Songs like Gotta Get Through to You by Final Solution
Based on a tempo of (+/- 10%) and a similar genre
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Jato Von Del
Just A Few Steps Up The Isle
92 bpm • A Maj • 03:59 • -10.37db
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
11% Popularity • 46% Danceability • 53% Energy • 17% Liveness
4% Instrumentalness • 43% Positiveness
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Final Solution
Gotta Get Through to You
92 bpm • F# min • 04:44 • -7.43db
17% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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The Lovations
I Keep Singing (La La La Ooh)
92 bpm • D min • 02:58 • -5.58db
24% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 41% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Deacons
A Drop in the Bucket
92 bpm • G Maj • 02:56 • -6.39db
17% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
17% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
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George Jackson
All In My Mind
92 bpm • C Maj • 02:59 • -8.29db
22% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
22% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
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Leno Phillips
Confusion
92 bpm • D Maj • 02:19 • -7.62db
16% Popularity • 42% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 42% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 81% Positiveness
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Darondo
I Want Your Love so Bad
92 bpm • A Maj • 04:10 • -9.04db
31% Popularity • 55% Danceability • 51% Energy • 66% Liveness
15% Instrumentalness • 52% Positiveness
31% Popularity • 55% Danceability • 51% Energy • 66% Liveness
15% Instrumentalness • 52% Positiveness
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Reverb LTD
Please Love Me - Mono
92 bpm • D# min • 02:30 • -8.11db
16% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ohio Players
Here Today Gone Tomorrow
92 bpm • C Maj • 03:35 • -10.17db
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
22% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Whatnauts
Message from a Black Man
92 bpm • A# min • 03:01 • -16db
35% Popularity • 50% Danceability • 22% Energy • 47% Liveness
74% Instrumentalness • 64% Positiveness
35% Popularity • 50% Danceability • 22% Energy • 47% Liveness
74% Instrumentalness • 64% Positiveness
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Fuller Bros.
Stranger at My Door
92 bpm • C Maj • 02:19 • -10db
42% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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The Ultimates
Why I Love You
93 bpm • C Maj • 03:48 • -5.33db
21% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 57% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Congress Alley
Are You Looking?
93 bpm • F min • 03:48 • -12.94db
14% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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The Chi-Lites
24 Hours Of Sadness
91 bpm • G# Maj • 02:09 • -8.44db
21% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Bobbi Row And The English Men
Why'd You Put Me On
93 bpm • G Maj • 02:41 • -11.73db
34% Popularity • 56% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 56% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Barbara Mason
Don't Ever Go Away
91 bpm • C# Maj • 02:13 • -7.47db
15% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
24% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Sonia Ross
Every Now and Then
91 bpm • A min • 02:39 • -8.94db
11% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 24% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Master Plan Inc
Special Love
93 bpm • B min • 02:48 • -11.26db
10% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Kaldirons
To Love Someone (That Don't Love You)
91 bpm • F Maj • 03:21 • -9db
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Dimas III
Not the Right Time
94 bpm • F# Maj • 02:40 • -4.44db
13% Popularity • 51% Danceability • 64% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 51% Danceability • 64% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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Signs of the Time
Hurts So Bad
94 bpm • F# min • 03:51 • -12.14db
13% Popularity • 57% Danceability • 44% Energy • 13% Liveness
27% Instrumentalness • 82% Positiveness
13% Popularity • 57% Danceability • 44% Energy • 13% Liveness
27% Instrumentalness • 82% Positiveness
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Bobby Taylor & The Vancouvers
Malinda
94 bpm • A min • 02:47 • -10.03db
26% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 60% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Chocolate Sunday
Second Story Man
90 bpm • F Maj • 03:30 • -7.97db
7% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Master Plan Inc
Try It (You'll Like It)
94 bpm • D Maj • 02:23 • -9.9db
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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The Chapells
You're Acting Kind of Strange
90 bpm • D min • 03:24 • -5db
23% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 28% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Al Castana
I Need and Love You
94 bpm • D Maj • 02:41 • -7.02db
10% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
10% Popularity • 55% Danceability • 56% Energy • 12% Liveness
18% Instrumentalness • 66% Positiveness
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Motherlode
You Ain't Lookin' in the Right Place Bab...
90 bpm • E min • 04:02 • -10.7db
9% Popularity • 37% Danceability • 67% Energy • 14% Liveness
61% Instrumentalness • 29% Positiveness
9% Popularity • 37% Danceability • 67% Energy • 14% Liveness
61% Instrumentalness • 29% Positiveness
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Sly, Slick & Wicked
Sho' Nuff
90 bpm • B min • 02:50 • -9db
44% Popularity • 69% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 69% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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La’Fez
This Is The Way That I Am
94 bpm • C Maj • 03:11 • -8.99db
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Master Plan Inc
Try It, You'€™ll Like It
94 bpm • D Maj • 02:23 • -15.29db
19% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Gino Washington
What Can a Man Do
94 bpm • C Maj • 02:35 • -6.32db
10% Popularity • 55% Danceability • 69% Energy • 22% Liveness
64% Instrumentalness • 79% Positiveness
10% Popularity • 55% Danceability • 69% Energy • 22% Liveness
64% Instrumentalness • 79% Positiveness
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Final Solution
I Don't Care
94 bpm • E min • 04:17 • -6.88db
34% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 47% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Willie Cooper & The Webs
I Can't Take No More
94 bpm • C min • 02:07 • -7.88db
13% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 27% Liveness
4% Instrumentalness • 54% Positiveness
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Barbara Lynn
Why Can't You Love Me
90 bpm • C Maj • 02:33 • -10.73db
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Johnson, Hawkins, Tatum & Durr
A World Without You
94 bpm • C# min • 03:18 • -5.04db
14% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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The Whatnauts
What's Left to Give
90 bpm • A# Maj • 03:40 • -11.16db
30% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 36% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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The Chapells
Are You Ready?
90 bpm • A min • 02:26 • -8.51db
9% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Shuggie Otis
Happy House
94 bpm • G Maj • 01:16 • -12.51db
34% Popularity • 80% Danceability • 28% Energy • 25% Liveness
14% Instrumentalness • 28% Positiveness
34% Popularity • 80% Danceability • 28% Energy • 25% Liveness
14% Instrumentalness • 28% Positiveness
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Marva Whitney
Nothing I'd Rather Be (Than Your Weaknes...
95 bpm • E min • 03:11 • -7.35db
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Main Ingredient
California My Way
95 bpm • G Maj • 04:37 • -7.68db
23% Popularity • 63% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
23% Popularity • 63% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
36% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Williams
Don't Let Your Love Fade Away
95 bpm • E min • 02:46 • -7.15db
26% Popularity • 38% Danceability • 60% Energy • 18% Liveness
16% Instrumentalness • 70% Positiveness
26% Popularity • 38% Danceability • 60% Energy • 18% Liveness
16% Instrumentalness • 70% Positiveness
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Jus' Us
Just Us Together
89 bpm • A# Maj • 02:26 • -9db
19% Popularity • 55% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 79% Positiveness
19% Popularity • 55% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 79% Positiveness
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The Royal Jesters
I’m so Sorry
89 bpm • D Maj • 02:25 • -5.15db
16% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 50% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Mel & Tim
Groovy Situation
89 bpm • F Maj • 03:12 • -7db
26% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Bob & Gene
I Can Be Cool
95 bpm • C# min • 03:08 • -9.6db
37% Popularity • 42% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 42% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Procedures
Give Me One More Chance
95 bpm • A min • 04:58 • -8db
7% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Dream Team
There He Is
95 bpm • G min • 02:46 • -6db
21% Popularity • 54% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 54% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Holly Maxwell
Only When Your Lonely
95 bpm • D# min • 02:33 • -7db
19% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Greenflow
No Other Life Without You
89 bpm • C Maj • 04:38 • -10.96db
32% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
32% Popularity • 62% Danceability • 40% Energy • 38% Liveness
5% Instrumentalness • 69% Positiveness
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Bob & Gene
Gotta Find a Way
89 bpm • F# Maj • 02:57 • -7.34db
32% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Sonia Ross
Let Me Be Free
96 bpm • B Maj • 01:49 • -8.09db
16% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
16% Popularity • 37% Danceability • 52% Energy • 10% Liveness
17% Instrumentalness • 79% Positiveness
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Dimas III
You’ve Succeeded
88 bpm • C Maj • 03:13 • -5.34db
25% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Newday
Wait a Minute Girl
88 bpm • B min • 02:25 • -5db
18% Popularity • 55% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 55% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Kendricks
Eddie's Love
96 bpm • G# Maj • 03:29 • -12.76db
14% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Minits
Still a Part of Me
96 bpm • F Maj • 02:34 • -10db
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 70% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Hunts Determination Band
Are We Through
88 bpm • D min • 02:52 • -5.58db
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
12% Popularity • 49% Danceability • 70% Energy • 35% Liveness
24% Instrumentalness • 72% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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Brief Encounter
Just for Love
96 bpm • C# min • 02:46 • -9.98db
15% Popularity • 63% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 56% Positiveness
15% Popularity • 63% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 56% Positiveness
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The Hill Sisters
Oh My Love, Sweet Love
96 bpm • D# Maj • 02:36 • -6.67db
19% Popularity • 48% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
19% Popularity • 48% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Little Ann
Possession
96 bpm • F Maj • 03:11 • -6db
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Chicago Gangsters
Why Did You Do It
96 bpm • G Maj • 03:53 • -3.67db
16% Popularity • 55% Danceability • 84% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
16% Popularity • 55% Danceability • 84% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
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Theron & Darrell
I Was Made to Love Her
96 bpm • E Maj • 02:54 • -7.5db
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
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Valerie Simpson
I Believe I'm Gonna Take This Ride
88 bpm • F Maj • 03:04 • -12.01db
8% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Moovers
Someone to Fulfill My Needs
97 bpm • D min • 02:55 • -6db
18% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 47% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Mandrill
I Refuse To Smile
88 bpm • E min • 04:07 • -7.36db
19% Popularity • 54% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 54% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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General Lee
The Bridge Of Love
88 bpm • B Maj • 02:47 • -9.26db
17% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Apple & The Three Oranges
I'll Give You a Ring (When I Come, If I ...
88 bpm • A Maj • 03:13 • -6.76db
28% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Mcgee
Now That I Have You
97 bpm • D min • 05:36 • -11.5db
30% Popularity • 62% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 62% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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The Notations
I Can't Stop
97 bpm • C Maj • 02:47 • -9db
12% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 53% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
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The Preytells
The Magician
87 bpm • G# Maj • 03:22 • -10.02db
24% Popularity • 46% Danceability • 35% Energy • 11% Liveness
21% Instrumentalness • 66% Positiveness
24% Popularity • 46% Danceability • 35% Energy • 11% Liveness
21% Instrumentalness • 66% Positiveness
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Sly & The Family Stone
Mother Beautiful
87 bpm • F Maj • 01:59 • -14.27db
39% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Chicago Gangsters
We've Been Together
97 bpm • D# Maj • 03:32 • -1.66db
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 27% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Little Ann
Deep Shadows - Multi Mix
97 bpm • C# min • 02:37 • -10.39db
14% Popularity • 44% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 44% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Family Circle
Try It, You’ll Like It
87 bpm • C Maj • 03:29 • -12db
10% Popularity • 20% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
10% Popularity • 20% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 38% Positiveness
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Renaldo Domino
Nevermore
97 bpm • B min • 02:35 • -10.42db
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 52% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Baker
Do Right Man
98 bpm • C# Maj • 02:50 • -10.65db
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 71% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Lou Ragland
Stay Here With Me
86 bpm • F min • 04:09 • -11.97db
7% Popularity • 72% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 72% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Bob & Gene
It Won't Go
86 bpm • D min • 02:35 • -9.39db
8% Popularity • 46% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Wee
I'm All Changed
98 bpm • A min • 03:20 • -10.99db
18% Popularity • 55% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
18% Popularity • 55% Danceability • 73% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Wilfred Luckie
My Thing
86 bpm • C Maj • 04:34 • -9.67db
38% Popularity • 69% Danceability • 44% Energy • 56% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 69% Danceability • 44% Energy • 56% Liveness
0% Instrumentalness • 85% Positiveness
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Majestees
Let Her Go
99 bpm • D# Maj • 03:18 • -10.38db
9% Popularity • 44% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 44% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Chuck Wilder
The Clown
86 bpm • C min • 02:43 • -8.02db
12% Popularity • 33% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 33% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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The Summits
It Takes Two
99 bpm • A Maj • 03:00 • -6.37db
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 58% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Helene Smith
True Love Don't Grow on Trees
99 bpm • C min • 02:34 • -6.59db
21% Popularity • 32% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 32% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Chicago Gangsters
I Choose You
86 bpm • A min • 09:01 • -2db
31% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Oneness
Hard to Know
86 bpm • F# min • 02:56 • -13.48db
11% Popularity • 61% Danceability • 33% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
11% Popularity • 61% Danceability • 33% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
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Final Solution
Theme From Brotherman
99 bpm • C# min • 07:19 • -9.42db
14% Popularity • 59% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 56% Positiveness
14% Popularity • 59% Danceability • 69% Energy • 12% Liveness
69% Instrumentalness • 56% Positiveness
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New Holidays
Maybe so Maybe No
99 bpm • C# Maj • 03:02 • -9db
16% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 64% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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The Rollers
Knockin' at the Wrong Door
85 bpm • F min • 02:12 • -8db
23% Popularity • 68% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Eula Cooper
Try
99 bpm • A# Maj • 02:16 • -6.24db
16% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
16% Popularity • 33% Danceability • 80% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
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Cornelius Brothers & Sister Rose
Since I Found My Baby
85 bpm • F# min • 03:40 • -12db
29% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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The Whatnauts
Tweedly Dum-Dum
99 bpm • F# Maj • 03:07 • -14.09db
24% Popularity • 64% Danceability • 48% Energy • 14% Liveness
7% Instrumentalness • 65% Positiveness
24% Popularity • 64% Danceability • 48% Energy • 14% Liveness
7% Instrumentalness • 65% Positiveness
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Final Solution
Where There's A Will
99 bpm • F# min • 04:58 • -7.72db
4% Popularity • 43% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 43% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
