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Goodbye
Songs like
Goodbye
by
Steve Earle
Based on a tempo of (+/- 10%) and a similar genre
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Steve Earle
Goodbye
154 bpm • C Maj • 04:57 • -16db
37% Popularity • 47% Danceability • 12% Energy • 13% Liveness
7% Instrumentalness • 21% Positiveness
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Van Morrison
Reminds Me of You - Remastered
154 bpm • G Maj • 05:42 • -7db
44% Popularity • 43% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Adams & The Cardinals
Let It Ride
154 bpm • D min • 03:23 • -4.92db
47% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Karl Blau
If I Need You
153 bpm • B Maj • 03:54 • -9.15db
14% Popularity • 52% Danceability • 61% Energy • 57% Liveness
75% Instrumentalness • 70% Positiveness
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Eliza Gilkyson
Coast
153 bpm • B Maj • 03:25 • -14db
27% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Thompson
Saving the Good Stuff for You
156 bpm • D Maj • 03:54 • -8.14db
24% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Justin Townes Earle
Harlem River Blues
156 bpm • G Maj • 02:48 • -6.54db
54% Popularity • 47% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Blaze Foley
Clay Pigeons
152 bpm • B Maj • 04:15 • -16.49db
39% Popularity • 55% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Ray LaMontagne
New York City's Killing Me
152 bpm • A# Maj • 04:13 • -8.02db
39% Popularity • 49% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Earle
Halo 'Round the Moon
157 bpm • B Maj • 02:13 • -11.94db
23% Popularity • 51% Danceability • 37% Energy • 9% Liveness
65% Instrumentalness • 10% Positiveness
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Shannon McNally
Prayer in Open D
151 bpm • C Maj • 03:55 • -15db
18% Popularity • 47% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Eliza Gilkyson
Borderline
151 bpm • E Maj • 02:42 • -12.21db
33% Popularity • 47% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Uncle Tupelo
Sandusky
158 bpm • E min • 03:43 • -14.03db
49% Popularity • 52% Danceability • 59% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Tift Merritt
Something To Me
150 bpm • B Maj • 04:09 • -7.85db
28% Popularity • 56% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ray LaMontagne
Old Before Your Time
151 bpm • G Maj • 04:03 • -9.37db
37% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Earle
Harlem River Blues
151 bpm • G Maj • 03:10 • -6.59db
26% Popularity • 36% Danceability • 86% Energy • 9% Liveness
22% Instrumentalness • 87% Positiveness
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The Jayhawks
What Would I Dreamer Do?
159 bpm • E Maj • 03:15 • -7.29db
21% Popularity • 40% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 29% Positiveness
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Warren Zevon
Frozen Notes
158 bpm • G Maj • 01:42 • -14db
39% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
38% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Iris DeMent
After You're Gone
149 bpm • B Maj • 04:04 • -18.2db
19% Popularity • 46% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Ray LaMontagne
Devil's in the Jukebox
151 bpm • F Maj • 03:59 • -4.18db
30% Popularity • 53% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Earle
Tecumseh Valley
149 bpm • B Maj • 04:28 • -15.61db
21% Popularity • 46% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Whiskeytown
Sit & Listen To The Rain
149 bpm • F Maj • 04:05 • -11.6db
31% Popularity • 41% Danceability • 47% Energy • 24% Liveness
1% Instrumentalness • 31% Positiveness
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -10.57db
44% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Son Volt
Looking at the World Through a Windshiel...
159 bpm • A Maj • 03:08 • -9.18db
32% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Sam Baker
Waves
149 bpm • D Maj • 05:59 • -11.52db
12% Popularity • 37% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kris Kristofferson
Closer to the Bone
148 bpm • A Maj • 02:32 • -10.01db
23% Popularity • 64% Danceability • 58% Energy • 21% Liveness
21% Instrumentalness • 70% Positiveness
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Steve Earle
You’re the Best Lover That I Ever Had
151 bpm • A Maj • 04:07 • -10.09db
30% Popularity • 55% Danceability • 50% Energy • 27% Liveness
8% Instrumentalness • 77% Positiveness
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Ray Wylie Hubbard
Hellbent For Leather
160 bpm • G Maj • 03:08 • -5.29db
29% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Tift Merritt
Still Not Home
160 bpm • C Maj • 03:48 • -6.78db
26% Popularity • 43% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Sam Outlaw
Bottomless Mimosas
148 bpm • G# Maj • 03:46 • -7.05db
27% Popularity • 47% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Gourds
Steeple Full Of Swallows
148 bpm • C Maj • 03:51 • -7.32db
19% Popularity • 55% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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Dwight Yoakam
Purple Rain
148 bpm • A# Maj • 04:42 • -5db
44% Popularity • 51% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Earle
God Is God
149 bpm • C Maj • 03:59 • -13.8db
12% Popularity • 61% Danceability • 48% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
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Tara Nevins
Stars Fell On Alabama
148 bpm • A min • 02:56 • -9db
22% Popularity • 54% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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John Hiatt
Thunderbird
148 bpm • C# min • 04:04 • -9.11db
24% Popularity • 66% Danceability • 57% Energy • 16% Liveness
1% Instrumentalness • 55% Positiveness
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I Draw Slow
My Portion
147 bpm • C Maj • 04:15 • -10.43db
28% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Levon Helm
The Weight
161 bpm • A# Maj • 06:13 • -6db
26% Popularity • 39% Danceability • 88% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Slaid Cleaves
Lydia
147 bpm • C min • 04:40 • -12.26db
20% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Earle
Pilgrim
148 bpm • G Maj • 05:27 • -11.62db
30% Popularity • 38% Danceability • 36% Energy • 11% Liveness
49% Instrumentalness • 40% Positiveness
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Bap Kennedy
Long Time A Comin'
147 bpm • G Maj • 02:38 • -9db
20% Popularity • 52% Danceability • 73% Energy • 16% Liveness
7% Instrumentalness • 97% Positiveness
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Neal Casal
Maybe California
146 bpm • G Maj • 04:34 • -9.54db
22% Popularity • 52% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Chatham County Line
Crop Comes In
145 bpm • A Maj • 04:23 • -7db
27% Popularity • 53% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Gillian Welch
Wrecking Ball
145 bpm • C Maj • 04:56 • -9db
25% Popularity • 47% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Levon Helm
Poor Old Dirt Farmer
145 bpm • G Maj • 03:52 • -7db
31% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Earle
Telephone Road
146 bpm • F Maj • 03:42 • -8db
32% Popularity • 50% Danceability • 71% Energy • 13% Liveness
54% Instrumentalness • 70% Positiveness
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Sarah Jarosz
Ring Them Bells
164 bpm • B Maj • 03:30 • -11.56db
43% Popularity • 45% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Diana Jones
All My Money On You
164 bpm • C min • 03:09 • -7.84db
21% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Richmond Fontaine
Post To Wire
145 bpm • F min • 02:13 • -7.88db
25% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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The Jayhawks
All The Right Reasons
144 bpm • F# Maj • 03:24 • -9db
37% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Eliza Gilkyson
Think About You
144 bpm • C Maj • 03:23 • -13.91db
28% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Earle
The Kind
145 bpm • D Maj • 02:04 • -7.98db
17% Popularity • 53% Danceability • 57% Energy • 27% Liveness
5% Instrumentalness • 42% Positiveness
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Uncle Tupelo
Moonshiner
143 bpm • C Maj • 04:23 • -13.75db
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lindi Ortega
Cigarettes & Truckstops
143 bpm • C Maj • 04:28 • -9.14db
4% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Bruce Springsteen
Youngstown
143 bpm • C Maj • 03:52 • -14.93db
42% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tift Merritt
I Am Your Tambourine
143 bpm • D Maj • 03:44 • -3.3db
25% Popularity • 45% Danceability • 98% Energy • 27% Liveness
1% Instrumentalness • 82% Positiveness
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Eliza Gilkyson
Death in Arkansas
144 bpm • G# Maj • 04:18 • -9.85db
11% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Steve Earle
Over Yonder (Jonathan's Song)
143 bpm • E Maj • 03:56 • -12.92db
19% Popularity • 47% Danceability • 30% Energy • 12% Liveness
27% Instrumentalness • 22% Positiveness
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Whiskeytown
Jacksonville Skyline
143 bpm • B Maj • 03:00 • -14db
45% Popularity • 58% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gretchen Peters
Five Minutes
142 bpm • G Maj • 05:00 • -12.7db
30% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bap Kennedy
Please Return to Jesus
167 bpm • D Maj • 04:11 • -10.46db
14% Popularity • 55% Danceability • 51% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
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Tift Merritt
Dusty Old Man
142 bpm • F min • 03:47 • -7db
33% Popularity • 56% Danceability • 88% Energy • 15% Liveness
3% Instrumentalness • 92% Positiveness
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Joe Ely
Magdalene
168 bpm • C# min • 03:35 • -13db
19% Popularity • 60% Danceability • 28% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Steve Earle
Waitin' on the Sky
144 bpm • G Maj • 03:28 • -8.84db
20% Popularity • 59% Danceability • 65% Energy • 26% Liveness
1% Instrumentalness • 88% Positiveness
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Braison Cyrus
Black Water
168 bpm • E min • 05:34 • -6.48db
12% Popularity • 51% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Shannon McNally
Pale Moon
168 bpm • C Maj • 05:12 • -7.99db
31% Popularity • 54% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Bap Kennedy
Mostly Water
142 bpm • A Maj • 03:23 • -10.34db
16% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Jerry Jeff Walker
Mr. Bojangles
168 bpm • D Maj • 05:28 • -27.12db
44% Popularity • 43% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 78% Positiveness
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Alison Krauss & Union Station
The Lucky One
169 bpm • A# Maj • 03:10 • -11.45db
50% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Chatham County Line
Girl She Used to Be
170 bpm • D# Maj • 02:50 • -10db
19% Popularity • 41% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Earle
Ellis Unit One
140 bpm • E Maj • 04:40 • -13.91db
19% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Shannon McNally
Bohemian Wedding Song
169 bpm • C# min • 05:49 • -9.94db
13% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Wylie Hubbard
Dust Of The Chase
140 bpm • G Maj • 05:06 • -8db
30% Popularity • 58% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Greg Trooper
Broken Man (Live)
139 bpm • F Maj • 04:19 • -13.34db
9% Popularity • 41% Danceability • 34% Energy • 74% Liveness
0% Instrumentalness • 32% Positiveness
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Warren Zevon
Hasten Down the Wind
139 bpm • E Maj • 02:32 • -11.5db
36% Popularity • 42% Danceability • 30% Energy • 14% Liveness
40% Instrumentalness • 30% Positiveness
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Blue Mountain
Mountain Girl
139 bpm • D Maj • 04:05 • -9.77db
37% Popularity • 54% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 87% Positiveness
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Steve Earle
The Galway Girl
170 bpm • D Maj • 03:05 • -5.1db
56% Popularity • 42% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Malcolm Holcombe
Sweet Georgia
139 bpm • F# Maj • 03:17 • -9.32db
23% Popularity • 68% Danceability • 72% Energy • 22% Liveness
1% Instrumentalness • 90% Positiveness
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Joe Ely
When the Nights Are Cold
138 bpm • G Maj • 02:53 • -7.89db
30% Popularity • 60% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Mudcrutch
I Forgive It All
172 bpm • D Maj • 04:13 • -12db
35% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
37% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Alejandro Escovedo
I Was Drunk
172 bpm • E Maj • 04:53 • -7.95db
33% Popularity • 37% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Steve Earle
Colorado Girl
170 bpm • E Maj • 03:35 • -13.53db
16% Popularity • 51% Danceability • 21% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Loretta Lynn
One's On The Way
138 bpm • C# Maj • 02:41 • -6db
28% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jesse Winchester
Dangerous Fun
138 bpm • D Maj • 02:05 • -14.78db
29% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Gram Parsons
Love Hurts - 2007 Remaster
137 bpm • G Maj • 03:42 • -11db
46% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bruce Robison
This Will Be Our Year
137 bpm • A# Maj • 02:22 • -7.7db
32% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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The Jayhawks
What Led Me To This Town
137 bpm • C# min • 04:09 • -10.84db
29% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Steve Earle
Hurtin' Me, Hurtin' You
172 bpm • E Maj • 03:21 • -7.1db
20% Popularity • 40% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Whiskeytown
Everything I Do
137 bpm • E Maj • 04:31 • -7.64db
34% Popularity • 53% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Guy Clark
My Favorite Picture Of You
173 bpm • B Maj • 03:32 • -15db
39% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Logan Ledger
Oh, Sister [Courtney Marie Andrews]
137 bpm • A# Maj • 03:40 • -10db
25% Popularity • 56% Danceability • 40% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Bap Kennedy
Shimnavale
137 bpm • D Maj • 05:06 • -8.66db
9% Popularity • 51% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Gillian Welch
Dry Town - Demo
173 bpm • E Maj • 02:55 • -10db
28% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Steve Earle
Marie
138 bpm • A Maj • 04:52 • -15.87db
12% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Adams
La Cienega Just Smiled
137 bpm • D# Maj • 05:01 • -14.23db
39% Popularity • 64% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
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Iris DeMent
These Hills
137 bpm • B Maj • 03:40 • -14.59db
25% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jesse Winchester
Mississippi You're On My Mind
136 bpm • D# Maj • 03:26 • -11.36db
24% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bap Kennedy
The Shankill And The Falls
136 bpm • C Maj • 02:46 • -11.47db
9% Popularity • 57% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Madison Violet
The Ransom
136 bpm • A# Maj • 03:37 • -8.89db
21% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Goodbye