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Good to Me
Songs like
Good to Me
by
Rhett Walker
Based on a tempo of (+/- 10%) and a similar genre
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Rhett Walker
Someone Else's Song
115 bpm • G Maj • 04:59 • -4.92db
10% Popularity • 66% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Brandon Heath
God Made A Way
115 bpm • B Maj • 03:30 • -7.02db
30% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mass Anthem
I Have This Hope / Control / By Your Sid...
116 bpm • C Maj • 03:16 • -8db
49% Popularity • 44% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jordan St. Cyr
Rescue
114 bpm • F# Maj • 03:41 • -6.26db
46% Popularity • 33% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Consumed By Fire
Man That Made Me
116 bpm • C Maj • 04:10 • -9.11db
11% Popularity • 65% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Doug Pinson
God Of Second Chances
114 bpm • D Maj • 04:36 • -5.84db
28% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Rhett Walker
Here's to the Ones
115 bpm • G# Maj • 03:59 • -4.63db
20% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Jonathan Jackson
Even in the Heartache
113 bpm • A Maj • 03:21 • -5.91db
22% Popularity • 34% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Joel Vaughn
Make The Most Of It
113 bpm • A# Maj • 03:11 • -4.52db
32% Popularity • 36% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Bremnes
Lover Of My Soul
113 bpm • A# Maj • 03:22 • -6.9db
45% Popularity • 57% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Hammitt
Try - Radio Edit
112 bpm • E Maj • 02:51 • -6.56db
24% Popularity • 51% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 14% Positiveness
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Todd Smith
There's A Light
112 bpm • C Maj • 02:58 • -4.69db
24% Popularity • 58% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Rhett Walker
Good to Me
115 bpm • C Maj • 03:16 • -8.47db
40% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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7eventh Time Down
Always
112 bpm • C# Maj • 03:25 • -4.54db
24% Popularity • 55% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Hillary Scott & The Scott Family
We March On
112 bpm • D# Maj • 03:42 • -4.74db
27% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Lauren Daigle
Now is Forever - Bonus Track
112 bpm • E Maj • 03:12 • -6.58db
44% Popularity • 32% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Vertical Worship
Shelter
119 bpm • D Maj • 04:18 • -9.03db
38% Popularity • 38% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tasha Layton
How Far
119 bpm • G Maj • 03:07 • -5.01db
46% Popularity • 57% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Rhett Walker
Come To The River
118 bpm • G Maj • 03:28 • -5.34db
39% Popularity • 52% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Jonny Diaz
Live Like He's Alive
119 bpm • A# Maj • 03:19 • -4.84db
24% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Danny Gokey
Masterpiece
111 bpm • D Maj • 04:14 • -6.98db
41% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ben Fuller
World Changed
120 bpm • D Maj • 03:59 • -5.54db
36% Popularity • 38% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Apollo LTD
Soul Worth Saving
120 bpm • C Maj • 03:46 • -5.09db
32% Popularity • 55% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Joel Vaughn
I Look To You
120 bpm • D Maj • 03:12 • -5db
35% Popularity • 44% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Rhett Walker
Brother
119 bpm • C Maj • 04:36 • -5.68db
16% Popularity • 45% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Josh Wilson
Dream Small
120 bpm • G Maj • 03:26 • -6db
47% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Colton Dixon
No Greater Love
120 bpm • C Maj • 03:34 • -4.72db
40% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Consumed By Fire
MORE!
120 bpm • C# Maj • 02:29 • -6.76db
39% Popularity • 68% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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RICHLIN
Jesus, You're the Wine
120 bpm • B Maj • 03:56 • -10.73db
32% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Cochren & Co.
Parking Lot
110 bpm • C Maj • 02:57 • -6.11db
56% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Zach Williams and the Brothers of Grace
Washed Clean
110 bpm • C Maj • 05:35 • -8.68db
25% Popularity • 56% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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CityAlight
The Lord Is by My Side
110 bpm • E Maj • 03:32 • -6.83db
43% Popularity • 52% Danceability • 68% Energy • 70% Liveness
0% Instrumentalness • 80% Positiveness
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Rhett Walker
Adam's Son
110 bpm • C# Maj • 03:04 • -5.2db
23% Popularity • 56% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Hammitt
I Saw the Light
110 bpm • A Maj • 03:11 • -5.49db
20% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Chelsea
Walk Away
110 bpm • C Maj • 03:24 • -10.15db
39% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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City Harbor
Lift It Up
109 bpm • F# Maj • 02:57 • -4.22db
26% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Carrollton
Something To Sing About
110 bpm • G# min • 02:51 • -5.46db
22% Popularity • 62% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 80% Positiveness
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Mandisa
He Is With You
122 bpm • G# Maj • 03:59 • -4.12db
37% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Rhett Walker
Young Love
109 bpm • B Maj • 03:02 • -3.48db
36% Popularity • 57% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Consumed By Fire
Walk Through The Fire
122 bpm • G Maj • 03:18 • -5.41db
36% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tenth Avenue North
I Have This Hope
108 bpm • C Maj • 03:24 • -7db
52% Popularity • 42% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Gary LeVox
All I See
123 bpm • B Maj • 02:58 • -5.52db
39% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Carrollton
Jesus Is
108 bpm • C Maj • 03:18 • -6.36db
24% Popularity • 61% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Steeles
A Hundred Different Altars
123 bpm • G Maj • 03:53 • -9.29db
12% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rhett Walker
All I Need
109 bpm • C Maj • 03:46 • -5.93db
22% Popularity • 43% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Consumed By Fire
What If
122 bpm • A# Maj • 04:11 • -8.03db
28% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Love & The Outcome
Look What God Has Done
107 bpm • E Maj • 03:02 • -4.13db
23% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jonny Diaz
Need You Always
107 bpm • A Maj • 03:15 • -6.56db
28% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Lauren Daigle
My Revival
124 bpm • G Maj • 04:59 • -9.14db
43% Popularity • 51% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Thrive Worship
A Thousand More
125 bpm • G Maj • 04:27 • -8db
42% Popularity • 32% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Rhett Walker
All I Need - Acoustic
107 bpm • A# Maj • 04:25 • -8.99db
9% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Consumed By Fire
Thorns And Sorrows
124 bpm • F Maj • 03:27 • -5.7db
28% Popularity • 61% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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7eventh Time Down
God Is on the Move
106 bpm • F# Maj • 02:56 • -4db
55% Popularity • 58% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jonny Diaz
Chance
106 bpm • B Maj • 03:16 • -3db
28% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Cochren & Co.
For My Good
125 bpm • E Maj • 03:14 • -5.78db
58% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Brandon Heath
He Paid It All
125 bpm • C Maj • 04:59 • -8.29db
23% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Rhett Walker
Family Is Family
106 bpm • G Maj • 02:53 • -6.5db
33% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Consumed By Fire
A Little Bit Longer
106 bpm • C Maj • 04:02 • -6.31db
25% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Big Daddy Weave
I Know
105 bpm • D Maj • 05:19 • -6.74db
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Wright
What You Could Do With Me
125 bpm • B Maj • 03:51 • -11db
41% Popularity • 41% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Vertical Worship
Not Done Yet
105 bpm • D Maj • 04:08 • -6.17db
40% Popularity • 45% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
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Rush Of Fools
Power in the Blood
105 bpm • C# min • 03:07 • -7db
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Carrollton
Meant to Be
105 bpm • F# Maj • 03:19 • -4.89db
22% Popularity • 59% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Consumed By Fire
Hold The Rain
123 bpm • C Maj • 03:53 • -8.92db
30% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Iron Bell Music
Burn For You
126 bpm • B min • 05:28 • -4.73db
23% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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The Color
Let It Be Love
105 bpm • F min • 02:57 • -5db
39% Popularity • 64% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Sean Curran
Bigger Than I Thought
126 bpm • C Maj • 06:05 • -10.82db
39% Popularity • 50% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Erwins
Watch and See
105 bpm • F Maj • 03:43 • -6.06db
25% Popularity • 59% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Brandon Heath
Hands of the Healer
127 bpm • C Maj • 03:55 • -8.41db
32% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Consumed By Fire
First Things First - Piano Version
124 bpm • C Maj • 04:08 • -8.66db
27% Popularity • 71% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Joel Vaughn
Friend
128 bpm • G# Maj • 03:48 • -5.34db
33% Popularity • 38% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Wilson
I Refuse
128 bpm • D Maj • 03:38 • -4.44db
45% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Iron Bell Music
Fall Away
128 bpm • A Maj • 05:02 • -6.09db
34% Popularity • 51% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Katy Nichole
In Jesus Name (God Of Possible) - Piano ...
103 bpm • F# Maj • 03:40 • -8db
52% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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33Miles
All My Fountains
103 bpm • A Maj • 04:08 • -3.81db
32% Popularity • 55% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Consumed By Fire
First Things First
124 bpm • C Maj • 04:11 • -7.66db
55% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Pat Barrett
Act Justly, Love Mercy, Walk Humbly
103 bpm • A Maj • 02:47 • -5.72db
51% Popularity • 45% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan St. Cyr
A Way For Us
102 bpm • D Maj • 03:19 • -5.62db
40% Popularity • 51% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Dan Bremnes
Beautiful
102 bpm • G# Maj • 03:41 • -6.05db
35% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Rhett Walker
Amazed
102 bpm • D Maj • 03:31 • -4.58db
19% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Finding Favour
Mountains Must Move
130 bpm • D Maj • 04:12 • -5.86db
20% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Consumed By Fire
He Waits For Me - Radio Version
130 bpm • A# Maj • 03:55 • -6.26db
31% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Iron Bell Music
God That Saves
130 bpm • B Maj • 04:49 • -5db
36% Popularity • 46% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Lydia Laird
Meet Me There
131 bpm • A Maj • 03:14 • -9.26db
42% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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CAIN
Come Forth
132 bpm • D# Maj • 02:36 • -3.95db
53% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Brandon Heath
The Harvester
101 bpm • E min • 04:15 • -7db
31% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Sound
First Church Of Mercy
132 bpm • B Maj • 04:04 • -7.59db
25% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Consumed By Fire
Follow Your Heart
130 bpm • C Maj • 03:16 • -5.4db
31% Popularity • 50% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Cochren & Co.
He's Not Here
100 bpm • D Maj • 03:02 • -5db
43% Popularity • 73% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Avalon
Keeper of My Heart
100 bpm • C# Maj • 03:20 • -5.81db
29% Popularity • 36% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jonny Diaz
Use Me Too
100 bpm • D Maj • 03:17 • -4db
29% Popularity • 59% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Brandon Heath
No Turning Back
100 bpm • A# Maj • 03:13 • -4.21db
35% Popularity • 61% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Erik Nieder
Wayward Soul
100 bpm • C# Maj • 02:53 • -9.04db
44% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Consumed By Fire
He Waits For Me
130 bpm • A# Maj • 04:22 • -7.29db
27% Popularity • 62% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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one sonic society
Great Is Thy Faithfulness (Beginning to ...
100 bpm • C Maj • 04:10 • -7.43db
36% Popularity • 48% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Fuller
Witness
100 bpm • C# min • 03:48 • -8.48db
31% Popularity • 60% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Rhett Walker
Lift Me Up
133 bpm • G Maj • 04:50 • -6.01db
17% Popularity • 62% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Lydia Laird
This I Know (Jesus Loves Me)
99 bpm • A Maj • 03:42 • -10db
49% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Dan Bremnes
Where The Light Is
99 bpm • F# Maj • 03:52 • -5.84db
39% Popularity • 46% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tasha Layton
Thank You for the No
99 bpm • C Maj • 03:17 • -3.71db
28% Popularity • 63% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Good to Me