Songs like Goose Neck by Hotel Ugly
Based on a tempo of (+/- 10%) and a similar genre
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Chek
Moon Flower
170 bpm • B Maj • 03:21 • -15.98db
31% Popularity • 72% Danceability • 28% Energy • 12% Liveness
68% Instrumentalness • 37% Positiveness
31% Popularity • 72% Danceability • 28% Energy • 12% Liveness
68% Instrumentalness • 37% Positiveness
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Hotel Ugly
Goose Neck
170 bpm • A# min • 03:01 • -12.69db
56% Popularity • 72% Danceability • 33% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
56% Popularity • 72% Danceability • 33% Energy • 11% Liveness
63% Instrumentalness • 47% Positiveness
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Hector Gachan
Rocko's Slippin'
170 bpm • B Maj • 02:29 • -10.4db
49% Popularity • 65% Danceability • 51% Energy • 11% Liveness
84% Instrumentalness • 55% Positiveness
49% Popularity • 65% Danceability • 51% Energy • 11% Liveness
84% Instrumentalness • 55% Positiveness
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Malcolm Todd
Lately
170 bpm • B Maj • 01:44 • -8.74db
44% Popularity • 59% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
44% Popularity • 59% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 80% Positiveness
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Los Retros
Moon Ride
171 bpm • C Maj • 04:55 • -7.35db
46% Popularity • 62% Danceability • 70% Energy • 12% Liveness
16% Instrumentalness • 73% Positiveness
46% Popularity • 62% Danceability • 70% Energy • 12% Liveness
16% Instrumentalness • 73% Positiveness
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Julián Dysart
Man Down
171 bpm • F# Maj • 02:24 • -13db
41% Popularity • 40% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
41% Popularity • 40% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Hush Forte
Summer Girl
172 bpm • G# min • 04:05 • -7.47db
45% Popularity • 64% Danceability • 53% Energy • 10% Liveness
34% Instrumentalness • 55% Positiveness
45% Popularity • 64% Danceability • 53% Energy • 10% Liveness
34% Instrumentalness • 55% Positiveness
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Ashes To Amber
ALRIGHT
172 bpm • B Maj • 01:53 • -15db
63% Popularity • 62% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
63% Popularity • 62% Danceability • 41% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
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ivri
book of spells
168 bpm • G# Maj • 01:48 • -12.36db
42% Popularity • 62% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
42% Popularity • 62% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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Malcolm Todd
Out of Bounds
170 bpm • E min • 01:40 • -9.5db
58% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Mind’s Eye
Handful of Nothing
172 bpm • F# min • 03:23 • -6db
53% Popularity • 49% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
53% Popularity • 49% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
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Pity Party (Girls Club)
e m p t y s p a c e s
172 bpm • D Maj • 02:15 • -14db
48% Popularity • 59% Danceability • 30% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
48% Popularity • 59% Danceability • 30% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
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Marigold
1st2LeaveDaFunction
172 bpm • D# Maj • 01:18 • -13db
46% Popularity • 42% Danceability • 17% Energy • 32% Liveness
56% Instrumentalness • 47% Positiveness
46% Popularity • 42% Danceability • 17% Energy • 32% Liveness
56% Instrumentalness • 47% Positiveness
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Harmless
Mrs. Moody
168 bpm • F Maj • 03:08 • -8db
31% Popularity • 42% Danceability • 55% Energy • 11% Liveness
56% Instrumentalness • 72% Positiveness
31% Popularity • 42% Danceability • 55% Energy • 11% Liveness
56% Instrumentalness • 72% Positiveness
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Omar Apollo
3 Boys
174 bpm • A Maj • 03:29 • -5.98db
61% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ramirez
Lavender Lust
174 bpm • C Maj • 01:04 • -10db
50% Popularity • 69% Danceability • 69% Energy • 12% Liveness
40% Instrumentalness • 60% Positiveness
50% Popularity • 69% Danceability • 69% Energy • 12% Liveness
40% Instrumentalness • 60% Positiveness
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Men I Trust
Show Me How (Album V)
166 bpm • A min • 03:35 • -15.27db
57% Popularity • 81% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
57% Popularity • 81% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
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Pity Party (Girls Club)
Somewhere in the Universe
172 bpm • D# Maj • 01:40 • -11db
61% Popularity • 38% Danceability • 46% Energy • 12% Liveness
37% Instrumentalness • 11% Positiveness
61% Popularity • 38% Danceability • 46% Energy • 12% Liveness
37% Instrumentalness • 11% Positiveness
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Jakob
All Your Love
175 bpm • B min • 02:55 • -8.81db
58% Popularity • 57% Danceability • 59% Energy • 14% Liveness
33% Instrumentalness • 49% Positiveness
58% Popularity • 57% Danceability • 59% Energy • 14% Liveness
33% Instrumentalness • 49% Positiveness
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Steve Lacy
Basement Jack
175 bpm • G# min • 01:49 • -5db
66% Popularity • 64% Danceability • 93% Energy • 39% Liveness
5% Instrumentalness • 91% Positiveness
66% Popularity • 64% Danceability • 93% Energy • 39% Liveness
5% Instrumentalness • 91% Positiveness
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d4vd
Dirty Secrets
175 bpm • B min • 02:34 • -10db
63% Popularity • 42% Danceability • 81% Energy • 48% Liveness
42% Instrumentalness • 84% Positiveness
63% Popularity • 42% Danceability • 81% Energy • 48% Liveness
42% Instrumentalness • 84% Positiveness
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Kidsnot$aints.
60’s Baby.
175 bpm • F# Maj • 02:23 • -15.9db
49% Popularity • 37% Danceability • 21% Energy • 27% Liveness
2% Instrumentalness • 29% Positiveness
49% Popularity • 37% Danceability • 21% Energy • 27% Liveness
2% Instrumentalness • 29% Positiveness
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Men I Trust
Show Me How
166 bpm • F Maj • 03:35 • -11.96db
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Pity Party (Girls Club)
I Hope We Can Still Be Friends
166 bpm • B Maj • 02:31 • -8.28db
35% Popularity • 47% Danceability • 52% Energy • 34% Liveness
3% Instrumentalness • 64% Positiveness
35% Popularity • 47% Danceability • 52% Energy • 34% Liveness
3% Instrumentalness • 64% Positiveness
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Mind’s Eye
love & prom & shit
175 bpm • F# min • 01:33 • -8.03db
43% Popularity • 47% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 47% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Los Retros
Amtrak
176 bpm • G Maj • 02:56 • -7.07db
67% Popularity • 44% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 44% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Marigold
Tori's Ballad
176 bpm • G Maj • 02:57 • -8.02db
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
88% Instrumentalness • 78% Positiveness
39% Popularity • 66% Danceability • 73% Energy • 13% Liveness
88% Instrumentalness • 78% Positiveness
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Crumb
Ice Melt
176 bpm • A Maj • 02:28 • -10db
60% Popularity • 59% Danceability • 26% Energy • 14% Liveness
83% Instrumentalness • 46% Positiveness
60% Popularity • 59% Danceability • 26% Energy • 14% Liveness
83% Instrumentalness • 46% Positiveness
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Troy Javelona
Revolves Around You
178 bpm • F# min • 03:06 • -5.23db
32% Popularity • 41% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
32% Popularity • 41% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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The MarÃas
Superclean
178 bpm • D min • 02:35 • -13db
49% Popularity • 66% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 78% Positiveness
49% Popularity • 66% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 78% Positiveness
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Men I Trust
Oh Dove
178 bpm • F# min • 03:16 • -12.83db
55% Popularity • 72% Danceability • 32% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
55% Popularity • 72% Danceability • 32% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Los Retros
Sweet Honey
179 bpm • A# min • 03:26 • -8db
47% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Jakob
You'll Be on My Mind
180 bpm • A Maj • 03:23 • -7.23db
42% Popularity • 47% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 47% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Danny Dwyer
What You Want
180 bpm • F min • 03:11 • -12db
48% Popularity • 65% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
48% Popularity • 65% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Troy Javelona
Revolves Around You
178 bpm • F# min • 03:06 • -6.4db
41% Popularity • 41% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
41% Popularity • 41% Danceability • 60% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Banes World
Still Lovely
160 bpm • D min • 01:57 • -13.89db
43% Popularity • 50% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 49% Positiveness
43% Popularity • 50% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 49% Positiveness
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Tokyo Tea Room
Needin'
160 bpm • A# Maj • 02:52 • -7.79db
41% Popularity • 71% Danceability • 44% Energy • 18% Liveness
45% Instrumentalness • 70% Positiveness
41% Popularity • 71% Danceability • 44% Energy • 18% Liveness
45% Instrumentalness • 70% Positiveness
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Spencer.
WHEN U COME AROUND
160 bpm • E Maj • 01:12 • -20db
44% Popularity • 73% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
44% Popularity • 73% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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greek
it means the most
160 bpm • D Maj • 04:06 • -11.88db
24% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 58% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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bLAck pARty
Summer Love
160 bpm • D# min • 01:14 • -7.79db
58% Popularity • 62% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
58% Popularity • 62% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Montell Fish
Last Dance
159 bpm • G min • 03:09 • -16db
57% Popularity • 53% Danceability • 16% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 53% Danceability • 16% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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late night drive home
Star Love
160 bpm • B min • 03:38 • -8.37db
52% Popularity • 46% Danceability • 54% Energy • 12% Liveness
75% Instrumentalness • 77% Positiveness
52% Popularity • 46% Danceability • 54% Energy • 12% Liveness
75% Instrumentalness • 77% Positiveness
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Mac DeMarco
Preoccupied
159 bpm • G# Maj • 03:59 • -15.42db
65% Popularity • 81% Danceability • 21% Energy • 12% Liveness
7% Instrumentalness • 48% Positiveness
65% Popularity • 81% Danceability • 21% Energy • 12% Liveness
7% Instrumentalness • 48% Positiveness
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Mind’s Eye
tunnel of love
182 bpm • G Maj • 04:01 • -7.24db
42% Popularity • 42% Danceability • 76% Energy • 14% Liveness
39% Instrumentalness • 76% Positiveness
42% Popularity • 42% Danceability • 76% Energy • 14% Liveness
39% Instrumentalness • 76% Positiveness
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Vansire
Think it Through
158 bpm • D Maj • 01:16 • -10.09db
59% Popularity • 66% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
59% Popularity • 66% Danceability • 66% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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SEB
sugarhoneyiceicetea
158 bpm • F Maj • 02:47 • -6.14db
41% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
64% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
64% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Honeywhip
Vacation
156 bpm • A# Maj • 01:59 • -8.36db
36% Popularity • 46% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 46% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Orion Sun
Space Jam - An Odyssey
156 bpm • C# min • 03:41 • -3.8db
50% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Seyer
Miss My Baby
188 bpm • A# Maj • 02:29 • -14.73db
39% Popularity • 56% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
39% Popularity • 56% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Vansire
Eleven Weeks
183 bpm • G# Maj • 03:05 • -13.01db
61% Popularity • 30% Danceability • 41% Energy • 14% Liveness
83% Instrumentalness • 19% Positiveness
61% Popularity • 30% Danceability • 41% Energy • 14% Liveness
83% Instrumentalness • 19% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Shy High
plzdont
153 bpm • B Maj • 01:39 • -8.87db
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 77% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Ruru
Sleep
153 bpm • C Maj • 01:35 • -12.21db
36% Popularity • 76% Danceability • 48% Energy • 9% Liveness
38% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 48% Energy • 9% Liveness
38% Instrumentalness • 85% Positiveness
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Orion Sun
Intoxicated
154 bpm • A# Maj • 01:42 • -8.71db
52% Popularity • 56% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 56% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Jacob Maul
Sex in My Ears
190 bpm • F min • 04:43 • -7.06db
40% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Daniel Caesar
Pain Is Inevitable
153 bpm • G Maj • 04:55 • -10.73db
51% Popularity • 35% Danceability • 36% Energy • 36% Liveness
1% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 36% Energy • 36% Liveness
1% Instrumentalness • 13% Positiveness
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SEB
du wut u du_
152 bpm • A# Maj • 02:23 • -7.23db
33% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Q
I Might Slip Away if I Don't Feel Nothin...
151 bpm • G# Maj • 01:41 • -6.36db
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Omar Apollo
Hey Boy
152 bpm • C min • 01:42 • -10.48db
59% Popularity • 75% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
59% Popularity • 75% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Eyedress
The Dark Prince
150 bpm • E min • 03:34 • -6.83db
56% Popularity • 60% Danceability • 85% Energy • 45% Liveness
84% Instrumentalness • 58% Positiveness
56% Popularity • 60% Danceability • 85% Energy • 45% Liveness
84% Instrumentalness • 58% Positiveness
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Malcolm Todd
4Me 4Me
150 bpm • G# min • 03:30 • -7.64db
46% Popularity • 57% Danceability • 66% Energy • 56% Liveness
11% Instrumentalness • 67% Positiveness
46% Popularity • 57% Danceability • 66% Energy • 56% Liveness
11% Instrumentalness • 67% Positiveness
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Michael Seyer
Ring Around the Rosie
150 bpm • C# Maj • 02:40 • -13.67db
41% Popularity • 57% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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greek
hmu
150 bpm • D# min • 03:55 • -11.2db
49% Popularity • 42% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
49% Popularity • 42% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Collard
Stone
150 bpm • D# min • 02:23 • -7.45db
60% Popularity • 89% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 89% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Omar Apollo
Endlessly
192 bpm • C# Maj • 02:34 • -7.73db
59% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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benten
second placing
150 bpm • D min • 02:13 • -9.55db
38% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Marigold
Central Station
150 bpm • F# min • 01:33 • -12db
48% Popularity • 59% Danceability • 30% Energy • 13% Liveness
50% Instrumentalness • 31% Positiveness
48% Popularity • 59% Danceability • 30% Energy • 13% Liveness
50% Instrumentalness • 31% Positiveness
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Coze
Rain on Me
149 bpm • B min • 02:52 • -8.69db
47% Popularity • 54% Danceability • 85% Energy • 43% Liveness
22% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 85% Energy • 43% Liveness
22% Instrumentalness • 40% Positiveness
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greek
when the world is on fire
150 bpm • B min • 04:06 • -10.29db
37% Popularity • 63% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 63% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Troy Javelona
Hurt
149 bpm • G Maj • 03:40 • -5.03db
34% Popularity • 50% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
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MAVI
Love, of Money
148 bpm • C Maj • 01:04 • -9.9db
72% Popularity • 37% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 37% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Mellow Fellow
It's Okay to Dream
148 bpm • C min • 03:22 • -9db
40% Popularity • 51% Danceability • 53% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
40% Popularity • 51% Danceability • 53% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Los Shadows
2:00 AM
148 bpm • A# Maj • 03:47 • -5.81db
35% Popularity • 50% Danceability • 92% Energy • 30% Liveness
1% Instrumentalness • 41% Positiveness
35% Popularity • 50% Danceability • 92% Energy • 30% Liveness
1% Instrumentalness • 41% Positiveness
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¿Téo?
best damn thing
147 bpm • C# Maj • 02:40 • -6db
48% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 62% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Rocco
spin you round
146 bpm • C# Maj • 02:06 • -15.81db
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Souly Had
aesthetic
146 bpm • C# min • 01:45 • -11db
42% Popularity • 62% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 62% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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Men I Trust
All Night
146 bpm • A# min • 03:08 • -13.35db
59% Popularity • 80% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 61% Positiveness
59% Popularity • 80% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 61% Positiveness
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mal sounds
VVS
146 bpm • D min • 03:20 • -11.41db
38% Popularity • 55% Danceability • 41% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
38% Popularity • 55% Danceability • 41% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
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Hotel Ugly
Sink Water
145 bpm • G Maj • 03:12 • -13db
51% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Blaize Jenkins
Inside Your Mind
145 bpm • F min • 04:06 • -15.58db
39% Popularity • 58% Danceability • 31% Energy • 32% Liveness
44% Instrumentalness • 39% Positiveness
39% Popularity • 58% Danceability • 31% Energy • 32% Liveness
44% Instrumentalness • 39% Positiveness
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Ashes To Amber
Her
145 bpm • C Maj • 01:23 • -13.48db
51% Popularity • 86% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
51% Popularity • 86% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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The Licks
Lavender Kiss
200 bpm • C Maj • 04:03 • -20.33db
50% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mind’s Eye
running to find you
145 bpm • D Maj • 03:42 • -4.61db
41% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Surfliner
Vertigo
202 bpm • C Maj • 04:35 • -8.33db
46% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 34% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Blaize Jenkins
Decayed
145 bpm • C Maj • 03:32 • -11.04db
27% Popularity • 67% Danceability • 51% Energy • 9% Liveness
74% Instrumentalness • 57% Positiveness
27% Popularity • 67% Danceability • 51% Energy • 9% Liveness
74% Instrumentalness • 57% Positiveness
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The Walters
Sweet Marie
204 bpm • A Maj • 02:17 • -8.38db
72% Popularity • 24% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 25% Positiveness
72% Popularity • 24% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 25% Positiveness
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Steve Lacy
Donchano
208 bpm • B min • 01:38 • -7.26db
58% Popularity • 67% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 67% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
