Songs like Good Time Charlie's Got the Blues by Danny O'Keefe
Based on a tempo of (+/- 10%) and a similar genre
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Danny O'Keefe
Good Time Charlie's Got the Blues
85 bpm • G Maj • 03:00 • -13db
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Poco
Pickin' Up the Pieces
85 bpm • B Maj • 03:19 • -11.54db
23% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Cowboy
Pick Your Nose
84 bpm • C Maj • 01:53 • -10.02db
29% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Dave Mason
We Just Disagree
86 bpm • E Maj • 03:00 • -8.47db
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Mickey Newbury
Mobile Blue
84 bpm • D Maj • 03:15 • -16.04db
10% Popularity • 53% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Atlanta Rhythm Section
So Into You
86 bpm • F min • 04:20 • -13.48db
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Danny O'Keefe
I Know You Really Love Me
84 bpm • G Maj • 00:59 • -12.2db
28% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jonathan Edwards
Emma
84 bpm • G Maj • 03:40 • -16.24db
17% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Hillman
Step on Out
84 bpm • B Maj • 03:15 • -6.44db
30% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Loggins & Messina
Watching the River Run
83 bpm • G Maj • 03:26 • -10db
41% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Martin Murphey
Wildfire
84 bpm • E Maj • 04:48 • -15.5db
41% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 44% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Smither
What They Say
83 bpm • D Maj • 02:46 • -6.42db
44% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Croce
Hey Tomorrow
83 bpm • C Maj • 02:46 • -13.53db
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jonathan Edwards
Dusty Morning
84 bpm • D Maj • 02:20 • -18.07db
17% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Pure Prairie League
Falling In And Out Of Love
87 bpm • D Maj • 02:12 • -21db
43% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Crosby, Stills & Nash
You Don't Have to Cry - 2005 Remaster
83 bpm • G Maj • 02:42 • -14.49db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Danny O'Keefe
Magdalena
83 bpm • G Maj • 04:26 • -7.54db
3% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 68% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Allman Brothers Band
Melissa
83 bpm • E Maj • 03:55 • -14.79db
64% Popularity • 53% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 45% Positiveness
64% Popularity • 53% Danceability • 36% Energy • 9% Liveness
24% Instrumentalness • 45% Positiveness
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JD Souther
Jesus in 3/4 Time
83 bpm • G Maj • 03:38 • -12db
33% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jonathan Edwards
Sometimes
83 bpm • A# min • 02:47 • -18db
29% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Pousette-Dart Band
Amnesia
87 bpm • G Maj • 03:14 • -11.45db
37% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 70% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
54% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
54% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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Danny O'Keefe
Sweet Rollin'
87 bpm • E Maj • 04:05 • -7.98db
4% Popularity • 55% Danceability • 50% Energy • 10% Liveness
28% Instrumentalness • 43% Positiveness
4% Popularity • 55% Danceability • 50% Energy • 10% Liveness
28% Instrumentalness • 43% Positiveness
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Mac McAnally
It's a Crazy World
83 bpm • C Maj • 03:18 • -17.21db
24% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Little Feat
Missin' You
82 bpm • C Maj • 02:21 • -19db
40% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 62% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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The Ozark Mountain Daredevils
Within Without
88 bpm • G Maj • 04:25 • -16.47db
29% Popularity • 51% Danceability • 33% Energy • 12% Liveness
48% Instrumentalness • 40% Positiveness
29% Popularity • 51% Danceability • 33% Energy • 12% Liveness
48% Instrumentalness • 40% Positiveness
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Cowboy
Stick Together
82 bpm • D# Maj • 02:43 • -8.53db
20% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Sammy Johns
Early Morning Love
82 bpm • A# Maj • 02:49 • -12.13db
33% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 46% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Danny O'Keefe
A Country Song
83 bpm • C Maj • 03:34 • -8.17db
3% Popularity • 45% Danceability • 51% Energy • 45% Liveness
1% Instrumentalness • 17% Positiveness
3% Popularity • 45% Danceability • 51% Energy • 45% Liveness
1% Instrumentalness • 17% Positiveness
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Poco
Crazy Love
82 bpm • D# Maj • 02:56 • -19.38db
56% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 42% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Little Feat
Fat Man in the Bathtub
88 bpm • G Maj • 04:31 • -8.67db
45% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
45% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
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Maria Muldaur
My Tennessee Mountain Home
82 bpm • C Maj • 03:31 • -7.14db
20% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Stampeders
Sweet City Woman
88 bpm • G Maj • 03:27 • -7.28db
55% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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John Stewart
California Bloodlines
82 bpm • A# Maj • 03:08 • -10.38db
19% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Danny O'Keefe
When You Come Back Down
88 bpm • D# Maj • 04:05 • -7.94db
5% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Loggins & Messina
Listen to a Country Song
82 bpm • D Maj • 02:47 • -7db
33% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Terry Allen
Amarillo Highway (for Dave Hickey)
82 bpm • A Maj • 04:00 • -7.76db
42% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
42% Popularity • 53% Danceability • 60% Energy • 4% Liveness
2% Instrumentalness • 75% Positiveness
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Three Dog Night
Never Been To Spain - Single Version
89 bpm • E Maj • 03:46 • -15db
60% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Poco
Indian Summer
89 bpm • C# Maj • 04:40 • -14db
32% Popularity • 52% Danceability • 47% Energy • 8% Liveness
52% Instrumentalness • 45% Positiveness
32% Popularity • 52% Danceability • 47% Energy • 8% Liveness
52% Instrumentalness • 45% Positiveness
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Danny O'Keefe
The Road
82 bpm • G Maj • 03:37 • -7.95db
3% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Joe Ely
Treat Me Like A Saturday Night - 2022 Re...
81 bpm • B Maj • 03:03 • -12.36db
29% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 8% Liveness
47% Instrumentalness • 40% Positiveness
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Willis Alan Ramsey
Muskrat Love (Muskrat Candlelight)
89 bpm • F# min • 03:23 • -18.91db
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 49% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen Stills
Johnny's Garden
81 bpm • G Maj • 02:45 • -12.38db
36% Popularity • 53% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 53% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Jim Croce
Rapid Roy (The Stock Car Boy)
89 bpm • E Maj • 02:46 • -13.4db
49% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Buffalo Springfield
A Child's Claim to Fame
81 bpm • G Maj • 02:13 • -13db
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Danny O'Keefe
The Drover
89 bpm • G Maj • 04:08 • -11.36db
4% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Doc Watson
Sittin On Top Of The World
89 bpm • D# Maj • 02:39 • -21.44db
54% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
54% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Willis Alan Ramsey
Satin Sheets
81 bpm • F min • 02:39 • -16.54db
30% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 58% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Lovin' Spoonful
Nashville Cats - 2003 Remaster
90 bpm • C Maj • 02:34 • -11.22db
36% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jonathan Edwards
Cold Snow
80 bpm • G Maj • 02:20 • -15.31db
17% Popularity • 55% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 55% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Stills
Colorado
81 bpm • G Maj • 02:52 • -9.88db
40% Popularity • 55% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 55% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
90 bpm • G Maj • 02:43 • -10.04db
35% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 51% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Ozark Mountain Daredevils
Spaceship Orion
80 bpm • C Maj • 03:11 • -14.27db
36% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dillard & Clark
So Sad
80 bpm • D Maj • 03:20 • -12.89db
25% Popularity • 60% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 66% Positiveness
25% Popularity • 60% Danceability • 35% Energy • 12% Liveness
3% Instrumentalness • 66% Positiveness
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Steely Dan
Any Major Dude Will Tell You
80 bpm • D Maj • 03:07 • -15.25db
59% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Willis Alan Ramsey
Angel Eyes
80 bpm • D Maj • 03:11 • -19.65db
26% Popularity • 37% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 37% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Los Lobos
One Time One Night
90 bpm • D Maj • 04:49 • -11.58db
37% Popularity • 62% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 62% Danceability • 59% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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Danny O'Keefe
Shooting Star
80 bpm • G Maj • 02:39 • -14.61db
25% Popularity • 61% Danceability • 22% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
25% Popularity • 61% Danceability • 22% Energy • 11% Liveness
48% Instrumentalness • 9% Positiveness
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Michael Martin Murphey
Wildfire
80 bpm • E Maj • 05:07 • -18.57db
48% Popularity • 60% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 60% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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John Hiatt
Memphis In The Meantime
91 bpm • E Maj • 03:59 • -11db
42% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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JD Souther
Simple Man, Simple Dream
91 bpm • E Maj • 01:44 • -18.55db
23% Popularity • 61% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Van Morrison
Saint Dominic's Preview
79 bpm • A# Maj • 06:31 • -9.99db
43% Popularity • 54% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 54% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Hillman
Love in the Sweetest Amnesty
91 bpm • A Maj • 03:43 • -9db
17% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Danny O'Keefe
The Valentine Pieces
80 bpm • A Maj • 03:17 • -12.44db
14% Popularity • 57% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
14% Popularity • 57% Danceability • 24% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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The Marshall Tucker Band
24 Hours at a Time
79 bpm • A Maj • 05:03 • -6db
39% Popularity • 49% Danceability • 81% Energy • 12% Liveness
20% Instrumentalness • 96% Positiveness
39% Popularity • 49% Danceability • 81% Energy • 12% Liveness
20% Instrumentalness • 96% Positiveness
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Bruce Cockburn
Wondering Where The Lions Are
79 bpm • E Maj • 03:43 • -16.9db
48% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Steve Young
No Place to Fall
79 bpm • A Maj • 04:00 • -11.56db
10% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Van Morrison
Cleaning Windows
91 bpm • F min • 04:46 • -10db
49% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Charles
Tennessee Blues
92 bpm • F Maj • 05:29 • -13.06db
21% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Danny O'Keefe
Jackson Sundown
91 bpm • E Maj • 05:09 • -7.22db
2% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Willis Alan Ramsey
Watermelon Man
92 bpm • B min • 03:26 • -14.45db
20% Popularity • 62% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Tom T. Hall
I Love
92 bpm • E Maj • 02:06 • -17.38db
51% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
51% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
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Steve Young
It's Not Supposed to Be That Way
79 bpm • F Maj • 03:41 • -10.23db
31% Popularity • 44% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Taj Mahal
Corinna
79 bpm • A Maj • 03:00 • -16db
28% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Arlo Guthrie
Days Are Short
79 bpm • G Maj • 04:17 • -8.01db
19% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Danny O'Keefe
Catfish
91 bpm • C Maj • 02:14 • -3.7db
12% Popularity • 75% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 75% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Willis Alan Ramsey
Goodbye Old Missoula
92 bpm • B Maj • 05:03 • -14.93db
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
22% Popularity • 56% Danceability • 27% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Mickey Newbury
The Future's Not What It Used to Be
92 bpm • F# Maj • 04:30 • -14db
19% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jim Ford
She Turns My Radio On
92 bpm • B min • 03:20 • -6.88db
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Allman Brothers Band
Little Martha
92 bpm • B Maj • 02:07 • -21.64db
58% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
58% Popularity • 49% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Gillian Welch
Wayside / Back in Time
78 bpm • A Maj • 03:28 • -10db
32% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Danny O'Keefe
Roseland Taxi Dancer
91 bpm • E Maj • 02:47 • -12.36db
12% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 60% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Pure Prairie League
Angel #9
78 bpm • G Maj • 04:56 • -16db
22% Popularity • 38% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 38% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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JD Souther
If You Have Crying Eyes
78 bpm • G Maj • 05:02 • -15.79db
10% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Lonnie Mack
Florida
78 bpm • A# Maj • 03:08 • -12.95db
15% Popularity • 53% Danceability • 49% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
15% Popularity • 53% Danceability • 49% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
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Delaney & Bonnie
Never Ending Song of Love
92 bpm • C Maj • 03:20 • -14.1db
40% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Lukas Nelson and Promise of the Real
Just Outside Of Austin
93 bpm • C Maj • 04:44 • -12.87db
44% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
44% Popularity • 60% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Danny O'Keefe
Sleep (Anywhere On Earth You Are)
79 bpm • G Maj • 03:16 • -9.56db
2% Popularity • 64% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 64% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Larry Jon Wilson
Ohoopee River Bottom Land
93 bpm • D Maj • 03:41 • -12.94db
23% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 65% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Willis Alan Ramsey
Northeast Texas Women
78 bpm • D# Maj • 05:51 • -15.85db
32% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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John Hiatt
Gone
93 bpm • G Maj • 02:57 • -7.7db
44% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
44% Popularity • 71% Danceability • 64% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
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Arlo Guthrie
Anytime
78 bpm • A Maj • 01:50 • -9.12db
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Michael Nesmith
Some of Shelly's Blues
78 bpm • C min • 03:20 • -8.35db
24% Popularity • 46% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 46% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Merle Haggard
Wishing All These Things Were New
78 bpm • C Maj • 03:20 • -14.07db
25% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Nanci Griffith
Love At The Five & Dime
77 bpm • A# Maj • 04:39 • -16.83db
45% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Taj Mahal
Fishin' Blues
77 bpm • D Maj • 03:04 • -17db
36% Popularity • 65% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Warren Zevon
Back In the High Life Again
77 bpm • F Maj • 03:13 • -10.73db
34% Popularity • 50% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 50% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness