Songs like Gotta Let You Know by Jemima Price Band
Based on a tempo of (+/- 10%) and a similar genre
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Winterplay
Pure Heart
134 bpm • C Maj • 04:40 • -7.78db
8% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jemima Price Band
Gotta Let You Know
134 bpm • G Maj • 04:30 • -8.44db
0% Popularity • 66% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 66% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Barbara Schoblocher
If I Have You
134 bpm • F Maj • 03:43 • -11.08db
13% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 66% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Agape African Choir
African Dream
134 bpm • C# min • 05:42 • -4.53db
17% Popularity • 56% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Melody Gardot
One Day
134 bpm • D Maj • 02:02 • -14.84db
46% Popularity • 45% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 45% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cæcilie Norby
Set Them Free
134 bpm • A# Maj • 04:28 • -7.72db
11% Popularity • 41% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 41% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Jesse Lynn Madera
Speed of Sound
133 bpm • D min • 06:11 • -8.77db
19% Popularity • 40% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 40% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Leslie Mendelson
Feel No Pain
133 bpm • E Maj • 04:45 • -6.52db
7% Popularity • 52% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 52% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Rebekka Bakken
October Nights
135 bpm • G# Maj • 03:04 • -9.98db
12% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 63% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Jackson
She's Out of My Life - Demo
133 bpm • F Maj • 03:19 • -16.38db
30% Popularity • 49% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 49% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Amy Wadge
Always
135 bpm • C min • 04:25 • -6.4db
17% Popularity • 78% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 78% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Brandi Carlile
That Wasn't Me
135 bpm • A Maj • 03:42 • -7db
45% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ida Sand
Heart Of Gold
135 bpm • A min • 04:03 • -11.69db
15% Popularity • 53% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 53% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Carolee Rainey
Baby
136 bpm • C Maj • 03:38 • -9.25db
25% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Eric Bibb
For You
136 bpm • D Maj • 04:49 • -9.09db
16% Popularity • 60% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 60% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jacqueline Govaert
Past the Moon
136 bpm • D Maj • 03:26 • -9.19db
13% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 54% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Walela
Cherokee River
136 bpm • F Maj • 03:36 • -14.35db
15% Popularity • 50% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 50% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Room Eleven
Sad Song
132 bpm • F# min • 03:52 • -12.65db
25% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Buck69
Without My Baby
136 bpm • F# Maj • 03:58 • -6.87db
15% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 59% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Norah Jones
One Flight Down
132 bpm • C# Maj • 03:05 • -10.23db
54% Popularity • 66% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 66% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa Bassenge
Keep Me in Your Heart for a While
136 bpm • A# Maj • 03:00 • -11db
47% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 49% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Heather Peace
Dance With The Devil
136 bpm • G min • 03:12 • -10.32db
12% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 49% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sharleen Spiteri
Many Rivers To Cross
132 bpm • F Maj • 03:54 • -7.06db
13% Popularity • 48% Danceability • 45% Energy • 11% Liveness
7% Instrumentalness • 29% Positiveness
13% Popularity • 48% Danceability • 45% Energy • 11% Liveness
7% Instrumentalness • 29% Positiveness
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Geneviève Leclerc
Calling You
132 bpm • E min • 04:31 • -9.58db
10% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ashley Monroe
Paying Attention
136 bpm • A Maj • 03:38 • -8.11db
10% Popularity • 37% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
10% Popularity • 37% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Linda Pettersson Bratt
Now
131 bpm • A Maj • 03:54 • -14.19db
8% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 61% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lisa Bassenge
Don't Think Twice, It's All Right
131 bpm • B Maj • 04:39 • -13.33db
36% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Emilie Schiøtt
King or Clown
131 bpm • A# Maj • 03:03 • -5.97db
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ann Peebles
Tonight I'll Be Staying Here with You
137 bpm • C Maj • 03:48 • -10.75db
15% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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B'ee
Under Your Spell
131 bpm • A min • 04:10 • -8.11db
24% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Fairground Attraction
Allelujah
131 bpm • F Maj • 03:25 • -19db
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Parry Ray
She Used To Be Mine
131 bpm • D# Maj • 04:24 • -10.73db
33% Popularity • 63% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 63% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Rebecka Törnqvist
Good Thing
138 bpm • F min • 03:43 • -7.15db
31% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 54% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Rebekka Bakken
Same Kind
138 bpm • E Maj • 04:00 • -8.43db
8% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
8% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Clara Lofaro
Stars
138 bpm • A Maj • 04:55 • -4.48db
8% Popularity • 47% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 47% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lena Anderssen
Good to Be Kind
138 bpm • A# Maj • 03:32 • -7.73db
11% Popularity • 52% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
11% Popularity • 52% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Katie Melua
Mockingbird Song (2023 Remaster)
138 bpm • C Maj • 03:06 • -9.23db
19% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Susan Wong
Something
130 bpm • C# Maj • 03:09 • -12.6db
20% Popularity • 69% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 69% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Jemima Price Band
Whatever You Like
130 bpm • A min • 03:54 • -13.06db
0% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 60% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Zeeteah Massiah
Baby Girl (Unplugged)
130 bpm • F min • 04:18 • -8.58db
9% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kristina Train
Distant Lands
138 bpm • A# Maj • 02:57 • -13.74db
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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The Northern Lights Quintet
Don't Dream It's Over
130 bpm • D min • 04:11 • -12.93db
45% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Susan Wong
Something
130 bpm • G# Maj • 03:05 • -14.69db
18% Popularity • 72% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 72% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Eaton
Put Yourself In My Arms (Acoustic)
129 bpm • B Maj • 03:01 • -4.21db
16% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Solveig Slettahjell
Borrowed Time
129 bpm • A Maj • 04:39 • -17.24db
21% Popularity • 40% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
21% Popularity • 40% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Kristina Train
Spilt Milk
129 bpm • G Maj • 03:40 • -6.51db
23% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Katy Samwell
Breathe Out
140 bpm • A# Maj • 04:29 • -9.77db
10% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 49% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Alberte Winding
Looking For A Lonestar
140 bpm • G min • 03:40 • -10db
12% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 60% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Macy Gray
First Time
140 bpm • G Maj • 03:21 • -5.73db
30% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Kristin Asbjørnsen
If this is the ending
128 bpm • F Maj • 03:51 • -14.07db
15% Popularity • 50% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Melissa Etheridge
I've Loved You Before
140 bpm • A Maj • 04:16 • -9db
35% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 58% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Viktoria Tolstoy
Land of the Humble
140 bpm • C Maj • 03:56 • -14.22db
9% Popularity • 68% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
9% Popularity • 68% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Thyra
Dancing On My Own - Acoustic Version
128 bpm • E Maj • 04:22 • -6.81db
19% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 64% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Beautiful South
The Rocking Chair
128 bpm • F# min • 04:43 • -13.88db
24% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 80% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Shelby Lynne
I Don't Want To Hear It Anymore
140 bpm • C# Maj • 04:36 • -15db
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Lovbrand
Hot 'n' Cold
128 bpm • C Maj • 03:51 • -8.77db
27% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Helen Schneider
Slippery Slope of Life
128 bpm • G Maj • 04:27 • -10.57db
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Janis Ian
All Those Promises
128 bpm • C# Maj • 03:44 • -15.76db
16% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 64% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Janiva Magness
Save Me
128 bpm • C Maj • 03:40 • -8.13db
9% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Allison Russell
By Your Side
141 bpm • A# Maj • 04:26 • -8db
30% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 43% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Betsy Palmer
Losing My Religion
127 bpm • B min • 04:19 • -7.67db
8% Popularity • 70% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 70% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Isabelle Boulay
True Blue
141 bpm • B Maj • 03:55 • -8.68db
7% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Heather Small
You Do Something to Me
141 bpm • F# min • 03:46 • -11.46db
10% Popularity • 25% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Basia Bulat
Why Can't It Be Mine
127 bpm • E Maj • 03:29 • -7.97db
16% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 79% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Alison Krauss
Angel Flying Too Close To The Ground
127 bpm • G# Maj • 04:31 • -10.92db
9% Popularity • 37% Danceability • 23% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 37% Danceability • 23% Energy • 95% Liveness
0% Instrumentalness • 22% Positiveness
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Samantha Preis
Crayola Marker
127 bpm • G# Maj • 04:25 • -13db
16% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 54% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sershen&Zaritskaya
Rhiannon
127 bpm • A min • 03:41 • -8.15db
18% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lindsey Wise
Woman so Wise
142 bpm • G Maj • 07:14 • -12.42db
11% Popularity • 59% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 59% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Lizz Wright
All The Way Here
126 bpm • G Maj • 03:47 • -12.18db
24% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Bonnie Raitt
Undone
126 bpm • D# Maj • 04:12 • -11.24db
14% Popularity • 41% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 41% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Kristina Train
Don't Beg for Love
142 bpm • F min • 03:04 • -8.81db
15% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Andrzej Korycki i Dominika Żukowska
Let her go
126 bpm • A min • 02:39 • -9.62db
13% Popularity • 58% Danceability • 39% Energy • 85% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 58% Danceability • 39% Energy • 85% Liveness
0% Instrumentalness • 56% Positiveness
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Shelby Lynne
Breakfast In Bed
142 bpm • G Maj • 03:21 • -13db
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
44% Popularity • 70% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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Jemima Price Band
Cold Bath
126 bpm • D min • 04:00 • -8.06db
0% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Joan Osborne
The Smallest Trees
126 bpm • C Maj • 03:39 • -10.08db
12% Popularity • 58% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 58% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Aimee Mann
Robert Lowell and Sylvia Plath
126 bpm • B Maj • 03:13 • -9.68db
18% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Indigo Girls
If I Don't Leave Here Now
143 bpm • A# Maj • 04:14 • -8.38db
11% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Norah Jones
Tragedy
125 bpm • A# Maj • 04:14 • -13.07db
51% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 39% Positiveness
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Sam & Ruby
Ain't Love Somethin'
143 bpm • D# Maj • 04:28 • -11db
29% Popularity • 36% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Jemima Price Band
Long Way Down
126 bpm • C# Maj • 04:23 • -8.76db
0% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Isabelle Boulay
Jolie Louise
125 bpm • G# Maj • 02:52 • -6.9db
28% Popularity • 76% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 76% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Deana Carter
Crying
144 bpm • D# Maj • 04:39 • -8.86db
7% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Adrian Acosta
Have I Told You Lately
144 bpm • F# Maj • 04:15 • -15.05db
27% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lisa Bassenge
Four Seasons In One Day
124 bpm • C Maj • 03:12 • -10.76db
8% Popularity • 59% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 59% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Pattie
Act One: I Keep Forgettin'
124 bpm • G Maj • 01:23 • -9.61db
10% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jemima Price Band
Salt & Sugar
125 bpm • E min • 03:38 • -10.21db
0% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 72% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Vaya Con Dios
Brave Jane
124 bpm • A min • 03:16 • -6.58db
19% Popularity • 75% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 75% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Susan Wong
Have You Ever Seen the Rain
124 bpm • C Maj • 03:11 • -10.16db
25% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ilse DeLange
Old Sweater
145 bpm • A Maj • 03:08 • -11.99db
17% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rosanne Cash
I Am a Pilgrim
124 bpm • E Maj • 02:29 • -10.61db
14% Popularity • 71% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 71% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Kelly Family
Mama
145 bpm • G min • 04:00 • -8.03db
33% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Jemima Price Band
Say Yes
144 bpm • G Maj • 03:36 • -9.84db
0% Popularity • 63% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 63% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Christina Aguilera
All I Need
124 bpm • C min • 03:33 • -9.55db
30% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sheryl Crow
Lonely Alone
124 bpm • E min • 04:37 • -8.74db
24% Popularity • 53% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 53% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Ditty Bops
Moon over the Freeway
123 bpm • A# min • 03:14 • -10db
9% Popularity • 76% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 76% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Maya Hawke
River Like You
123 bpm • G# Maj • 02:16 • -14.41db
35% Popularity • 78% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 78% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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St. Vincent
What Me Worry
123 bpm • G# Maj • 03:56 • -8.89db
19% Popularity • 44% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 44% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
