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Granddaddy's Gun
Songs like
Granddaddy's Gun
by
Aaron Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Jason Aldean
Laughed Until We Cried
145 bpm • G Maj • 03:22 • -5.37db
48% Popularity • 55% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Lewis
Granddaddy's Gun
145 bpm • F# Maj • 03:45 • -4.74db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Booth
Hank Crankin' People
145 bpm • G Maj • 03:48 • -4.68db
43% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Sammy Kershaw
Queen Of My Double Wide Trailer
144 bpm • D Maj • 03:31 • -10db
60% Popularity • 60% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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Jamey Johnson
Macon
144 bpm • G Maj • 04:18 • -10db
41% Popularity • 34% Danceability • 49% Energy • 9% Liveness
15% Instrumentalness • 33% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Lewis
Travelin’ Soldier
146 bpm • A Maj • 04:46 • -9.39db
47% Popularity • 65% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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HIXTAPE
Boy From The South (HARDY Cole Swindell,...
146 bpm • D Maj • 03:05 • -4.7db
53% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Heath Sanders
Old School’s In
146 bpm • G# Maj • 03:53 • -5.08db
35% Popularity • 49% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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Tyler Farr
I Don't Even Want This Beer
146 bpm • B min • 03:13 • -5.71db
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Upchurch
Rolling Stoned
144 bpm • G Maj • 03:38 • -12db
60% Popularity • 74% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Cagle
Wal-Mart Parking Lot
147 bpm • F# Maj • 04:22 • -6.3db
35% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Jamey Johnson
Between Jennings And Jones
147 bpm • D Maj • 04:11 • -8db
54% Popularity • 54% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Houser
Workin' Man
146 bpm • D# Maj • 03:38 • -4.87db
46% Popularity • 61% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Combs
Out There
147 bpm • F# Maj • 03:23 • -4.48db
46% Popularity • 44% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Confederate Railroad
Trashy Women - Remastered Version
143 bpm • A Maj • 03:14 • -7db
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Aaron Lewis
Folded Flag
148 bpm • D Maj • 03:51 • -6.68db
42% Popularity • 43% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Montgomery Gentry
Roll with Me
142 bpm • D Maj • 03:53 • -7db
39% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
45% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Luke Combs
Beer Can
148 bpm • G Maj • 03:30 • -5db
59% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Trent Tomlinson
One Wing In The Fire
142 bpm • D# Maj • 03:52 • -7.36db
44% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Granger Smith
Merica
148 bpm • C min • 04:30 • -5.7db
44% Popularity • 52% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
50% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Lewis
God And Guns
142 bpm • B Maj • 03:45 • -4.19db
45% Popularity • 61% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Heath Sanders
Bloodline
148 bpm • F# Maj • 03:52 • -5.19db
45% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Aaron Watson
That's Why God Loves Cowboys
142 bpm • G# Maj • 03:53 • -5.55db
40% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jason Aldean
Rearview Town
142 bpm • A# min • 03:04 • -4.47db
60% Popularity • 53% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
Give It Away
148 bpm • F Maj • 03:29 • -5.88db
69% Popularity • 67% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Brice
I Drive Your Truck
142 bpm • B Maj • 03:54 • -6.22db
59% Popularity • 51% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mickey Lamantia
Outlaw Life
142 bpm • G Maj • 03:35 • -4.37db
40% Popularity • 56% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Montgomery Gentry
Long Line of Losers
148 bpm • D Maj • 03:48 • -6db
44% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jason Aldean
Country Boy's World
148 bpm • G Maj • 04:06 • -5.02db
49% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Aaron Lewis
Can’t Take Back
148 bpm • G# min • 03:38 • -4.06db
36% Popularity • 56% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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George Strait
Take Me To Texas
148 bpm • G Maj • 03:29 • -5.56db
51% Popularity • 45% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Ronnie Dunn
Cost Of Livin'
148 bpm • E Maj • 04:10 • -8db
44% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
52% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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CreatiVets
They Call Me Doc
149 bpm • C# Maj • 04:04 • -4.92db
27% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Koe Wetzel
Fuss and Fight
141 bpm • D min • 04:00 • -5.59db
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Lewis
They Call Me Doc
149 bpm • C# Maj • 04:03 • -4db
36% Popularity • 47% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Randy Houser
Still That Cowboy
149 bpm • F# Maj • 03:46 • -5db
46% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Gary Allan
It Would Be You
141 bpm • G Maj • 02:55 • -8db
47% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
52% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Morgan
This Ain't Nothin'
150 bpm • F# Maj • 04:02 • -5.32db
45% Popularity • 35% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Demun Jones
Campfire Cologne
150 bpm • F# Maj • 03:16 • -5.86db
51% Popularity • 64% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kolby Cooper
It Ain't Me
150 bpm • F# Maj • 04:28 • -4.96db
52% Popularity • 40% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Fleet
Mix 'Em With Whiskey
150 bpm • B Maj • 03:19 • -5db
50% Popularity • 67% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Wood
Dad
150 bpm • C# Maj • 03:27 • -6.38db
41% Popularity • 64% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Cadillac Three
Drunk Like You
140 bpm • C Maj • 03:30 • -6db
42% Popularity • 54% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Giovannie and the Hired Guns
Change
140 bpm • E min • 03:13 • -5.7db
47% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
50% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Casey Donahew
Bad Guy
140 bpm • F Maj • 03:13 • -9.47db
49% Popularity • 67% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Lewis
Spinnin'
140 bpm • A Maj • 03:20 • -12.31db
42% Popularity • 60% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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JJ Lawhorn
Good Ol' Boys Like Us
140 bpm • C Maj • 04:19 • -5.83db
38% Popularity • 42% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Eric Church
Sinners Like Me
140 bpm • C# Maj • 03:53 • -8.49db
52% Popularity • 46% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Diffie
Third Rock from the Sun
151 bpm • A Maj • 03:06 • -8.64db
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Casey Donahew
Drove Me to the Whiskey
140 bpm • G Maj • 03:20 • -8.7db
54% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Johnson
Doubt Me Now
151 bpm • C# Maj • 03:03 • -4.37db
48% Popularity • 54% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Allan
It Ain't The Whiskey
139 bpm • E min • 04:19 • -7.45db
46% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Upchurch
Outlaw
151 bpm • C# min • 04:05 • -9.32db
54% Popularity • 73% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Brooks & Dunn
Hard Workin' Man
152 bpm • C Maj • 02:58 • -9.36db
62% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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JJ Lawhorn
Stomping Grounds
152 bpm • A# min • 03:31 • -5.42db
37% Popularity • 51% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Church
Over When It's Over
138 bpm • C Maj • 02:39 • -6db
51% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Jason Aldean
Asphalt Cowboy
152 bpm • B Maj • 04:02 • -5.52db
26% Popularity • 54% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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George Strait
I Got A Car
138 bpm • E Maj • 04:32 • -7.37db
54% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Rehab
Bartender (Sittin' At A Bar)
152 bpm • E Maj • 03:39 • -3.71db
53% Popularity • 59% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Lewis
Let’s Go Fishing
152 bpm • G Maj • 03:19 • -11.21db
43% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Combs
Sheriff You Want To
152 bpm • F# Maj • 03:41 • -7.74db
65% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
If It Wasn’t For Trucks
152 bpm • D Maj • 03:17 • -5.59db
57% Popularity • 44% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Clay Walker
Fall
138 bpm • C Maj • 03:37 • -6.99db
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
67% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Lewis
Pull Me Under
152 bpm • C Maj • 04:28 • -9.14db
43% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Church
Like Jesus Does
137 bpm • C# Maj • 03:18 • -8.39db
54% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Thompson
Cold Beer With Your Name On It
153 bpm • C Maj • 03:21 • -4.46db
42% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Cadillac Three
White Lightning
137 bpm • G Maj • 02:58 • -4.3db
48% Popularity • 42% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Aaron Lewis
Forever
138 bpm • G# Maj • 04:29 • -6db
41% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Cagle
Anywhere But Here
137 bpm • B Maj • 04:03 • -7db
38% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jesse Watson
Chickin Lights And Chrome
154 bpm • A min • 03:21 • -5.15db
46% Popularity • 57% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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HIXTAPE
What They Make Backroads For (HARDY Trac...
154 bpm • E Maj • 03:18 • -6.56db
47% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Tyler Booth
Already Got One
136 bpm • G# Maj • 02:55 • -5db
40% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Aaron Lewis
The Party’s Over
154 bpm • F# Maj • 03:34 • -4.69db
37% Popularity • 62% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Granddaddy's Gun