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Good time blues
Songs like
Good time blues
by
Johnny Otis
Based on a tempo of (+/- 10%) and a similar genre
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Bull Moose Jackson
Nosey Joe
146 bpm • F min • 02:40 • -9.06db
29% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Williams
Short Fat Fannie
146 bpm • C Maj • 02:26 • -11db
54% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Smiley Lewis
Big Mamou
145 bpm • A# Maj • 02:22 • -7db
12% Popularity • 66% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Marc Shaiman
Hound Dog - Big Mama Thornton
147 bpm • D# min • 02:51 • -15db
41% Popularity • 60% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Otis
Willie Did The Cha Cha
147 bpm • D# Maj • 02:37 • -12.74db
0% Popularity • 79% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Amos Milburn
Chicken Shack Boogie
145 bpm • C Maj • 02:44 • -12.8db
2% Popularity • 59% Danceability • 59% Energy • 19% Liveness
74% Instrumentalness • 76% Positiveness
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Joe Swift
That´s Your Last Boogie
147 bpm • D min • 03:01 • -5.18db
1% Popularity • 61% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Varetta Dillard
Scorched
147 bpm • C Maj • 02:42 • -7.25db
11% Popularity • 69% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Tiny Bradshaw
The Train Kept-a-Rollin'
147 bpm • C Maj • 02:50 • -10db
19% Popularity • 54% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Jones
Handy Man
145 bpm • A# Maj • 02:04 • -7db
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Ritchie Valens
Fast Freight
147 bpm • A Maj • 02:01 • -9.82db
35% Popularity • 48% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
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Chuck Willis
Sugar Sugar
147 bpm • C Maj • 01:47 • -8.9db
18% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Kenner
Sick And Tired - Remastered
144 bpm • F min • 02:31 • -10db
28% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Otis
Telephone Baby
147 bpm • D Maj • 02:11 • -10.23db
20% Popularity • 66% Danceability • 60% Energy • 51% Liveness
0% Instrumentalness • 91% Positiveness
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Eddie Cochran
Sittin' In The Balcony
144 bpm • G Maj • 02:00 • -13db
32% Popularity • 53% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 89% Positiveness
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Rosco Gordon
T-Model Boogie
148 bpm • D# min • 02:24 • -11.4db
13% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Dorsey
Do Re Mi
148 bpm • F Maj • 02:14 • -11.47db
16% Popularity • 68% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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The Robins
The Hatchet Man
148 bpm • F Maj • 02:30 • -8.06db
10% Popularity • 74% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Kenner
I Like It Like That - Pt. 1
144 bpm • F Maj • 02:00 • -12db
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Hendricks
Itchy Twitchy Feeling
148 bpm • D Maj • 02:28 • -7.44db
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
4% Instrumentalness • 95% Positiveness
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Warren Smith
Rock 'n' Roll Ruby - Remastered 2022
149 bpm • D Maj • 02:50 • -9.33db
34% Popularity • 74% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Huey "Piano" Smith
Don't You Know Yockomo
148 bpm • A# Maj • 02:24 • -7.77db
14% Popularity • 56% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
They Don't Know
149 bpm • D# Maj • 02:17 • -8db
9% Popularity • 60% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Dale Hawkins
Suzie Q.
143 bpm • A Maj • 02:16 • 0.44db
31% Popularity • 43% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans
143 bpm • G# Maj • 02:31 • -4db
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Dorsey
Working in the Coal Mine
143 bpm • A# Maj • 02:49 • -9.06db
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Allen
Walkin' With Mr Lee
149 bpm • G# Maj • 02:26 • -9db
19% Popularity • 66% Danceability • 70% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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Floyd Dixon
I Wanna Rock Now
142 bpm • G min • 02:36 • -5db
28% Popularity • 64% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Harold Burrage
She Knocks Me Out (Master)
142 bpm • D# Maj • 02:16 • -9db
26% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Champs
Train to Nowhere
142 bpm • C min • 02:12 • -20db
22% Popularity • 70% Danceability • 42% Energy • 15% Liveness
31% Instrumentalness • 86% Positiveness
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Freddy Cannon
Tallahassee Lassie
143 bpm • D Maj • 02:13 • -5.37db
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Little Willie John
Uh Uh Baby
150 bpm • A# Maj • 02:08 • -8db
17% Popularity • 42% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Ace
Never Let Me Go - Edit
142 bpm • A# Maj • 02:26 • -11.16db
8% Popularity • 32% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Liggins
I Ain't Drunk - Remastered
150 bpm • F min • 02:21 • -8db
15% Popularity • 63% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Ruth Brown
Teardrops from My Eyes
142 bpm • A# min • 02:55 • -15.36db
22% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Richard Berry
I Wanna' Make You Happy
142 bpm • C min • 03:34 • -20.41db
1% Popularity • 60% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Eddie "Cleanhead" Vinson
Sugar
151 bpm • G Maj • 03:08 • -16.31db
5% Popularity • 68% Danceability • 39% Energy • 11% Liveness
59% Instrumentalness • 67% Positiveness
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Shirley & Lee
Let The Good Times Roll
141 bpm • C# Maj • 02:24 • -7.85db
43% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Chuck Willis
C.C. Rider
141 bpm • D# Maj • 02:30 • -5.95db
30% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Amos Milburn
House Party (Tonight)
152 bpm • F Maj • 02:32 • -11.8db
12% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Frankie Ford
Cheatin' Woman
151 bpm • A# Maj • 02:03 • -8.28db
10% Popularity • 59% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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The "5" Royales
The Slummer the Slum
152 bpm • G# Maj • 02:14 • -9db
15% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
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Bobby Darin
Queen of the Hop
139 bpm • F Maj • 02:14 • -16.09db
31% Popularity • 79% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Otis
Please Don't Leave Me
153 bpm • G Maj • 02:44 • -12.53db
2% Popularity • 48% Danceability • 54% Energy • 10% Liveness
11% Instrumentalness • 76% Positiveness
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Huey "Piano" Smith
Don't You Just Know It
139 bpm • A# min • 02:30 • -7db
35% Popularity • 73% Danceability • 81% Energy • 38% Liveness
1% Instrumentalness • 87% Positiveness
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The Rays
Daddy Cool
139 bpm • F min • 02:40 • -9db
14% Popularity • 66% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Hello Little Boy
139 bpm • A# min • 02:36 • -12db
20% Popularity • 46% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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The "5" Royales
I Like It Like That
139 bpm • F Maj • 02:52 • -7.81db
9% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Amos Milburn
Chicken Shack Boogie
139 bpm • G Maj • 02:50 • -9.63db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Jayos
Sh-Boom - Life Could Be a Dream
139 bpm • D Maj • 02:24 • -3.96db
1% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Joe Liggins
I've Got a Right to Cry
139 bpm • C Maj • 03:07 • -14.71db
2% Popularity • 65% Danceability • 27% Energy • 9% Liveness
41% Instrumentalness • 78% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
28% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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Richard Berry
Round About Midnight
138 bpm • G Maj • 04:06 • -21.17db
0% Popularity • 42% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Dizzy Miss Lizzy
138 bpm • D# Maj • 02:12 • -10db
36% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Warren Smith
Red Cadillac And A Black Moustache
154 bpm • D Maj • 02:40 • -10.56db
21% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Huey "Piano" Smith
Don't You Know Yockomo
155 bpm • G# min • 02:22 • -4.32db
20% Popularity • 54% Danceability • 80% Energy • 62% Liveness
1% Instrumentalness • 93% Positiveness
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Johnny Otis
Midnight In The Barrel House
138 bpm • C Maj • 03:05 • -10.56db
4% Popularity • 50% Danceability • 41% Energy • 34% Liveness
84% Instrumentalness • 50% Positiveness
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Smiley Lewis
Caldonia's Party
138 bpm • C# Maj • 02:10 • -8db
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
31% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Clyde McPhatter
Bip Bam
137 bpm • D# Maj • 02:45 • -10.9db
19% Popularity • 79% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Jarmels
A Little Bit Of Soap
137 bpm • A# min • 02:14 • -9db
42% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy McCracklin
The Walk
155 bpm • F Maj • 02:42 • -8.21db
17% Popularity • 70% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Varetta Dillard
Them There Eyes
155 bpm • G min • 02:17 • -8db
19% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Young Jessie
Don't Happen No More
156 bpm • D Maj • 02:27 • -8db
12% Popularity • 56% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Otis
Honey Love
156 bpm • C# Maj • 02:23 • -5.36db
0% Popularity • 58% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Shirley & Lee
Feel So Good
137 bpm • A Maj • 02:51 • -13.16db
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Charles
Later Alligator (See You Later, Alligato...
156 bpm • C Maj • 03:45 • -11.84db
26% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Cochran
Somethin' Else
156 bpm • D Maj • 02:10 • -8.32db
46% Popularity • 60% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Joe Liggins
Goin' Back to L.A.
137 bpm • F min • 03:26 • -13.86db
1% Popularity • 57% Danceability • 37% Energy • 15% Liveness
67% Instrumentalness • 65% Positiveness
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Gene Vincent
Say Mama
156 bpm • A Maj • 02:11 • -8.32db
29% Popularity • 49% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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The Del-Vikings
Flat Tire - Remastered
136 bpm • C min • 02:31 • -9.17db
10% Popularity • 77% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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The Du Droppers
I Wanna Know
157 bpm • C min • 02:17 • -10.05db
31% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Charles
See You Later Alligator
156 bpm • F Maj • 02:53 • -5db
22% Popularity • 62% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny Ace
You've Been Gone So Long
137 bpm • G Maj • 02:33 • -8.06db
3% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Gene Vincent & His Blue Caps
Blues Stay Away From Me
135 bpm • A Maj • 02:16 • -11.44db
21% Popularity • 56% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Larry Williams
Bad Boy
136 bpm • A# Maj • 02:20 • -12.73db
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Chuck Willis
Betty and Dupree
135 bpm • A# Maj • 02:26 • -7db
17% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Richard Berry
Have Love Will Travel
135 bpm • A min • 02:51 • -13.65db
1% Popularity • 72% Danceability • 39% Energy • 8% Liveness
14% Instrumentalness • 97% Positiveness
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The Turbans
When You Dance
135 bpm • B min • 02:57 • -9db
22% Popularity • 57% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Smiley Lewis
I Hear You Knocking
135 bpm • E Maj • 02:31 • -8db
13% Popularity • 61% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Arthur Alexander
A Shot of Rhythm and Blues
135 bpm • G# Maj • 01:59 • -5db
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Otis
Stack-a-Lee
135 bpm • C Maj • 02:37 • -13.92db
3% Popularity • 62% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
36% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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The Clovers
You're Cash Ain't Nothin' but Trash - Re...
134 bpm • C Maj • 02:57 • -9.22db
12% Popularity • 73% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Smiley Lewis
Mama Don't Like It
159 bpm • G# Maj • 02:35 • -7db
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Johnny Otis
Hum-Ding-A-Ling
159 bpm • F Maj • 02:38 • -13.59db
3% Popularity • 59% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Shoobie Oobie
134 bpm • A# min • 02:55 • -9.9db
14% Popularity • 54% Danceability • 56% Energy • 11% Liveness
36% Instrumentalness • 54% Positiveness
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Gary U.S. Bonds
New Orleans
159 bpm • D Maj • 02:53 • -7.64db
36% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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The Clovers
Little Mama
134 bpm • F# min • 02:56 • -11db
12% Popularity • 76% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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The Collins Kids
Mercy
133 bpm • B min • 02:04 • -4.09db
19% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Otis
Hey!
160 bpm • D# Maj • 02:57 • -4.69db
1% Popularity • 38% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
17% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • D# Maj • 02:25 • -7.46db
26% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Good time blues