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Grafts
Songs like
Grafts
by
Kara-Lis Coverdale
Based on a tempo of (+/- 10%) and a similar genre
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Slow Attack Ensemble
In Another Room
72 bpm • A min • 02:52 • -16db
36% Popularity • 24% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Kara-Lis Coverdale
Grafts
72 bpm • F min • 22:31 • -17.27db
26% Popularity • 21% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Dylan Henner
Two Trains Came Through the Station at O...
72 bpm • C min • 04:52 • -18db
20% Popularity • 10% Danceability • 18% Energy • 28% Liveness
96% Instrumentalness • 3% Positiveness
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Lawrence English
Watching It Unfold
72 bpm • E Maj • 05:49 • -26.51db
29% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Pye Corner Audio
Approach
72 bpm • A# Maj • 02:20 • -26db
33% Popularity • 19% Danceability • 6% Energy • 8% Liveness
100% Instrumentalness • 5% Positiveness
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Jonny Nash
Photo With Grey Sky, White Clouds
72 bpm • A min • 08:29 • -27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Leif
Mimosa
72 bpm • A min • 07:35 • -21.37db
18% Popularity • 15% Danceability • 25% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
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Bibio
CAPEL CELYN
72 bpm • D# min • 08:12 • -22.76db
26% Popularity • 22% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Suso Saiz
Healthy Digestion
72 bpm • D Maj • 03:05 • -29.69db
39% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Sleeping And Listening On The Beach
72 bpm • D Maj • 07:30 • -32.5db
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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William Basinski
Mono No Aware 1.1
72 bpm • F Maj • 05:39 • -30.15db
31% Popularity • 11% Danceability • 12% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Kyle Bobby Dunn
Variations on a Theme by St-Dipshit
71 bpm • A Maj • 09:22 • -22.42db
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Bibio
09:13
72 bpm • C# min • 07:03 • -26.22db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Whatever The Weather
25°C
71 bpm • D Maj • 07:27 • -22db
38% Popularity • 9% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Breaking Dawn
71 bpm • C# Maj • 02:43 • -22.09db
43% Popularity • 30% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • G# Maj • 10:17 • -27db
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Deru
Black Beach - Tape Version
71 bpm • B min • 04:58 • -20.48db
26% Popularity • 26% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Carlos Niño & Friends
Calimayan
73 bpm • F min • 02:31 • -18.69db
27% Popularity • 22% Danceability • 22% Energy • 16% Liveness
95% Instrumentalness • 58% Positiveness
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Visible Cloaks
Lapis Lazuli
73 bpm • G Maj • 09:11 • -22.07db
12% Popularity • 22% Danceability • 14% Energy • 70% Liveness
54% Instrumentalness • 3% Positiveness
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Úlfur
Scraped - Kara-Lis Coverdale 'Serpentine...
73 bpm • F min • 04:54 • -7.31db
0% Popularity • 6% Danceability • 45% Energy • 18% Liveness
97% Instrumentalness • 4% Positiveness
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Federico Durand
Mirador en la montaña (Viewpoint in the...
71 bpm • A# Maj • 01:48 • -19.44db
30% Popularity • 40% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Lightbath
Baby Steps
73 bpm • F min • 01:26 • -18db
29% Popularity • 34% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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KMRU
Well
73 bpm • C Maj • 05:30 • -25db
26% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Perila
Room To Room
71 bpm • C# min • 03:08 • -22db
19% Popularity • 56% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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William Basinski
Melancholia VI
71 bpm • A min • 02:15 • -38.26db
36% Popularity • 19% Danceability • 1% Energy • 29% Liveness
95% Instrumentalness • 9% Positiveness
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Abul Mogard
Over My Head
74 bpm • G# min • 05:25 • -28.87db
16% Popularity • 7% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Suso Saiz
On Plateau
74 bpm • D Maj • 03:55 • -26.34db
32% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Christina Vantzou
At Dawn
70 bpm • C Maj • 02:50 • -18.95db
21% Popularity • 21% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Porya Hatami
Baun
70 bpm • F min • 04:08 • -24.59db
18% Popularity • 17% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Piano 1
74 bpm • D min • 07:23 • -22db
17% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Sarah Davachi
Rushes Recede
70 bpm • F Maj • 06:34 • -29db
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Abul Mogard
Half Light of Dawn
74 bpm • G min • 06:48 • -22db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rival Consoles
Melodica
70 bpm • F# min • 03:39 • -19.49db
33% Popularity • 9% Danceability • 14% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Dedekind Cut
Equity
70 bpm • E Maj • 04:15 • -38.77db
21% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Tom Rogerson
Idea of Order at Kyson Point
74 bpm • G Maj • 03:30 • -22.23db
23% Popularity • 27% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jason Kolàr
Erratic Texting Behavior
70 bpm • E Maj • 04:35 • -19.5db
27% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Roedelius
Brise
70 bpm • E min • 02:52 • -25.03db
32% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Slow Attack Ensemble
Everything Turns Black to Blue
74 bpm • A Maj • 04:00 • -20db
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Bibio
PHANTOM BRICKWORKS III
74 bpm • A min • 09:27 • -19.66db
17% Popularity • 15% Danceability • 27% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Alessandro Cortini
Iniziare
70 bpm • B Maj • 05:42 • -17.3db
21% Popularity • 8% Danceability • 8% Energy • 54% Liveness
51% Instrumentalness • 10% Positiveness
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Sarah Davachi
Untitled, Live in Portland
70 bpm • G# Maj • 07:03 • -28.37db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Mark Pritchard
Sad Alron
74 bpm • C# min • 02:36 • -21db
32% Popularity • 16% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 11% Positiveness
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Suso Saiz
Tortoise And Hare
74 bpm • G min • 03:41 • -31db
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
The Rhythm Of A Dividing Pair
70 bpm • D Maj • 04:52 • -18.69db
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
16% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Your Pond
70 bpm • C Maj • 06:03 • -25db
28% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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Yamaneko
Fragrance Transmission
70 bpm • C# min • 04:07 • -22.45db
24% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Four Tet
Tremper
75 bpm • A Maj • 01:29 • -25.39db
36% Popularity • 22% Danceability • 53% Energy • 80% Liveness
18% Instrumentalness • 77% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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William Basinski
Tear Vial
69 bpm • G min • 04:45 • -26.3db
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Morning Arrive On The Island
69 bpm • F Maj • 02:02 • -28.32db
37% Popularity • 16% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 4% Positiveness
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Jason Kolàr
01.02.20
69 bpm • D Maj • 01:39 • -26.17db
30% Popularity • 50% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Emily A. Sprague
Synth 3
69 bpm • A Maj • 04:57 • -14.59db
17% Popularity • 13% Danceability • 21% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
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Deru
Drink It In
75 bpm • G Maj • 04:10 • -17.99db
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Michel Banabila
Cassette Loops
75 bpm • F# Maj • 02:51 • -18.43db
31% Popularity • 14% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Tim Hecker
Step away from Konoyo
69 bpm • G# min • 04:38 • -21.6db
20% Popularity • 21% Danceability • 17% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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Pauline Anna Strom
Gossamer Silk
69 bpm • B min • 05:39 • -16db
16% Popularity • 19% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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Bing & Ruth
Flat Line/Peak Color
75 bpm • C# min • 06:50 • -17.09db
18% Popularity • 25% Danceability • 21% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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H.Takahashi
Wurzel
69 bpm • F Maj • 07:23 • -28.99db
31% Popularity • 51% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Stars Of The Lid
Requiem for Dying Mothers, Pt. 2
75 bpm • A# Maj • 07:37 • -25.3db
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Sarah Davachi
Gilded
69 bpm • E min • 03:30 • -21.18db
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Ellen Arkbro
Mountain of Air
69 bpm • G min • 07:26 • -19.07db
19% Popularity • 17% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Melting Ice
69 bpm • B min • 01:52 • -18.53db
45% Popularity • 24% Danceability • 10% Energy • 7% Liveness
65% Instrumentalness • 7% Positiveness
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Terekke
ambien
75 bpm • D# min • 01:50 • -29.93db
46% Popularity • 27% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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H.Takahashi
Eroding
75 bpm • D# Maj • 05:15 • -22db
21% Popularity • 48% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
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Bing & Ruth
Form Takes
75 bpm • F# Maj • 06:23 • -18.33db
19% Popularity • 16% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Abul Mogard
Slate-Coloured Storm
69 bpm • A# min • 05:31 • -26.11db
27% Popularity • 10% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Four Tet
Falls 2
76 bpm • G# min • 01:12 • -31.93db
33% Popularity • 29% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Kornél Kovács
Szikra (Intro)
69 bpm • E min • 01:37 • -27.92db
30% Popularity • 22% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Khotin
Levi's Synth
69 bpm • A# Maj • 09:31 • -15.7db
30% Popularity • 23% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Felicia Atkinson
Moderato Cantabile
76 bpm • F Maj • 07:58 • -20.49db
19% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Bing & Ruth
The How of it Sped
75 bpm • A# min • 05:47 • -23.32db
34% Popularity • 35% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Kara-Lis Coverdale
Splash 144
69 bpm • F min • 03:31 • -13.47db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Bvdub
With Broken Wings and Giants Tall
69 bpm • F# min • 09:14 • -18.83db
24% Popularity • 10% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Visible Cloaks
Arcoíris
69 bpm • C Maj • 03:13 • -16.27db
26% Popularity • 6% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Wilson Tanner
All Hands Bury the Dead
76 bpm • G# Maj • 04:12 • -26.13db
15% Popularity • 16% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Carmen Villain
Everything Without Shadow
76 bpm • C Maj • 04:04 • -20.45db
15% Popularity • 11% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Bing & Ruth
To All It
68 bpm • F min • 06:02 • -30.51db
21% Popularity • 9% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Visible Cloaks
Atelier
68 bpm • G Maj • 06:47 • -25.76db
22% Popularity • 10% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Toshimaru Nakamura
Nimb#59
68 bpm • D# Maj • 03:41 • -21.38db
15% Popularity • 24% Danceability • 8% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Dedekind Cut
Virtues
68 bpm • C# Maj • 04:28 • -28.53db
17% Popularity • 17% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Jonny Nash
Shell
68 bpm • D min • 05:27 • -32.8db
21% Popularity • 14% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Laraaji
Introspection - Edit
76 bpm • A min • 02:35 • -21.8db
34% Popularity • 14% Danceability • 12% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
► Preview
KMRU
Life at Ouri
76 bpm • D# min • 07:20 • -18.26db
19% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Chihei Hatakeyama
White Light
68 bpm • D Maj • 02:07 • -27db
39% Popularity • 21% Danceability • 0% Energy • 10% Liveness
99% Instrumentalness • 7% Positiveness
► Preview
Sarah Davachi
Waking
68 bpm • D# min • 03:19 • -25.5db
19% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Kelly Moran
Radian
77 bpm • F min • 02:50 • -21db
24% Popularity • 20% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Emily A. Sprague
Mesa
77 bpm • C Maj • 04:48 • -19.79db
25% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Jonny Nash
Perfume Dream
68 bpm • F Maj • 02:57 • -30.65db
37% Popularity • 22% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Tim Hecker
Sketch 1
68 bpm • G# min • 07:09 • -15db
23% Popularity • 14% Danceability • 31% Energy • 13% Liveness
92% Instrumentalness • 17% Positiveness
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Grafts