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Grade A
Songs like
Grade A (feat. JAWNY)
by
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Based on a tempo of (+/- 10%) and a similar genre
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Grade A
152 bpm • A Maj • 01:46 • -8.6db
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Wallows
WISH ME LUCK
152 bpm • G# Maj • 03:23 • -6.15db
54% Popularity • 36% Danceability • 70% Energy • 9% Liveness
4% Instrumentalness • 26% Positiveness
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Mickey Darling
Wallows Song
152 bpm • B min • 03:55 • -4.44db
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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Phoneboy
1987
152 bpm • C# min • 02:42 • -12.8db
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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JAWNY
death is a dj
151 bpm • B min • 02:48 • -4.97db
33% Popularity • 40% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Ritt Momney
Escalator
153 bpm • C Maj • 02:26 • -8.4db
42% Popularity • 79% Danceability • 30% Energy • 11% Liveness
57% Instrumentalness • 50% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
37% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Tilly Louise
Join the Club
150 bpm • G Maj • 02:27 • -2.81db
47% Popularity • 48% Danceability • 92% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
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Mickey Darling
VROOM VROOM
153 bpm • G Maj • 03:06 • -6.57db
47% Popularity • 55% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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MOTO BANDIT
DAYLIGHT DOOM
154 bpm • C# Maj • 02:54 • -6.62db
53% Popularity • 62% Danceability • 90% Energy • 19% Liveness
92% Instrumentalness • 72% Positiveness
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Peach Tree Rascals
Song From Hell
150 bpm • F# Maj • 03:03 • -5.04db
35% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Dominic Fike
Double Negative (Skeleton Milkshake)
154 bpm • E Maj • 02:06 • -2.87db
60% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Mega Mango
Risk
150 bpm • F# Maj • 03:03 • -6.93db
46% Popularity • 47% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
60% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Dayglow
Balcony
150 bpm • B min • 02:31 • -6db
50% Popularity • 70% Danceability • 83% Energy • 3% Liveness
60% Instrumentalness • 98% Positiveness
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Kevin Walkman
OhNo!
150 bpm • A min • 03:07 • -7db
52% Popularity • 56% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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half•alive
What's Wrong
154 bpm • D Maj • 02:57 • -6.67db
49% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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JAWNY
Super Bad Mantra
150 bpm • E min • 02:50 • -2.48db
48% Popularity • 62% Danceability • 88% Energy • 84% Liveness
0% Instrumentalness • 63% Positiveness
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Mickey Darling
SAY THAT YOU MISS ME
150 bpm • G# Maj • 03:48 • -6.84db
44% Popularity • 54% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Evergreen
Gemini
154 bpm • C min • 03:26 • -4.63db
47% Popularity • 72% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
51% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
49% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Junior Varsity
Weather
150 bpm • G Maj • 02:23 • -6.84db
17% Popularity • 49% Danceability • 87% Energy • 94% Liveness
33% Instrumentalness • 49% Positiveness
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young friend
HEADCASE
150 bpm • C# Maj • 02:54 • -5.9db
30% Popularity • 62% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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CHYLD
ANTIDOTE
150 bpm • D# min • 03:03 • -5.98db
38% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Wallice
Wisdom Tooth
155 bpm • A Maj • 02:36 • -4.13db
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Phoneboy
What a Coward
155 bpm • G Maj • 03:39 • -5db
38% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
45% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Glass Animals
Waterfalls Coming Out Your Mouth
149 bpm • B min • 02:41 • -7.14db
59% Popularity • 65% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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again&again
sundays
155 bpm • A Maj • 02:29 • -6.2db
45% Popularity • 59% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Yot Club
u dont kno me
155 bpm • E Maj • 03:59 • -6db
44% Popularity • 62% Danceability • 89% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
56% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Baird
Lightning Of July
156 bpm • F# Maj • 02:56 • -8db
43% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Cain Culto
WITCHYMAN
148 bpm • G Maj • 02:56 • -9.83db
37% Popularity • 79% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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The Happy Fits
Hold Me Down
156 bpm • D Maj • 03:43 • -4.73db
51% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Luke Wild
Slow Motion
148 bpm • A# min • 02:30 • -5.27db
41% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Havelock
SCRAMBLED
156 bpm • A min • 04:37 • -9db
39% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sure Sure
FACC
156 bpm • G Maj • 02:46 • -6.17db
36% Popularity • 72% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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WHALES•TALK
DID I RLY LET GO
148 bpm • C Maj • 02:46 • -3db
37% Popularity • 64% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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JAWNY
giving up on you
147 bpm • D# min • 03:03 • -5.86db
35% Popularity • 56% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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again&again
daydreams
157 bpm • A Maj • 02:14 • -4.05db
50% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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BENEE
If I Get To Meet You
157 bpm • D Maj • 03:02 • -7.1db
51% Popularity • 68% Danceability • 68% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Ashes To Amber
Sun Punks
158 bpm • F# Maj • 03:44 • -8.12db
45% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Regrettes
That's What Makes Me Love You
158 bpm • F# Maj • 02:35 • -4.53db
37% Popularity • 73% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
59% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Sarah and the Sundays
Coward
158 bpm • E Maj • 03:04 • -6.9db
37% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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binki
Hotel Window
158 bpm • F Maj • 02:03 • -4.73db
40% Popularity • 56% Danceability • 92% Energy • 38% Liveness
77% Instrumentalness • 92% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Phoneboy
Ferrari
158 bpm • D Maj • 02:42 • -5db
42% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Happy Fits
Changes
146 bpm • G Maj • 03:31 • -5db
41% Popularity • 52% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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JAWNY
lalala
159 bpm • A Maj • 02:47 • -6db
44% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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spill tab
Velcro
145 bpm • E Maj • 03:12 • -6.98db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Claire Rosinkranz
stuck on us
145 bpm • D Maj • 02:55 • -6.67db
45% Popularity • 54% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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Phoneboy
Roses
145 bpm • C# min • 03:06 • -5.32db
47% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Polar Boys
Nothing Has Changed
145 bpm • C# Maj • 03:34 • -5.95db
53% Popularity • 47% Danceability • 77% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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Wallows
OK - with Remi Wolf & Solomonophonic
145 bpm • A# Maj • 02:42 • -4.4db
45% Popularity • 65% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Ralph Castelli
Pretend
145 bpm • G min • 03:12 • -11.31db
40% Popularity • 66% Danceability • 64% Energy • 9% Liveness
46% Instrumentalness • 67% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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spill tab
CRÈME BRÛLÉE!
145 bpm • G min • 02:15 • -6db
44% Popularity • 41% Danceability • 83% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
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Wallice
Best Friend
160 bpm • D Maj • 02:43 • -5.06db
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Marko
HIDE
160 bpm • D Maj • 02:47 • -4.42db
47% Popularity • 80% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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The Happy Fits
Do Your Worst
160 bpm • G min • 03:29 • -4.93db
43% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Sarah and the Sundays
Sweet Dream
160 bpm • G Maj • 02:36 • -8.61db
39% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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COIN
Valentine
160 bpm • A Maj • 03:13 • -7db
50% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sure Sure
Receive
160 bpm • G# Maj • 02:12 • -7db
33% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Phoneboy
Nevermind
160 bpm • C# Maj • 03:30 • -4.23db
53% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Vansire
Nosebleed Seats
144 bpm • E Maj • 02:41 • -8.91db
57% Popularity • 55% Danceability • 71% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
50% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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WHALES•TALK
Sleepless in LA
144 bpm • C Maj • 03:15 • -2.17db
27% Popularity • 58% Danceability • 94% Energy • 12% Liveness
27% Instrumentalness • 57% Positiveness
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Oscar Lang
I've Never Been To LA
161 bpm • E Maj • 03:06 • -4db
38% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
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Dominic Fike
Falling Asleep
161 bpm • G Maj • 01:48 • -5.95db
57% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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again&again
the noise
161 bpm • F min • 02:30 • -6.06db
40% Popularity • 67% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
52% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Wallows
I Don't Want to Talk
162 bpm • G Maj • 03:43 • -3.22db
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Oscar Lang
I've Never Been To LA (Edit)
161 bpm • E Maj • 02:39 • -3.18db
33% Popularity • 51% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Danny Dwyer
Chinatown Market
143 bpm • G Maj • 02:12 • -5.73db
47% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Breakup Shoes
How It Goes
163 bpm • E min • 02:02 • -6.64db
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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Mickey Darling
FIND OUT THE HARD WAY
163 bpm • A Maj • 03:10 • -8.73db
36% Popularity • 46% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Wallice
Little League
142 bpm • G Maj • 02:49 • -7.35db
29% Popularity • 55% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
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bennytheghost
Tightrope
141 bpm • D Maj • 02:20 • -5.38db
37% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Djo
Gloom
141 bpm • A min • 02:00 • -7db
66% Popularity • 83% Danceability • 69% Energy • 10% Liveness
57% Instrumentalness • 62% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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Remi Wolf
Buzz Me In
164 bpm • A Maj • 02:46 • -7.71db
51% Popularity • 61% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 55% Positiveness
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The Greeting Committee
Make Out
164 bpm • C# Maj • 02:23 • -5db
38% Popularity • 52% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Kevin Walkman
3:30am
164 bpm • E min • 02:25 • -7db
44% Popularity • 62% Danceability • 65% Energy • 56% Liveness
0% Instrumentalness • 78% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Baby Bulldog
I Rly Rly Like U - Coast Modern Remix
140 bpm • E Maj • 02:26 • -5db
41% Popularity • 60% Danceability • 69% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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Ashes To Amber
IRIS
140 bpm • F# Maj • 02:31 • -9.09db
63% Popularity • 72% Danceability • 54% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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Boyish
AnDroGay
165 bpm • C# Maj • 04:04 • -12db
32% Popularity • 44% Danceability • 41% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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