Songs like Grandes études de Paganini, S. 141: Grandes Études de Paganini, S. 141/R. 3b: No. 3 in G-Sharp Minor, "La campanella" by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Franz Liszt
12 Études d'exécution transcendante, S...
106 bpm • A Maj • 08:08 • -17.88db
30% Popularity • 32% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 33% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Mikhail Glinka
Mazurka in C Minor
106 bpm • C min • 02:35 • -31db
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
40% Popularity • 39% Danceability • 1% Energy • 22% Liveness
85% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
49% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Vladimir Horowitz
Saint-Saens - Danse macabre, S555/R240 (...
108 bpm • D# Maj • 09:17 • -22.08db
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Pieces, Op. 51, TH 143: VI. Valse se...
108 bpm • C# Maj • 02:21 • -26.18db
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Claude Debussy
2 Arabesques, L. 66: No. 1 in E Major
109 bpm • E Maj • 04:33 • -31.91db
53% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
53% Popularity • 25% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Claude Debussy
La Fille aux Cheveux de Lin, L. 33
110 bpm • F# Maj • 02:27 • -36.58db
50% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
50% Popularity • 36% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
101 bpm • E min • 07:11 • -24.87db
30% Popularity • 56% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
30% Popularity • 56% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
112 bpm • F# Maj • 00:59 • -30.77db
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
52% Popularity • 33% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
50% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
56% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Vladimir Rebikov
Valse Mélancolique
113 bpm • B min • 01:34 • -24db
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 53% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Prokofiev: 10 Pieces from Romeo & Juliet...
99 bpm • A min • 03:58 • -19db
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
43% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
43% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 9
99 bpm • G min • 01:03 • -44db
52% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
52% Popularity • 39% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Liszt: Années de pèlerinage, Troisièm...
98 bpm • F# Maj • 07:15 • -22db
13% Popularity • 30% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 30% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
115 bpm • D Maj • 05:27 • -26.76db
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
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Fritz Kreisler
Liebesleid (Love's Sorrow)
98 bpm • A Maj • 04:13 • -19.86db
52% Popularity • 33% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
52% Popularity • 33% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
62% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Liszt
Liszt: Piano Concerto No. 2 in A Major, ...
98 bpm • A Maj • 01:37 • -14.84db
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
49% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
6 Grandes études de Paganini, S. 141: N...
115 bpm • G# min • 04:30 • -25.4db
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
29% Popularity • 37% Danceability • 20% Energy • 9% Liveness
43% Instrumentalness • 38% Positiveness
► Preview
Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 2 in B...
95 bpm • B min • 02:43 • -16.21db
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
116 bpm • F min • 05:32 • -20.36db
22% Popularity • 36% Danceability • 12% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
► Preview
George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
56% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Franz Liszt
Liebestraum
95 bpm • G# Maj • 04:45 • -15.77db
48% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Janos Sebestyen
Prelude In C Minor, BWV 999 : Prelude In...
120 bpm • G min • 01:08 • -27.43db
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
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Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
53% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
53% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
119 bpm • A min • 04:57 • -20db
30% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
30% Popularity • 37% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
60% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
60% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Franz Liszt
12 Etudes d'execution transcendante, S13...
94 bpm • A# min • 05:16 • -22db
35% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
35% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Valentina Lisitsa
Etude Op. 10 no. 4 in c sharp minor
92 bpm • F# min • 01:51 • -20.42db
38% Popularity • 43% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 56% Positiveness
38% Popularity • 43% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 56% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
32% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
