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Goodwin's - Intro
Songs like
Goodwin's - Intro
by
Gordi
Based on a tempo of (+/- 10%) and a similar genre
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Madeline
Dancing in the Dark
115 bpm • B Maj • 04:14 • -10db
29% Popularity • 61% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Gordi
Limits
115 bpm • G Maj • 03:31 • -8.71db
11% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Alexander Biggs
I've Been Holding Onto You For Way Too L...
115 bpm • C# Maj • 03:36 • -13.8db
17% Popularity • 60% Danceability • 41% Energy • 9% Liveness
36% Instrumentalness • 14% Positiveness
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Jack in Water
A Stranger's Home
115 bpm • G Maj • 02:59 • -14db
34% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fractures
It's Alright
115 bpm • C Maj • 04:10 • -16.85db
30% Popularity • 30% Danceability • 26% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Konradsen
Odd Mistake
115 bpm • D Maj • 04:53 • -12.9db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Odette
A Place That I Don’t Know
115 bpm • C Maj • 03:05 • -7.35db
33% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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BEXY
You Don't Lie
114 bpm • G# min • 03:41 • -17.93db
35% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Hailaker
Rainmaker
114 bpm • C Maj • 03:12 • -18.06db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 11% Positiveness
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High Highs
St.Marie
114 bpm • D# Maj • 02:29 • -15.58db
24% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wyvern Lingo
Used
114 bpm • D Maj • 04:12 • -10.95db
41% Popularity • 38% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Arctic Lake
You Know All of Me
116 bpm • B Maj • 02:55 • -17.14db
34% Popularity • 51% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Foreign Fields
Don't Give Up
114 bpm • D# Maj • 03:53 • -13.75db
35% Popularity • 76% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 74% Positiveness
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Benjamin Francis Leftwich
Full Full Colour
114 bpm • B min • 02:36 • -9.57db
19% Popularity • 64% Danceability • 66% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Ben Stevenson
Yellow Bird
114 bpm • F# min • 03:42 • -10.63db
35% Popularity • 50% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Bre Kennedy
Jealous of Birds
116 bpm • D# Maj • 03:12 • -14.56db
33% Popularity • 65% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Emily Keener
Do You Love Me Lately?
116 bpm • G Maj • 03:56 • -15.54db
22% Popularity • 61% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jens Kuross
Everybody Wants to Rule the World
113 bpm • C Maj • 03:44 • -12.8db
21% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Bien
The Best Part
117 bpm • E Maj • 03:50 • -11.05db
34% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Le Youth
Hang On
117 bpm • C Maj • 03:25 • -9.09db
31% Popularity • 67% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
79% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Lawson Hull
Paint
113 bpm • F# Maj • 04:31 • -8.57db
28% Popularity • 67% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Biggs
All I Can Do Is Hate You
113 bpm • E Maj • 03:44 • -11.98db
12% Popularity • 38% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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MishCatt
Midnight Sun - Acoustic Version
118 bpm • C# Maj • 03:13 • -15.93db
38% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Maria Kelly
Torn Into Two
112 bpm • C min • 03:32 • -11.06db
16% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Odette
Angels
118 bpm • A min • 02:39 • -14.86db
22% Popularity • 43% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Lynch
Mess You Made
112 bpm • G Maj • 03:08 • -7.21db
18% Popularity • 68% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Keir
leave a light on
118 bpm • G Maj • 03:50 • -9.69db
39% Popularity • 76% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
45% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Maple Glider
Friend
118 bpm • B Maj • 04:17 • -9.69db
38% Popularity • 75% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Troye Sivan
The Good Side
112 bpm • D Maj • 04:28 • -15.49db
55% Popularity • 43% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Gordi
Look Like You
118 bpm • C# min • 03:54 • -14.66db
9% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Pyke
The Hummingbird
112 bpm • D min • 03:30 • -8.02db
16% Popularity • 50% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
22% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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DYAN
The Push
118 bpm • G# Maj • 04:17 • -13.28db
24% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
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Maple Glider
Good Thing
112 bpm • G# min • 04:12 • -12.22db
56% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Ziggy Alberts
letting go
118 bpm • G Maj • 04:26 • -10.38db
50% Popularity • 72% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Gordi
Extraordinary Life - 2018 demo
118 bpm • A Maj • 03:46 • -10.45db
0% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa Mitchell
Everything Is Free
112 bpm • C Maj • 04:17 • -9db
33% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
42% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Gretta Ray
Vienna
119 bpm • A Maj • 02:43 • -14db
62% Popularity • 49% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
50% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Gordi
Wrecking Ball - triple j Like A Version
111 bpm • D min • 04:50 • -11db
28% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Rosie Carney
break the ground
111 bpm • G Maj • 02:35 • -13.78db
13% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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LOYAL
Light up for You - Acoustic
111 bpm • G# Maj • 03:46 • -9db
19% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Charli Adams
Heroes / Dying
120 bpm • E Maj • 03:50 • -8.93db
38% Popularity • 69% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Joy Oladokun
look up
120 bpm • C Maj • 03:33 • -9.71db
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Bombay Bicycle Club
Is It Real - Acoustic
120 bpm • D# Maj • 02:47 • -12.91db
34% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Wyldest
Seastroke
120 bpm • D# Maj • 04:35 • -16.65db
37% Popularity • 56% Danceability • 21% Energy • 8% Liveness
84% Instrumentalness • 11% Positiveness
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Viané
In Between
120 bpm • B min • 04:12 • -10.19db
12% Popularity • 61% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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DYAN
Reality
120 bpm • F Maj • 02:25 • -15db
25% Popularity • 44% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 29% Positiveness
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Brooke Annibale
What if You
120 bpm • A# Maj • 03:22 • -7.28db
23% Popularity • 48% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Emmit Fenn
Far from Here
120 bpm • F# Maj • 05:51 • -14.38db
35% Popularity • 43% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
49% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Rosie Carney
when i look at you.
110 bpm • A Maj • 03:52 • -11.65db
41% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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SYML
Girl
110 bpm • C# Maj • 03:32 • -12db
60% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Gordi
Unready - aO2Sk
110 bpm • F Maj • 04:12 • -6.26db
10% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Nils Hoffmann
No One Else
110 bpm • C# Maj • 03:26 • -12.4db
30% Popularity • 66% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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San Fermin
Run Away With Me
120 bpm • D# min • 03:59 • -9.02db
29% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Little May
Seven Hours
121 bpm • D# Maj • 03:41 • -8db
38% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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SYML
Girl - Acoustic
110 bpm • C# Maj • 03:31 • -12db
59% Popularity • 41% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Jack Grace
if i tremble
121 bpm • A# Maj • 03:56 • -13.84db
24% Popularity • 38% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Gordi
Unready
110 bpm • F Maj • 03:42 • -7db
19% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Holubowski
Around Here
109 bpm • A Maj • 04:44 • -14.36db
26% Popularity • 41% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
38% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jade Bird
Does Anybody Know
109 bpm • A# min • 03:27 • -11.12db
47% Popularity • 78% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
64% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Gordi
On My Side
109 bpm • E Maj • 04:30 • -8.44db
17% Popularity • 62% Danceability • 77% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
31% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Woodlock
We Gotta Go
122 bpm • D# Maj • 04:12 • -10db
47% Popularity • 53% Danceability • 44% Energy • 16% Liveness
6% Instrumentalness • 23% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:19 • -11.69db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Sam Lynch
Good Year
122 bpm • D Maj • 04:28 • -13db
27% Popularity • 41% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Talos
In Time
122 bpm • C# Maj • 04:38 • -13.71db
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Tom Speight
Dakota
122 bpm • D# Maj • 04:54 • -9.8db
44% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Morning Midnight
Ancoats Junction
122 bpm • C# Maj • 03:43 • -7.22db
30% Popularity • 73% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Jaguar Sun
Autumn Fire
122 bpm • D# min • 04:49 • -9.08db
26% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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Vera Blue
Heroes
122 bpm • A Maj • 03:28 • -6.95db
38% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Delacey
The Subway Song
108 bpm • C Maj • 04:01 • -6.21db
49% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
36% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Troye Sivan
Wait - from ‘Three Months’
108 bpm • G Maj • 03:29 • -5.88db
44% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jamie Drake
To My Love
108 bpm • E min • 04:37 • -8.35db
26% Popularity • 54% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Abraham
Song Beneath the Song
108 bpm • D# Maj • 03:11 • -14.55db
33% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Ten Towers
Lottery
123 bpm • D Maj • 03:01 • -9.14db
30% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Foy Vance
If Christopher Calls
123 bpm • C# Maj • 04:00 • -12.15db
28% Popularity • 63% Danceability • 56% Energy • 9% Liveness
29% Instrumentalness • 49% Positiveness
► Preview
Phoebe Bridgers
Friday I’m In Love - Recorded at Spoti...
123 bpm • G Maj • 03:40 • -15.19db
59% Popularity • 45% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Luca Wilding
Song of Carmen
107 bpm • C# Maj • 04:20 • -10.73db
28% Popularity • 59% Danceability • 40% Energy • 13% Liveness
3% Instrumentalness • 27% Positiveness
► Preview
Rosie Carney
Bare
107 bpm • B Maj • 03:54 • -15db
37% Popularity • 63% Danceability • 24% Energy • 8% Liveness
71% Instrumentalness • 37% Positiveness
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Goodwin's - Intro