Songs like Götterdämmerung, WWV 86D: Act III: Ihr listigen Frauen, lasst das sein! (Siegfried, Rheintochter) by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: II. A...
75 bpm • G# Maj • 10:00 • -19db
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
41% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
41% Instrumentalness • 6% Positiveness
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Gerard Schwarz
Parsifal Wagner - Good Friday Spell
75 bpm • D Maj • 11:12 • -29.05db
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von NĂĽrnberg, WWV 96 ...
75 bpm • F# min • 06:17 • -18db
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 20% Energy • 57% Liveness
50% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Aida: Preludio
75 bpm • D Maj • 03:39 • -21db
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • G min • 06:31 • -14db
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
75 bpm • A Maj • 08:36 • -15db
21% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
21% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act 1: "Seht dort, d...
75 bpm • C min • 03:15 • -20.56db
5% Popularity • 22% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act I: "E strano! ... Ah, ...
74 bpm • F Maj • 03:36 • -24.81db
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Hector Berlioz
Les Troyens, Op. 29, H 133, Act I: No. 1...
74 bpm • G Maj • 03:51 • -16.78db
9% Popularity • 24% Danceability • 37% Energy • 26% Liveness
68% Instrumentalness • 36% Positiveness
9% Popularity • 24% Danceability • 37% Energy • 26% Liveness
68% Instrumentalness • 36% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72, Act I: Quartet: Mir ist...
76 bpm • G Maj • 04:43 • -24.59db
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 7% Energy • 45% Liveness
4% Instrumentalness • 4% Positiveness
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Gustav Mahler
Kindertotenlieder: I. Nun will die Sonn'...
77 bpm • D min • 05:31 • -21.79db
6% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
6% Popularity • 11% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Der fliegende Holländer (The Fl...
75 bpm • A min • 10:21 • -17.2db
6% Popularity • 10% Danceability • 21% Energy • 34% Liveness
83% Instrumentalness • 4% Positiveness
6% Popularity • 10% Danceability • 21% Energy • 34% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: I. Introit - Ky...
77 bpm • A Maj • 09:40 • -22.98db
7% Popularity • 12% Danceability • 9% Energy • 16% Liveness
14% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 9% Energy • 16% Liveness
14% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Alexander Nevsky, Op. 78: VI. Field of t...
77 bpm • C min • 06:01 • -33.79db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
30% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III Scene 3: Morg...
75 bpm • F Maj • 04:46 • -14db
9% Popularity • 33% Danceability • 36% Energy • 7% Liveness
80% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 36% Energy • 7% Liveness
80% Instrumentalness • 24% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Otello / Act 1: "Una vela! Una vela!"
73 bpm • G# Maj • 04:18 • -16.38db
14% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
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Richard Strauss
Eine Alpensinfonie: VI. Auf dem Gipfel
78 bpm • C Maj • 04:51 • -21.41db
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
I vespri siciliani: Overture (Sinfonia)
77 bpm • E Maj • 09:27 • -15.37db
16% Popularity • 16% Danceability • 21% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 16% Danceability • 21% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
79 bpm • C Maj • 09:02 • -16.65db
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
79 bpm • E Maj • 03:59 • -24.32db
9% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: II. Kyrie eleis...
77 bpm • A Maj • 03:31 • -16.58db
18% Popularity • 13% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
18% Popularity • 13% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Franz Liszt
A Dante Symphony, S.109: Alternative con...
80 bpm • E Maj • 00:57 • -13.06db
17% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
17% Popularity • 39% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
36% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
36% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act III: "...
74 bpm • D# Maj • 02:46 • -16.31db
13% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Rigoletto: Overture (Preludio)
72 bpm • C Maj • 02:21 • -18db
22% Popularity • 13% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Richard Wagner
Der fliegende Holländer / Act 2: "Summ ...
76 bpm • B min • 03:57 • -20.05db
5% Popularity • 42% Danceability • 11% Energy • 19% Liveness
8% Instrumentalness • 13% Positiveness
5% Popularity • 42% Danceability • 11% Energy • 19% Liveness
8% Instrumentalness • 13% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Verdi: La forza del destino: Overture
78 bpm • E min • 07:11 • -19db
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 9% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: All...
81 bpm • F Maj • 01:07 • -14db
29% Popularity • 38% Danceability • 33% Energy • 14% Liveness
58% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 33% Energy • 14% Liveness
58% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Wagner
Die WalkĂĽre, WWV 86B / Act 1: "Du bist ...
76 bpm • C# Maj • 06:53 • -21db
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Strauss II
Perpetuum mobile, Op. 257
81 bpm • D# Maj • 02:51 • -25.52db
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
35% Popularity • 48% Danceability • 23% Energy • 74% Liveness
60% Instrumentalness • 69% Positiveness
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Giuseppe Verdi
Rigoletto / Preludio: Preludio
72 bpm • C min • 02:03 • -17.75db
21% Popularity • 22% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Ach, i...
69 bpm • G min • 04:41 • -25.66db
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers: Ouverture
69 bpm • F min • 03:05 • -23db
11% Popularity • 28% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 1% Energy • 7% Liveness
2% Instrumentalness • 19% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 2: "Welch ein Geh...
74 bpm • C Maj • 04:27 • -21.11db
1% Popularity • 13% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Nabucco / Act I: Gli arredi festivi giĂą...
80 bpm • E Maj • 05:41 • -16.03db
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
26% Popularity • 14% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Benjamin Britten
War Requiem, Op. 66: II. Dies irae: a. D...
81 bpm • G Maj • 03:38 • -19.64db
9% Popularity • 34% Danceability • 7% Energy • 7% Liveness
72% Instrumentalness • 9% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 7% Liveness
72% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90, Act II Scene...
76 bpm • D Maj • 02:00 • -31.39db
27% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Giuseppe Verdi
Requiem: XVI. Libera Me, Dies Irae, Requ...
81 bpm • A# min • 07:24 • -24.62db
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
82 bpm • C Maj • 05:12 • -22db
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Myedle...
82 bpm • G# Maj • 05:10 • -16.45db
13% Popularity • 28% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 20% Energy • 5% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "So il tuo nome!"
82 bpm • F# Maj • 02:13 • -11.05db
11% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Das Rheingold: Scene 2: Immer ist Undank...
74 bpm • G Maj • 04:44 • -18.3db
0% Popularity • 26% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 26% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
► Preview
Sergei Prokofiev
Alexander Nevsky: II. Song about Alexand...
69 bpm • A# Maj • 02:44 • -17.46db
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 23% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
69 bpm • G min • 02:38 • -18db
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Requiem: V. Quid Sum Miser
82 bpm • C min • 03:36 • -33.63db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 1: "Als du im k...
77 bpm • C Maj • 06:33 • -17.91db
2% Popularity • 30% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 30% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
83 bpm • F Maj • 02:08 • -19.25db
18% Popularity • 41% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 58% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 12% Liveness
83% Instrumentalness • 58% Positiveness
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Giuseppe Verdi
Requiem: IV. Liber Scriptus
68 bpm • A# Maj • 05:02 • -29.84db
28% Popularity • 11% Danceability • 3% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Beglückt d...
83 bpm • D# Maj • 04:47 • -20.39db
3% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
84 bpm • D Maj • 08:30 • -17db
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
40% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act I: Greshno...
84 bpm • B Maj • 03:58 • -14.51db
16% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
16% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
84 bpm • C# Maj • 06:20 • -22.6db
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Rigoletto: Preludio
68 bpm • C min • 02:15 • -25.51db
10% Popularity • 23% Danceability • 2% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Prelude
83 bpm • G Maj • 03:26 • -17.9db
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
12% Popularity • 14% Danceability • 30% Energy • 38% Liveness
94% Instrumentalness • 11% Positiveness
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Hans Hotter
Der Ring des Nibelungen: Das Rheingold: ...
84 bpm • D# Maj • 03:47 • -28db
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Richard Strauss
Intermezzo, Op. 72, TrV 246: Symphonic I...
84 bpm • G# Maj • 07:57 • -17.13db
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Requiem: X. Lacrymosa
83 bpm • A# min • 05:38 • -28.91db
26% Popularity • 11% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act 2: "O ...
68 bpm • D# Maj • 08:56 • -16db
0% Popularity • 22% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: II. A...
85 bpm • C# Maj • 09:21 • -25.65db
13% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
86 bpm • F Maj • 03:10 • -34db
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Rigoletto / Act 2: Cortigiani, vil razza...
86 bpm • C# Maj • 04:27 • -14.86db
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
