpm • G Maj • 03:42 • -5.42db
47% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Drew Green
Right Where I Be
130 bpm • D Maj • 03:10 • -6.76db
32% Popularity • 69% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Hurd
Platonic
130 bpm • A# Maj • 02:31 • -7db
43% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
55% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sean Stemaly
Come Back To Bed (Acoustic)
130 bpm • C# min • 03:25 • -6.89db
43% Popularity • 62% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Restless Road
I Don't Wanna Be That Guy
130 bpm • F# Maj • 03:10 • -4.9db
37% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Good Thing