Songs like Goodnight by Nick Murphy
Based on a tempo of (+/- 10%) and a similar genre
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Ben Howard
Heave Ho
140 bpm • C Maj • 06:18 • -10db
24% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
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James Blake
Summer Of Now
140 bpm • G Maj • 04:11 • -10db
25% Popularity • 50% Danceability • 42% Energy • 17% Liveness
38% Instrumentalness • 4% Positiveness
25% Popularity • 50% Danceability • 42% Energy • 17% Liveness
38% Instrumentalness • 4% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Biggs
Laundromat
140 bpm • E Maj • 03:55 • -12.62db
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 30% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Kyan
Like Summer
140 bpm • A min • 05:36 • -11.59db
34% Popularity • 60% Danceability • 42% Energy • 9% Liveness
48% Instrumentalness • 38% Positiveness
34% Popularity • 60% Danceability • 42% Energy • 9% Liveness
48% Instrumentalness • 38% Positiveness
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Gordi
Volcanic
140 bpm • C Maj • 03:13 • -11.94db
16% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Parcels
I Will Always Love You - triple j Like a...
140 bpm • A Maj • 03:53 • -13.94db
38% Popularity • 87% Danceability • 39% Energy • 8% Liveness
18% Instrumentalness • 60% Positiveness
38% Popularity • 87% Danceability • 39% Energy • 8% Liveness
18% Instrumentalness • 60% Positiveness
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Bear's Den
When You Break - Fragments
141 bpm • E min • 04:52 • -12.03db
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
32% Instrumentalness • 31% Positiveness
22% Popularity • 53% Danceability • 34% Energy • 10% Liveness
32% Instrumentalness • 31% Positiveness
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Palace
Break The Silence - Acoustic
139 bpm • F# min • 03:19 • -11.86db
31% Popularity • 69% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 69% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Max Jury
Gone
141 bpm • B min • 05:05 • -12.1db
32% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Murphy
Goodnight
140 bpm • E Maj • 04:21 • -16.34db
38% Popularity • 54% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
38% Popularity • 54% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Matt Corby
Rainbow Valley
142 bpm • F# Maj • 03:49 • -11db
26% Popularity • 59% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 57% Positiveness
26% Popularity • 59% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 57% Positiveness
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Uly
cold water
142 bpm • B Maj • 03:53 • -18.34db
39% Popularity • 62% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 17% Positiveness
39% Popularity • 62% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 17% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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FIL BO RIVA
Head Sonata - Acoustic Version
142 bpm • G Maj • 03:21 • -9.01db
23% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Khushi
This Is, Pt. I
138 bpm • D min • 03:42 • -11.37db
12% Popularity • 65% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
12% Popularity • 65% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 16% Positiveness
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Jesse Marchant
Sister, I
138 bpm • F Maj • 04:05 • -11db
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Bear's Den
Napoleon - Fragments
142 bpm • G# Maj • 06:00 • -13.64db
27% Popularity • 55% Danceability • 35% Energy • 10% Liveness
71% Instrumentalness • 24% Positiveness
27% Popularity • 55% Danceability • 35% Energy • 10% Liveness
71% Instrumentalness • 24% Positiveness
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Quarry
No_Ordinary_Love_s1e2
142 bpm • D min • 03:17 • -9.06db
10% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Palace
Trouble On The Water - Acoustic
138 bpm • G Maj • 04:27 • -12.03db
36% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Lambert
Bluffing
142 bpm • A min • 03:43 • -14.77db
22% Popularity • 43% Danceability • 19% Energy • 9% Liveness
39% Instrumentalness • 33% Positiveness
22% Popularity • 43% Danceability • 19% Energy • 9% Liveness
39% Instrumentalness • 33% Positiveness
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Lo-Fang
We're Not Different
138 bpm • G Maj • 02:55 • -19db
17% Popularity • 35% Danceability • 23% Energy • 8% Liveness
22% Instrumentalness • 26% Positiveness
17% Popularity • 35% Danceability • 23% Energy • 8% Liveness
22% Instrumentalness • 26% Positiveness
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Bon Iver
Holyfields,
142 bpm • F# Maj • 03:07 • -11.9db
40% Popularity • 56% Danceability • 42% Energy • 15% Liveness
10% Instrumentalness • 32% Positiveness
40% Popularity • 56% Danceability • 42% Energy • 15% Liveness
10% Instrumentalness • 32% Positiveness
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Khushi
Call to Arms
138 bpm • D# min • 03:43 • -11.09db
9% Popularity • 29% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 16% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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IDER
Body Love
143 bpm • G# min • 03:41 • -11db
31% Popularity • 78% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 78% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Siv Jakobsen
Fear the Fear
143 bpm • F min • 04:35 • -11.65db
6% Popularity • 35% Danceability • 25% Energy • 11% Liveness
26% Instrumentalness • 16% Positiveness
6% Popularity • 35% Danceability • 25% Energy • 11% Liveness
26% Instrumentalness • 16% Positiveness
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Nick Murphy
Blood And
143 bpm • A Maj • 04:15 • -28.4db
27% Popularity • 24% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ciaran Lavery
Selene
137 bpm • C Maj • 04:38 • -13.14db
17% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
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Fink
My Love’s Already There
137 bpm • A min • 06:50 • -23.26db
15% Popularity • 27% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 27% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Sam Dotia
Uriah's Cry
143 bpm • E Maj • 03:21 • -16.76db
14% Popularity • 33% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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SYML
Flags
136 bpm • G Maj • 03:29 • -12db
43% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Thomas Saunders
I'll Come Running
143 bpm • C Maj • 04:38 • -7db
34% Popularity • 39% Danceability • 71% Energy • 20% Liveness
26% Instrumentalness • 25% Positiveness
34% Popularity • 39% Danceability • 71% Energy • 20% Liveness
26% Instrumentalness • 25% Positiveness
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Westerman
Mother Song
136 bpm • G Maj • 02:53 • -16.92db
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Nearly Oratorio
Down to the Minute
144 bpm • F# min • 03:38 • -19.14db
12% Popularity • 43% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 33% Positiveness
12% Popularity • 43% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 33% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Blanco White
Mano a Mano
144 bpm • C# min • 06:20 • -12.29db
34% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
34% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
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JFDR
Shimmer
136 bpm • D Maj • 03:21 • -15.63db
19% Popularity • 53% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 41% Positiveness
19% Popularity • 53% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 41% Positiveness
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Lucy Rose
Save Me From Your Kindness
144 bpm • C Maj • 03:47 • -15.51db
19% Popularity • 48% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
19% Popularity • 48% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
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Scott Orr
Fall Apart
144 bpm • A Maj • 04:36 • -14.07db
23% Popularity • 63% Danceability • 53% Energy • 36% Liveness
75% Instrumentalness • 61% Positiveness
23% Popularity • 63% Danceability • 53% Energy • 36% Liveness
75% Instrumentalness • 61% Positiveness
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Nearly Oratorio
A Comforting Fact
136 bpm • E Maj • 04:03 • -21.75db
10% Popularity • 49% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 28% Positiveness
10% Popularity • 49% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 28% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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emawk
someone
136 bpm • D# Maj • 03:55 • -13.97db
36% Popularity • 71% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 71% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kwalia
Void
136 bpm • B min • 06:02 • -12.21db
19% Popularity • 45% Danceability • 46% Energy • 18% Liveness
4% Instrumentalness • 13% Positiveness
19% Popularity • 45% Danceability • 46% Energy • 18% Liveness
4% Instrumentalness • 13% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James Blake
when the party’s over
136 bpm • A min • 03:13 • -12.97db
49% Popularity • 47% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
49% Popularity • 47% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 16% Positiveness
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Lambert
Manifold
135 bpm • E Maj • 02:58 • -15.56db
22% Popularity • 44% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
22% Popularity • 44% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Ben Howard
What A Day
136 bpm • G Maj • 05:16 • -8.51db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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Bob Moses
Heaven Only Knows - Acoustic
135 bpm • C# min • 03:16 • -5.74db
12% Popularity • 41% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Leif Vollebekk
Into the Ether
135 bpm • C# Maj • 05:49 • -12.07db
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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S. Carey
Hideout
135 bpm • G# Maj • 02:53 • -11.16db
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Tamu Massif
Rare Candy
145 bpm • B Maj • 03:40 • -12.22db
18% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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MAVICA
Fire
135 bpm • G# min • 04:35 • -10.01db
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Bon Iver
Faith
135 bpm • C# Maj • 03:37 • -11.17db
47% Popularity • 46% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
47% Popularity • 46% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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LÃ¥psley
Sadness is a Shade of Blue
135 bpm • A min • 03:37 • -11db
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lea Porcelain
Sink into the Night
135 bpm • C Maj • 03:48 • -10.28db
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
63% Instrumentalness • 9% Positiveness
15% Popularity • 48% Danceability • 50% Energy • 10% Liveness
63% Instrumentalness • 9% Positiveness
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Nick Murphy
Think About You
135 bpm • F Maj • 06:01 • -21.32db
15% Popularity • 22% Danceability • 2% Energy • 10% Liveness
16% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 10% Liveness
16% Instrumentalness • 12% Positiveness
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Jon Bryant
Party
135 bpm • B min • 04:02 • -9.44db
17% Popularity • 47% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 28% Positiveness
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Dear Leo
Your Door
146 bpm • C# Maj • 05:02 • -11.61db
6% Popularity • 53% Danceability • 48% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
6% Popularity • 53% Danceability • 48% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Roo Panes
Listen To The One Who Loves You
146 bpm • D Maj • 04:41 • -10db
29% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 41% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mooryc
Wiped Out
134 bpm • G Maj • 03:45 • -8.21db
22% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Khushi
Coldhearted, Lately
134 bpm • B min • 03:24 • -9.59db
14% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Nick Murphy
Where's Danny
135 bpm • C Maj • 07:59 • -17.57db
9% Popularity • 25% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 25% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Ok Moon
Just in Time
134 bpm • G Maj • 04:28 • -11.75db
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 66% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The National
I Am Easy To Find
134 bpm • B Maj • 04:30 • -11db
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
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Blanco White
Chasing Dials
147 bpm • A min • 04:03 • -12.87db
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
31% Popularity • 32% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Palace
Heaven Up There - Acoustic
133 bpm • E Maj • 05:06 • -8.86db
29% Popularity • 46% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 46% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tash Sultana
Dream My Life Away
133 bpm • E Maj • 05:15 • -9.81db
34% Popularity • 39% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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George Taylor
Roses
133 bpm • C Maj • 04:22 • -6.64db
43% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 59% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Corby
No Ordinary Life
148 bpm • A# Maj • 03:58 • -7.21db
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Uma
Mockingbird
133 bpm • B min • 03:15 • -12.96db
29% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Murphy
Salt of the Heart, Pt. 2
133 bpm • D Maj • 07:17 • -18.08db
21% Popularity • 20% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jamie Cullum
Hey Ma
133 bpm • A min • 04:50 • -16.18db
15% Popularity • 54% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 54% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Tora
Similar
148 bpm • C# Maj • 02:48 • -8.94db
41% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lambert
The Tug
148 bpm • G min • 03:34 • -16.15db
27% Popularity • 59% Danceability • 41% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
27% Popularity • 59% Danceability • 41% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Simen Mitlid
Saturdays
148 bpm • E Maj • 03:28 • -17db
16% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Howard
Nica Libres At Dusk
148 bpm • A Maj • 06:34 • -12.79db
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
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Nick Murphy
Message You At Midnight
148 bpm • C# Maj • 05:06 • -12.01db
15% Popularity • 28% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 24% Positiveness
15% Popularity • 28% Danceability • 22% Energy • 16% Liveness
7% Instrumentalness • 24% Positiveness
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I Am Oak
Between Worlds
132 bpm • F Maj • 03:21 • -11.28db
7% Popularity • 61% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
7% Popularity • 61% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
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Shlohmo
Remains - Chet Faker Vocal Dub
132 bpm • A min • 04:00 • -12.02db
4% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 32% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Lambert
Illuminate and Collide
148 bpm • D# min • 03:59 • -17.34db
20% Popularity • 59% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 38% Positiveness
20% Popularity • 59% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 38% Positiveness
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Juliana Daugherty
Player
132 bpm • D min • 04:22 • -14.99db
18% Popularity • 62% Danceability • 34% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
18% Popularity • 62% Danceability • 34% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Mighty Oaks
Lost Again
132 bpm • C# Maj • 03:36 • -9.49db
23% Popularity • 52% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
23% Popularity • 52% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Bombay Bicycle Club
Two Lives
132 bpm • F Maj • 02:43 • -11.96db
29% Popularity • 61% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 61% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Villagers
A Trick of the Light - Bibio Remix
149 bpm • B Maj • 03:08 • -10db
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
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Jack Grace
Slow Burn
132 bpm • D Maj • 03:36 • -16.73db
26% Popularity • 44% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
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Nick Murphy
Old Dog
131 bpm • E Maj • 04:51 • -10.77db
29% Popularity • 49% Danceability • 42% Energy • 11% Liveness
38% Instrumentalness • 34% Positiveness
29% Popularity • 49% Danceability • 42% Energy • 11% Liveness
38% Instrumentalness • 34% Positiveness
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JPL
Speak Up
131 bpm • F min • 04:01 • -9.31db
31% Popularity • 71% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 71% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Blanco White
On the Other Side
131 bpm • A# min • 04:55 • -12.39db
36% Popularity • 51% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
36% Popularity • 51% Danceability • 35% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
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MorMor
Whatever Comes to Mind
131 bpm • A# Maj • 04:09 • -7.8db
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
42% Popularity • 54% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 25% Positiveness
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![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)
Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Roo Panes
Colour In Your Heart - Ellie Mason Remix
150 bpm • C Maj • 06:01 • -12.6db
14% Popularity • 47% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 47% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Ben Howard
There's Your Man
150 bpm • E min • 04:38 • -7.44db
37% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
37% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
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James Blake
You're Too Precious
150 bpm • C# Maj • 03:43 • -9.46db
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
49% Popularity • 68% Danceability • 48% Energy • 10% Liveness
37% Instrumentalness • 30% Positiveness
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Leif Vollebekk
Hot Tears
150 bpm • B min • 04:07 • -9.67db
54% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
40% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
40% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
