Songs like Graceland by Julian Davies
Based on a tempo of (+/- 10%) and a similar genre
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Treorchy Male Voice Choir
Ar Hyd Y Nos
125 bpm • G# min • 02:20 • -34.71db
13% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Harry Manx
Baby Please Help Me
125 bpm • C min • 05:26 • -9.84db
20% Popularity • 61% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 62% Positiveness
20% Popularity • 61% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 62% Positiveness
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Teddy Lasry and His Orchestra
Allen's Goodies
125 bpm • F Maj • 02:43 • -10.44db
11% Popularity • 84% Danceability • 50% Energy • 12% Liveness
76% Instrumentalness • 73% Positiveness
11% Popularity • 84% Danceability • 50% Energy • 12% Liveness
76% Instrumentalness • 73% Positiveness
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Andrzej Korzyński
Na wyspach Bergamutach • In the lsles ...
126 bpm • E Maj • 02:09 • -17.65db
7% Popularity • 48% Danceability • 26% Energy • 11% Liveness
18% Instrumentalness • 59% Positiveness
7% Popularity • 48% Danceability • 26% Energy • 11% Liveness
18% Instrumentalness • 59% Positiveness
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Jānis Lūsēns
Šūpuļdziesma
124 bpm • E Maj • 02:08 • -40db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Pablo Casals
Nigra sum (I am black)
124 bpm • E Maj • 04:15 • -29.79db
11% Popularity • 20% Danceability • 4% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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The Washington and Lee University Singers
Creator Alme Siderum
126 bpm • G# Maj • 04:22 • -23.02db
9% Popularity • 21% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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French Traditional
O Come, O Come Emmanuel! (Arr. by David ...
126 bpm • E min • 03:48 • -22.43db
8% Popularity • 18% Danceability • 15% Energy • 27% Liveness
49% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 27% Liveness
49% Instrumentalness • 11% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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The Westerlies
Get Away Jordan
124 bpm • D# Maj • 02:38 • -19.16db
8% Popularity • 64% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
8% Popularity • 64% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Camille Saint-Saëns
Nunc Dimittis (From "Tinker, Tailor, Sol...
127 bpm • A min • 02:38 • -19.79db
9% Popularity • 22% Danceability • 26% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 26% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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André Charlier
Fouquet's
127 bpm • F min • 01:35 • -11.85db
37% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
37% Popularity • 75% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 64% Positiveness
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Tom Waits
Altar Boy
122 bpm • F min • 02:48 • -11.53db
15% Popularity • 33% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 33% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Max Lazzarin
Fog in my heart
122 bpm • A# Maj • 02:52 • -11db
20% Popularity • 52% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 52% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Peter McConnell
Whispering Rock
122 bpm • A Maj • 04:13 • -16.2db
21% Popularity • 58% Danceability • 26% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
21% Popularity • 58% Danceability • 26% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Joe Jackson
Tuxedo Junction
128 bpm • D# Maj • 05:21 • -6db
18% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 54% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Bartolomé Cárceres
Riu, Riu, Chiu
128 bpm • D min • 01:16 • -22.97db
19% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
8% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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Tom Waits
Warm Beer And Cold Women
122 bpm • A# Maj • 05:19 • -9.67db
27% Popularity • 49% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 49% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Conard
Scared Of The Dark
122 bpm • C Maj • 02:28 • -12.15db
24% Popularity • 72% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 72% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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The Manhattan Transfer
Route 66
129 bpm • F Maj • 03:12 • -16.26db
12% Popularity • 71% Danceability • 18% Energy • 24% Liveness
2% Instrumentalness • 31% Positiveness
12% Popularity • 71% Danceability • 18% Energy • 24% Liveness
2% Instrumentalness • 31% Positiveness
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Monty Sunshine
Just a Clother Walk With You
129 bpm • A# Maj • 03:07 • -12.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
4% Instrumentalness • 53% Positiveness
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
4% Instrumentalness • 53% Positiveness
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Kevin Ayers
Oh My - 1999 Remaster
121 bpm • C Maj • 02:59 • -9.49db
14% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Leon Redbone
Sweet Sue - Just You
129 bpm • C Maj • 02:44 • -19.35db
16% Popularity • 72% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 66% Positiveness
16% Popularity • 72% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 66% Positiveness
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Katie Melua
It Seemed Like A Good Idea At The Time (...
129 bpm • G Maj • 02:58 • -15.57db
16% Popularity • 57% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 57% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Gentlemen Of Jazz
It's a Sin to Tell a Lie
129 bpm • A# Maj • 07:05 • -14.18db
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
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The Mills Brothers
Sweet Lucy Brown
120 bpm • A# Maj • 02:21 • -15.34db
17% Popularity • 72% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 72% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Lesley Garrett
In trutina
130 bpm • D Maj • 02:09 • -19.07db
8% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 11% Energy • 10% Liveness
40% Instrumentalness • 6% Positiveness
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Peter McConnell
Hi-Tone Fandango
120 bpm • C# min • 01:21 • -16.27db
26% Popularity • 76% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
26% Popularity • 76% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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New Orleans Delight
Maria Elena
130 bpm • A# Maj • 04:09 • -8.79db
9% Popularity • 70% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 88% Positiveness
9% Popularity • 70% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 88% Positiveness
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hachimitsu
ダブクラ
130 bpm • C# min • 01:25 • -9.85db
16% Popularity • 67% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 67% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Scott Bradlee
Thomas The Tank Engine Theme
120 bpm • A# min • 02:11 • -14.33db
9% Popularity • 51% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 89% Positiveness
9% Popularity • 51% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 89% Positiveness
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Henry Mancini
You And Me - Orchestral Underscore Versi...
120 bpm • A# Maj • 02:42 • -18.11db
10% Popularity • 71% Danceability • 12% Energy • 17% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 71% Danceability • 12% Energy • 17% Liveness
1% Instrumentalness • 62% Positiveness
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John Barry
Do You Like Bad Girls
120 bpm • F Maj • 01:28 • -11.4db
18% Popularity • 77% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
18% Popularity • 77% Danceability • 51% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Moray West
Invisible Enemies
120 bpm • C min • 03:38 • -12.13db
8% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Magnolia Jazzband
Far Away Blues
120 bpm • F Maj • 03:59 • -8.51db
11% Popularity • 59% Danceability • 45% Energy • 27% Liveness
88% Instrumentalness • 87% Positiveness
11% Popularity • 59% Danceability • 45% Energy • 27% Liveness
88% Instrumentalness • 87% Positiveness
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Lydia McCauley
Ideo Gloria
119 bpm • D Maj • 02:28 • -16db
8% Popularity • 45% Danceability • 26% Energy • 10% Liveness
99% Instrumentalness • 19% Positiveness
8% Popularity • 45% Danceability • 26% Energy • 10% Liveness
99% Instrumentalness • 19% Positiveness
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John Lunn
Ambassador Stomp
119 bpm • D Maj • 02:16 • -9.48db
21% Popularity • 68% Danceability • 64% Energy • 34% Liveness
63% Instrumentalness • 98% Positiveness
21% Popularity • 68% Danceability • 64% Energy • 34% Liveness
63% Instrumentalness • 98% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Bird
Minor Stab
131 bpm • D Maj • 05:26 • -9.78db
22% Popularity • 61% Danceability • 57% Energy • 33% Liveness
1% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 57% Energy • 33% Liveness
1% Instrumentalness • 76% Positiveness
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Madeleine Peyroux
I'm Gonna Sit Right Down and Write Mysel...
119 bpm • D# Maj • 03:44 • -10.41db
28% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Hicks & His Hot Licks
You Got To Believe
119 bpm • F min • 02:56 • -18.55db
17% Popularity • 79% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 79% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Mark Warshavsky
By the Fireside
119 bpm • G min • 03:46 • -23db
7% Popularity • 43% Danceability • 4% Energy • 14% Liveness
13% Instrumentalness • 44% Positiveness
7% Popularity • 43% Danceability • 4% Energy • 14% Liveness
13% Instrumentalness • 44% Positiveness
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PianoConVoce
Lullaby for my Boys
119 bpm • C Maj • 02:28 • -22.53db
9% Popularity • 43% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 43% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Janice Hagan
All That Jazz
119 bpm • A Maj • 04:05 • -9.36db
18% Popularity • 76% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 76% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Julian Davies
Chelsea Hotel # 2
132 bpm • D Maj • 03:12 • -10.09db
0% Popularity • 34% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 34% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Norman Blake
I Am A Man Of Constant Sorrow - Instrume...
132 bpm • G Maj • 04:29 • -17.61db
43% Popularity • 40% Danceability • 26% Energy • 19% Liveness
84% Instrumentalness • 65% Positiveness
43% Popularity • 40% Danceability • 26% Energy • 19% Liveness
84% Instrumentalness • 65% Positiveness
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Paris Washboard
California Here I Come
118 bpm • A min • 04:54 • -14db
13% Popularity • 68% Danceability • 35% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
13% Popularity • 68% Danceability • 35% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
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Eric Clapton
When Somebody Thinks You're Wonderful
118 bpm • B Maj • 02:51 • -8.91db
20% Popularity • 60% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 60% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Newman
You've Got a Friend in Me
118 bpm • D# Maj • 02:04 • -11.83db
15% Popularity • 68% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 68% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Mills Brothers
Sweet Lucy Brown - Alt
117 bpm • F Maj • 02:24 • -14.3db
13% Popularity • 83% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 83% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Madeleine Peyroux
Rag for Madi
134 bpm • D Maj • 03:17 • -8.75db
26% Popularity • 73% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
26% Popularity • 73% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Pink Turtle
Every Breath You Take
134 bpm • G# Maj • 03:18 • -6.88db
31% Popularity • 72% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 72% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Greg Zlap
Ascenseur pour l'échafaud / Night Road
134 bpm • A# min • 04:02 • -11.2db
10% Popularity • 35% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
10% Popularity • 35% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Eric Whitacre
Glow
116 bpm • B Maj • 03:12 • -15.93db
21% Popularity • 21% Danceability • 22% Energy • 9% Liveness
33% Instrumentalness • 6% Positiveness
21% Popularity • 21% Danceability • 22% Energy • 9% Liveness
33% Instrumentalness • 6% Positiveness
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Randy Newman
If I Didn't Have You
117 bpm • F Maj • 03:38 • -12.57db
31% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 68% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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The Pink Singers
December Will Be Magic Again - Live
117 bpm • C min • 04:13 • -18.67db
7% Popularity • 29% Danceability • 34% Energy • 87% Liveness
6% Instrumentalness • 17% Positiveness
7% Popularity • 29% Danceability • 34% Energy • 87% Liveness
6% Instrumentalness • 17% Positiveness
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Beegie Adair
If I Could Be with You (One Hour Tonight...
116 bpm • C min • 03:44 • -10.81db
7% Popularity • 59% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 59% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Vaya Con Dios
Philadelphia - Version piano - voix
116 bpm • D Maj • 03:58 • -9.43db
11% Popularity • 78% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 78% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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L'Accroche-Choeur
Natus Es Parvulus (douce Nuit)
135 bpm • D Maj • 02:29 • -22db
11% Popularity • 20% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Leroy Anderson
Sleigh Ride
116 bpm • F Maj • 02:52 • -22.14db
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Newman
You've Got a Friend in Me
116 bpm • C min • 02:04 • -12.13db
72% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 69% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Bonejangles And His Bone Boys
Remains of the Day - Combo Lounge Versio...
135 bpm • F min • 03:06 • -16.32db
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 52% Positiveness
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 52% Positiveness
► Preview
James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
Billy Eckstine
You'd Be So Nice To Come Home To
135 bpm • F Maj • 05:24 • -15.3db
13% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Frank LoCrasto
Unfashionable Chime
115 bpm • A# Maj • 01:37 • -17.32db
30% Popularity • 68% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 37% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Randy Newman
God's Song (That's Why I Love Mankind)
135 bpm • C min • 03:24 • -15.06db
17% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 53% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Tom Waits
Blue Valentines
136 bpm • A Maj • 05:50 • -15db
39% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Howard Goodall
Love Divine (2000)
136 bpm • C# Maj • 04:49 • -20.28db
13% Popularity • 17% Danceability • 13% Energy • 7% Liveness
36% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 13% Energy • 7% Liveness
36% Instrumentalness • 10% Positiveness
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Musicam Sacram Ensemble
Ang Pagharap ni Hesus kay Anas
114 bpm • C Maj • 08:27 • -13.51db
10% Popularity • 30% Danceability • 17% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 30% Danceability • 17% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
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Elvis Costello
I Can’t Say Her Name
114 bpm • A min • 02:57 • -12.74db
8% Popularity • 55% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 55% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Randy Newman
You've Got a Friend in Me - Instrumental...
116 bpm • D# Maj • 02:06 • -14.73db
33% Popularity • 62% Danceability • 36% Energy • 28% Liveness
88% Instrumentalness • 47% Positiveness
33% Popularity • 62% Danceability • 36% Energy • 28% Liveness
88% Instrumentalness • 47% Positiveness
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Chris Nole
Gumbolaya
115 bpm • C min • 03:22 • -13.18db
12% Popularity • 70% Danceability • 40% Energy • 9% Liveness
57% Instrumentalness • 79% Positiveness
12% Popularity • 70% Danceability • 40% Energy • 9% Liveness
57% Instrumentalness • 79% Positiveness
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Over the Rhine
Desperate For Love
114 bpm • B min • 03:05 • -11.95db
8% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hot Club Sandwich
Cow Cow Boogie
114 bpm • D Maj • 03:44 • -11.62db
12% Popularity • 86% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 86% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Kurt Bestor, arr. Andrea Klouse
Prayer of the Children - Live
137 bpm • G Maj • 06:36 • -28.88db
8% Popularity • 15% Danceability • 5% Energy • 68% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 5% Energy • 68% Liveness
3% Instrumentalness • 4% Positiveness
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Juan de Anchieta
Con amores, la mi madre (arr. Bob Chilco...
137 bpm • F Maj • 02:19 • -25.4db
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Randy Newman
Yellow Man
114 bpm • C Maj • 02:02 • -12.85db
7% Popularity • 65% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 55% Positiveness
7% Popularity • 65% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 55% Positiveness
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John Dowland
Come again, sweet love doth now invite
114 bpm • D# Maj • 02:21 • -13db
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 34% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Marie-Claire Saindon
Terre-Neuve
138 bpm • D Maj • 02:15 • -22.73db
8% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
8% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
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The Choir of All Saints' Episcopal Church
What Can I Give Him
113 bpm • F Maj • 05:16 • -25.21db
8% Popularity • 18% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Giorgio Cuscito
Pin-Up Charleston
113 bpm • C Maj • 01:35 • -7.66db
27% Popularity • 85% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 88% Positiveness
27% Popularity • 85% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 88% Positiveness
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Amy Louise Pemberton
Future Favorite
138 bpm • F Maj • 04:55 • -7.81db
19% Popularity • 43% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 43% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Eric Clapton
Little Man, You've Had A Busy Day
113 bpm • E Maj • 03:11 • -17.63db
23% Popularity • 67% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
23% Popularity • 67% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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![Blue Skies (with Seth MacFarlane) [From “Norah Jones is Playing Along” Podcast] cover art](https://i.scdn.co/image/ab67616d00001e0271de32b994fa7780362409b1)
Norah Jones
Blue Skies [From “Norah Jones is Play...
138 bpm • C Maj • 03:24 • -12.52db
22% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Maria Muldaur
Walkin' One & Only
113 bpm • E min • 02:47 • -12.87db
11% Popularity • 60% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 60% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Hicks & His Hot Licks
Coast To Coast
113 bpm • F Maj • 02:45 • -16.11db
7% Popularity • 51% Danceability • 44% Energy • 78% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 51% Danceability • 44% Energy • 78% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Waits
Saving All My Love For You
112 bpm • A Maj • 03:41 • -12.81db
26% Popularity • 38% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 38% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
