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Got To Go
Songs like
Got To Go
by
Atili
Based on a tempo of (+/- 10%) and a similar genre
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Ashkabad
From Bad to Worst
95 bpm • D Maj • 03:13 • -9.53db
21% Popularity • 91% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Ryon
Mon bon droit
95 bpm • E min • 03:30 • -7.2db
37% Popularity • 85% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Lyricson
Night And Day
95 bpm • E min • 03:32 • -6db
38% Popularity • 91% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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L'Entourloop
Da Legacy
95 bpm • C# min • 03:55 • -6.55db
46% Popularity • 82% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Atomic Spliff
Génération stress
95 bpm • D Maj • 03:25 • -7.45db
24% Popularity • 86% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Blundetto
Tancarville
95 bpm • F# Maj • 02:54 • -10.05db
33% Popularity • 93% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Massilia Sound System
Au Marché Du Soleil
95 bpm • E min • 04:39 • -6.76db
46% Popularity • 87% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Architect
Dreader Than Dread
95 bpm • A# min • 03:04 • -6.31db
59% Popularity • 76% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 32% Positiveness
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Tomawok
Let's go
95 bpm • A min • 03:48 • -6.84db
27% Popularity • 87% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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L'Entourloop
Mr President
95 bpm • D Maj • 03:47 • -4.91db
43% Popularity • 80% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Pierpoljak
Gueuler c'est pas la peine
94 bpm • B min • 02:50 • -5.51db
6% Popularity • 82% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Soom T
Life Story
94 bpm • B min • 04:20 • -5.44db
43% Popularity • 79% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Supa Mana
Up and Gwaan
94 bpm • E min • 03:13 • -7.6db
19% Popularity • 73% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Khoe Wa
Ikiny
96 bpm • C# Maj • 03:52 • -5.69db
30% Popularity • 77% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Tomawok
Wakatanka - Interlude
94 bpm • D Maj • 01:08 • -9.8db
32% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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L'Entourloop
Shoefiti
94 bpm • A# min • 03:49 • -8.01db
49% Popularity • 81% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Atili
Durag & Diamants
94 bpm • G# Maj • 02:52 • -9.63db
16% Popularity • 60% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Soom T
Say Ganja
94 bpm • C Maj • 02:46 • -2.5db
24% Popularity • 54% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Païaka
For the Words
97 bpm • A# min • 03:48 • -5.01db
33% Popularity • 83% Danceability • 61% Energy • 9% Liveness
20% Instrumentalness • 85% Positiveness
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Skarra Mucci
My Sound
93 bpm • B Maj • 04:16 • -3.33db
46% Popularity • 69% Danceability • 84% Energy • 78% Liveness
0% Instrumentalness • 77% Positiveness
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Massilia Sound System
Dimanche Aux Goudes
97 bpm • C# Maj • 04:03 • -6.36db
48% Popularity • 81% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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M'Dezoen
Back 2 Business (Délinquant)
93 bpm • A min • 02:13 • -5.74db
38% Popularity • 91% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Capleton
Burn Dem Down - L'Entourloop Remix
93 bpm • A min • 03:40 • -6.65db
53% Popularity • 79% Danceability • 77% Energy • 27% Liveness
1% Instrumentalness • 60% Positiveness
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Soom T
Warriors
93 bpm • F# min • 02:36 • -5db
50% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ryon
Où je vais
93 bpm • A Maj • 02:57 • -7.27db
23% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ilements
Weh dem a fell like
93 bpm • B Maj • 03:42 • -5.24db
36% Popularity • 72% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Dub Silence
Retardataire
97 bpm • F Maj • 03:06 • -7.21db
22% Popularity • 85% Danceability • 59% Energy • 11% Liveness
5% Instrumentalness • 90% Positiveness
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Atomic Spliff
Mr. Postman
93 bpm • A# min • 03:16 • -7.74db
28% Popularity • 80% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Kacem Wapalek
Décalages
93 bpm • G Maj • 04:23 • -8db
32% Popularity • 84% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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R-DUG
R-Dug Strikes Back
98 bpm • A min • 05:10 • -6.39db
30% Popularity • 77% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Marcus Gad
Tempo
98 bpm • A Maj • 03:09 • -6.51db
36% Popularity • 72% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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L'Entourloop
Mucci Mata
98 bpm • G Maj • 03:21 • -7.42db
44% Popularity • 78% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Taiwan MC
One Last Dance
98 bpm • A min • 04:13 • -5.22db
36% Popularity • 84% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Skarra Mucci
Street Dance
92 bpm • E min • 02:49 • -3.94db
41% Popularity • 86% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dub Silence
Tout est possible
92 bpm • F min • 02:59 • -7.72db
31% Popularity • 89% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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R-DUG
Plastic Flowers
98 bpm • A min • 02:57 • -9.47db
17% Popularity • 77% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 32% Positiveness
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Manudigital
Big Mess - Digital Session
92 bpm • C Maj • 03:04 • -8.25db
48% Popularity • 92% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ilements
Skin a Burn
98 bpm • F# min • 04:12 • -5.27db
43% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Païaka
What a World
99 bpm • A# min • 03:33 • -5.68db
30% Popularity • 88% Danceability • 54% Energy • 7% Liveness
13% Instrumentalness • 89% Positiveness
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Atomic Spliff
Rock and Steady
99 bpm • A# Maj • 03:33 • -9db
28% Popularity • 79% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Devi Reed
High Tide (OVAW#03)
91 bpm • F min • 02:40 • -5.62db
20% Popularity • 78% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Tomawok
Party Time
100 bpm • C Maj • 03:20 • -7db
35% Popularity • 95% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Manudigital
Don't Call Me Local - Digital Session
91 bpm • C# Maj • 02:55 • -6.88db
53% Popularity • 69% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Susanna Okonowski
Maybe
100 bpm • A# min • 02:37 • -7.31db
7% Popularity • 88% Danceability • 58% Energy • 10% Liveness
19% Instrumentalness • 89% Positiveness
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L'Entourloop
Rock Mi Nice
90 bpm • C Maj • 03:17 • -6.93db
48% Popularity • 70% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Marcus Gad
Between the Lines
90 bpm • D min • 03:26 • -8.57db
23% Popularity • 71% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Taiwan MC
A Mi Lado
90 bpm • F# min • 04:01 • -3.36db
45% Popularity • 77% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Tomawok
Revolution
90 bpm • A min • 03:19 • -5.65db
33% Popularity • 88% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Manudigital
Digital Mexico Session
91 bpm • A# Maj • 02:09 • -7.5db
42% Popularity • 85% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Sunvizors
Essential
90 bpm • G min • 03:11 • -8.37db
48% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bazil
Paris To Moris
90 bpm • D min • 02:27 • -7.75db
38% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Marcus Gad
Keep Cool
90 bpm • G# Maj • 04:48 • -6.61db
38% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Atili
Petit bonhomme
90 bpm • D Maj • 03:13 • -9.22db
13% Popularity • 74% Danceability • 59% Energy • 9% Liveness
72% Instrumentalness • 8% Positiveness
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Datune
Changer d'air
100 bpm • F# Maj • 03:15 • -6db
35% Popularity • 71% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Ashkabad
Belgrad
90 bpm • E min • 03:04 • -8.42db
39% Popularity • 78% Danceability • 56% Energy • 77% Liveness
72% Instrumentalness • 54% Positiveness
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Biga*Ranx
Comme Nous
90 bpm • A min • 02:46 • -4.96db
52% Popularity • 81% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Bazil
Sweet So
90 bpm • A# Maj • 03:39 • -4.21db
37% Popularity • 83% Danceability • 65% Energy • 10% Liveness
8% Instrumentalness • 80% Positiveness
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Marcus Gad
Treasure
90 bpm • A min • 04:24 • -8.13db
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Flox
Tight
90 bpm • A# min • 03:24 • -6.85db
36% Popularity • 81% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Supa Mana
Jump & Prance
90 bpm • C min • 03:38 • -4.72db
28% Popularity • 80% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Dub Silence
Pas grave
90 bpm • F min • 03:40 • -7.69db
23% Popularity • 85% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Balik
Blues aride
90 bpm • A# Maj • 04:04 • -5.77db
23% Popularity • 76% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Ob.dub
Treeline
90 bpm • F# Maj • 03:45 • -8.07db
16% Popularity • 71% Danceability • 66% Energy • 36% Liveness
63% Instrumentalness • 28% Positiveness
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Rawb
Beyond Love
90 bpm • G# min • 03:35 • -10.02db
40% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Tchong Libo
Wicked Sound
90 bpm • G Maj • 03:38 • -6.62db
26% Popularity • 79% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Supa Mana
Brigante Team
90 bpm • E min • 03:32 • -6.6db
31% Popularity • 80% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Troy Berkley
Matta
101 bpm • C# Maj • 03:46 • -6db
36% Popularity • 85% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Dub Silence
Hits from the Bong
90 bpm • A# min • 03:55 • -16.57db
36% Popularity • 91% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Massilia Sound System
Y'a Des Fois
89 bpm • G# Maj • 03:17 • -6db
40% Popularity • 78% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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L'Entourloop
Mumbai 808
89 bpm • E min • 03:48 • -7.14db
32% Popularity • 78% Danceability • 54% Energy • 9% Liveness
43% Instrumentalness • 42% Positiveness
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Taiwan MC
Diskodub
88 bpm • D Maj • 04:25 • -3.75db
28% Popularity • 78% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Soom T
Close Your Eyes
89 bpm • A# min • 03:29 • -4.49db
39% Popularity • 80% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Stand High Patrol
Brest Bay
87 bpm • A# min • 03:19 • -7.61db
51% Popularity • 86% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kanka
West Dub
88 bpm • E min • 04:43 • -7.62db
31% Popularity • 79% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 39% Positiveness
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Aya Waska
Sème
87 bpm • F# min • 03:36 • -7.11db
35% Popularity • 79% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sumac Dub
Lavender
87 bpm • A min • 03:43 • -10.07db
22% Popularity • 65% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Big Red
System Ah Fall
87 bpm • F# min • 03:03 • -5.55db
30% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Jahnaton
Tue Un Son
86 bpm • G# min • 02:04 • -8.12db
34% Popularity • 90% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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JAEL
Marche Infantile
104 bpm • G# min • 03:27 • -10.93db
16% Popularity • 89% Danceability • 46% Energy • 35% Liveness
1% Instrumentalness • 59% Positiveness
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Marcus Gad
All Together
86 bpm • G# min • 05:30 • -7.86db
23% Popularity • 79% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Marina P
Dreamcatcher
86 bpm • C# min • 03:00 • -8db
36% Popularity • 87% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Panda Dub
Waves
105 bpm • D min • 02:37 • -10.47db
36% Popularity • 68% Danceability • 35% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Tiwony
La Révolution
86 bpm • A# min • 03:12 • -9.23db
30% Popularity • 81% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Troy Berkley
Natty Nah Fear
105 bpm • A min • 02:43 • -7.51db
43% Popularity • 88% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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L'Entourloop
La clarté dans la confusion
85 bpm • G Maj • 03:49 • -10.05db
35% Popularity • 75% Danceability • 56% Energy • 66% Liveness
1% Instrumentalness • 45% Positiveness
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Ilements
We all can make it
85 bpm • F# Maj • 03:05 • -4.14db
34% Popularity • 76% Danceability • 79% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
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Biga*Ranx
7 days
107 bpm • A min • 03:02 • -6.38db
53% Popularity • 88% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rawb
Come Along
85 bpm • C min • 03:48 • -9.55db
40% Popularity • 82% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Tomawok
Ganja City
84 bpm • G min • 03:51 • -3.52db
21% Popularity • 76% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Troy Berkley
Crystal Ball
85 bpm • G Maj • 03:23 • -6.35db
34% Popularity • 73% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Stand High Patrol
Ruckus
108 bpm • D# min • 02:57 • -9.17db
44% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Big Red
Stone Head
108 bpm • A min • 03:39 • -9.88db
16% Popularity • 91% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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L'Entourloop
Want It Back - L'Entourloop & Troy Berkl...
83 bpm • C# Maj • 04:01 • -6db
56% Popularity • 79% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Stepart
Non Stop
83 bpm • G Maj • 03:48 • -9.17db
26% Popularity • 90% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Pupajim
Dancehall Scientist
82 bpm • C# Maj • 04:01 • -12db
42% Popularity • 87% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Atili
Jocktan Francis Kobelo
109 bpm • F min • 03:42 • -15db
0% Popularity • 25% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Stand High Patrol
Muskateer Sword
84 bpm • D min • 02:27 • -11db
34% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Mo'Kalamity
Frontline
82 bpm • B min • 04:04 • -4db
56% Popularity • 81% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Bassajam
Bandolos
82 bpm • G Maj • 02:58 • -7.82db
25% Popularity • 83% Danceability • 57% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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Devi Reed
Wake up
110 bpm • E min • 02:58 • -3.37db
24% Popularity • 83% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Got To Go