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Grammy Song
Songs like
Grammy Song
by
SonReal
Based on a tempo of (+/- 10%) and a similar genre
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Max Frost
A$$hole (No Apologies)
170 bpm • C Maj • 03:04 • -5.11db
23% Popularity • 64% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Yuri Joness
Facey
170 bpm • F min • 03:52 • -5.74db
18% Popularity • 45% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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SonReal
Grammy Song
170 bpm • A Maj • 03:06 • -9.18db
21% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Callaway Martin
Are You Kidding? (40s)
170 bpm • A Maj • 03:24 • -9.23db
34% Popularity • 73% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Dylan Owen
Everything Gets Old
170 bpm • C Maj • 03:38 • -8.04db
20% Popularity • 51% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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The Good Husbands
The New Rug
170 bpm • B min • 03:45 • -3.27db
23% Popularity • 74% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Locksmith
Fleming Street
169 bpm • G# Maj • 04:05 • -5.57db
22% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Shane Moyer
1996
170 bpm • F min • 02:55 • -8db
27% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Djkemo
Vancity Touch
172 bpm • C# Maj • 04:53 • -5.41db
4% Popularity • 64% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Vinnie Dewayne
Sleep Paralysis
168 bpm • D# Maj • 04:11 • -5.96db
22% Popularity • 43% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 40% Positiveness
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Nathan Nzanga
Truce
168 bpm • C min • 04:35 • -8db
24% Popularity • 66% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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1 AMVRKA
Hard Work in the City
168 bpm • A# min • 03:34 • -7.98db
16% Popularity • 44% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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SonReal
So Far
172 bpm • G min • 03:40 • -4.2db
20% Popularity • 48% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Bazanji
22 Freestyle
172 bpm • E min • 02:31 • -6.69db
22% Popularity • 71% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Chiddy Bang
Been a While
168 bpm • C Maj • 03:28 • -8.51db
9% Popularity • 68% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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King Fantastic
Bonfire Sessions (Troublemaker Remix)
172 bpm • G# Maj • 03:21 • -8.04db
23% Popularity • 59% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Tayyib Ali
Waist Deep
172 bpm • C Maj • 03:46 • -6.36db
26% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Locksmith
Go There
172 bpm • B min • 04:16 • -5.03db
12% Popularity • 52% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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SonReal
No More
168 bpm • G Maj • 03:40 • -5.19db
27% Popularity • 62% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Lachow
Tour Music
168 bpm • G Maj • 03:05 • -8.36db
32% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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A. Charles
Two Left Feet
173 bpm • C Maj • 02:49 • -4.69db
17% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Asher Roth
Oops
166 bpm • A Maj • 04:29 • -5.43db
18% Popularity • 66% Danceability • 84% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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John Nonny
Se7en
174 bpm • C# Maj • 02:50 • -7.39db
32% Popularity • 73% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmy Skoog
Stoner Hearts Club
174 bpm • A min • 03:02 • -9.25db
16% Popularity • 57% Danceability • 60% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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The Good Husbands
Wild for the Night
174 bpm • G# Maj • 04:57 • -5.82db
20% Popularity • 54% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Riff Raff
Strange Times
166 bpm • C# min • 02:14 • -8.36db
42% Popularity • 63% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Ground Up
Real Life
174 bpm • A# Maj • 03:00 • -6.5db
18% Popularity • 78% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Brothers From Another
Dirty Chuck Taylors
166 bpm • G Maj • 03:33 • -6.76db
16% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Bennett
BE YOURSELF
175 bpm • F# min • 04:16 • -5.72db
23% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Omar LinX
Kerosene
175 bpm • A# Maj • 03:47 • -5.87db
15% Popularity • 44% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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SonReal
My Friend
175 bpm • F# Maj • 03:32 • -5.76db
41% Popularity • 48% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Thompson
The End of the World
176 bpm • D Maj • 04:28 • -5.73db
25% Popularity • 54% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Early Adopted
The Florist
164 bpm • G# min • 04:40 • -7.27db
15% Popularity • 54% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Lachow
The Idea
164 bpm • F min • 03:11 • -5db
28% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Rone
Autopsy
177 bpm • A min • 03:06 • -12.42db
8% Popularity • 51% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Dem Atlas
Bad Days Are Over
178 bpm • A Maj • 03:18 • -3.62db
26% Popularity • 55% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Mass of Man
Kids
178 bpm • E Maj • 04:35 • -7.52db
37% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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gianni & kyle
Pop a Pill
162 bpm • C min • 03:00 • -6.3db
45% Popularity • 69% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Macklemore
Ego
178 bpm • C# Maj • 02:48 • -3.95db
24% Popularity • 33% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Willis
Soul Shoes
179 bpm • D Maj • 04:46 • -10.82db
22% Popularity • 47% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Antix
Letters to My Unborn
180 bpm • E min • 04:25 • -6db
23% Popularity • 52% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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BLAKE
Time Zone
180 bpm • A min • 03:36 • -9.05db
14% Popularity • 35% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Aer
The Rain
180 bpm • G min • 03:32 • -13.5db
35% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Omar LinX
Old Times
180 bpm • G# Maj • 04:00 • -5.73db
25% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Bugus
Give Thanks
180 bpm • A Maj • 03:14 • -4.45db
19% Popularity • 54% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Bernz
Sunday Sin
160 bpm • A Maj • 03:54 • -5.49db
16% Popularity • 65% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Big Scoob
Walk The Line
160 bpm • A# min • 03:27 • -7.47db
35% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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LaLion
Genghis Khan
160 bpm • A# Maj • 02:36 • -5.01db
15% Popularity • 81% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Aer
One of a Kind
160 bpm • F Maj • 03:46 • -10.63db
28% Popularity • 86% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Hi-Tone
Enjoy
160 bpm • B min • 03:41 • -6.76db
19% Popularity • 64% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
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The Palmer Squares
Hall of Famers
160 bpm • G Maj • 04:05 • -7.72db
15% Popularity • 55% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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SonReal
Quit
182 bpm • G Maj • 04:08 • -6.79db
17% Popularity • 63% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Trey Schafer
Anxiety
158 bpm • G Maj • 03:21 • -7.06db
24% Popularity • 84% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Asher Roth
Mommydog
158 bpm • F# min • 02:50 • -8db
23% Popularity • 57% Danceability • 60% Energy • 11% Liveness
7% Instrumentalness • 51% Positiveness
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KYLE
Playinwitme (Remix)
157 bpm • E Maj • 03:37 • -5.8db
38% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Deezuz
Begin
157 bpm • B min • 02:51 • -3.81db
0% Popularity • 40% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sam Lachow
Half Past Twelve
156 bpm • C min • 03:31 • -8db
33% Popularity • 84% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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SonReal
Whoa Nilly
157 bpm • F# min • 03:17 • -5.65db
28% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Palmer Squares
It's Cold
187 bpm • E Maj • 03:32 • -5.75db
25% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Finding Novyon
Timberwolves
154 bpm • D Maj • 03:44 • -7db
14% Popularity • 65% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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OnCue
Angry Young Man
154 bpm • A Maj • 05:08 • -7.88db
22% Popularity • 44% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jdam
Come Up
154 bpm • F min • 03:34 • -5.69db
12% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bryce Vine
Drew Barrymore
152 bpm • B min • 03:36 • -6db
42% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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SonReal
Ted
156 bpm • G# Maj • 03:19 • -7.27db
18% Popularity • 62% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Bellion
When The Lions Come
152 bpm • G Maj • 04:21 • -3.97db
36% Popularity • 57% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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B.o.B
BoBiverse
151 bpm • C# min • 02:16 • -6.63db
34% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Anilyst
Mindstate
152 bpm • A# min • 03:27 • -8.31db
37% Popularity • 76% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Phay
Lookie Here
150 bpm • D min • 03:13 • -8.35db
17% Popularity • 74% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Bryce Vine
Drew Barrymore
152 bpm • B min • 03:11 • -6.89db
52% Popularity • 76% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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TomPepe
DeadMan Walkin'
150 bpm • D# Maj • 03:51 • -5.03db
22% Popularity • 71% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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SonReal
Go Play
153 bpm • C# Maj • 03:19 • -5.41db
34% Popularity • 67% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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D-Why
Peace, Love, Money
150 bpm • A min • 04:44 • -8db
17% Popularity • 60% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Easton
Venus FlyTrap
150 bpm • G# Maj • 03:05 • -7.2db
13% Popularity • 64% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Raz Simone
Sometimes I Don't
150 bpm • A min • 04:12 • -9.13db
24% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Bryce Vine
Los Angeles
150 bpm • C# min • 03:13 • -6.1db
44% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Wrekonize
One Foot in the Grave
150 bpm • G min • 03:33 • -6db
29% Popularity • 65% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Horrorshow
For the Life of Me
150 bpm • E min • 04:12 • -6.47db
15% Popularity • 71% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Dae Zhen
Hotline
150 bpm • D Maj • 03:32 • -6.37db
12% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alexander Charles
Go Get That Money
150 bpm • E Maj • 03:05 • -11.73db
15% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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JTM
Holiday
149 bpm • E Maj • 03:51 • -8.88db
18% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Prof
Time Bomb
148 bpm • C# Maj • 03:31 • -5.38db
46% Popularity • 79% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Marlon Craft
Ain't With Today
148 bpm • C Maj • 03:44 • -6.22db
15% Popularity • 64% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Max Wassen
PSA (Tripping)
148 bpm • F min • 03:30 • -8.33db
25% Popularity • 73% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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SonReal
Soho
147 bpm • B min • 03:03 • -6.33db
27% Popularity • 63% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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OnCue
Rent Money
148 bpm • D Maj • 03:17 • -4.87db
11% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Gyyps
Pray for Us
147 bpm • F min • 03:24 • -8.23db
12% Popularity • 54% Danceability • 68% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
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Jerome The Prince
Stuntin'
147 bpm • A# min • 03:03 • -8.51db
12% Popularity • 80% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Sammy Pharaoh
No Rush
147 bpm • C# min • 03:55 • -7.15db
26% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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mansionz
My Beloved
147 bpm • E min • 03:53 • -5db
39% Popularity • 78% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Bryce Vine
On the Ball
146 bpm • D Maj • 03:10 • -5.65db
43% Popularity • 67% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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SonReal
Supersize
146 bpm • D min • 03:22 • -4.87db
22% Popularity • 70% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Anilyst
Please Do Not
146 bpm • A# min • 03:24 • -8.3db
34% Popularity • 70% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Jaychef
Do What It Do
145 bpm • G Maj • 03:00 • -6.12db
12% Popularity • 90% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Samson
Alone With My Mind
144 bpm • C# min • 02:52 • -11.05db
23% Popularity • 82% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alec King
Long Distance
144 bpm • B min • 03:41 • -5.79db
14% Popularity • 70% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Bryce Vine
Guilty Pleasure - Acoustic Redux
145 bpm • F# Maj • 03:53 • -6.89db
16% Popularity • 76% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Kellz
Kemosabe
144 bpm • F# min • 03:49 • -4.05db
11% Popularity • 80% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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SonReal
Fuck Yeah
145 bpm • B Maj • 03:18 • -7.31db
21% Popularity • 66% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Marko Penn
B2L
144 bpm • D# min • 03:16 • -3db
19% Popularity • 77% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Tabi Bonney
Chasing
144 bpm • G# min • 03:56 • -6.74db
18% Popularity • 81% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Grammy Song