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Got It Made (Like This)
Songs like
Got It Made (Like This)
by
Henrik Freischlader
Based on a tempo of (+/- 10%) and a similar genre
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Henrik Freischlader
Power to the Peaceful
107 bpm • F# Maj • 03:38 • -7.93db
12% Popularity • 74% Danceability • 65% Energy • 4% Liveness
1% Instrumentalness • 74% Positiveness
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Carl Verheyen
Stealing Gasoline
107 bpm • G# Maj • 04:32 • -5.02db
18% Popularity • 82% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Melvin Taylor
Depression Blues
107 bpm • G min • 03:45 • -12.27db
23% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Joanne Shaw Taylor
Soul Station
107 bpm • B Maj • 05:56 • -7.09db
7% Popularity • 30% Danceability • 88% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
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Albert Castiglia
Easy Distance
108 bpm • C Maj • 02:49 • -5.34db
15% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Mark May
Mercury Blues
108 bpm • G Maj • 05:19 • -6db
17% Popularity • 45% Danceability • 74% Energy • 21% Liveness
12% Instrumentalness • 76% Positiveness
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Henrik Freischlader
So Damn Cool
107 bpm • F Maj • 04:56 • -6.84db
9% Popularity • 63% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Bill Perry
Bluesman
106 bpm • B min • 03:27 • -5db
25% Popularity • 47% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Tony Spinner
Freedom
106 bpm • B Maj • 03:50 • -7db
23% Popularity • 37% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 89% Positiveness
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Tinsley Ellis
Beat The Devil
106 bpm • A min • 03:49 • -3db
31% Popularity • 65% Danceability • 71% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Buddaheads
Showdown
108 bpm • C# min • 03:38 • -7.34db
18% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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David Grissom
Belly of the Beast
108 bpm • C Maj • 05:50 • -8.56db
23% Popularity • 60% Danceability • 75% Energy • 14% Liveness
80% Instrumentalness • 50% Positiveness
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Henrik Freischlader
Got It Made (Like This)
107 bpm • G min • 03:53 • -7.45db
17% Popularity • 57% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 53% Positiveness
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Kirk Fletcher
Ain't No Cure for the Downhearted
106 bpm • G Maj • 03:36 • -9.43db
18% Popularity • 78% Danceability • 66% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Blindside Blues Band
Little Red Rooster
106 bpm • C Maj • 07:40 • -5.76db
13% Popularity • 24% Danceability • 83% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Jonny Lang
I Love You the Best
105 bpm • A Maj • 04:03 • -6.97db
23% Popularity • 58% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Robben Ford & The Blue Line
Think Twice
109 bpm • A Maj • 04:46 • -7.51db
15% Popularity • 58% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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Royal Southern Brotherhood
World Blues
105 bpm • G Maj • 04:09 • -7.03db
8% Popularity • 73% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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Cry Of Love
Sunday Morning Flood
109 bpm • C Maj • 07:08 • -8.86db
12% Popularity • 37% Danceability • 60% Energy • 42% Liveness
6% Instrumentalness • 51% Positiveness
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Ana Popovic
Fearless
105 bpm • C min • 03:16 • -6.55db
28% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Michael Burks
Love Disease
105 bpm • D Maj • 03:20 • -2.36db
31% Popularity • 42% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 69% Positiveness
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Hamilton Loomis
Stuck in a Rut
109 bpm • B Maj • 03:41 • -3.74db
14% Popularity • 75% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Ritenour's 6 String Theory
"68"
109 bpm • B min • 04:58 • -5.21db
17% Popularity • 48% Danceability • 78% Energy • 35% Liveness
50% Instrumentalness • 37% Positiveness
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Joanne Shaw Taylor
Bones
109 bpm • C# min • 05:22 • -7db
15% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Simon McBride
Go Down Gamblin'
105 bpm • A Maj • 03:36 • -4.9db
13% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Ana Popovic
Long Road Down
105 bpm • C Maj • 04:32 • -5.45db
12% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Tinsley Ellis
To The Devil For A Dime
109 bpm • F# min • 04:20 • -7.01db
32% Popularity • 62% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 92% Positiveness
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Snowy White
The Situation
105 bpm • E min • 05:06 • -7.57db
40% Popularity • 78% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 93% Positiveness
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Coco Montoya
Before The Bullets Fly
110 bpm • G min • 03:12 • -6db
43% Popularity • 61% Danceability • 76% Energy • 17% Liveness
9% Instrumentalness • 79% Positiveness
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Josh Smith
Fine Young Thing
109 bpm • D Maj • 03:20 • -4.37db
8% Popularity • 51% Danceability • 83% Energy • 9% Liveness
6% Instrumentalness • 59% Positiveness
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Robben Ford & The Blue Line
When I Leave Here - Original Version
104 bpm • A# min • 04:57 • -8db
22% Popularity • 51% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Robert Cray
Worry
110 bpm • E min • 04:23 • -4db
38% Popularity • 78% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lance Lopez
So Alone
110 bpm • C# Maj • 04:30 • -7.11db
29% Popularity • 63% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 71% Positiveness
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Buddy Whittington
Minor Blues
110 bpm • A min • 04:48 • -5.78db
24% Popularity • 76% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Billy Gibbons And The BFG's
Pickin’ Up Chicks On Dowling Street
110 bpm • B min • 04:08 • -6db
16% Popularity • 61% Danceability • 91% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Joanne Shaw Taylor
Who Do You Love?
104 bpm • G# Maj • 03:07 • -14.06db
33% Popularity • 63% Danceability • 65% Energy • 30% Liveness
4% Instrumentalness • 69% Positiveness
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Edwin McCain
T.C.B. or T.Y.A.
104 bpm • A# Maj • 03:38 • -2.24db
28% Popularity • 74% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Ana Popovic
You Got the Love
104 bpm • C Maj • 05:26 • -4.44db
10% Popularity • 51% Danceability • 96% Energy • 86% Liveness
0% Instrumentalness • 50% Positiveness
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Julian Sas
Bound To Roll
104 bpm • C Maj • 03:59 • -3.26db
16% Popularity • 57% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Carl Verheyen
Spike the Punch
110 bpm • C# Maj • 03:47 • -7.86db
25% Popularity • 71% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 87% Positiveness
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Albert Castiglia
Cadillac Assembly Line
104 bpm • A min • 05:01 • -5db
29% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Tinsley Ellis
Kiss This World
111 bpm • G Maj • 03:55 • -4.81db
28% Popularity • 39% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 79% Positiveness
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Savoy Brown
I Can't Stop the Blues
104 bpm • F# min • 05:29 • -4db
28% Popularity • 63% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 93% Positiveness
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Martin Gabriel
Get The Ball Rollin'
103 bpm • B min • 03:30 • -4.13db
22% Popularity • 67% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Julian Sas
I Ain't Afraid
111 bpm • A Maj • 03:59 • -6db
12% Popularity • 36% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
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Anthony Gomes
Love Sweet Love
111 bpm • C# min • 03:29 • -3db
34% Popularity • 61% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Christone "Kingfish" Ingram
It Ain't Right
111 bpm • D Maj • 03:05 • -4.55db
45% Popularity • 51% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 59% Positiveness
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Robin Trower
If You Believe in Me
103 bpm • G Maj • 07:05 • -9.02db
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ana Popovic
Can You Stand the Heat
111 bpm • C Maj • 05:00 • -5db
14% Popularity • 60% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Oli Brown
Thinking About Her
103 bpm • D min • 03:48 • -5.71db
9% Popularity • 62% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Lance Lopez
Heart Fixin' Blues
111 bpm • G# Maj • 04:07 • -5.66db
18% Popularity • 51% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Scott Henderson
Meter Maid
103 bpm • B Maj • 04:29 • -6.01db
18% Popularity • 67% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Julian Sas
Working Man's Blues
111 bpm • A Maj • 04:58 • -6.44db
15% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Tinsley Ellis
Tell The Truth
103 bpm • E min • 04:18 • -4.34db
18% Popularity • 58% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 78% Positiveness
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Royal Southern Brotherhood
Trapped
112 bpm • B min • 03:52 • -8.84db
10% Popularity • 70% Danceability • 71% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
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Tom Principato
Too Damn Funky
102 bpm • G Maj • 05:26 • -9.16db
23% Popularity • 62% Danceability • 86% Energy • 32% Liveness
62% Instrumentalness • 76% Positiveness
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Anthony Gomes
Back to the Start
112 bpm • C# Maj • 03:34 • -4db
24% Popularity • 58% Danceability • 87% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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King King
Don’t You Get the Feeling (You’ve Be...
102 bpm • G# min • 03:08 • -4.79db
20% Popularity • 63% Danceability • 80% Energy • 17% Liveness
7% Instrumentalness • 75% Positiveness
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Kirk Fletcher
Natural Anthem
112 bpm • E Maj • 04:27 • -7.1db
18% Popularity • 64% Danceability • 73% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
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David Gogo
Fooling Myself
102 bpm • E min • 04:12 • -8.63db
14% Popularity • 62% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 72% Positiveness
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The Screamin' Cheetah Wheelies
Somethin' Else
102 bpm • F# Maj • 07:28 • -12.08db
17% Popularity • 34% Danceability • 62% Energy • 9% Liveness
61% Instrumentalness • 93% Positiveness
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Buddaheads
Howlin' At The Moon
102 bpm • C# Maj • 04:31 • -4.82db
18% Popularity • 59% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Tinsley Ellis
Freeway Soul
112 bpm • A min • 04:09 • -4.97db
34% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Lance Lopez
Drinkin' My Blues
113 bpm • B Maj • 07:13 • -5.57db
10% Popularity • 41% Danceability • 84% Energy • 30% Liveness
3% Instrumentalness • 65% Positiveness
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Robben Ford & The Blue Line
Top Of The Hill
101 bpm • G min • 04:27 • -8.55db
15% Popularity • 73% Danceability • 62% Energy • 11% Liveness
2% Instrumentalness • 68% Positiveness
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Alvin Youngblood Hart
Motivational Speaker
102 bpm • D Maj • 03:55 • -6.66db
31% Popularity • 61% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Joanne Shaw Taylor
Outlaw Angel
113 bpm • A# min • 04:22 • -4.67db
18% Popularity • 50% Danceability • 86% Energy • 23% Liveness
1% Instrumentalness • 39% Positiveness
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Buddaheads
Company Graveyard
102 bpm • C Maj • 04:32 • -5.62db
21% Popularity • 58% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Coco Montoya
Wish I Could Be That Strong
113 bpm • E Maj • 04:49 • -5db
31% Popularity • 67% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Artur Menezes
Fading Away
113 bpm • G# Maj • 03:44 • -4.54db
28% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Julian Sas
Life On The Line
113 bpm • A min • 05:01 • -3db
26% Popularity • 59% Danceability • 77% Energy • 9% Liveness
8% Instrumentalness • 52% Positiveness
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Robin Trower
Tide Of Confusion
101 bpm • F min • 03:47 • -8.7db
34% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Danny Bryant's Redeyeband
This is the Blues
113 bpm • A Maj • 04:12 • -8db
9% Popularity • 30% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 63% Positiveness
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Michael Burks
I Smell Smoke
101 bpm • F min • 03:50 • -6db
34% Popularity • 61% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Ana Popovic
Lives That Don't Exist
101 bpm • D Maj • 03:55 • -4db
32% Popularity • 72% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Buddaheads
Nothing To Lose
101 bpm • A Maj • 03:52 • -4.47db
22% Popularity • 49% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Julian Sas
Mercy
101 bpm • F Maj • 04:00 • -3db
26% Popularity • 71% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Anthony Gomes
Unity
114 bpm • G Maj • 04:08 • -4.01db
8% Popularity • 58% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Buddy Guy
Best in Town
100 bpm • C Maj • 04:55 • -4db
21% Popularity • 59% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 77% Positiveness
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Guitar Shorty
Let My Guitar Do The Talking
100 bpm • E min • 04:50 • -5db
35% Popularity • 69% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Coco Montoya
Trip, Stumble And Fall
100 bpm • A min • 04:42 • -5db
10% Popularity • 46% Danceability • 98% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Back Door Slam
Outside Woman Blues
100 bpm • B min • 03:27 • -4db
19% Popularity • 37% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Cray
A Memo
100 bpm • C Maj • 04:41 • -3.88db
31% Popularity • 77% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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King King
Broken Heal
100 bpm • D Maj • 03:48 • -6.11db
16% Popularity • 49% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Landreth
When I Still Had You
100 bpm • A Maj • 04:42 • -5.21db
17% Popularity • 54% Danceability • 81% Energy • 14% Liveness
12% Instrumentalness • 78% Positiveness
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Supersonic Blues Machine
Watchagonnado - Live
100 bpm • A# min • 05:29 • -3.38db
22% Popularity • 52% Danceability • 96% Energy • 95% Liveness
1% Instrumentalness • 61% Positiveness
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Billy Gibbons And The BFG's
Perfectamundo
100 bpm • A Maj • 02:41 • -4.64db
29% Popularity • 66% Danceability • 88% Energy • 10% Liveness
5% Instrumentalness • 59% Positiveness
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Kai Strauss
The Blues Is Handmade
100 bpm • E min • 06:05 • -5.21db
23% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Cain
Helping Hand
115 bpm • F Maj • 02:37 • -7db
26% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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King King
All Your Life
100 bpm • F# min • 04:45 • -8.87db
9% Popularity • 65% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Coco Montoya
Last Dirty Deal
115 bpm • D min • 03:54 • -3db
32% Popularity • 50% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Oli Brown
Speechless
100 bpm • A min • 04:30 • -7.6db
13% Popularity • 80% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Savoy Brown
Guitar Slinger
115 bpm • E min • 03:55 • -4.09db
25% Popularity • 52% Danceability • 85% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
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Henrik Freischlader
Early Morning Blues
100 bpm • G Maj • 05:19 • -9db
22% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bryce Janey
Funky Guitar Blues
115 bpm • F Maj • 04:21 • -5.83db
41% Popularity • 56% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Tinsley Ellis
Sound Of A Broken Man
115 bpm • F# min • 04:51 • -3.25db
33% Popularity • 64% Danceability • 90% Energy • 10% Liveness
13% Instrumentalness • 96% Positiveness
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Dave Meniketti
Angel On My Shoulder
116 bpm • E min • 05:22 • -4.81db
19% Popularity • 41% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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King King
Crazy
99 bpm • G Maj • 04:34 • -5.9db
23% Popularity • 58% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
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Guitar Shorty
Right Tool For The Job
116 bpm • D Maj • 03:44 • -5.18db
36% Popularity • 66% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Henrik Freischlader
Crosstown Traffic (Live Show No. 47/2011...
100 bpm • A# min • 05:41 • -6.27db
10% Popularity • 31% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Got It Made (Like This)