Songs like Good Time Party Man by Little Memphis
Based on a tempo of (+/- 10%) and a similar genre
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Mats RÃ¥dberg
Bright Lights and Country Music
137 bpm • E Maj • 02:32 • -13.04db
9% Popularity • 61% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 61% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Little Memphis
Good Time Party Man
137 bpm • D Maj • 03:06 • -13.2db
0% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Archie Roach
Love in the Morning
137 bpm • E Maj • 04:20 • -13.31db
24% Popularity • 50% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 50% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Dwight Yoakam
Together Again
137 bpm • C Maj • 04:36 • -8.37db
9% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 45% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Rez Boyz
Am I Losing You
137 bpm • A Maj • 04:48 • -12.11db
11% Popularity • 53% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 53% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Chubby Checker
That's What It Takes
137 bpm • A Maj • 03:10 • -10.06db
11% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 62% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Tab Benoit
Comin' On Strong
137 bpm • G Maj • 03:24 • -11.75db
8% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 60% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Ernest Monias and Sons
She's Gettin' a Rock
138 bpm • G Maj • 03:14 • -6.87db
11% Popularity • 73% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 73% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Gene Mitchell
Make Mine A Pina Colada
136 bpm • E Maj • 03:32 • -13.57db
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Lyle Lovett
Don't Touch My Hat
136 bpm • G Maj • 03:46 • -8.91db
32% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rez Boyz
Sad Movies
136 bpm • G Maj • 03:36 • -12.21db
10% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Alan Jackson
She's Got the Rhythm (And I Got the Blue...
138 bpm • A Maj • 02:24 • -10.51db
51% Popularity • 72% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 72% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Roger Miller
Engine, Engine # 9
136 bpm • A# min • 02:15 • -14.55db
12% Popularity • 68% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 68% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Darrell McCallum
I'm a One Woman
136 bpm • A Maj • 03:29 • -8.17db
12% Popularity • 61% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 61% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Just Disney
Strange Things
136 bpm • C# Maj • 03:13 • -9.37db
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Dawn Sears
Half As Much
136 bpm • A Maj • 02:54 • -11.72db
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Bret Michaels
The Other Side Of Me (Song)
138 bpm • D Maj • 03:40 • -11.06db
10% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Alan Jackson
There Ya Go
136 bpm • A Maj • 03:14 • -14.85db
20% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Little Memphis
Sugardaddy
136 bpm • A Maj • 03:16 • -13.72db
0% Popularity • 66% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 66% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Seiler
Flip-Flops Required
138 bpm • F Maj • 04:02 • -4.93db
17% Popularity • 72% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 72% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Adam Harvey
Workin' Overtime (On A Good Time)
138 bpm • A Maj • 03:35 • -7.27db
12% Popularity • 62% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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David Frizzell
Got To Get To Louisiana
136 bpm • G Maj • 03:35 • -9.46db
8% Popularity • 69% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 69% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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George Strait
Faults And All
138 bpm • F Maj • 02:41 • -10.51db
15% Popularity • 64% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 64% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie Groves
Take Me to the Country
138 bpm • G Maj • 03:26 • -6.13db
17% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Marty Stuart
Don't Leave Her Lonely Too Long
139 bpm • F Maj • 03:22 • -14.87db
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Albert Lee
I'll Stop Loving You
139 bpm • G Maj • 03:59 • -5.34db
9% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 58% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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David Allan Coe
Roll On 18 Wheeler
135 bpm • E Maj • 04:09 • -13.42db
32% Popularity • 57% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 57% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Rez Boyz
I've Already Loved You In My Mind
139 bpm • E Maj • 03:00 • -7.51db
10% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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George Strait
She Loves Me (She Don't Love You)
139 bpm • E Maj • 02:29 • -12.21db
20% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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J.R.Leonard
Beaver Creek Boogie
135 bpm • A Maj • 02:38 • -7.95db
9% Popularity • 62% Danceability • 63% Energy • 20% Liveness
83% Instrumentalness • 65% Positiveness
9% Popularity • 62% Danceability • 63% Energy • 20% Liveness
83% Instrumentalness • 65% Positiveness
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Adam Harvey
God Made Beer
135 bpm • E Maj • 03:50 • -6db
11% Popularity • 61% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 61% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 58% Positiveness
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Gert
Man on the Radio
140 bpm • G Maj • 03:33 • -4.6db
14% Popularity • 46% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 46% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Hanna's Reef
Sail Away
134 bpm • G Maj • 02:57 • -6.07db
12% Popularity • 67% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 67% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Stuart
Kiss Me, I'm Gone
135 bpm • D Maj • 03:03 • -12.81db
11% Popularity • 69% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 69% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Scientist Deus
Stuck With Old
140 bpm • D# Maj • 03:58 • -10.1db
9% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Charley Pride
Standing in My Way
140 bpm • D Maj • 03:39 • -17.32db
30% Popularity • 51% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 51% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Little Memphis
She Ain't No Betty Crocker
140 bpm • G Maj • 03:35 • -13.67db
0% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 68% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Chris LeDoux
County Fair
140 bpm • A Maj • 03:01 • -8.82db
42% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Major Dundee
You Ain't What You Ain't
140 bpm • B Maj • 02:31 • -8.07db
17% Popularity • 76% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Carman
Peace Like A River
134 bpm • A Maj • 05:02 • -10.32db
20% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 79% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Pirates Of The Mississippi
People My Age
134 bpm • C# Maj • 02:46 • -9.99db
14% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Aaron Watson
I'm A Memory
134 bpm • A Maj • 04:00 • -5.93db
7% Popularity • 62% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 62% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Lee
Just Like Love
134 bpm • D Maj • 03:20 • -9.5db
7% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Dominic Kirwan
The Whiskey Ain't Workin' Anymore
134 bpm • G Maj • 02:41 • -8.57db
12% Popularity • 61% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 61% Danceability • 50% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
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Jamie Richards
Red River Runaround
134 bpm • G# Maj • 02:55 • -5db
11% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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David Allan Coe
Self Inflicted Wound
140 bpm • D Maj • 02:32 • -11.9db
24% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Dobie Gray
A Showman's Life
141 bpm • G Maj • 03:34 • -8.44db
15% Popularity • 54% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 54% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone
134 bpm • G Maj • 04:52 • -13.54db
36% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Rick Lally
She's Got the Moves
133 bpm • B min • 03:03 • -7.02db
29% Popularity • 64% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
29% Popularity • 64% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Alan Jackson
I Still Like Bologna
133 bpm • B Maj • 04:39 • -11db
39% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Tracy Lawrence
Crawlin' Again
133 bpm • D Maj • 02:51 • -4.96db
11% Popularity • 75% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 75% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ian Tyson
Rocks Begin To Roll
141 bpm • A Maj • 03:54 • -10.34db
13% Popularity • 69% Danceability • 62% Energy • 26% Liveness
6% Instrumentalness • 65% Positiveness
13% Popularity • 69% Danceability • 62% Energy • 26% Liveness
6% Instrumentalness • 65% Positiveness
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Warren H. Williams
Family
133 bpm • G Maj • 04:00 • -4.92db
8% Popularity • 69% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 69% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Flint Thompson
Unplug the Jukebox
133 bpm • F Maj • 02:39 • -10.54db
17% Popularity • 76% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 76% Danceability • 49% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Don Williams
Falling Again
142 bpm • E Maj • 02:49 • -17.57db
38% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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John Schneider
Good Ol' Boys - The Dukes Of Hazzard The...
142 bpm • F Maj • 02:36 • -4.83db
28% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Tyller Gummersall
Doggone Cowboy
132 bpm • E Maj • 03:55 • -10.11db
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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sheltermeband
Love you strong
132 bpm • G Maj • 04:02 • -9.4db
31% Popularity • 62% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Macdonald
Pick Up Man
143 bpm • G Maj • 03:18 • -9.22db
19% Popularity • 62% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 62% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Edward Gamblin
Don't Blame It On The Rain
132 bpm • A Maj • 02:45 • -10.29db
16% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
55% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Nashville Line Dance Riders
Honky Tonk Blues
131 bpm • G Maj • 02:21 • -6.17db
14% Popularity • 66% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 66% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Hert Leblanc
Pack your bags
143 bpm • A Maj • 02:51 • -11.61db
12% Popularity • 68% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 68% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Ed Bruce
The Tracks You Left on Me
131 bpm • B Maj • 02:37 • -8db
41% Popularity • 63% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 63% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Henk Wijngaard
Hit the Road Medley
144 bpm • C Maj • 03:10 • -8.34db
15% Popularity • 39% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 39% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
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Tim Hawkins
Poop Scoop Boogie
131 bpm • E Maj • 03:20 • -7.8db
14% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Jackson
Chain
144 bpm • A Maj • 03:06 • -14.28db
29% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 65% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Lorenzo Feria
Just A Memory
144 bpm • A# Maj • 02:43 • -9.76db
7% Popularity • 54% Danceability • 76% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 54% Danceability • 76% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Dave Maclean
Blowin' in the Wind
130 bpm • E Maj • 04:04 • -12.47db
16% Popularity • 65% Danceability • 64% Energy • 39% Liveness
14% Instrumentalness • 96% Positiveness
16% Popularity • 65% Danceability • 64% Energy • 39% Liveness
14% Instrumentalness • 96% Positiveness
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Ed Bruce
Truth Is I'm a Liar
131 bpm • F Maj • 03:34 • -7.81db
22% Popularity • 66% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 66% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Blake Shelton
All Over Me
130 bpm • A Maj • 03:15 • -8.13db
27% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Chester
Highway 31
130 bpm • E Maj • 03:27 • -15.46db
18% Popularity • 80% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 80% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Little Memphis
Better Life
130 bpm • D Maj • 03:39 • -5.54db
0% Popularity • 73% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 73% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Inside Out
Weekend Rendezvous
130 bpm • A Maj • 03:54 • -5.89db
2% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Glenn Jordan
Staring At The Stars
130 bpm • G Maj • 04:02 • -8.08db
17% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Keith Whitley
Talk to Me Texas
144 bpm • E Maj • 03:32 • -15.78db
27% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 76% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sawyer Brown
My Baby Drives A Buick
130 bpm • A Maj • 03:01 • -12.59db
9% Popularity • 77% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 77% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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John Anderson
Steamy Windows
130 bpm • D min • 03:30 • -10.83db
19% Popularity • 72% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Prairie Oyster
Wild About Me
130 bpm • F Maj • 03:21 • -9.19db
9% Popularity • 68% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 68% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Little Memphis
Through My Eyes
130 bpm • G Maj • 03:07 • -14.42db
0% Popularity • 60% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 60% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny Lee
Good Lovin' Woman Bad
130 bpm • A Maj • 02:52 • -3.22db
17% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Nashville Line Dance Riders
I'm From The Country, Line Dancing
130 bpm • D Maj • 03:44 • -11.86db
11% Popularity • 76% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 76% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Don Middlebrook & Living Soul
The Day In The Life Of A Pearl Diver
130 bpm • D Maj • 04:55 • -6.59db
14% Popularity • 69% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 69% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Confederate Railroad
All I Wanted
145 bpm • C# min • 04:16 • -12.87db
12% Popularity • 73% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 73% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Glimshire
Goodbye Tenessee
145 bpm • G Maj • 02:53 • -8.56db
16% Popularity • 57% Danceability • 58% Energy • 10% Liveness
72% Instrumentalness • 83% Positiveness
16% Popularity • 57% Danceability • 58% Energy • 10% Liveness
72% Instrumentalness • 83% Positiveness
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Charlie Daniels
I Saw The Light - How Sweet The Sound Al...
145 bpm • E Maj • 02:52 • -10.91db
18% Popularity • 53% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 53% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Jewell
The Ones I Love the Most
145 bpm • D Maj • 03:27 • -6.46db
12% Popularity • 61% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 61% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Chesnutt
Talking To Hank
129 bpm • E Maj • 02:47 • -10.04db
31% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 62% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Doug Supernaw
She Never Looks Back
129 bpm • D Maj • 02:26 • -6.98db
21% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ian Tyson
Heartaches Are Stealin'
129 bpm • A Maj • 03:41 • -9.84db
11% Popularity • 68% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Charley Pride
I Came Straight to You
146 bpm • E Maj • 02:44 • -8.98db
24% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 63% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Nitty Gritty Dirt Band
Partners, Brothers and Friends
146 bpm • D Maj • 04:02 • -14.65db
10% Popularity • 65% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 65% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Travis Sinclair
My Baby Loves My Rig
129 bpm • G Maj • 03:37 • -10.86db
17% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 70% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Dale Watson
Truckstop In La Grange
146 bpm • D Maj • 02:32 • -13db
29% Popularity • 68% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
29% Popularity • 68% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 95% Positiveness
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Inside Out
Officer Officer
129 bpm • A Maj • 03:56 • -7.06db
13% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Flying Burrito Brothers
Windfall
129 bpm • A Maj • 03:06 • -12.44db
10% Popularity • 57% Danceability • 49% Energy • 10% Liveness
26% Instrumentalness • 45% Positiveness
10% Popularity • 57% Danceability • 49% Energy • 10% Liveness
26% Instrumentalness • 45% Positiveness
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Chris LeDoux
I Do It For Me
146 bpm • D Maj • 03:20 • -19.27db
12% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 38% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Robbie Fulks
Rock Bottom, Pop. 1
146 bpm • A Maj • 02:40 • -8.93db
24% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
