Songs like Grande valse brillante by Joachim Grandt
Based on a tempo of (+/- 10%) and a similar genre
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Lola Guardiola
La Rabalera
73 bpm • A# Maj • 02:42 • -16db
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 48% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 48% Positiveness
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Gabrieli String Quartet
John Hector McFarlane and His Mother (Th...
73 bpm • F min • 02:01 • -32db
9% Popularity • 16% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Professor van Dusen
Teil 13 - Folge 34: Professor van Dusen ...
73 bpm • B min • 03:01 • -17.95db
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 72% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Dilyana Georgieva
Deux chansons: No. 2, Chanson de l'adieu
73 bpm • D Maj • 02:11 • -8.47db
19% Popularity • 36% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
19% Popularity • 36% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
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曾嵐蘭
回憶的小舟
73 bpm • C min • 03:42 • -26db
7% Popularity • 23% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 23% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Joachim Grandt
Grande valse brillante
73 bpm • F Maj • 05:28 • -8.74db
0% Popularity • 38% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 38% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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環球合唱團
憶兒時
73 bpm • D# Maj • 03:23 • -24.23db
10% Popularity • 19% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op. 410 (Arr. A. Grü...
73 bpm • D# Maj • 03:59 • -26.37db
10% Popularity • 44% Danceability • 13% Energy • 35% Liveness
47% Instrumentalness • 52% Positiveness
10% Popularity • 44% Danceability • 13% Energy • 35% Liveness
47% Instrumentalness • 52% Positiveness
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Everlasting Praise Publications
Like a River Glorious
73 bpm • G Maj • 03:35 • -12.94db
7% Popularity • 12% Danceability • 22% Energy • 32% Liveness
73% Instrumentalness • 9% Positiveness
7% Popularity • 12% Danceability • 22% Energy • 32% Liveness
73% Instrumentalness • 9% Positiveness
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Orfeón de Miravalles
Audi Deus (salmo 60)
73 bpm • A min • 02:28 • -10db
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 25% Energy • 20% Liveness
29% Instrumentalness • 16% Positiveness
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Nana Mouskouri
Kane Ligaki Ypomoni
74 bpm • C Maj • 04:25 • -11.61db
8% Popularity • 19% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
8% Popularity • 19% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 12% Positiveness
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Peter Deunov
Winning
74 bpm • G Maj • 01:46 • -18.48db
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Bemby Gusti
Bengawan Solo
72 bpm • F# Maj • 10:49 • -15.8db
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
71% Instrumentalness • 19% Positiveness
22% Popularity • 32% Danceability • 21% Energy • 8% Liveness
71% Instrumentalness • 19% Positiveness
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Dilyana Georgieva
Mandoline, L. 29
74 bpm • C Maj • 02:14 • -8.52db
19% Popularity • 41% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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幸福男聲合唱團
歸來吧蘇瀾多
74 bpm • E Maj • 03:29 • -13.8db
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 21% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Germaine Tailleferre
La Rue Chagrin
72 bpm • F Maj • 04:40 • -13.36db
14% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena final, I parte: ...
74 bpm • C# Maj • 04:02 • -17.43db
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
9% Popularity • 31% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 27% Positiveness
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Alexandre Desplat
Stick With Me
74 bpm • G min • 01:37 • -20.03db
15% Popularity • 37% Danceability • 21% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
15% Popularity • 37% Danceability • 21% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
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Brian Greene
The Happy Ending / Guys and Dolls Finale
72 bpm • D# Maj • 02:13 • -13.92db
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 51% Positiveness
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Nicola D'Agostino
Un bel dì vedremo (As heard in the seri...
74 bpm • A# min • 03:52 • -22.41db
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 14% Liveness
50% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Aimons-nous
74 bpm • A# Maj • 03:36 • -18.05db
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Schumann
Schumann: Liederkreis, Op. 39: No. 1, In...
74 bpm • A min • 02:05 • -24.57db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Louis Gallini
Chanson bohème
74 bpm • G# Maj • 03:18 • -15.05db
0% Popularity • 31% Danceability • 10% Energy • 40% Liveness
53% Instrumentalness • 16% Positiveness
0% Popularity • 31% Danceability • 10% Energy • 40% Liveness
53% Instrumentalness • 16% Positiveness
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Louise Reichardt
Sei Canzoni di Metastasio: VI. Se non pi...
74 bpm • G Maj • 01:00 • -7.75db
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 57% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Ángeles Ottein
Que la lea prima Rosa
74 bpm • D Maj • 03:14 • -10db
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 26% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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Maurice Ravel
Ravel: L'enfant et les sortilèges, M. 7...
75 bpm • D min • 09:02 • -19.73db
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 16% Energy • 26% Liveness
1% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
72 bpm • A Maj • 02:01 • -24db
11% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Jeanette MacDonald
Rose Marie
71 bpm • C Maj • 03:04 • -17.57db
11% Popularity • 21% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
11% Popularity • 21% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
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André Delacour
L'oiseau
75 bpm • G# Maj • 02:54 • -9.66db
1% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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André Rieu
Caro Nome - Live
75 bpm • E Maj • 07:10 • -17.84db
21% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
21% Popularity • 34% Danceability • 30% Energy • 60% Liveness
1% Instrumentalness • 6% Positiveness
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Ofelia Nieto
Mírate en el espejo
71 bpm • G Maj • 02:36 • -12db
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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環球合唱團
安妮羅莉
75 bpm • D Maj • 02:54 • -21db
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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陳淑貞
母啊喂
75 bpm • G# Maj • 03:07 • -20.07db
8% Popularity • 33% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Irish Pub Society
Donegal Tale
75 bpm • G Maj • 03:57 • -15.41db
7% Popularity • 8% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
7% Popularity • 8% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Vicente Celestino
Coração Materno
75 bpm • C# Maj • 03:07 • -6.4db
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 48% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Death Pelican
Quiet Reflections
75 bpm • E Maj • 03:15 • -11db
9% Popularity • 9% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 9% Danceability • 30% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Mario Lanza
Pour un Baiser - 2023 Remastered
75 bpm • G# Maj • 02:14 • -12.24db
9% Popularity • 16% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 13% Positiveness
9% Popularity • 16% Danceability • 36% Energy • 10% Liveness
40% Instrumentalness • 13% Positiveness
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環球合唱團
夢
71 bpm • E Maj • 03:38 • -38db
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Hibari Misora
愛燦燦（あいさんさん） - Symp...
71 bpm • B Maj • 04:46 • -10.98db
7% Popularity • 18% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 18% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Songs My Mother Taught Me
71 bpm • C# Maj • 02:22 • -27db
15% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
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Ruperto Chapí
La Tempestad, Acto II: Diamantes Brasile...
76 bpm • G# Maj • 06:08 • -9.6db
7% Popularity • 32% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 32% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Al Jolson
Dirty Hands! Dirty Face! - Film: "The Ja...
70 bpm • A Maj • 02:56 • -13.16db
9% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Bar Giora
Voices From the Iand of the Wind - Rolle...
76 bpm • G# Maj • 01:33 • -15.15db
8% Popularity • 15% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 15% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
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張淑美
夢中情侶
70 bpm • G min • 03:41 • -13.84db
8% Popularity • 33% Danceability • 20% Energy • 13% Liveness
8% Instrumentalness • 22% Positiveness
8% Popularity • 33% Danceability • 20% Energy • 13% Liveness
8% Instrumentalness • 22% Positiveness
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Rafael Sanchez Cestero
Martha
76 bpm • A# Maj • 03:15 • -12.14db
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 10% Positiveness
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Tania Libertad
Madama Butterfly: Un bel di vedremo - Re...
76 bpm • C# Maj • 04:33 • -9.72db
8% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Ruperto Chapí
La Tempestad, Acto I: ¡Virgen Santa! (C...
76 bpm • F Maj • 08:08 • -8.03db
8% Popularity • 28% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 28% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Gilbert & Sullivan
IF YOU WANT TO KNOW (Remastered 2022)
76 bpm • G Maj • 02:30 • -8.28db
10% Popularity • 18% Danceability • 46% Energy • 62% Liveness
81% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 46% Energy • 62% Liveness
81% Instrumentalness • 24% Positiveness
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Imis
Phiphios
70 bpm • F# Maj • 01:16 • -35.55db
10% Popularity • 30% Danceability • 2% Energy • 15% Liveness
97% Instrumentalness • 20% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 15% Liveness
97% Instrumentalness • 20% Positiveness
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Paul Bonneau
Je rêve de danser
76 bpm • F min • 03:00 • -12.92db
24% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hugo Avendaño
Tu, Tu y Tu
70 bpm • D# Maj • 02:59 • -12.16db
8% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
8% Popularity • 24% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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環球合唱團
握別
70 bpm • E Maj • 03:44 • -21.56db
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Piero Piccioni
Nata di Marzo - Finale
76 bpm • A min • 00:48 • -7.35db
15% Popularity • 22% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
15% Popularity • 22% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 34% Positiveness
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Melitza Torres
Der Erlkönig
76 bpm • G min • 04:05 • -12.6db
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
10% Popularity • 21% Danceability • 33% Energy • 26% Liveness
8% Instrumentalness • 23% Positiveness
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笠置シヅ子
恋の峠路 - 2023 Remastered Ver.
76 bpm • D min • 03:05 • -7.4db
12% Popularity • 29% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 29% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Edna Thornton
Your King and Country Want You
70 bpm • D Maj • 04:07 • -13.38db
7% Popularity • 47% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 47% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Francesco Cavalli
Il Giasone, Act 1 Scene 14: Dell'antro m...
69 bpm • D min • 02:15 • -16.33db
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Guo Tai Gong
Raid On the White Tiger Regiment: 'Never...
77 bpm • D# Maj • 01:02 • -17.21db
20% Popularity • 48% Danceability • 15% Energy • 30% Liveness
86% Instrumentalness • 81% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 30% Liveness
86% Instrumentalness • 81% Positiveness
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Max Raffeng
Vecchio Boston
77 bpm • G Maj • 01:52 • -11.31db
10% Popularity • 29% Danceability • 34% Energy • 62% Liveness
2% Instrumentalness • 44% Positiveness
10% Popularity • 29% Danceability • 34% Energy • 62% Liveness
2% Instrumentalness • 44% Positiveness
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Akira Kobayashi
心酸酸
69 bpm • E min • 01:35 • -28.71db
11% Popularity • 32% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 32% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Dalibor Grubacevic
Zajedno - Odjavna Tema
77 bpm • D# min • 02:30 • -16.28db
9% Popularity • 29% Danceability • 22% Energy • 11% Liveness
24% Instrumentalness • 13% Positiveness
9% Popularity • 29% Danceability • 22% Energy • 11% Liveness
24% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Florent Schmitt
La Tragédie de Salomé, Op. 50: V. Quat...
77 bpm • E Maj • 02:33 • -25.61db
23% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
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Luigi Astore
Botch-a-Me "Ba-Ba-Baciami Piccina"
77 bpm • A min • 02:33 • -9.81db
7% Popularity • 62% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 62% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Sergei Rachmaninoff
14 Romances, Op. 34: No. 14, Vocalise
77 bpm • C# min • 06:06 • -23.49db
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
69 bpm • G Maj • 02:17 • -30db
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 21% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Ricardo García De Arellano
Duda
77 bpm • D# Maj • 05:53 • -18.95db
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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The Red Army Choir
Моя Родина
77 bpm • G Maj • 03:19 • -11.01db
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 14% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, I parte: "Pantomima"
69 bpm • F Maj • 03:58 • -13db
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 24% Energy • 51% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Francesca Caccini
Amarilli (Recorded 1939)
77 bpm • E min • 03:34 • -24db
9% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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湯蘭花
藍色的憂鬱
77 bpm • F# min • 03:17 • -28.57db
8% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Hyo-Won Woo
Requiem aeternam (Eoi Gari)
77 bpm • G Maj • 02:40 • -23.03db
10% Popularity • 20% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Billy Murray
I'm Looking for a Sweetheart
69 bpm • C Maj • 04:11 • -10.04db
1% Popularity • 74% Danceability • 35% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 74% Danceability • 35% Energy • 76% Liveness
0% Instrumentalness • 73% Positiveness
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Peter Deunov
The joy of Earth
69 bpm • G Maj • 01:56 • -19db
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
10% Popularity • 26% Danceability • 21% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
► Preview
Victor Herbert
The Red Mill: Moonbeams
69 bpm • A# min • 03:27 • -19.68db
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Bedřich Smetana
The Prague Carnival. Introduction and Po...
69 bpm • A Maj • 05:57 • -15.52db
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Ángeles Ottein
Escena final - Primer acto, Pt. 3
69 bpm • F Maj • 03:29 • -9db
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
11% Popularity • 34% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 41% Positiveness
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斎藤高順
『東京物語』メインタイトル ...
78 bpm • G Maj • 02:18 • -8.76db
8% Popularity • 20% Danceability • 42% Energy • 15% Liveness
85% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 42% Energy • 15% Liveness
85% Instrumentalness • 7% Positiveness
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Musicam Sacram Ensemble
Ang Pananalangin sa Halamanan, Kagat-dil...
78 bpm • C Maj • 04:35 • -15.32db
11% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 16% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Peter Deunov
A nice day
78 bpm • C Maj • 02:56 • -18.53db
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 17% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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John Dowland
Lachrimae Antiquae
78 bpm • A min • 03:53 • -20.33db
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Sarita Montiel
La Violetera
78 bpm • C Maj • 03:45 • -18.49db
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 25% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ángeles Ottein
Dúo de Rosa y Rufo, Pt. 2
78 bpm • B Maj • 03:01 • -10db
9% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Alessandro Simonetto
Danza della Moldavia
78 bpm • B Maj • 03:38 • -12.29db
20% Popularity • 34% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
20% Popularity • 34% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
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Charlotte Hoather
La Boheme, Act II: “Quando me’n vo�...
78 bpm • E Maj • 02:22 • -13db
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Deunov
Evera
78 bpm • F Maj • 01:29 • -14.18db
12% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
12% Popularity • 8% Danceability • 29% Energy • 17% Liveness
97% Instrumentalness • 20% Positiveness
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Ernest Guiraud
L'Arlesienne Suite No. 2 (arr. E. Guiran...
68 bpm • D# Maj • 04:20 • -21.68db
12% Popularity • 19% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Coro del Gran Teatro Lírico de Bacelona
Las Golondrinas, Escena 2ª: "Caminar"
68 bpm • G Maj • 03:53 • -11db
10% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 28% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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笠置シヅ子
北海ブギウギ
78 bpm • A# Maj • 03:00 • -12.07db
8% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Kåre Chr. Vestrheim
Svalbard in 8mm
78 bpm • C Maj • 01:12 • -16.59db
8% Popularity • 43% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
8% Popularity • 43% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
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Alessandro Moreschi
Ideale
78 bpm • A Maj • 02:28 • -20.08db
8% Popularity • 35% Danceability • 13% Energy • 47% Liveness
11% Instrumentalness • 46% Positiveness
8% Popularity • 35% Danceability • 13% Energy • 47% Liveness
11% Instrumentalness • 46% Positiveness
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Laura Auer
Norma: "Casta Diva"
68 bpm • F Maj • 05:30 • -10.31db
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Peter Deunov
How pleased we are
79 bpm • G Maj • 01:22 • -14.58db
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
13% Popularity • 14% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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Carl Busch
4 North American Legends: No. 4, Omaha I...
79 bpm • G Maj • 06:07 • -22.96db
12% Popularity • 14% Danceability • 9% Energy • 27% Liveness
40% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 27% Liveness
40% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur Act II, Scene 2: L'an...
79 bpm • B min • 01:53 • -19.93db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Kerry Ball
Ippolito Villano
67 bpm • G# min • 01:16 • -35.17db
10% Popularity • 43% Danceability • 1% Energy • 25% Liveness
94% Instrumentalness • 22% Positiveness
10% Popularity • 43% Danceability • 1% Energy • 25% Liveness
94% Instrumentalness • 22% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Duetto: Mientras con...
79 bpm • A Maj • 03:43 • -12.24db
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 29% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act III: Duet...
80 bpm • A# Maj • 02:38 • -20.84db
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 19% Positiveness
