Songs like Goodbye by Air Supply
Based on a tempo of (+/- 10%) and a similar genre
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Whitney Houston
Didn't We Almost Have It All
131 bpm • A# Maj • 05:05 • -10db
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
62% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Rockstar
Parting Time
131 bpm • A Maj • 03:29 • -15.52db
61% Popularity • 38% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
61% Popularity • 38% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Air Supply
Goodbye
131 bpm • D# Maj • 04:02 • -6.99db
67% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
67% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Rita Coolidge
I'd Rather Leave While I'm In Love
132 bpm • G# Maj • 03:25 • -9db
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Cetera
Have You Ever Been in Love
132 bpm • D Maj • 04:09 • -12.82db
37% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Raymond Lauchengco
So It's You
130 bpm • C min • 03:24 • -10.87db
57% Popularity • 32% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 32% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Stevie B
Dream About You
130 bpm • E min • 04:03 • -10.45db
46% Popularity • 67% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 67% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Mary MacGregor
Torn Between Two Lovers
130 bpm • A# Maj • 03:51 • -9.2db
55% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
55% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
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Air Supply
I'll Be Thinking of You
130 bpm • G Maj • 04:26 • -12.75db
20% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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A1
One Last Song
132 bpm • C Maj • 04:47 • -5.06db
46% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 52% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Rick Price
You're Never Alone - Single Version
132 bpm • F Maj • 04:19 • -9.89db
15% Popularity • 40% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 40% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Fra Lippo Lippi
Love Is a Lonely Harbour
130 bpm • A min • 05:10 • -11.61db
29% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 64% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Martin Nievera
Maybe This Time
130 bpm • G Maj • 03:31 • -7.69db
37% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Boyzone
You Needed Me
132 bpm • F Maj • 03:28 • -7.89db
45% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Toni Gonzaga
Medley: Sometimes When We Touch /After A...
130 bpm • D# Maj • 05:50 • -7.6db
33% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ella May Saison
Till My Heartaches End
130 bpm • F Maj • 04:09 • -13.18db
61% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 62% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Journey
When You Love a Woman
132 bpm • C# Maj • 04:06 • -5.82db
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Breathe
How Can I Fall ?
132 bpm • A Maj • 04:44 • -13.98db
51% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Air Supply
Stop the Tears
130 bpm • C Maj • 04:21 • -10.19db
37% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 58% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Hill
Dance of Love
130 bpm • F# Maj • 03:29 • -9.43db
26% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Brian McKnight
Back At One
130 bpm • B Maj • 04:23 • -9.12db
69% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Odette Quesada
Friend of Mine
130 bpm • C Maj • 03:24 • -16db
58% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
58% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Russell Hitchcock
Where Did The Feeling Go?
130 bpm • A Maj • 03:48 • -11.11db
29% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Elton John
Skyline Pigeon - Piano Version
132 bpm • D# Maj • 03:56 • -8.68db
58% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Anne Murray
I Just Fall In Love Again
133 bpm • C Maj • 02:51 • -9db
60% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
60% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Whitney Houston
All at Once
133 bpm • C min • 04:28 • -16.16db
58% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Alejandro Lerner
You'll Never Know
129 bpm • A Maj • 04:38 • -8db
40% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 49% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Bon Jovi
Thank You For Loving Me
133 bpm • D Maj • 05:08 • -7.75db
64% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
64% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Brenda K. Starr
Love Me Like the First Time
133 bpm • C# Maj • 03:20 • -7.74db
53% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 57% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Ray Parker Jr.
One Sided Love Affair
129 bpm • E min • 03:59 • -11.96db
31% Popularity • 40% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Air Supply
Without You
129 bpm • F Maj • 04:32 • -6.43db
63% Popularity • 37% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 37% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Anne Murray
Broken Hearted Me
134 bpm • C# Maj • 03:56 • -11.77db
50% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
50% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Shania Twain
You're Still The One - Remastered 2023
134 bpm • D# Maj • 03:17 • -3.7db
58% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Christopher Cross
I Will (Take You Forever)
128 bpm • A Maj • 03:59 • -10.02db
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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A1
Like a Rose
134 bpm • A Maj • 04:11 • -8db
53% Popularity • 59% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Danny Brian
Please Forgive Me I Can't Stop Loving Yo...
134 bpm • G Maj • 05:54 • -7db
27% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Roxette
Vulnerable
134 bpm • C# Maj • 05:00 • -6db
55% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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James Ingram
There's No Easy Way
128 bpm • G# Maj • 03:47 • -16.39db
65% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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A1
Everytime
134 bpm • A# Maj • 04:29 • -8.67db
50% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 57% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Air Supply
Faith
128 bpm • A# Maj • 04:53 • -8.24db
19% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 57% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Tiffany
Can't You See
128 bpm • G Maj • 03:48 • -4db
42% Popularity • 64% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 64% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Bertie Higgins
Casablanca
128 bpm • B min • 04:34 • -11db
48% Popularity • 63% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 63% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Heart
Secret
128 bpm • A min • 04:14 • -8.76db
47% Popularity • 50% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 50% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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George Benson
You Are the Love of My Life
128 bpm • E Maj • 02:52 • -9db
57% Popularity • 41% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 41% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Debbie Gibson
We Could Be Together
135 bpm • D# Maj • 05:36 • -7.88db
34% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Jim Capaldi
Old Photographs
127 bpm • F# Maj • 04:50 • -13db
48% Popularity • 31% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 31% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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New Kids On The Block
I'll Be Loving You (Forever)
135 bpm • B Maj • 04:23 • -17db
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Anka
I Don't Like To Sleep Alone
127 bpm • A# Maj • 03:18 • -10db
48% Popularity • 48% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 48% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Christina Aguilera
I Turn to You
127 bpm • C# Maj • 04:33 • -8.36db
59% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rodel Naval
I Don'T Wanna Lose Your Love
135 bpm • D# Maj • 03:15 • -18.56db
54% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 37% Danceability • 32% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Learns To Rock
That's Why You Go Away
127 bpm • G Maj • 04:13 • -7.22db
66% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Air Supply
I'll Be Thinking Of You
127 bpm • G Maj • 04:14 • -7.74db
39% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 38% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Andy Gibb
Rest Your Love On Me
127 bpm • A Maj • 04:57 • -12.15db
47% Popularity • 63% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 63% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Hill
Hold Me Now
127 bpm • F# Maj • 03:32 • -8db
32% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Helen Reddy
I Can't Say Goodbye To You
135 bpm • G Maj • 03:50 • -15.14db
47% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 47% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ric Segreto
Don't Know What to Say - Don't Know What...
135 bpm • D Maj • 02:45 • -15db
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 67% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Parker Jr.
The Past
127 bpm • G Maj • 03:30 • -16.89db
51% Popularity • 65% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 65% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Shania Twain
From This Moment On - Pop On-Tour Versio...
136 bpm • D Maj • 03:57 • -4.45db
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Harem Scarem
Honestly
126 bpm • A Maj • 04:02 • -11db
50% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Bon Jovi
Never Say Goodbye
136 bpm • D Maj • 04:48 • -2.36db
67% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Indecent Obsession
Lady Rain
136 bpm • C# Maj • 04:13 • -8.14db
36% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
56% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Rita Coolidge
Rainy Blue
136 bpm • F Maj • 04:27 • -14.07db
36% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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A1
Heaven By Your Side
136 bpm • A Maj • 04:25 • -9.42db
50% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jed Madela
The Past
126 bpm • G Maj • 03:34 • -8db
49% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
69% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Rockwell
Knife
137 bpm • C min • 05:06 • -17db
43% Popularity • 64% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 64% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Air Supply
Come What May
137 bpm • D Maj • 04:02 • -12.78db
32% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Gibb
An Everlasting Love
125 bpm • A Maj • 04:10 • -6.54db
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Nick Carter
Do I Have To Cry For You
137 bpm • C# Maj • 03:37 • -4.5db
47% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Christopher Cross
Never Be the Same
125 bpm • A Maj • 04:09 • -10db
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
