Songs like Got the Water Boiling by Billy Lee Riley
Based on a tempo of (+/- 10%) and a similar genre
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Duane Eddy
Forty Miles of Bad Road
127 bpm • D Maj • 02:10 • -16.44db
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
33% Popularity • 72% Danceability • 53% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Got the Water Boiling
127 bpm • D# Maj • 02:09 • -3.16db
19% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 74% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 96% Positiveness
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Crazy Cavan
Teddy Boy Boogie
127 bpm • D min • 02:03 • -14db
16% Popularity • 78% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
16% Popularity • 78% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
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Tommy Sands
The Worryin' Kind
126 bpm • B min • 02:32 • -9db
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Self
Ain't I'm a Dog
126 bpm • E Maj • 02:17 • -9.02db
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Jack Scott
The Way I Walk
129 bpm • E Maj • 02:43 • -13db
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 67% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Campi
Rockabilly Music
125 bpm • A Maj • 01:56 • -8db
24% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Billy Lee Riley
Workin' on the River
128 bpm • D Maj • 02:48 • -7.22db
2% Popularity • 80% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 80% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Collins Kids
Hoy Hoy
124 bpm • G Maj • 01:59 • -4.78db
23% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 83% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Duane Eddy
Forty Miles Of Bad Road
124 bpm • C# Maj • 02:04 • -12.17db
22% Popularity • 78% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 97% Positiveness
22% Popularity • 78% Danceability • 67% Energy • 7% Liveness
77% Instrumentalness • 97% Positiveness
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Ronnie Self
Flame of Love
130 bpm • F Maj • 02:14 • -9db
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Jack Scott
Baby She's Gone
125 bpm • A Maj • 02:49 • -10.13db
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Campi
Rockabilly Rebel
129 bpm • A Maj • 03:20 • -5.57db
16% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Lee Riley
Teenage Letter
129 bpm • G min • 02:20 • -7.02db
1% Popularity • 74% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 74% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Denson
Red Hot Rockin’ Blues
123 bpm • G# Maj • 02:19 • -1.85db
12% Popularity • 62% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 62% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Dale Hawkins
Every Little Girl
123 bpm • G min • 02:27 • -4.99db
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 62% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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The Big Bopper
Crazy Blues
131 bpm • E Maj • 02:06 • -9.3db
30% Popularity • 53% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 53% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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Jackie Lee Cochran
Mama Don't You Think I Know
131 bpm • G Maj • 02:31 • -11db
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Collins Kids
Mercy - Remastered
131 bpm • B min • 02:04 • -7.06db
16% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Ronnie Hawkins
Mary Lou
131 bpm • D min • 02:10 • -8db
31% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Horton
Lover's Rock
131 bpm • A min • 02:34 • -10db
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 84% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Don Woody
Morse Code
123 bpm • E Maj • 02:28 • -8db
11% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Kidd & The Pirates
A Shot Of Rhythm And Blues
132 bpm • A Maj • 02:00 • -7.63db
17% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
132 bpm • D# Maj • 01:48 • -4.85db
33% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
33% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
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Bo Diddley
Road Runner
132 bpm • E Maj • 02:47 • -10.37db
40% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 54% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
10% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Rosco Gordon
Bop With Me Baby
132 bpm • A# min • 02:36 • -9db
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Carroll
Crazy, Crazy Lovin'
122 bpm • A Maj • 02:17 • -7db
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Williams
Let Me Tell You, Baby
133 bpm • C Maj • 02:38 • -10.81db
14% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 56% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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The Collins Kids
Mercy
133 bpm • B min • 02:04 • -4.09db
17% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Buddy Knox
Ling-Ting-Tong
134 bpm • B Maj • 02:08 • -10.92db
18% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Big Bopper
Preacher And The Bear
121 bpm • G Maj • 02:23 • -6.3db
21% Popularity • 81% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 81% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Larry Williams
Rockin Pneumonia And The Boogie Woogie F...
120 bpm • C Maj • 02:14 • -11.39db
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 79% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Glen Glenn
Dim Lights, Thick Smoke and Loud Loud Mu...
134 bpm • E Maj • 02:19 • -8.98db
12% Popularity • 65% Danceability • 50% Energy • 8% Liveness
18% Instrumentalness • 91% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 8% Liveness
18% Instrumentalness • 91% Positiveness
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Ray Sharpe
Linda Lu
120 bpm • F# Maj • 02:05 • -9.82db
28% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
28% Popularity • 83% Danceability • 74% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Rosco Gordon
Shoobie Oobie
134 bpm • A# min • 02:55 • -9.9db
15% Popularity • 54% Danceability • 56% Energy • 11% Liveness
36% Instrumentalness • 54% Positiveness
15% Popularity • 54% Danceability • 56% Energy • 11% Liveness
36% Instrumentalness • 54% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny & The Hurricanes
Crossfire
119 bpm • C Maj • 02:08 • -13.58db
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 12% Liveness
64% Instrumentalness • 58% Positiveness
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Jack Scott
Two Timin' Woman
135 bpm • E Maj • 01:59 • -11.01db
15% Popularity • 45% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 45% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Wilbert Harrison
Poison Ivy
119 bpm • C# Maj • 02:46 • -6.3db
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 79% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Lee Riley
Family Portrait
119 bpm • D Maj • 02:46 • -6.54db
2% Popularity • 73% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 49% Positiveness
2% Popularity • 73% Danceability • 46% Energy • 12% Liveness
9% Instrumentalness • 49% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
12% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Big Bopper
It's The Truth Ruth
119 bpm • E min • 02:17 • -6db
27% Popularity • 90% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 90% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Joyce Green
Black Cadillac
119 bpm • A Maj • 02:30 • -2db
12% Popularity • 56% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 56% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Carroll
Wild Wild Women
119 bpm • F# min • 02:02 • -5db
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Dean Beard
Rock Around The Town
119 bpm • D Maj • 02:19 • -8.64db
9% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Larry Williams
Bad Boy
136 bpm • A# Maj • 02:20 • -12.73db
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Fontaine
Nothin' Shakin'
119 bpm • A# Maj • 02:55 • -7db
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Buddy Knox
Rock Your Little Baby to Sleep
118 bpm • A Maj • 02:24 • -9.23db
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 74% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Tommy Blake
Lordy Hoody
136 bpm • E Maj • 02:25 • -8.98db
10% Popularity • 49% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 49% Danceability • 74% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Billy Lee Riley
Twist and Shout
136 bpm • C# min • 04:45 • -6.84db
1% Popularity • 49% Danceability • 90% Energy • 72% Liveness
18% Instrumentalness • 69% Positiveness
1% Popularity • 49% Danceability • 90% Energy • 72% Liveness
18% Instrumentalness • 69% Positiveness
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Dale Hawkins
Number Nine Train
118 bpm • E Maj • 02:23 • -12.01db
17% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Del-Vikings
Flat Tire - Remastered
136 bpm • C min • 02:31 • -9.17db
11% Popularity • 77% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 77% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Warren Smith
Got Love If You Want It
118 bpm • A Maj • 02:10 • -9db
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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The Collins Kids
Just Because - Remastered
118 bpm • A Maj • 01:55 • -6.53db
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Duane Eddy
Cannonball
118 bpm • D Maj • 01:55 • -7.31db
30% Popularity • 55% Danceability • 84% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
30% Popularity • 55% Danceability • 84% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
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Billy Lee Riley
Nightmare Mash
136 bpm • G Maj • 02:28 • -7.94db
1% Popularity • 64% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 64% Danceability • 80% Energy • 53% Liveness
0% Instrumentalness • 91% Positiveness
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Hayden Thompson
Love My Baby - Remastered 2022
118 bpm • A Maj • 02:09 • -7.99db
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Freddy Cannon
Buzz Buzz A-Diddle-It
118 bpm • F min • 02:27 • -6.46db
11% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 37% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Johnny Carroll
Bandstand Doll
117 bpm • E min • 02:16 • -10.61db
12% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Larry Williams
Dizzy Miss Lizzy
138 bpm • D# Maj • 02:12 • -10db
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Sonny Burgess
Thunderbird
117 bpm • A Maj • 02:20 • -7.59db
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Lee Riley
Trouble Bound
118 bpm • E Maj • 02:46 • -8.54db
6% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 63% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Hayden Thompson
Whatcha Gonna Do
138 bpm • A min • 02:57 • -4.18db
16% Popularity • 54% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 54% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Collins Kids
Rock Boppin Baby
116 bpm • C Maj • 02:19 • -11.93db
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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The Big Bopper
Walking Through My Dreams
139 bpm • B Maj • 02:20 • -7.38db
30% Popularity • 69% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 69% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Warren Smith
So Long I'm Gone
139 bpm • E Maj • 02:09 • -8db
17% Popularity • 61% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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Art Adams
Rock Crazy Baby
116 bpm • F min • 02:18 • -4.7db
8% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Lee Riley
Show Me Your Soul
137 bpm • C min • 02:55 • -6.88db
2% Popularity • 59% Danceability • 55% Energy • 34% Liveness
4% Instrumentalness • 82% Positiveness
2% Popularity • 59% Danceability • 55% Energy • 34% Liveness
4% Instrumentalness • 82% Positiveness
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Billy Harlan
I Wanna Bop
139 bpm • E Maj • 02:11 • -6db
13% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Bob Luman
Boston Rocker
139 bpm • G# Maj • 02:16 • -7db
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Carl Mann
I'm Walking the Dog
116 bpm • F Maj • 02:35 • -10.25db
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Don Willis
Boppin' High School Baby
116 bpm • B Maj • 02:32 • -6.27db
12% Popularity • 52% Danceability • 84% Energy • 39% Liveness
34% Instrumentalness • 66% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 39% Liveness
34% Instrumentalness • 66% Positiveness
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Clint Miller
Bertha Lou
139 bpm • A Maj • 02:33 • -5db
14% Popularity • 62% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 97% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 97% Positiveness
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Billy Lee Riley
Swanee River Rock
138 bpm • G Maj • 02:20 • -9.03db
4% Popularity • 59% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 59% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Big Sandy & His Fly-Rite Boys
Jumping From 6 To 6
115 bpm • E Maj • 03:09 • -8.37db
19% Popularity • 67% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 67% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Allen
Please Give Me Something
140 bpm • E Maj • 02:14 • -4.1db
14% Popularity • 61% Danceability • 94% Energy • 60% Liveness
31% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 94% Energy • 60% Liveness
31% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
A Little Too Much
115 bpm • C Maj • 01:55 • -0.52db
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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G.L. Crockett
Look Out Mabel
115 bpm • D Maj • 02:39 • -9.01db
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 70% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Buddy Knox
She's Gone
114 bpm • A Maj • 02:02 • -10db
14% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Lee Riley
Saturday Night Fish Fry
139 bpm • A# Maj • 01:34 • -13.54db
3% Popularity • 63% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 63% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Hayden Thompson
Blues Blues Blues
140 bpm • E Maj • 02:23 • -6db
14% Popularity • 53% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 53% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Janis Martin
Billy Boy, My Billy Boy
141 bpm • C Maj • 02:11 • -5db
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Harold Burrage
She Knocks Me Out (Master)
142 bpm • D# Maj • 02:16 • -9db
25% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Freddy Cannon
Tallahassee Lassie
143 bpm • D Maj • 02:13 • -5.37db
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Ersel Hickey
Goin' Down That Road
113 bpm • A Maj • 01:50 • -9.38db
11% Popularity • 60% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 60% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Lee Riley
She's My Baby
116 bpm • A# min • 01:17 • -10.11db
5% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 59% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Joe Clay
You Look That Good to Me
113 bpm • A Maj • 01:35 • -9.18db
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Lee Trammell
Come on Baby
143 bpm • A Maj • 02:36 • -7.92db
11% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Dale Hawkins
Suzie Q.
143 bpm • A Maj • 02:16 • 0.44db
30% Popularity • 43% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 43% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Freddy Cannon
Tallahassee Lassie
143 bpm • D Maj • 02:13 • -10db
11% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Roy Hall
Whole Lotta Shakin' Goin' On
143 bpm • G Maj • 02:58 • -4.86db
9% Popularity • 65% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 65% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Billy Lee Riley
I Washed My Hands in Muddy Water
141 bpm • G# Maj • 03:54 • -8.3db
2% Popularity • 55% Danceability • 75% Energy • 92% Liveness
1% Instrumentalness • 84% Positiveness
2% Popularity • 55% Danceability • 75% Energy • 92% Liveness
1% Instrumentalness • 84% Positiveness
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Johnny Burnette
Cincinnati Fireball
144 bpm • D# Maj • 02:44 • -10.46db
30% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 69% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
