Songs like Gordo's Law of Genetics by William Finn
Based on a tempo of (+/- 10%) and a similar genre
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William Finn
Musik und Liebe
79 bpm • D# Maj • 03:31 • -13.54db
0% Popularity • 33% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 33% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 53% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Jeanine Tesori
"Let Me Introduce You to My Gay Dad..."
79 bpm • D Maj • 03:16 • -15.09db
20% Popularity • 62% Danceability • 19% Energy • 74% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 62% Danceability • 19% Energy • 74% Liveness
0% Instrumentalness • 35% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Phillipa Soo
On The Steps Of The Palace
78 bpm • D Maj • 02:26 • -11.72db
41% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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William Finn
Gordo's Law of Genetics
79 bpm • G Maj • 01:43 • -3.53db
18% Popularity • 72% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 72% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Francine Lefrak
Making A Home
80 bpm • G min • 03:19 • -16.94db
15% Popularity • 30% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Adrianna Hicks
At The Old Majestic Nickel Matinee
78 bpm • E min • 04:26 • -13.33db
23% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Katie Rose Clarke
Not a Day Goes By - Reprise
78 bpm • G Maj • 02:19 • -11.16db
31% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 37% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Christian Borle
Father to Son
80 bpm • F Maj • 04:01 • -20.26db
36% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Phillipa Soo
Natasha Lost
80 bpm • C min • 02:42 • -17db
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 39% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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William Finn
Year Of The Child
79 bpm • G# Maj • 03:57 • -15.05db
15% Popularity • 56% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 56% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Alysha Deslorieux
The Ball
80 bpm • C Maj • 01:35 • -15.21db
21% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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William Finn
And They're Off
79 bpm • C Maj • 03:32 • -3.89db
24% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 38% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Santino Fontana
Talk To Me Dorothy
81 bpm • A# Maj • 03:01 • -12.65db
13% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 36% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Christian Borle
What More Can I Say?
77 bpm • C Maj • 04:15 • -16.78db
38% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Beth Leavel
Everything Happens
77 bpm • C# Maj • 03:28 • -15.31db
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
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William Finn
Family History
80 bpm • G Maj • 00:50 • -14.38db
10% Popularity • 70% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 70% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bonnie Milligan
How to Wash a Check (Reprise)
77 bpm • C Maj • 01:00 • -9.49db
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Francine Lefrak
The Games I Play
81 bpm • A min • 02:49 • -14.98db
17% Popularity • 40% Danceability • 24% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 40% Danceability • 24% Energy • 45% Liveness
0% Instrumentalness • 31% Positiveness
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'Falsettos' 2016 Broadway Company
Days Like This
81 bpm • D Maj • 03:18 • -7.33db
37% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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William Finn
What More Can I Say?
81 bpm • C Maj • 03:43 • -23.6db
16% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 23% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Barbara Bryne
Gossip
81 bpm • B min • 01:01 • -12.21db
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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David Patrick Kelly
Cinderella At The Grave
81 bpm • F Maj • 01:21 • -13.88db
33% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Francine Lefrak
A Marriage Proposal / A Tight-knit Famil...
77 bpm • E Maj • 03:29 • -16.81db
16% Popularity • 54% Danceability • 22% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 54% Danceability • 22% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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'Falsettos' 2016 Broadway Company
The Baseball Game
76 bpm • F# Maj • 04:44 • -7db
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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William Finn
An Invitation to Sleep in My Arms
80 bpm • A# Maj • 04:38 • -6.85db
16% Popularity • 37% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 37% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Original StarKid Cast of The Trail To Oregon!
When the World's at Stake (Reprise)
76 bpm • D Maj • 01:53 • -7.21db
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The Reckoning
82 bpm • A# Maj • 01:42 • -13.52db
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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William Finn
Craniotomy
81 bpm • G min • 02:35 • -5.79db
13% Popularity • 53% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 53% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Tammy Blanchard
Finale (Don't Feed the Plants)
82 bpm • A# min • 03:23 • -7.7db
29% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Natalie Weiss
Virus
83 bpm • D Maj • 05:32 • -8.65db
3% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Keenan-Bolger
Prologue
76 bpm • D Maj • 00:57 • -11db
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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William Finn
Es geht los
76 bpm • G Maj • 03:36 • -12.2db
0% Popularity • 35% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 35% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Douglas Lyons
A Rumblin’ and a Rollin’
75 bpm • C Maj • 03:31 • -7.14db
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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William Finn
Time and Music
78 bpm • B min • 02:21 • -3.91db
13% Popularity • 22% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 22% Danceability • 65% Energy • 57% Liveness
0% Instrumentalness • 31% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Cooley
Skater Planet (Reprise)
83 bpm • A Maj • 01:26 • -12.12db
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 79% Liveness
0% Instrumentalness • 57% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
37% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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William Finn
I Feel so Much Spring
78 bpm • A Maj • 03:47 • -5db
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
30% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Alexander Nolan
Twenty Miles from Marietta
84 bpm • F min • 01:13 • -9.04db
26% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 48% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Christian Borle
I Never Wanted to Love You
84 bpm • G# Maj • 02:44 • -7db
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into (Reprise)
84 bpm • A# Maj • 00:59 • -12.57db
24% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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William Finn
Prologue: Frogs Have so Much Spring (The...
78 bpm • C# min • 04:59 • -6.97db
20% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 47% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Parade Cast
Closing Statement & Verdict
85 bpm • A Maj • 02:23 • -7.57db
24% Popularity • 32% Danceability • 34% Energy • 5% Liveness
2% Instrumentalness • 18% Positiveness
24% Popularity • 32% Danceability • 34% Energy • 5% Liveness
2% Instrumentalness • 18% Positiveness
► Preview
Andrew Rannells
The Games I Play
85 bpm • A Maj • 02:45 • -9db
42% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 42% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kait Kerrigan & Brian Lowdermilk
My Party Dress
74 bpm • A# Maj • 05:14 • -8.2db
12% Popularity • 48% Danceability • 44% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 48% Danceability • 44% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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William Finn
The Baseball Game
80 bpm • F# Maj • 04:46 • -14.89db
16% Popularity • 52% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 52% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Grace McLean
Sunday Morning
73 bpm • G# min • 01:56 • -16.57db
15% Popularity • 41% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 41% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Jordan Donica
C'est Moi
86 bpm • C Maj • 03:47 • -9.99db
20% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 48% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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William Finn
Prologue: Prologue: Calamari
76 bpm • G Maj • 03:40 • -11db
12% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Stephanie J. Block, Megan Hilty, Allison Janney, Marc Kudisch and Ensemble
Joy To The Girls
73 bpm • D Maj • 01:02 • -6.16db
26% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Groban
Pierre & Andrey
73 bpm • C min • 03:04 • -11.63db
31% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Marin Mazzie
Stay Here Instead
86 bpm • A# Maj • 02:25 • -11.19db
24% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jonathan Groff
Act I Finale
87 bpm • G Maj • 01:05 • -7.69db
29% Popularity • 36% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 36% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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William Finn
Prologue: 911 Emergency / I Have so Many...
76 bpm • A# Maj • 03:16 • -5.51db
15% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 39% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Francine Lefrak
I Never Wanted To Love You
87 bpm • G# Maj • 02:18 • -16.54db
18% Popularity • 31% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 31% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Conrad Ricamora
Fuxing Park
72 bpm • C Maj • 04:11 • -11.78db
3% Popularity • 32% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 32% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Brian Stokes Mitchell
Coalhouse's Soliloquy
87 bpm • G min • 01:36 • -7.31db
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 31% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 37% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Jonathan Groff
Sudden Changes
72 bpm • C Maj • 01:22 • -17.85db
30% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 53% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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William Finn
I'd Rather Be Sailing
71 bpm • C# Maj • 03:02 • -8.03db
27% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 33% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Alice Ripley
Why Stay? / A Promise
71 bpm • F Maj • 02:35 • -7db
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Neil Bartram
Julie's Song
88 bpm • C Maj • 03:03 • -11db
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Marin Mazzie
When There's No One
88 bpm • C Maj • 03:16 • -9.3db
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Original StarKid Cast of The Trail To Oregon!
You Gotta Go (Grandpa)
89 bpm • C Maj • 03:11 • -9.04db
16% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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William Finn
Lunch mit Rhoda
76 bpm • D Maj • 04:18 • -15.88db
0% Popularity • 65% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 65% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
