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Goodbye My Love
Songs like
Goodbye My Love
by
The Sadonians
Based on a tempo of (+/- 10%) and a similar genre
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Roland Burrell
Stormy Night
135 bpm • G Maj • 02:53 • -13.5db
31% Popularity • 71% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 83% Positiveness
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Bitty McLean
Plead my cause
135 bpm • G# min • 04:57 • -9.52db
12% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Donna Rhoden
Its True
135 bpm • C Maj • 04:29 • -9.18db
24% Popularity • 73% Danceability • 60% Energy • 13% Liveness
4% Instrumentalness • 77% Positiveness
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Jimmy London
Bridge Over Troubled Water
135 bpm • D Maj • 03:20 • -7.55db
20% Popularity • 86% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 97% Positiveness
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The Sadonians
Goodbye My Love
135 bpm • F min • 05:20 • -8.02db
20% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Kofi
Secret Combination
135 bpm • B Maj • 02:59 • -10.03db
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Sandra Cross
Can't Let You Go
135 bpm • C Maj • 06:15 • -12.92db
13% Popularity • 87% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Carroll Thompson
I'm So Sorry
135 bpm • E Maj • 04:23 • -7.27db
28% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Alpha
Cant Get Over You
135 bpm • G Maj • 05:05 • -7.6db
18% Popularity • 78% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Prince Alla
Bucket Bottom
136 bpm • F# Maj • 02:26 • -9db
38% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy London
Bridge over Trouble Waters
135 bpm • D Maj • 03:22 • -5.06db
17% Popularity • 86% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Sadonians
The Day Will Come
135 bpm • C Maj • 03:29 • -9.7db
2% Popularity • 77% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Kofi
Didn't I
134 bpm • C Maj • 05:28 • -13.65db
28% Popularity • 78% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Eargasm
This Is Lovers Rock
134 bpm • G Maj • 07:07 • -23.88db
15% Popularity • 56% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Meditations
Something Looking Good
136 bpm • A Maj • 03:56 • -7.95db
15% Popularity • 86% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Cornell Campbell & Lui Lepkie
Rope In/ Love In A Jamdown
136 bpm • F min • 06:18 • -6.77db
8% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Marshall
I Admire You
136 bpm • F# Maj • 02:47 • -6.91db
17% Popularity • 86% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Legato
Fool for Your Love
134 bpm • C# Maj • 04:13 • -7.28db
13% Popularity • 67% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kofi
Dread a Who She Love
134 bpm • G Maj • 03:05 • -12.88db
13% Popularity • 91% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Leo Graham & I-Roy
A Win Them/ News Carrier
136 bpm • C Maj • 07:48 • -5.57db
9% Popularity • 85% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Sandra Cross
I Adore You
134 bpm • F Maj • 03:59 • -8.78db
26% Popularity • 81% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Louisa Mark
Moving Target
136 bpm • C# min • 03:42 • -12.92db
15% Popularity • 78% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Ernest Wilson
I Know Myself
134 bpm • E min • 03:22 • -6db
20% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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TonyJ
Telephone Line
133 bpm • C Maj • 05:52 • -8.4db
8% Popularity • 83% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Kofi
I'm In Love With A Dreadlocks
136 bpm • C Maj • 03:29 • -11.58db
9% Popularity • 83% Danceability • 55% Energy • 6% Liveness
10% Instrumentalness • 96% Positiveness
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Horace Andy
Rock To Sleep
133 bpm • E min • 03:03 • -10db
14% Popularity • 89% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Sandra Cross
Put It On
137 bpm • C Maj • 04:47 • -13.08db
23% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Ruddy Thomas & Trinity
Every Day Is Just A Holiday/ Natty Dread...
137 bpm • G Maj • 07:36 • -6.21db
10% Popularity • 72% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Cassandra
Thank You for the Many Things You've Don...
137 bpm • C Maj • 03:34 • -8.16db
17% Popularity • 84% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Revelation
With You Boy
133 bpm • G Maj • 06:13 • -6.27db
20% Popularity • 82% Danceability • 64% Energy • 8% Liveness
6% Instrumentalness • 65% Positiveness
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Black Harmony
What's It All About
133 bpm • A Maj • 04:20 • -12.36db
16% Popularity • 76% Danceability • 48% Energy • 15% Liveness
8% Instrumentalness • 84% Positiveness
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Kofi
I'm So Proud
133 bpm • C Maj • 04:56 • -9.76db
9% Popularity • 88% Danceability • 54% Energy • 5% Liveness
2% Instrumentalness • 95% Positiveness
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Jimmy London
Till I Kissed You
133 bpm • E Maj • 02:34 • -5.46db
24% Popularity • 89% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Louisa Mark
Step It Brother Clem
133 bpm • E Maj • 02:26 • -14.93db
14% Popularity • 77% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Ronnie Davis
My World
133 bpm • C Maj • 02:27 • -8db
16% Popularity • 72% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Marcia Aitken
My Man
137 bpm • G Maj • 05:50 • -5.18db
7% Popularity • 71% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Sister Love
Goodbye Little Man
137 bpm • B min • 06:47 • -11.3db
15% Popularity • 76% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Jean Adebambo
Paradise
132 bpm • G Maj • 05:20 • -9.21db
28% Popularity • 73% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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John McLean
Starliner
138 bpm • G Maj • 03:32 • -14.81db
17% Popularity • 83% Danceability • 35% Energy • 7% Liveness
22% Instrumentalness • 76% Positiveness
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Clem Bushay
Never Lose Never Win
138 bpm • G Maj • 03:15 • -10.89db
12% Popularity • 78% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Errol Dunkley
Darling Ooh! (Your Love Is Amazing)
138 bpm • G Maj • 03:25 • -10.73db
27% Popularity • 74% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Royals
Pick Up the Pieces
132 bpm • A Maj • 03:09 • -7.68db
24% Popularity • 75% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Sandra Cross
I Adore You
132 bpm • F Maj • 03:25 • -13.23db
22% Popularity • 83% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jean Adebambo
Paradise
132 bpm • G Maj • 05:22 • -9.11db
19% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Etana
My Only Lover
132 bpm • A min • 03:43 • -4.6db
21% Popularity • 78% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Kofi
In Love With a Dreadlock
138 bpm • G Maj • 03:22 • -9.39db
16% Popularity • 78% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Junior Byles
Curly Locks
138 bpm • G Maj • 03:24 • -14.61db
7% Popularity • 77% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Errol Dunkley
A Little Way Different
138 bpm • F min • 02:59 • -17.57db
34% Popularity • 79% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Nerious Joseph
Guidance
138 bpm • C Maj • 03:52 • -15.09db
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Brown Sugar
Im In Love With A Dreadlocks
132 bpm • D Maj • 03:12 • -9.1db
18% Popularity • 87% Danceability • 76% Energy • 20% Liveness
9% Instrumentalness • 96% Positiveness
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Sandra Cross
Just Don't Care
132 bpm • G Maj • 03:49 • -13.03db
11% Popularity • 94% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Louisa Mark
All My Loving
138 bpm • C# Maj • 03:23 • -14.04db
12% Popularity • 67% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Lloyd Parks
Officially
138 bpm • A# Maj • 03:01 • -12.64db
24% Popularity • 83% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Keith Douglas
I Specialize in Good Girls
131 bpm • F Maj • 03:58 • -10.98db
15% Popularity • 74% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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George Faith
Have I Told You Lately
139 bpm • F Maj • 03:49 • -12.36db
17% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Various Artists
Mellow - Intense
139 bpm • G Maj • 04:07 • -9.67db
17% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Hell & Fire
Where Is That Love (Love and Harmony)
131 bpm • A Maj • 03:19 • -13.48db
10% Popularity • 84% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Louisa Mark
People in Love
131 bpm • A Maj • 02:45 • -17.59db
25% Popularity • 71% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Winston Reedy
Paradise in Your Eyes
131 bpm • C Maj • 04:28 • -6.48db
17% Popularity • 72% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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I-Roy
Welding
139 bpm • B min • 04:21 • -6.79db
14% Popularity • 78% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Natural Touch
Gimme Good Loving
131 bpm • A Maj • 03:58 • -9.59db
21% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Byles
Heart And Soul
130 bpm • F# Maj • 03:02 • -7.32db
16% Popularity • 82% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Barry Biggs
Wide Awake
130 bpm • B min • 04:00 • -6.56db
18% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Sonya Spence
Give Thanks
140 bpm • C Maj • 03:16 • -12.33db
17% Popularity • 83% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Fred Locks
True Rastaman
140 bpm • F# min • 03:37 • -5.33db
26% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Junior English
After Tonight
130 bpm • A min • 03:29 • -7.12db
25% Popularity • 84% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Simplicity
Loving Kind
130 bpm • G# Maj • 04:17 • -12.46db
7% Popularity • 81% Danceability • 51% Energy • 30% Liveness
48% Instrumentalness • 79% Positiveness
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Kofi
Coming Down To See Me - Kofi
140 bpm • G# min • 03:28 • -16.32db
9% Popularity • 94% Danceability • 24% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Marie Pierre
Choose Me
140 bpm • F# min • 04:14 • -7.58db
13% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Sandra Cross
Hello There
140 bpm • G Maj • 03:42 • -8.67db
23% Popularity • 85% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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The In Crowd
His Majesty Is Coming
140 bpm • G Maj • 03:16 • -7.53db
22% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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15 16 17
Black Skin Boy
130 bpm • F# Maj • 03:02 • -12.77db
10% Popularity • 80% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 97% Positiveness
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Aysha Loren
Keep It Like It Is
130 bpm • D Maj • 03:37 • -6.65db
15% Popularity • 78% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sonia
Ooh Baby Baby
130 bpm • D Maj • 03:36 • -7.84db
22% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Intense
On My Mind
141 bpm • C# min • 04:57 • -15.36db
10% Popularity • 80% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Sandra Cross
Can I Be Your Girl
140 bpm • C Maj • 03:20 • -9.44db
22% Popularity • 85% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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King Tubby
Waiting in the Park Dub
129 bpm • G Maj • 06:14 • -8.1db
11% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Chantells
Man in Love
129 bpm • G# min • 03:11 • -4.27db
23% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Fred Locks
Don't Let Babylon Use You
129 bpm • G Maj • 02:48 • -7db
13% Popularity • 87% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Tetrack
Let's Get Started
141 bpm • C# min • 03:43 • -8.57db
14% Popularity • 68% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Intense
On My Mind
141 bpm • E Maj • 03:42 • -13.63db
16% Popularity • 82% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Delgado
Trickster
129 bpm • B min • 03:13 • -23.22db
8% Popularity • 95% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Heptics
Natural Woman
129 bpm • E min • 04:17 • -11.98db
13% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sister Love
Every Bit of My Heart
141 bpm • G Maj • 07:31 • -5.8db
9% Popularity • 83% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Horace Andy
Natty Dread A Weh She Want
142 bpm • D Maj • 03:52 • -9.97db
33% Popularity • 90% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Claudia Fontaine
Natural High
129 bpm • C# min • 03:11 • -6.24db
22% Popularity • 79% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Intense
The Very Best
142 bpm • F# min • 03:13 • -8.1db
14% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Chantells
Waiting in the Park
128 bpm • G Maj • 03:24 • -3.22db
19% Popularity • 62% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Junior Delgado
Tition
129 bpm • B min • 05:44 • -9.86db
15% Popularity • 87% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Janet Lee Davis
Key To Your Heart
142 bpm • D Maj • 02:56 • -10.9db
16% Popularity • 76% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Barry Boom
Dial My Number
142 bpm • G min • 03:39 • -9.1db
20% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Errol Dunkley
A Little Way Different / Differentah
128 bpm • E min • 06:10 • -12.01db
9% Popularity • 86% Danceability • 52% Energy • 9% Liveness
6% Instrumentalness • 96% Positiveness
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Leroy Mafia
You Lie
142 bpm • E Maj • 03:47 • -8.05db
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Louisa Mark
Keep It Like It Is
128 bpm • D# Maj • 02:38 • -14.3db
35% Popularity • 78% Danceability • 23% Energy • 9% Liveness
12% Instrumentalness • 84% Positiveness
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Gwen Guthrie
Is This Love?
128 bpm • G# min • 05:23 • -9.15db
10% Popularity • 82% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Janet Kay
I Do Love You
142 bpm • F Maj • 03:22 • -6.87db
28% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Heptics
Natural Woman
128 bpm • E min • 03:38 • -13db
14% Popularity • 72% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Hunnigale
Rub a Dub Style
128 bpm • G# Maj • 03:49 • -5.71db
19% Popularity • 87% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Prince Lincoln
Humanity
128 bpm • A# min • 03:21 • -6.74db
21% Popularity • 73% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Roots
Mash Down
128 bpm • F# Maj • 03:47 • -11.15db
11% Popularity • 78% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Goodbye My Love